• 한국주거학회논문집
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• 제16권3호
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• pp.37-47
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• 2005

The Chosun Exhibition was held in 1929 and the Architectural Association of Chosun(AAC) displayed model houses fur the fair. These model houses represented the new housing trend of the Chosun society, so this research was necessary to find out the facts. The main materials used for this research were issues from 'Chosun and Architecture'. The objects of this research was to find out the activity of the AAC and to classify the displayed model houses according to the structure, plan and interior. These three model houses depicted the improved housing designs at that time. Improved housing designs also depicted the convenience of everyday life, hygiene, improvement of facilities and the application of modem lift to that era. Therefore, these three houses would be revaluated as new models of houses for the Chosun society under education activity by the AAC.

• 건축역사연구
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• 제13권1호
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• pp.35-51
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• 2004

The object of this study is upper class house in Yang-dong village with the purpose of spatial-sociological study of traditional Korean architecture. Space is the basic element of architecture and is fundamental for understanding architecture. Space, however, can be better understood through its social context rather than through its physical or psychological attributes. Space exists in a society, providing the physical environment which frames it Social environment affects the thoght of people who are members of that society. Space is built by the people in a society and is affected by their thought. Spatial-sociological study can explain a mutual relation between people and space through context. It defines characteristics of space based on mutual relations which exist among the people, the culture of society and the environment of society but also having a sociological component, study of architectural space should consider the social context. Since architectural space is built on social and cultural bases, to understand it requires various methods of study Spatial-sociological analysis is one alternative. Using space syntax, this study analyzes houses in Yang-dong village by not only defining attributes of individual houses, but also common attributes of houses in the village. Based on common attributes of houses in the village, the attributes of Yang-dong village houses can be re-defined within the social context. the results from a spatial-sociological analysis of upper class housing of the Yang-dong village are as follows; (1) Related to confucian ideas in Chosun Dynasty : A house has a dualistic center organized with 'an-chae' and 'sarang-chae'. 'an-chae' space is organized unsociably from outside. (2) Related to various space pattern of Yang-dong village House in the Chosun Dynasty period :As variations in the types of space pattern, the village house exhibit different attributes.

• 한국주거학회논문집
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• 제10권4호
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• pp.101-109
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• 1999

The Japanese style official residence were built by Chosun bank during the Japanese colonial period. The purpose of this study is to find out the architectural meanings of Chosun bank's official residence, its influences on Korean modem dwellings through trace of the original form and actual survey on the residence. We could understand influences of the rationality, also through the process of prototype's transformation and maintenance's change, we can know that the residence's modernizing process don't have the inflow onesidedly but the process of the collision and the assimilation to the differences between the residential sense and one's culture.

• 건축역사연구
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• 제15권4호
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• pp.87-105
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• 2006

Dok-Rak-Dang and Hyang-Dan, upper class houses of Chosun Dynasty on the early and mid 16th century, are generally known as specific style houses among traditional residences in Korea. Architectural singularities of these two residences are summarized as double facades, uncertain circulation, self-secluding construction, dilemmatic structure, and rotative circulation that are far from architectonic principle of that time. Characters of Deconstructionist Art, deconstruction of binary oppositions, double session, displacement without reversal, and paradox, are very similar to those of two residences both as a material phenomenon and as a metaphysical idea. Thus, this paper attempt to analyze architectural singularities of Dok-Rak-Dang and Hyang-Dan with the perspective of Deconstructionist Art Theory.

• 건축역사연구
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• 제7권3호
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• pp.9-26
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• 1998

Architectural Drawing has been settled down the very effective means of exchanging their architectural ideas and data on the construction process. However, it was not easy to conserve the original drawings, which aims had been accomplished, at the same time, building was built. The same phenomena were occurred in our traditional architectural construction project, especially before pre-modern age. And do not understand soundly building documentation accepted by craftsmen in the period of earliest Chosun dynasty and how to present their idea and information of architectural as means of sketches and drawings. So, this paper aimed to clarify the drawing occurrence and the development steps of their rendering, representation methodology in the construction process in Sannungdogam-Uuigue, which were the construction documents of government based on the royal family's tomb and building projects in the late Chosun Dynasty. There are three development stages of architectural space representation, pre-drawing stage, drawing occurring stage and drawing settlement stage, They had been adapted unique drawing presentation method which were drawn by artisan, so called Doseol(圖說)and Painter Hwawon(畵員) The results are 1. In the Pre-drawing stage, they had been used the systematic explanation method of character 2. Do not have the evidence of adapting drawing before 17th centry, it was originated in early 17's century started with Onga(甕家). Onga's Drawing was drawn very elementary skill, and became development, settlement and standardization of their drawing representation around 19th century 3. The drawing presented by client's recognition view of space and building, integrated data within a sheet of drawing with practical and hierarchy and using graphic and description.

• 건축역사연구
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• 제21권3호
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• pp.93-108
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• 2012

This study is one that estimates the architectural composition as well as the location of guest house of Haemi Eupseong on the basis of the analysis of modern and contemporary data related to Haemi Eupseong. It is significant that this study has presented an opinion that can become a practical basis for the historical research of the prototype of Haemi Eupseong of the late Chosun Dynasty through the analysis of modern and contemporary data that had been unsatisfactory among the fruition of studies conducted in relation to Haemi Eupseong. The outcomes achieved by this study are as follows. Firstly, it was verified that the guest house of Haemi Eupseong that has been restored is one that has different architectural composition than the prototype of the late Chosun Dynasty and is restored in a different location. Secondly, in respect of architectural composition of guest house found by the analysis of the picture, it was confirmed that the government office has one step higher than the double-wing house in the form of the roof. Thirdly, the location of the guest house of Haemi Eupseong of the late Chosun Dynasty is judged to be the periphery area where the current restored guest house is located, which is where the teachers' building of Haemi elementary school was located. Fourthly, the prospect of the guest house of Haemi Eupseong is decided to be similar direction to the current restored guest house with the greatest possibility of having the same direction with the arrangement of teachers' building of Haemi Eupseong elementary school.

