• 한국수학교육학회지시리즈E:수학교육논문집
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• 제24권3호
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• pp.611-626
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• 2010

본 연구는 일차항수의 합성 성질에 관한 수학적 지식의 발견을 CAS 그래핑 계산기를 도구로 활용하여 조명하였다. 이를 위하여 먼저 CAS 그래핑 계산기와 같은 공학이 도구로 생성되는 의미와 과정을 살펴보았고, 실험수학의 견지에서 CAS를 활용한 관찰, 추측, 추론과 증명 등의 개념 기반형 수학적 활동에 기초한 수학적 지식 발견의 탐구 활동을 구상하였으며, 이 활동의 실제적 적용으로 일차함수의 반복 합성에 의해 얻어진 함수족들의 성질을 분석하였다. 이를 통하여 CAS 그래핑 계산기가 가지는 도구의 기능적 능력인 그래프 그리기, 표의 생성이나 기호 조작은 지필로는 힘든 반복 합성한 함수족의 탐구를 유의미하도록 함을 알 수 있었고, CAS가 수학적 활동에 매개되어 학교수학의 새로운 교수-학습 변화에 대한 주요한 역할을 담당할 수 있음을 확인할 수 있었다.

• 한국의상디자인학회지
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• 제16권2호
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• pp.81-100
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• 2014

The purpose of this study is to link traditional patterns to mordern clothing. Of all the traditional patterns, the fish pattern was chosen for use during the development of a creative one-piece design for woman and shirts design for man. This study is based upon document searches, including research papers. Through these searches, it investigates the symbolic meaning, formation of the fish pattern and the creative design process. Based on this investigation, the study attempts to modernize the fish pattern and apply the fish patterns to the design of a one-piece dress and shirts. The design procedure includes three sub-processes: selection, arrangement and color-scheme. The selection process, the form of the pattern was edited using Adobe Photoshop. The arrangement of the pattern was made through the checklist conception method, containing the following functions: expand, reset, repeat, omission and dismantling. For the color-scheme of the pattern, Paul Klee(1879-1940)work was selected, and the colors in his work were adopted when dyeing the rest of the one-piece dress and shirts as well as fish features. In conclusion, six designs of the one-pieces dress and shirts were created by using one of Korea's traditional patterns-the fish pattern. This kind of study not only let the world know about the unique beauty of nations but also helps to inspire people who has a profession in design, by suggesting design development process based on design competitiveness improvement factor from fusion of tradition and modern.

• 한국실내디자인학회논문집
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• 제29호
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• pp.281-288
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• 2001

It shows 21st century as a networking society that is moving up the concept of global town and being industrialized with regional and personal connections. Individual's original idea and variety of 21th century may be respected by such environmental change, and age (Literary, human axis, technology axis, nature axis, kaining farming axis are central keyword) of culture that cultural capacity of individual becomes important fetters that create added value is forecasted to become. The moaning for space that is unemployment enemy by change of conceptional environment about cultural life and agreeable quality of life by development of Information-Communication technology may be required newly. As it does interaction along with development of science technique and Information-Communication technology, the future environment of various that complex! Is predicted to form network environment (existence space, cyberspace) newly. Human central interest is risen in technology balance hereupon, and these characteristic escaped in physical system that do with functional special quality and require human central and sensitive interaction. First, if examine about phenomenon by Digitize and chance aspect that is risen in 21th century, Digitize is time that action occurs fusion Tuesday that is various and Blur phenomenon of city·space, and the period to collapse the border between several individual. Second, importance more than man-centered and sensitive aspect of functional physical system is risen by digital age with development of technology medium, and as the five digital senses showed up, it suggests a sensual of the times and therefore the interest and direction get set up for the sensual sides of consumers. Third, special quality is, medium enemy by that digital space connotes meaning disk floret, variability, transparency, space red of extensity etc.. to burn and is digitalised, can be risen by symbolic, original individualities and emotional communication's the importance is required sensitivity enemy who is sympathy horn by fusion anger of individual. Technology of new media may open direction of new communication through interface that did not enjoy so far is going to supply new means that can express own to human

• 한국농촌건축학회논문집
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• 제14권2호
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• pp.11-18
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• 2012

