• 한국실내디자인학회논문집
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• 제17권6호
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• pp.92-101
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• 2008

In the current age, as the importance of image is increased, brand images are strengthened, and various ways of expressing space are suggested considering the life styles of consumers. Recently, flagship stores are attempting various ways of expressing interior deigns and the flow of life culture, which can maximize the characteristics of image in a large, complex space. Centering on this trend, this study is conducted to explore an objective standard for the stylistic image characteristics reflecting the formative expression trend; to investigate various expression methods of images that are suggested by flagship stores; and to suggest the indicators of design. Based on this background, the formative trend is classified into the expression trends of minimalism and deconstructionism. An image evaluation test was conducted on the selected brand cases by applying the classification, and the following results are obtained from a comparative analysis. In this study, a stylistic analysis of expression methods is suggested from the stylistic image characteristics of each brand as well as from the reliability and validity of the expression trend. It can be concluded that such stylistic image characteristics are important factors in relation with fashion and architecture, and they can be used for differentiating design expression methods.

• 비교문화연구
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• 제32권
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• pp.5-28
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• 2013

In this paper, a style-based approach to translating literary texts is introduced and used. The aim of the study is to work out a stylistic approach to translating literary texts from Arabic into English. The approach proposed in the current study is a combination of four major stylistic approaches, namely linguistic stylistics, literary stylistics, affective stylistics and cognitive stylistics. It has been shown from data analysis that by adopting a style-based approach that can draw from the four stylistic approaches, translators, as special text readers, can easily derive a better understanding and appreciation of texts, in particular literary texts. Further, it has been shown that stylistics as an approach is objective in terms of drawing evidence from the text to support the argument for the important stylistic features and their functions. However, it loses some of its objectivity and becomes dependent and subjective.

• 지능정보연구
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• 제25권3호
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• pp.89-115
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• 2019

본 연구는 고전 추리 소설 작가로 유명한 아서 코난 도일과 애거서 크리스티의 문체적 차이점을 데이터 분석을 통해 제시하고, 나아가 텍스트 마이닝에 입각한 문체 연구의 해석적 방법론을 제시하고자 시행되었다. 추리 소설의 핵심 요소인 사건과 인물에 더해 작가의 문법적인 집필 방식을 문체로 정의하고 분석을 시도하였다. 작가 별로 각 2권, 총 4권의 책을 선정하였으며 문장 단위로 텍스트를 나누어 데이터를 확보하였다. 각 문장에 따른 감성 점수를 부여한 뒤 페이지 진행에 따른 감성을 시각화하였으며, 페이지에 따라 토픽 모델링을 적용하여 소설 속 사건 진행 흐름을 파악할 수 있었다. 동시 발생 매트릭스(co-occurrence matrix)를 구성하고 네트워크 분석(Network Analysis)을 시행함으로써 사건이 진행되는 과정에서 인물들 간 관계의 변화를 확인할 수 있었다. 또한 전체 문장을 총 6가지 문체를 기준으로 문법적인 체계를 나누어 작가 간, 그리고 작품 간 집필 방식의 차이점을 확인하였다. 이러한 일련의 연구 과정은 문체에 대한 이해를 바탕으로 글 전체의 맥락을 파악할 수 있도록 도움을 줄 수 있으며, 나아가 기존에 개별적으로 진행되었던 문체 연구를 통합시킴으로써 문체 구조에 대한 이해를 도울 수 있다. 그리고 이러한 선행된 이해를 통해 온라인 텍스트를 비롯한 비정형 데이터 속 문체의 존재를 발견하고 구체화하는 작업에 기여할 수 있다. 뉴미디어를 포함한 온라인 텍스트를 심도 있게 분석하고자 하는 시도가 증가하고 있는 상황에서 해당 연구들과 연계를 통해 보다 의미 있는 온라인 텍스트 분석에 기여할 것으로 기대된다.

