• 한국콘텐츠학회논문지
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• 제13권11호
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• pp.106-118
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• 2013

배우들의 연기훈련과정에서 효율적으로 잠재의식을 끌어낼 수 있는 방법에 초점을 맞추어 기존의 연기 방법론에 선 수행이 활용될 수 있는 가능성을 모색하였다. 선의 훈련방법은 무의식의 영역을 탐구하기 때문에 배우 훈련과정에서 직관적인 영역의 발전에 기여할 수 있다고 판단되었다. 그래서 기존의 연구로 입증된 선의 정신적 심리적 효과에 대한 연구결과에서 출발하여, 연극을 전공하는 학생들과 기성 배우들의 연기훈련 과정에 도움을 줄 수 있는 선의 훈련방법과 그 타당성에 대해 고찰하였다. 선의 수행은 뇌과학과 배우의 내면의 세계와 마찬가지로 우리에게 아직도 연구하고 고찰해야 할 가능성이 무궁무진한 신대륙과 같다. 지금까지 입증된 선 수행의 효용성을 바탕으로 연기훈련과정에서 선을 적극적으로 활용한다면, 배우는 무의식을 작동시킬 수 있는 방아쇠를 가질 수 있으며, 집중력 강화를 통해 무대 위에서 존재감을 얻을 수 있고, 정신적 심리적인 장애물들을 극복해낼 수 있을 뿐만 아니라 좌 우뇌의 통합적 사용으로 인한 변형의 기술도 확립할 수 있을 것이다. 또한 부가적으로 배우들은 일상생활에서도 선 수련을 통해 정신적 심리적인 안정감을 얻을 수 있다. 선의 잠재의식 및 무의식의 영역의 훈련방법을 배우의 연기훈련과정에 효과적으로 활용하여 그를 통한 다양한 실제적인 방법론들에 관한 후속연구들이 활발히 이루어진다면, 동양의 독특한 연기훈련방법이 발견될 가능성도 크다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 Bulletin of The 5th Asian Design Conference International Symposium on Design Science
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• pp.35.1-35
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• 2001

• 디자인학연구
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• 제15권1호
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• pp.15-26
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• 2002

현대 조형예술계에서는 20세기 산업사회를 지배하던 모더니즘의 붕괴와 함께 이의 중심 체계였던 이성의 지배가 붕괴되고 이에 대한 반동적 경향으로서의 비이성적 체계에 대한 탐구가 활발히 진행되고 있다. 이를 대변하는 동시대적 경향이 해체(Deconstructivism)이다. 그러나 이런 비이성에 대한 관심과 이를 조형예술에서 표현한 것은 멀리는 고대, 또는 16세기 네덜란드 화가인 보쉬(Hieronymus Bosch)까지 거슬러 올라갈 수 있으며 근·현대 미술사에서도 그 계보를 찾을 수 있다. 본고는 현대 조형예술의 주요 흐름들 이루고 있는 인간의 비이성적 체계에 대한 탐구가 근·현대 미술사조에서 어떠한 계보를 가지고 있는지를 살펴보고 이중에서 특히 프로이드의 영향을 받은 무의식 탐구에 대해 중점적으로 연구한다. 그리고 그것이 현대 화예디자인에서는 어떠한 양상으로 나타나고 있는지 살펴봄으로써 현대 조형예술계에서 진행되고 있는 비이성 경향에서 화예디자인이 차지하고 있는 위치와 동시대 예술의 발달을 적극적으로 주도해 나갈 수 있는 화예디자인의 가능성을 점검한다.

• 한국실내디자인학회논문집
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• 제38호
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• pp.258-265
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• 2003

The design of space, which focuses on human senses and perception, has become more prominent. It can be understood as the space needed for a field of experience. Phenomenological attitude focuses on the relations between human in the context of their environment. The experiences generated were used as a method of design. The method guides a formation of active space through phenomenological experience in interior space as well as architecture. To stimulate a phenomenological sensitive experience, the parameters for certain experiences were connected to the five senses, finally creating a concrete space. Water, light, air, vapor, and earth as architectural media are connected to the five senses and lead to intermediation from abstract to actual. In particular, water is deeply rooted in peoples subconsciousness and stimulates our instincts. Using water by effectively combining its symbols and physical characteristics will be a method to reinforce the experience with a given space. This study will examine the need for space experience and characteristics of water as an essential elements for perception experience and present possible experimental design.

• 한국생활과학회지
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• 제5권2호
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• pp.145-159
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• 1996

Surrealism was originated from the influence of dadaism as one of the new movement in the 20th C. That movement denied the traditional art form, searched the man's inner consciousness and subconsciousness, and discovered automatism as a means to realize this. In this paper, 1 studied the relationship between fashion and art trend, investigating the influence which surrealistic idea and its expression made on modern fashion. Surrealism has expanded and developed the creation of fashion for the 20th century, by supplying a new and good idea th fashion design, and in the coming 21th C., it will greatly contribute to the development for future form of clothes, carrying out the essential function of clothes, which is called the expression of human nature in the harmonization with man.