Carlos Jimenez's 'House and Studio' was self-designed to fully function as both a home and workplace. Since its establishment in 1983, the installation has been continuously updated for almost 30 years solely under the guidance of the owner's life occurrences and routine needs. The additions and alterations succeeding the building's erection were executed to incorporate small yet symbolic fragments of the resident's memories and life episodes. The particularity of the 'House and Studio' can be compared with other residential remodeling and expansion projects in regards to certain key aspects. These means of comparison include, but are not limited to, building strictly under the direction of a master plan of development vs. allowing natural adaptations that comply with the resident's needs, rapid development vs. gradual advancement, the ornamenting by exposing showy features vs. the enhancing by addition of modest natural components, sustainability vs. sustenance, systematic room divisions vs. ambiguous spatial organization, possession as a materialized asset vs. preservation as a recollection of memories, and finally the recognition as one example of signature architecture vs. the witnessing of a maturing animated shelter. The given propositions can be further explained with the comprehension of Erich Fromm's theory of the 'Having' mode and 'Being' mode, two mechanisms that categorize the essence of human life. The 'Having' mode is described by the human greed for wealth, power, and influence, whereas the 'Being' mode is comprised of compassion, joy, and productivity. Fromm's thesis applies to the general sense of human life, but the ideas can be narrowed to accommodate the architectural standpoint. In architecture, the 'Having' mode can be translated to be the conspicuous form-oriented and self-contained object. The 'Being' mode, on the other hand, is transposed as the more natural form, incorporating the needs of the owner before commercialization. The growth of Jimenez's 'House and Studio' can be perceived as an architectural suggestion to the overcoming of human indifference caused by fixation on the 'Having' mode.

• 한국조경학회지
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• 제40권1호
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• pp.69-80
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• 2012

대체로 정원은 인간의 자연과 문화에 대한 생각, 그리고 그 둘 간의 영향관계로 설명되어 왔다(Francis and Hester, 1990). 이 글은 정원을 인간의 꿈과 이상이 구축된 표상으로 간주하고 그 구체적인 면모를 토마스 제퍼슨의 정원을 사례로 하여 고찰해 보려고 한 것이다. 정치가로서의 면모가 더 많이 알려져 있는 토머스 제퍼슨은 직접 여러 정원을 설계하여 조성한 후 몸소 가꾼 정원가이기도 하였다. 그가 직접 설계하고 완성시킨 몬티첼로, 아카데미컬 빌리지, 포플러 포레스트 등에는 그의 국가적 이념으로서 자유와 민주주의, 중농주의 등의 이념적 가치와 함께, 전원에 대한 지향 그리고 고등교육에 대한 이상이 숨김없이 표상되어 있다. 정치가이자 신생국의 선각자로서의 이상과 함께 그의 개인적인 꿈과 신념이 공간적으로 표출되어 있는 것이다. 추구하고자 하는 상징적 의미를 은유적으로 표현하거나 그것을 공간적 도식으로 재현함으로써 제퍼슨의 이상은 자신은 물론 그 곳을 찾는 이들에게 재음미되고 공유되어졌다고 할 수가 있다. 그런 점에서 제퍼슨에게 있어서 정원은 이념과 이상을 공간적으로 드러낼 수 있는 무대였다고 할 수가 있다.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.372-380
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• 2012

This study investigates the examples of memorials in which participants can communicate and interact. Memorials as an urban public space provide various information and experiences to the visitors. The purpose of this study is to investigate the types of participants' experience and the characteristics of memorial space. The 9 examples of the memorials are selected and analyzed by the experience type of participants. This study summarizes the characteristics of spatial representation of memorials as follow; first, the interactions and communications of participants are main considerations in designing memorials. This study defines three types of participants' experience in memorials as educational, emotional and daily urban experiences. Second, the memorial space providing educational experience has narrative characteristics which are explanatory, representational, hierarchical and figurative. Memorials represent historical events and individuals in figurative ways. Participants in memorials learn the event, mourn for the dead and cure the grief through walking the guided route. Third, the memorial space providing emotional experience is indeterminate and open-ended characteristics which are contemplative, symbolic, and abstractive. While participants try to find the way to walk through and understand the meaning of the abstract forms by themselves, they interface the event and the victims in private and individual ways. Fourth, the memorial space providing daily urban experience is the familiar urban facilities embedded remembrance such as memorial square, bridge and fountain. Symbolism of memorials and effectiveness of urban facilities are engaged into the memorial design. They have functional, participatory, interactive and recreational characteristics. People experience the memorials involuntarily and casually during their daily lives. The memorials with urban facilities can be related to the present and the future of the city as well as the past of the city.

• 한국실내디자인학회논문집
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• 제25권2호
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• pp.131-142
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• 2016

Rapid economic development has played a big role in the formation of the values of pluralism. On that account, the importance of leisure life has grown substantially, Such phenomenon has allowed people to travel more frequently. Hence, there has been a growing demand for accommodation. In particular, the number of design hotels with a stylish design has grown exponentially as compared with the conventional standardized chain hotels. As a result, a variety of objets have been utilized in hotel spaces for establishing a differentiated formativeness and offering a visual stimulus to users. An objet refers to an object of symbolic function. That is to say, it serves to increase cultural values by approaching arts in an ordinary environment. Distinctive objets are mainly expressed as new ideas by the emerging designers in Europe. In particular, Marcel Wanders designs hotel spaces on the basis of the emotional meaning and story of objets, thereby showing interesting elements. He brings human stories into a design by leveraging the expressional characteristics of an objet, such as the place, fantasy and story-telling, in hotel interior spaces. This allows users, who reject the stereotypes of modern functionalism, to have exotic memories by stimulating their instinctive senses. Furthermore, this can complete users as a part of an artwork by creating a huge artwork on the basis of hotel interior spaces. In this regard, I hope that the expressional characteristics appeared in the hotel interior spaces of Marcel Wanders can be utilized as preliminary data for planning design hotels in the future.