• 마케팅과학연구
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• 제16권2호
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• pp.1-26
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• 2006

This article presents the results of a survey of 209 Chinese male consumers. In this study, consumer evaluations and attitude towards products made in industrialized and newly industrialized countries were obtained along with measures of consumer shopping behavior. The results indicate that industrialized countries were perceived as manufacturing products that are more reliable, technologically advanced, stylistic, and costly than newly industrialized countries. A duster analysis using moderating variables related to shopping for refrigerators, cameras, and t shirts revealed that the Chinese respondents could be grouped into four segments identified as Durables Enthusiasts, Duraoles Uninvolved, Inexperienced Shoppers, and Apparels Involved. Country attitudes and evaluations were fairly consistent across the newly industrialized countries but varied for industrialized countries across the four segments. Similar results also emerged from a correlation analysis of made in attitude scales (based on moderating shopping variables) with country evaluations. It was found that Chinese consumers' involvement with durable products was positively related to the evaluation of industrialized countries. Consumers belonging to the Durable Enthusiasts and Apparels Involved segments evaluated industrialized countries more favorably and believed to a greater extent that products made in these countries are reliable, technologically advanced, and stylistic than consumers belonging to the Durables Uninvolved and Inexperienced Shopper segments. Managerial and research implications are derived from these results.

• 복식
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• 제32권
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• pp.21-30
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• 1997

Chogori the basic upper garment of korea costume occupies an important role in tra-ditional dressing and continues to be in use to the present days. Of course there has been changes in the length and line of Chogori with the flow of time based on the Ancient Yoo. This is a study of the 14 parts of Chgori based on statistical analysis by computing the practical measuements. Here the statistical analysis is a objective and quantitative of the stylistic changes in Chogori with time. In this study from the data the Mean and Standard deviation has been evaluated and periodic change is shown by graph to test the periodic change T-test Regressional analysis Index analysis has been used. The results are as follows: 1. The length of clothing has changed with time except the sleeve length. Here the length of clothing means all the other measurements ex-cept the sleeve Thus while the measurements of sleeve length has been uniquely unchanged the other measurements have influenced each other. 2. Generally the form of Chogori had the tendency towards smallness in the 19th cen-tury. But it tended to get larger in the 20th century. 3. Compared to other periods the mode of 19th and 20th century Chogori was widely ac-cepted as the Standard deviation of that period was very narrow. 4. The results seen from the regressional analysis of the Cho-sun period woman's Chogori satisfy the t-value and R-squared and thus support the regression formula presump-tion. 5. From the index analysis it is revealed that with decrease in the armhole measurement sleeve measurement and neckband; relatively same decrease in the wrist measurement; and very marked decrease in the sideline measurement.

• 패션비즈니스
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• 제25권5호
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• pp.1-24
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• 2021

This study aimed to explore the fashion design and style features, and differences in BLACKPINK, TWICE, and Red Velvet girl groups. A total of 469 fashion photos (132 BLACKPINK, 217 TWICE, 120 Red Velvet) focusing on 23 title songs (7 BLACKPINK, 9 TWICE, 7 Red Velvet) were collected. Photo classification work was carried out in accordance with the design analysis criteria and the results were derived by combining statistical analysis and content analysis. BLACKPINK's fashion design characteristics showed a lot of complex colors, shade tone, pure tone, contrast color coordination, stylistic pattern, slit, patchwork, checklist method, sexy and avant-garde images. TWICE's fashion design characteristics included warm color, complex color, tint tone, monotone, contrast color coordination, tone-on-tone, geometric & stylistic patterns, cotton, silk, a combination of the same material, frill, beads, ribbon decoration, blouse, skirt, and many romantic and ethnic images. Red Velvet's fashion design characteristics were a cold color, moderate tone, monotone, cotton, velvet, geometric pattern, zipper, sequins, T-shirt, pants, tie, belt, and many retro and active images. The fashion styles of BLACKPINK, TWICE, and Red Velvet were as follows. BLACKPINK was divided into sexy avant-garde, sexy active, sexy romantic styles. TWICE was divided into romantic active, romantic classical, and romantic ethnic styles. Red Velvet was divided into retro active, retro sexy, and retro avant-garde styles.

• 영어어문교육
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• 제15권2호
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• pp.225-243
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• 2009

