• Title/Summary/Keyword: Surrealism

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A Study on the expression of Surrealism Collage in Animation - Focusing on Raoul Servais animation film called - (애니메이션에 나타난 초현실주의 회화의 꼴라쥬 기법과 표현에 관한 연구 - 라울 세르베의 작품 <밤의 나비들>을 중심으로 -)

  • Kim, Yun-Kyung
    • Cartoon and Animation Studies
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    • s.11
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    • pp.73-85
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    • 2007
  • The purpose of this study is to analyze collage of animated film is able to build up total embodiment of thought. Surrealism Collage intend to combination of various characters including new attempts and pluralistic features. In particular, the fantastic, irrational characteristics of expression and extravagant and unfamiliar artistic technique of Surrealism Collage are actively introduced and explored as elements to make new image and suggest the possibility of another reality. This image has been connected Raoul Servais animation film called . The use of this film technique gives a touch that is sensibly different from the digital encrustation technique which justifies it. Representative animator of Surrealism Raoul Servais expands the domain of his own creative works by succeeding to Surrealistic movement.

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Surrealist Art and Elsa Schiaparelli's Fashion Design (초현실주의 예술의 조형성과 Schiaparelli 의상디자인)

  • 장동림
    • Journal of the Korean Home Economics Association
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    • v.28 no.2
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    • pp.1-14
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    • 1990
  • The purpose of this paper was to examine the relationship between Surrealism and Schiaparelli's fashion design in the 1930s. Surrealism, derived from Dadaism, was based on Freud's analysis of dream imagery and human sexual behavior. Its style was characterized by the partial figure and the dislocation of body part, and the placement of the figure and its part in unanticipated settings. The objective of Surrealism was to exploit the unconsciousness and the interpretation of the body became an abiding. Surrealists were interested in the nature of clothing and in the specific characteristic of fashion, so, they moved into the world of fashion; fashion advertising window display and fashion photograph. The fantasy of Surrealism stimulated Schiaparelli to use wit and shock tactics, bold and unusual combination of colors, striking embroideries with crazy themes like circus and astrology. The character of her clothes was boldness and chic. She created humorous trompe-l'oel sweater, leg of mutton sleeve, tweed evening suit, shocking pink, peculiar accessories such as hats and buttons. She collaborated with many artists like Dali, Cocteau and Berard, and drew on all the latest artistic trends into the fashion arena from Cubism and African Art to Surrealism. Her Surrelist dress provided a play of illusions and affected today;s avant-grade style.

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A Study on the concept of unconsciousness of Surrealism on the fabric of modern fashion (현대의상의 직물문양에 나타난 초현실주의의 무의식 개념에 관한 연구)

  • 이효진
    • Journal of the Korean Society of Costume
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    • v.22
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    • pp.5-22
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    • 1994
  • This study was intended to analyze the con-cept of unconsciousness of Surrealism on the fabric of modern fashion. Surrealism had been searching for a new way of confronting a social and artistic en-vironment that was stifling and repugnant to them. Especially the surrealistic methodology was changed into various methods of surreal-istic painters, They explored the world of subconsciousness of uncosciousness in the world of human being. The highly developed material civilization resulted in human alienations environmental disruption. By this fact human being of the 20th century was sought a philosophical and artistic value to overcome social disease. That is their search for spiritual world was interested in surrealist's psychoanalytical method. The fashion in the 20th century is changing rapidly for the new century to come. Under such circumstances as these modern fashion is attempted to pursue new innovative and in-dividual ideas. recently the mental images through Surrealism was represented in the for-mative feature of modern fashion. To study the concept of unconsciousness of Surrealism on the fabric of modern fashion I selected and examined artistic books and fashion magazines. As a result of this review I found that some fabrics used in modern fashion are printed in a free shapes without any meaning or form.

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A Study of the Method of Expression of Surrealism in the Modern Costume (1) (현대복식에 응용된 초현실주의적 표현방법 고찰(I) -1989~1994년 복식을 중심으로-)

  • 곽미영;정흥숙
    • Journal of the Korean Society of Clothing and Textiles
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    • v.19 no.2
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    • pp.380-392
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    • 1995
  • The purpose of this study was to investigate a comparison between method of depaysement of Surrealism and modern costume. Surrealism was based on Freud's theory of uncon\ulcornersciousness and Hegelian dialectic. I found that its method of expression and inspiration have a continuous influence on a field of fashion through preceding study. Surrealism stimulated Elsa Schiaparelli (1890-1973) to make creative and innovative costume which created a sensatio.i1 the world of fashion in 1930. And it have been influence on modern fashion. From this point of view, I examined surrealistic painter of Rene Magritte (1898-1967) to use shocking method of depaysement through literature and photographes. And I made researches on Paris London collcetions from 1989 to 1994 in the cause of analysis a comparison with depaysement in painting of R. Magritte. As the result of analysising main works of R.Magritte according classification of Suzi Gabric (an art critic), he was expressive of usual object in various of depaysement. I also proved that modern fashion which was new shocking, innovative and avant-garde presented unconsciousness through these expression of depaysement with common subject. In consequence, the method of expression of surrealism have been a durable influence on modern costume.