• 한국조경학회지
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• 제13권1호
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• pp.109-121
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• 1985

A study on the image identification of urban streetscape is valuable for illuminating identity that is not yet fully approached in the field of environmental design. This analysis of urban streetscape for image identification allows us to make a more detailed exploration of an important approaching methods in dealing with the structural characteristics of identity. As a matter of fact, the earlier indirect studies on this image identification were made by environmental designers, such as architectural and urban designer in the field of environmental perception and came to its environmental cognition & environmental pattern research with assistances by such researchers as K. Lynch A. Rapoport & Christopher Alexander. Through its environmental perception research, we can see its structural characteristics that is aesthetic & visual structural contents of physical environmental elements. And we can see its cognitive characteristics through the environmental cognitive research, that is continuity, territoriality, identity of place, uniqueness or individuality, meaning & symbolism. Through its environmental pattern research, we can see its physical, socio - economic, cultural and symbolic pattern identification contents, that is physical form of the city, style of the street, pattern of streetscape, socio- economic & geographical locality, arid life cycle, life style, common style of the behavior, cultural pattern of the activity, socio - cultural expression of the symbol. In these process, we can set up a set of the environmental design criterias from those three integral studies for identity. And for an environmental research, Tongsung-Ro around the CBD (central business district) in Taegu City was selected for a case study, because this streetscape is suitable for that approaching methods in this study.

• 한국의상디자인학회지
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• 제21권1호
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• pp.149-162
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• 2019

The purpose of this study is to suggest various directions of living hanbok and proposed the living hanbok design that integrated the tradition and the contemporary, as well as the past and present with denim material that represents the youth cultureby while using the motif of Korean Jogakbo. For the research method, the data on living hanbok, denim, and Jogakbo were surveyed to develop and produce a living hanbok design. The development of a living hanbok design emphasized the meaning of longing for an accumulation of good fortune, by using the concept of 'wishing for fortune' including the symbolic images of denim and Jogakbo. The production results of this study are as follows. First, the Jogakbo motif consisted of patterns yearning for harmony, great fortune, longevity, and many children, and the living hanbok design integrated with the denim material symbolized the convergence of the past and present and the harmony of eastern and western cultures. The study could verify that the living hanbok design was recreated in a contemporary sense to be used everyday by expressing contemporary senses in a traditional image. Second, leftover fabric pieces and recycled materials that can be abandoned by the material market were used for denim. This study could also develop the living hanbok design as a sustainable design through upcycling, an important social trend, puting an emphasis on carrying out socio-ethical responsibilities. Third, denim Jogakbo work, which is connected by small pieces of denim material, used to be a difficult and labor intensive handicraft, but it could be proposed as a new high value-added fashion and generate contemporary living hanbok with a new image.

• 한국체육학회지인문사회과학편
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• 제56권1호
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• pp.99-110
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• 2017

본 연구의 목적은 영화<60만번의 트라이>의 사회적 파급력에 주목하고 영화 속 재현된 자이니치와 럭비가 지니는 상징과 의미를 살펴봄으로써 영화가 궁극적으로 관객에게 전달하고자 하였던 메시지가 무엇이었는지를 밝히는 것이었다. 연구방법으로는 텍스트 분석을 실시하였다. 연구결과, 영화 속 자이니치는 두 가지의 모습으로 재현되고 있었다. 자이니치들은 일본의 주권권력에 의해 사회내부에 위치하나 외부자로 인정받는 모순적 존재인 호모 사케르로 재현되고 있었다. 또 한편으로 자이니치의 정체성은 분명 한국인임을 드러내고 있었을 뿐만 아니라 일본에서도 인정받는, 능력 있는 자랑스러운 존재로 표현되고 있었다. 영화 속에서 럭비가 지니는 상징적 의미에 대해서는 크게 두 가지가 나타났다. 먼저 영화 속 럭비는 자이니치를 증명할 수 있는 가장 효과적이면서도 강력한 인정투쟁으로 사명과 같은 것이었으며, 또 한편으로 그들이 염원하는 이상사회의 모습을 오롯이 담고 있는 중요한 메시지였던 것이다.