This study investigates the use of different speech act of apology strategies between male and female EFL college students by comparing the components of intensity, stylistic competence, and semantic formulas. The data was collected from 37 participants who were studying freshmen English reading course at the Department of English Education of C University in Seoul. Most students were English majors taking pre-teacher course of teaching English for secondary school students. The participants were divided into two gender groups of male and female. The discourse completion test (DCT) which was revised from the speech act of apology by Olshtain and Cohen (1990) was provided with the participants after the researcher explained the speech act of apology in ten situations. The speech act of apology depends on situation variables: social solidarity, severity of offense, and social status. The results show that in the preference of intensity, male and female have almost the similar ratio in high (female: 24.7%, male 24%) and low intensity (female: 75.3%, male: 76%). In the use of stylistic competence, male group (21%) expresses more diversely formal features than female group (12%), while female (87%) use more informal features than male (66%). Most of participants show a limitation in the use of speaking four types of semantic formulas: expression of apology (APOL), acknowledgment of responsibility (RESP), offer of repair (REPR), and promise of forbearance (FORB). As nonnative speakers, the participants cannot conduct the semantic formula in some situations regardless of the tasks provided. The results suggest that English teachers should recognize pragmatic variations in which students feel difficulty in appropriate speaking strategies on apology. This study also contributes to teaching learners the strategies and speaking patterns in the course of various apology situations.

• 문화기술의 융합
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• 제8권3호
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• pp.43-50
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• 2022

<잊혀진 영상>은 클로드 드뷔시(Claude Debussy)의 피아노 독주곡으로서 1894년에 작곡되었으나 미상의 이유로 1977년이 되어서야 비로소 출판되었다. 흥미롭게도 총 세 곡으로 구성된 작품 중 제 2곡은 1896년 2월 파리의 일간지 '르 그랑 저널(Le Grand Journal)'을 통해 독립적으로 발표되었으나, 제 1곡과 3곡은 자필 악보 상태로 남아 있다가 1977년 뒤늦게 출판되었다. 이러한 이유로 본 작품은 아직까지도 피아노 연주가들과 음악 애호가들에게 잘 알려지지 않은 작품으로 남아있다. 이에 본 논문에서는 이러한 작품의 출판 시기, 작곡 배경에 대해 먼저 고찰해보고, 작품의 작곡 양식적 특징을 선율, 화성, 형식의 측면에서 면밀하게 분석하여 본다. 본 작품을 구성하는 세 곡은 다양한 교회 선법, 온음음계 그리고 전통적 조성 체계의 회피를 통한 화성적 어법의 확대를 보여주며 드뷔시가 피아노 독주곡에 즐겨 적용하였던 3악장 구성의 틀을 제시한 최초의 작품으로 볼 수 있다. 이러한 드뷔시 피아노 독주곡 양식에 대한 음악어법상의 이해와 함께, 잘 알려지지 않은 본 곡이 차지하는 음악사적인 가치에 대한 관심이 증대될 것을 기대한다.

• International Journal of Contents
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• 제10권4호
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• pp.48-52
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• 2014

The purpose of this study was to examine 30 logical connectors in the essay writing of Korean university students for comparison with the use in similar types of native English writing. The main questions addressed were as follows: Do Korean EFL students tend to over- or underuse logical connectors? What types of connectors differentiate Korean learners from native use? To answer these questions, EFL learner data were compared with data from native speakers using computerized corpora and linguistic software tools to speed up the initial stage of the linguistic analysis. The analysis revealed that Korean EFL learners tend to overuse logical connectors in the initial position of the sentence, and that they tend to overuse additive connectors such as 'moreover', 'besides', and 'furthermore', whereas they underuse contrastive connectors such as 'yet' and 'instead'. On the basis of the results of this study, some pedagogical implications are made concerning the need for teaching of the semantic, stylistic, and syntactic behavior of logical connectors.

• International Journal of Computer Science & Network Security
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• 제22권2호
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• pp.223-231
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• 2022

The application of computer software into the linguistic analysis of texts proves useful to arrive at concise and authentic results from large data texts. Based on this assumption, this paper employs a Computer-Aided Text Analysis (CATA) and a Critical Discourse Analysis (CDA) to explore the manipulative strategies of positive/negative presentation in Orwell's Animal Farm. More specifically, the paper attempts to explore the extent to which CATA software represented by the three variables of Frequency Distribution Analysis (FDA), Content Analysis (CA), and Key Word in Context (KWIC) incorporate with CDA decipher the manipulative purposes beyond positive presentation of selfness and negative presentation of otherness in the selected corpus. The analysis covers some CDA strategies, including justification, false statistics, and competency, for positive self-presentation; and accusation, criticism, and the use of ambiguous words for negative other-presentation. With the application of CATA, some words will be analyzed by showing their frequency distribution analysis as well as their contextual environment in the selected text to expose the extent to which they are employed as strategies of positive/negative presentation in the text under investigation. Findings show that CATA software contributes significantly to the linguistic analysis of large data texts. The paper recommends the use and application of the different CATA software in the stylistic and corpus linguistics studies.