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A Study on Tendency of Surrealism in Interior Space of Philippe Starck (필립 스탁의 실내공간에 있어서 초현실주의 경향에 관한 연구)

  • Cho, Yun-Hie;Kim, Moon-Duck
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 2006.11a
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    • pp.105-108
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    • 2006
  • The 21 century has entered a stage of innovation with current globalization. The technical development of science has changed more rapidly than any other era and through this change, design will control the world. For this reason, I consider that researching Philippe Starck's - one of most active designers in the world- philosophies and traits of his work can be the key to understanding 21st century's design characters and main trends. Furthermore this research will also help to predict future design. Philippe Starck has diverse traits but this study would like to focus on his trait of Surrealism. First I have arranged all his design backgrounds including periodic circumstance which influenced his works. Secondly I researched and analyzed how his design philosophy has expressed his works. Phillppe Starck defines Surrealism as an expression of a dream and unconsciousness showing an indoor view and he expresses his characteristic wit and humor by presenting completely different and exceptional space from what people have usually seen.

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A Study of the Surrealism and its Change Expressed on Dress (복식에 표현된 초현실주의 양식 및 그 변화에 대한 연구)

  • Choi, Yoon Mi
    • Journal of the Korean Society of Clothing and Textiles
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    • v.17 no.1
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    • pp.137-149
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    • 1993
  • The concept of style including the external form and internal meaning provides a useful structure to clarify the historical phenomenon on dress. The purpose of this study was to explore surrealism related to the external form and internal meaning and the stylistic change of surrealism through 1930 and 1988 according the linked solution proposed by Brodsky. The results were as follows; 1. In terms of double roots including the external form and the internal meaning on the surrealism of dress, first, the external form was founded to be that each objects having symbolic meaning was dislocated from its original place to dress. Second, the aspects of internal meaning intended to represent not rational and external world but irrational as well as to reveal other nature of object or dress itself. 2. The change of surrealistic style on dress was characterised as "linked solution" change theory than cyclical change theory through the historical data from 1930 to 1988 of documentary sources.

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A study on Surrealism Repressed in Jean Paul Gaultier's works (Jean Paul Gaultier에 나타난 초현실주의 특성에 관한 연구)

  • Cho, Min-Jung
    • Journal of the Korean Society of Fashion and Beauty
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    • v.6 no.2
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    • pp.119-128
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    • 2008
  • The surrealism art form comes from the world of unconsciousness. Based on its expression of the world of imaginary, it boldly demonstrates the arrangement and the forms of contradicted objects and the development of collage, montage, and protage techniques in the works which had a big influence on the growth of the modern art. The ideology and the modeling characteristics shown in the surrealism had various expressive forms and meanings in the modern compound expression and it grew out of the former standarlized forms and brought diversity and individuality based on the sensibility of the new avant-garde art form and showed great potential as it presented harmony in the multiple forms of art. The purpose of the research was to analyze the influences that were put on the surrealistic fashion art works and the works of the representative designer, Jean Paul Gotie. The characteristics of Jean Paul Gotie's surrealistic fashion comes from destruction, sexual image, and the mixture of heterogeneous. It is evident that the surrealistic fashion went beyond certain groups of avant-gardists' salvation of the world and were put to practice use, reaching out to the ordinary consumers. This was resulted from the revolutionary movement called, "anti-mode van fashion" led by Gotie. The surrealistic style will be led by various techniques and trends and developed through new characteristics in multiculture merged with various fashion styles.

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Expression of Surrealism in Chris Landreth's 3D Short, the end (크리스 랜드레스의 3D 단편 애니메이션 the end에 나타난 초현실주의 표현)

  • Kim, Chee-Hoon
    • The Journal of the Korea Contents Association
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    • v.7 no.10
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    • pp.105-114
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    • 2007
  • The purpose of this study is to investigate how to express Surrealism techniques in Chris Landreth who is very famous for 3D short such as Ryan. The case works are focused on 'the end', Chris Landreth's early work. He set up situation of the absurd and describes human being's alienation in animation. A phase of social life is not only revealed with vivid colors and his own surrealism techniques but communication capacity of 3D animation is also shown. Digital Technology, reproducing impossible images is not all about 3D animation. As well as this, it is not far away the way of creating arts. 3D animation will be shown the new possibilities with extension and harmony of all kinds of arts expression.