• 한국조경학회지
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• 제46권4호
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• pp.21-35
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• 2018

최근 산업유산, 근대 문화 유산, 포스트 인더스트리얼 공원 등 기억의 경관들이 공공 공간으로 새롭게 활용되고 있다. 여러 유형의 기억의 경관 중 19~20세기에 주로 형성된 근대 역사 경관(modern historic landscape)은 근대사에 대한 평가 및 인식 변화에 따라 보존과 철거 간 논쟁이 가장 많이 발생하는 경관이다. 본 연구는 1995년 철거된 서울의 구조선총독부 철거 논쟁을 사례로 근대 역사 경관을 둘러싼 보존과 철거 사이의 쟁점을 검토하고, 보존 및 철거를 결정하는 가치 판단 기준과 근대 역사 경관의 형성 방식을 탐구한다. 먼저 1980~1999년 사이 조선총독부 철거 논쟁을 다룬 신문기사, 뉴스, 토론 프로그램 자료와 관련 문헌을 검토하고, 철거 논쟁의 주요 쟁점으로 다음의 여섯 가지 항목을 도출한다: 상징적 위치, 새로운 역사적 사실의 발견과 대응, 관련 국가의 반응과 개입, 재정적 여건, 경관의 기능과 이용 방식, 도시 역사 건축 정책 변화. 이를 기반으로 근대 역사 경관을 형성하고 보존 혹은 철거를 결정하는 중요한 가치로서 상징적 가치 간 대립 양상과, 근대 역사 경관이 형성되는 과정에서 발생하는 문제점을 보완하고 비판에 대응하는 기능적 가치의 역할을 고찰한다. 특히 본 연구는 근대사에 대한 인식이 시대에 따라 변화하면서 근대 역사 경관의 보존과 철거의 향방 또한 변화하지만, 오늘날에도 결정의 가장 중요한 요인은 여전히 상징적 가치라는 점에 주목했다. 근대 역사 경관은 오늘날 중요한 설계 대상지 중 하나로서 여전히 합의되고 해결되어야 할 역사적 쟁점을 갖는다. 본 연구는 근대 역사 경관의 가치를 상징적 가치와 기능적 가치로 나누어 평가하고, 그 배경에 자리한 사회적 맥락을 재검토했다는 점에서 동시대적 의의를 갖는다.

• 복식
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• 제61권2호
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• pp.72-87
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• 2011

The 21st century are seeing a large number of performing arts, and one of them, opera is evolving, transforming itself as one of total arts. Besides, the costume in performing art which play a major role in opera's visual impact, characterize figures, set the tone for performance and greatly contribute to the perfection of the stage. Under these circumstances, the study developed designs of stage costumes and built a full-scale production of the Magic Flute, one of three greatest Mozart operas. The opera based on a fiction, is still popular today since it is a fantastic fairy tale introducing moral and ethical lessons. The play's background itself is Egypt. But due to its fairy-take-like storyline, it has been performed focusing on various concepts rather than on costumes prepared through background research. As such, this study conducted research on designs of stage costumes that contains the element of Egypt and also take athleticism and comfort into consideration. The results derived from the study were as follows. First, traditional dresses of ancient Egypt were used as a basis while adding some modem touch in terms of forms or colors, which resulted in a new design. Second, a variety of images were captured using textures and colors that fit the characteristics of attributes of the figures. Third painting techniques were used to help highlight the symbolic image of Egypt-simple, not heavy and extravagant-with fairy-tale-like fantasy.

• 영어영문학
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• 제55권3호
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• pp.383-398
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• 2009