• 건축역사연구
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• 제19권2호
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• pp.7-20
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• 2010

Keunsemal, Sinhang-ri, Dunpo-myeon Asan-si,Chungcheongnam-do is where the former President of Korea, Yun, Bosun was born. The houses of Yun, Il-Sun, Yun, Je-Hyung, Yun, Seung-Gu, and where the former President Yun was born are designated as cultural assets by the Korean government. The three houses of the Yuns are located in the center of the village and the size is much different from regular houses since they were created as large scale house of nobilities during the Chosun Dynasty. Along with the three Yun houses and other houses in the village show a great history and tradition of the history and modern times. Unlike other traditional village arrangement, this village was created during the end of Chosun Dynasty and extended into the modern times. From the village, you can see the changes in architecture within the 200 years from traditional Korean-style houses to modern houses. This investigation is a research / analysis of the architectural characteristics of Keunsemal, Sinhang-ri, Asan-si. People can observe changes in the different types of architectural forms of houses based on the history of Korea and time periods. Within the village, there are large scale house of nobilities which were built during the late Chosun Dynasty, common people's houses, farmhouses which were built during the modern times, common people's houses during the industrialization period, and modern houses with backyards. The village of Keunsemal, Sinhang-ri, Asan-si is a very special cultural asset for Korea because the houses in the village show a clear architectural process of change in styles of houses for Korean history.

• 건축역사연구
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• 제6권3호
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• pp.109-128
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• 1997

When [Chosun gunchukdan (Korean Architects Group) has operated in just after Liberation, and analysis their magazine [Chosun gunchuk], they taken the middle the road position. But in spite of continuing the arcitetural operatuon in southern Korea after establishing government, they had the character of progressives in itself. Specially in term of architetural history, architecture and sociaty, problam of dwelling, they had progressives consideravely. And not point of left-right view, there had been the writings of the racial view consideravely. But as coming establishing government, there were disappeared the progressives gradually.

• 건축역사연구
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• 제8권1호
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• pp.63-80
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• 1999

Poet, Yi-sang, born in 1910, originally studied architecture in Kyeong Sung High Technical School. He also experienced an architectural practice in Chosun Chongdokbu (the Government office of Japanese empire in Korea) during 4 years. After resigned the post of architectural engineer in 1933, he became a man of letters. Until his death in 1937, he published the writings hard to understand, which remind us of the works of western avant-garde. Because of the peculiarity and difficulty of his poem and novels, he becomes the object of studies by many critics and historians of literature. And he is estimated as the representative of Korean modernism. This study tries to related Yi-sang's early poems to architectural discourse for the search of 'modernity' of Korean modern architecture. His early poems, which is published in from 1931 to 1933, are worthy of notice because they contained a acute shock derived from radically changed spacial structure, the absolute emptiness of the individual happened in the 1930's Seoul. They also show a different attitude from the writings of Park Dongjin and Park Kilryong, the architects contemporary with Yi-Sang. Compared with their writings, Yi sang's early poems had an insight into the totality of modern culture like western avant-gardes. Therefore Yi-sang's early poems can give us a good base to understand the characteristics of 'modernity' of Korean architecture.

• 건축역사연구
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• 제18권5호
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• pp.41-58
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• 2009

The purpose of this study is to investigate the symbolic meaning of pattern designs attached on the main building of Chungcheongnam-do Provincial Government (CPG). While most of researches mainly focused on the value and evaulation of the CPG building in terms of architectural history, relatively little insight has been gained on the symbolic meaning and mature of the pattern designs. What king of connections are related between the emblem of Governor-General of Chosun(Korea) and those of CPG? What symbolic meanings are engraved on the pattern designs? The researcher then took up the task of elucidating symbolic meanings of patterns and their relation to the building. The existing pattern of the outer wall of the CPG building consists of the symbol of sun(太陽輪), mums(菊花輪), and angle of stairs(雁大角). According to the Japanese Studies of emblems, these visual elements symbolize 'the sun of Japan'((日の丸) or 'the emperor', 'the royal family', and 'rays of the sun'. Based on these preliminary findings, the researcher considered the following in-depth connections: (1) relations with the emblem of Governor-General of Chosun, (2) relations with the emblems of local autonomous entity, Kyoungsung in Chosun. (3) relations with the emblem designs of the local provinces in Japan etc. In conclusion, patterns of the main building were not just an architectural decoration, but they had significant meanings utilizing design elements and methods adopted by local autonomous entities in Japan, The patterns found at the ceilling and floor of hall in the CPG building were associated with the emblem of Governor-General of Chosun. Therefore, all the patterns of the CPG building are powerful symbols that have meanings for the colonial rule by using the shape and method of city identities that Japanese local provinces had enacted. That is, it came out into the open that they were designed for special meanings that Korean and Japanese are united as a single body(內鮮一體) for a subject of the Emperor of Japan(皇國臣民).