• 복식
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• 제54권1호
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• pp.83-96
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• 2004

Upon the threshold of late 20th century, the social, cultural and artistic trend began to pursue aesthetic pluralism and deconstructivism, and thus, fashion also began to reflect such a trend only to express cruel, detestable, horrible and ugly aesthetics. Under such circumstances, this study focused on the cruel images appearing in the modern fashion and thereby, attempted to determine their causes in reference to Julia Kristeva's theories. Her theories of women explain that women have incessant desires or blind obsessions about penis due to the bisexual instinct inherent in their subconsciousness, and thereby, discuss sado-masochism, a characteristic of women's violence and cruelty. In addition, she determines of abject, detestable and horrible nature of women by explaining their struggle to be separated from mothers at the stage of Oedipus (sexual differences). Based on such theories about women's cruelty, the cruel images shown in the modern fashion are categorized into sado-masochism, the violent and destructive image, and abjection, the women's apparels made of unpleasant, terrible and creepy materials decorated, to be reviewed systematically.

• 한국실내디자인학회논문집
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• 제6호
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• pp.38-44
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• 1995

The purpose of this paper is to show that a shape pro-duced by natural factors such as weather, environments, etc., can be introduced into the emotion of a design, and to make a design process by planning a Korean image and characterizing its concept. Human beings, nature, man-made objects, and society have their own functions in an environmental structure. When all their functions are kept in working order, human beings come to discover orderliness out of which they can absorb pleasure. They cannot look into their own inside but they can trace back in their memories a variety of panoramic experiences which have been embed-ded onto their identity during their lifetime interactions with an empirical world. Children first acquire a way of cognition in the space, a comprehensive premise, connecting a specific place and an object of cognition. Such subconsciousness forms sky-lines of mountains, seas, and trees under the sky, and produces axis lines and beehived domes under the influ-ence of natural, cultural, and social factors, forming a folk culture. A subconscious composition of existential space is extended. A subconscious composition of existential space is extended to the areas of environmental design, product design, and fashion design. The development of a concept of place and space as a system is a necessary condition for discovering an existential foothold.

• 복식
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• 제22권
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• pp.5-22
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• 1994

This study was intended to analyze the con-cept of unconsciousness of Surrealism on the fabric of modern fashion. Surrealism had been searching for a new way of confronting a social and artistic en-vironment that was stifling and repugnant to them. Especially the surrealistic methodology was changed into various methods of surreal-istic painters, They explored the world of subconsciousness of uncosciousness in the world of human being. The highly developed material civilization resulted in human alienations environmental disruption. By this fact human being of the 20th century was sought a philosophical and artistic value to overcome social disease. That is their search for spiritual world was interested in surrealist's psychoanalytical method. The fashion in the 20th century is changing rapidly for the new century to come. Under such circumstances as these modern fashion is attempted to pursue new innovative and in-dividual ideas. recently the mental images through Surrealism was represented in the for-mative feature of modern fashion. To study the concept of unconsciousness of Surrealism on the fabric of modern fashion I selected and examined artistic books and fashion magazines. As a result of this review I found that some fabrics used in modern fashion are printed in a free shapes without any meaning or form.

• 한국의상디자인학회지
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• 제7권2호
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• pp.159-170
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• 2005

In this paper we examine the patterns of the subcultural fashion styles in the 20th century in terms of various subcultures in the period. First, we define the concept of the subcultural fashion styles and in turn, examine the subcultural fashion styles from 1950s to 1990s while focusing on the way each generation resisted against the mainstream through its styles. The subcultural fashion styles examined and analyzed in this study are mainly British and American styles. some of European and Western Indian styles are also included. In this paper, a subcultural fashion style is understood as a way of deviate or resistant expression within a society. It differentiates itself from the main style by deliberately and publicly asserting its own identity. And as a result, it is realized in a form of a fashion with its repressed subconsciousness, with resistance to the alienation from the society, and with deviation from the normative ethics and the morality of a society. In conclusion, we classify the subcultural fashion styles into two patterns based on their form of resistance which tries to distance itself from the ritual code of the day: the dressing of the escape from time and the dressing of the escape from space. The first pattern is characterized by nostalgia or futurism, and includes psychedelic, rastafarian, raver, techno style. The second Pattern includes surfer, folky, hippy, new age traveller, cyberpunk style. Especially, an emphasis is given on ethnicity, naturalism, or a closed space within a city in dressing of the escape from space.

• 디자인학연구
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• 제15권1호
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• pp.27-36
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• 2002

본 연구는 경험에 의한 기억간의 상관관계에 대하여 기초적 연구와 접근방법을 모색하여, 제품의 형태의 구축단계에서의 적용가능성을 예시하였으며, 이를 통해 기억에 의한 디자인 행위와 관련하여 향후연구과제의 초석을 마련하는 데 목격을 두었다. 첫째, 인간의 기억과 형태에 대한 학문적, 이론적 고찰을 통해서 본 연구에 필요한 기억의 유형과 사물에 대한 인지과정을 이론적으로 비교 고찰하였다. 둘째, 실험과 분석을 통해 사물에 있어서의 느껴지는 형태가 무엇인지에 대한 주관적 평가 반응을 알아보고 그 과정의 분석을 통하여 제품에서 느끼는 형태의 연상으로, 암묵적/외현적 반응에 대한 요소(설문과 컴퓨터 실험을 통하여 수집된 데이터를 이용)를 추출하고, 분석된 요소들을 칼융의 심상구분인 보편적 지식과 현실 기억, 그리고 잠재기억과 원시심상으로 구별하여, 형태심상 및 대별 사용자 심상이 디자인에 어떤 영향을 주는가를 분석 정의하였다. 셋째, 이러한 정의를 바탕으로 암묵적/외현적 반응에 대한 요소 특성의 디자인 활용가능성과 통한 접근방법을 예시하고, 결론과 아울러 향후 연구되어질 과제에 대한 가이드라인을 제시하였다.