Based on the Greek myth of Pygmalion and the fairy tale of Cinderella, Shaw's Pygmalion demonstrates a masterful coalescence of these two narrative motifs into a coherent plot scheme. Even more significant is his keen insight into the conflicts created at the tripartite intersection of human activity concerning language/class/culture, which, as the leitmotif, revolves around lessons in language learning. This play basically deals with human transformation and by its very nature, Higgins's experimentation with transforming Eliza cannot stop at language alone. Her cultural transformation ripples over into the realms of gesture and even a unique way of living (modus vivendi) intimately associated with taste and manners, which Bourdieu terms as habitus. By acquiring a new fashion and language, Eliza is reborn as a new lady aspiring to be filled with a newly acquired habitus. While separating her from her old Cockney style, Higgins inculcates Queen's English in Eliza, in which process her changed speech styles gradually transforms and restructures her deportment and manners, finally generating new practices, perceptions and attitudes. The gist of Pygmalion is however less Eliza's ascent into the middle class than her battle for symbolic capital waged at the level of language. By problematizing his contemporary practice of habitus conventionalized and warped by class distinctions based on economic, social and cultural capitals, Shaw creates a new humanist model of man founded on spiritual and rational virtues. In conclusion, Eliza is not a frigid Galatea but a dynamic character that goes through a brilliant transformation of three stages: 1) linguistic; 2) cultural, and 3) humanist. Finally she is built into a "consort battleship" on an equal standing with her sculptor. The process of her character-building cannot be illuminated without resorting to the dynamic notion of habitus, which highlights the process of inculcation, structuring, generation and transposing. Given the overwhelming weight of the heroine's role and the dynamic process of her transformation as the major plot scheme, this play should be christened Galatea in lieu of Pygmalion.

• 한국의상디자인학회지
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• 제13권2호
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• pp.147-162
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• 2011

The performance-art costume is a tool for expression that can dynamically display the intention of a production. The purpose of this study is to examine the whole costume for performance arts targeting musical works, to which were added such elements as music, dance, and drama, among performance arts in several genres. This study aims to consider how the symbol contained in the costume was intended to be expressed by inferring a change in performance costume and character as the stage costume. Accordingly, the following research problems were established in this study. First, Which role does the costume play in performance art? Second, into which types can the performance-art costume be classified depending on the kind of performance art? Third, what is the expressive method for the performance-art costume? To examine the types of performance-art costume, the acting costume, the singing costume, the dancing costume and the rhythmic performance costume were considered. As a result, the performance costume can be seen to have been designed through the effect of a change in color by lighting, through the differentiation of character caused by excessive decoration, through the differentiation in material for free movement, and through symbolic expression.

• 한국실내디자인학회논문집
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• 제25호
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• pp.111-118
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• 2000

This study examines the space composition and character of Elizabethan Theater base on the theory of drama and Shakespeares play in the english traditional theater. Contemporary multi purpose theater and public space is considered as a symbolic representation of the Elizabethan theaters organization and renaissance culture. In the historical theory, the Shakespeares theater was a common tool and best systeme in reflecting peoples lives. This role of theater as mass culture and new style of theater permanent design has get its value with the population increase and the urban centralization of the city and urban common sense. This study attempts to reevaluate the need of public space in modern society through a critical review of theater and its use as a open space design. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between Greek culture and modern design, and the role of scenery, auditorium and its impact on urban environment. The scope of the study is limited to the comparison of Elizabethan theater and space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the advent of non-objects and multi media space. This study provides insights for the future implications of theatrical space in developing public space for its a new definition as cultural representation.

• 한국실내디자인학회논문집
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• 제26호
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• pp.35-41
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• 2001

This study examines the space composition and character of Baroque Theater base on the theory of drama and play in the european traditional theater. Contemporary multi purpose theater and public space is considered as a symbolic representation of the baroque theater's organization. In the historical theory, baroque theater was a common tool and best systeme in reflecting people's lives. The role of theater as mass culture and new style of theater permanent design had get its value with the population increase and the urban centralization of the city and urban common sense. This study attempts to reevaluate the need of public space in modern society through a critical review of theater and its use as a open space design. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between renaissance culture and modern theater design, and the role of scenery, auditorium and its impact on urban environment. The scope of the study is limited to the comparison of baroque theater and space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the advent of non-objects and multi media space. This study provides insights for the future implications of theatrical space in developing public space for its a new definition as cultural representation.

• 복식
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• 제54권2호
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• pp.79-94
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• 2004

The main purpose of this study is to discribe the transfiguration process and the symbols of theatrical costume of Sandai masque(산대놀이) during the Choson Dynasty. Sandai masque as a popular play is a very important form in the history of the Korean theatre. Furthermore in order to analyze the mutual relationship and difference between in the early and later Chosen Dynasty, Narye has is stressed deeply a national amusement event. In the early years of Choson Dynasty, non-official culture such as outside of Seoul and Seoul were subject to the official culture of the Court. In the late years, actors become more and more libral, separating themselves from the systemical restriction. The main reason for this is the growth of capitals in private sectors as well as the growth in demand for entertainment among private citizens. On these backgrounds, the transfiguration process of Sandai masque have changed the treatrical costume. The treatrical costume carries symbolic meaning to the obserber. The value of symbol changes as the time passes, overtime thereby altering its meaning as well. The caracters and plots change inevitably over years but the basic theme remains. The symbols of theatrical costume of Sandai masque are mainly focused on three subjects: first, the entrance of a dragon and tiger originated in the exorcism for good harvest; second, color symbolism expressed in the confrontation between red and black; and third, associate characteristics of dress forms related to regoinal classification of the mask dance.

• 한국조경학회지
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• 제25권4호
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• pp.89-106
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• 1998

This essay addresses the role of environmental aesthetics in landscape architecture : how can environmental aesthetics enrich landscape architectural theory and practice\ulcorner It begins by criticizing the predominant notions toward theory : theory as an instrumental design method, theoretical vacuum in modernism of landscape architecture, and the intimate relation of theory and practice in 18th-century England. It suggests that the expulsion of theory in landscape architectural academics and profession is nothing but an inappropriate bias. In the second place, the essay explores a remaining question : why environmental aesthetics is a part of landscape architectural theory\ulcorner I would argue that environmental aesthetics can transcend the man-nature(subject-object) dichotomy, one of heritages of Western modernity project. Here, landscape architecture meets environmental aesthetics, and both can intermediate between theory and practice. For landscape architecture is (and ought to be) a device of embodied communication, creating symbolic settings wherein an interconnection of man and nature can occur. Finally, this essay examines the aesthetics of engagement that Arnold Berleant claimed recently. This theory of aesthetic experience has a possibility of making corrections some improper conventions in landscape architectural creation and appreciation : disinterested contemplation, visual-orientedness, decoration-denteredness, and so forth. I would conclude that environmental aesthetics can be a significant theory which can correct misconceptions in landscape design and appreciation and, further, can lead contemporary practice. As the great mediator between man and nature, between theory and practice, environmental aesthetics has a profound role to play in the realm of landscape architecture, and vice versa.

• Journal of Platform Technology
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• 제9권3호
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• pp.24-35
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• 2021

고속의 군용 항공기는 인명피해 최소화를 위해 생존 장비들과 경고 시스템으로 적의 위협 또는 내부 구성품 불량을 조종사가 파악하고 해결할 수 있어야 한다. 경고 전달은 디스플레이에 심볼 전시를 통한 시각적 방법과 통신 장비의 소리를 통한 청각적 방법으로 구분되는데, 청각적 방법이 반응 시간이 짧고 단순한 메시지 청취를 통해 조종사 혼란을 유발하지 않는다는 점에서 우월하다. 이에 본 논문은 군용 항공기용 음성/톤 경고 시스템의 효과적인 설계방법을 생명주기 관점에서 제시하고 평가하였다. 안전에 민감한 군용 항공기이므로 각 경고에 우선순위와 Inhibitible, Interruptible, Deactivatable의 세 가지 속성들을 적용하여 중대성과 긴급성을 반영했다. 그 결과 음성경고 재생까지 40ms가 소요되었으며, V모델 기반 개발 및 테스트를 통해 요구도를 모두 충족했고 제품 신뢰성이 향상됨을 확인하였다.

• 대한건축학회논문집:계획계
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• 제36권2호
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• pp.109-116
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• 2020

There are many existing trees are to be damaged by reconstruction of large housing estates. The purpose of this study was to find out sustainable conversion methods of Greenbank system by UR Agency. Greenbank system is divided 3 parts as Preserving, Replanting, Recycling of Existing trees. Literature and institutional review and site survey of 5 reconstruction housing estate were the methods for the following findings. The results are follows. Firstly, Because of feasibility of reconstruction, existing trees are preserving at boundary space of reconstruction housing estates. Secondly, existing trees are preserving at inner space for remember of resettlement as symbolic trees. It is conformed by residents participation with UR Agency and city official. Thirdly, Preserving and replanting trees are recorded signboard in the reconstruction housing estates, and preserving of trees are developed as Green workshop by residents. Fourthly, Besides Preserving and Replanting trees, the other trees are recycling as bench, play equipment, planter, etc. And it is remained symbol of reconstruction housing estates. Fifthly, District planning as a institutional, Guidelines as a noninstitutional method are very efficiently for preserving trees. But a part of this study can be adapt reconstruction housing estates in Korea. The results of this study are expected to serve some clue for dealing with the practice of sustainable conversion in housing estates.