• 보존과학회지
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• 제20권
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• pp.43-54
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• 2007

무량사오층석탑(보물 제185호)은 백제의 옛 땅에 위치한 지리적 특성으로 백제의 기법이 이어졌고 통일신라의 시대적인 양식도 계승된 고려초기의 석탑이다. 이 석탑은 오랜세월 외부에 위치해 있어 부재에 심한 암석학적 풍화와 생물학적 풍화를 받고 있으며 상대갑석에는 중심침하가 발생한 상태이다. 이에 상대갑석의 중심침하의 원인을 규명하기 위해 탄성파 탐사, 전기비저항 탐사, GPR 탐사와 같은 비파괴 방법을 이용하여 지반안정해석을 실시하였다. 이 결과, 모든 탐사에서 지반은 양호한 상태로 나타났으며, 특히 전기비저항 탐사자료를 통해 지반강화 다짐으로 보여지는 고비저항대가 나타났다. 따라서 상대갑석에서 발생한 중심침하 현상은 지반의 불안정에 의한 것이 아니라 상대갑석 상부 부재의 구조적 불안정에서 기인된 것이라 해석된다. 이 결과는 석탑의 상시 모니터링 또는 보존대책 수립시 기초자료로 활용될 것이다.

• 지구물리
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• 제6권1호
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• pp.39-46
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• 2003

경상북도 경주시 양북면 용당리 감은사지터에 위치한 쌍둥이 3층석탑(전체높이 약 13.4 m, 기단폭 6.78 m x 4.4 m)은 682년에 건립된 국내 최대 3층 석탑으로 국보급 문화재이다. 3층석탑의 서탑(이하 감은사지서탑)은 1959년에 해체 수리되었으나, 현재는 석탑 석재인 화강섬록암의 심한 풍화가 관찰되며, 탑의 구조적 불균형에 의하여 생겨난 하중의 편중으로 일부 옥개석 사이가 역 V자형으로 벌어져 있다. 일반적으로 석탑 안정성 진단을 위해서는 석탑과 인근의 지반환경을 이해하는 것이 필수적이다. 이 연구에서는 감은사지서탑 주변에서 탄성파탐사와 전기비저항탐사의 복합 지구물리탐사를 실시하였다. 웨너법에 의한 천부층의 전기비저항 수평 분포는 55∼350 Ωm의 범위인데, 대체로 석탑 남서측면이 상대적으로 높은 비저항인 반면 북동측은 100 Ωm이하의 낮은 비저항 지역으로서 연약지반으로 해석된다. 이는 동측 방향으로의 구조적인 기울임이 관찰된 석탑의 변위측정 결과와 부합한다. 탄성파 굴절법 탐사에 의하면 석탑인근의 약 3 m 두께의 최상부층의 탄성파 P파 속도범위는 200∼700 m/s이다. 복합지구물리 탐사결과 나타난 감은사지서탑의 기초는 약 11 m x 11 m의 장방형 형태로 약 3 m 깊이까지 분포하는 것으로 해석된다.

• 헤리티지:역사와 과학
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• 제45권1호
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• pp.86-101
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• 2012

운주사 원형다층석탑의 주요 구성암석은 암편질응회암과 유문암질 각력응회암으로 담녹색 및 회색을 띠며 원마도가 불량한 암편을 함유하고 있다. 암편질응회암은 유리질 기질과 은미정질의 장석과 석영이 보이고 미정질 결정들이 나타난다. 유문암질 각력응회암에서는 장석 및 불투명 광물로 이루어진 기질에 석영과 장석이 반정으로 관찰된다. 석탑의 모든 부재에는 먼지, 박리박락, 공동, 탈락, 균열이 발달되어 있으며, 적외선 열화상 촬영 결과 부분적으로 내부 공극이 상당히 진행되어 박리를 유발하고 있는 상태이다. 또한 서측과 북측의 3층 이상 옥개석 상부에서는 회색, 녹색, 황갈색 등의 다양한 지의류 및 선태류들이 높은 점유율을 보인다. 기단부와 옥개석에는 산화망간, 산화철 및 수산화철 등의 무기오염물에 의한 변색이 나타난다. 석탑 부재의 화학적 풍화지수(CIA)와 풍화잠재지수(WPI)를 산출한 결과, 각각 55.69, 1.12로 상당히 풍화가 진행되었으며 초음파속도는 평균 2,892m/s, 풍화도지수와 일축압축강도는 각각 0.4k, $1,096kg/cm^3$로 암석의 강도와 내구성이 약화된 상태이다.

• 대한건축학회논문집:구조계
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• 제35권4호
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• pp.147-155
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• 2019

In this study, flexural tests of granite reinforced with titanium metal rods were carried out to repair and restore the damaged stone-made cultural heritage, the Stone Pagoda of the Mireuksa Temple Site. A total of twelve specimens were tested. The primary test parameters are the reinforcement ratio and the location of the reinforcement. For restoration, epoxy resin was used for joining the separated stones, and titanium metal rods were used for structural reinforcement. Test results showed that the flexural failure took place in specimens with a reinforcement ratio of 0.8% or less, and shear failure occurred when the reinforcement ratio was 1.68% or more. The peak load of the reinforced stone was found to be highly related to the reinforcement ratio. The peak load increased with increasing the reinforcement ratio. Also, the flexural behaviors of the reinforced stones were affected by the location of the reinforcement. Based on the test results, this study recommends the reinforcement ratio of the reinforced granite to induce ductile behavior.

• 보존과학연구
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• 통권24호
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• pp.5-28
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• 2003

Stone has been one of the most intensely studied materials in conservation. Understanding the deterioration of stone needs various knowledge in different mineralogical and physical characteristics and its weathering response under different climate and environment. The alteration and weathering of stone is affected by natural or artificial elements whether they are physical, chemical or biological damaging factors. It can be said that the bio deterioration of stone is coupled with every environmental factors, which induce decomposition of stone structure, either directly or indirectly as a form of catalysis. Many elements contribute to the deterioration of stone monuments and other objects of cultural value such as pagoda, stature of Buddha, etc. This report concentrates on the action of biodeteriorative factorsincluding bacteria, algae and higher plants. Preventive and remedial methods and a selection of chemical treatments are also described.

• 한국공간구조학회논문집
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• 제22권3호
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• pp.33-40
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• 2022

Recently, cultural heritages in South Korea gain many interests of restoration and preservation from the government since many of that have been severely damaged during earthquakes. Many previous studies in both terms of experimental and analytical approaches have been done to examine structural behavior and decide appropriate methods of preservation. Being motivated by such researches, this research aims to investigate a religious stone pagoda dated back to the Goryeo Dynasty in Korea. The structure consists of a granite stone foundation and baked bricks, which resembles the shape of traditional pagodas. In order to examine the structural behavior of the pagoda, an analytical model is implemented using ANSYS, a comprehensive engineering simulation platform. For the time history analysis of the pagoda, several earthquake excitations are chosen and input to simulation modeling. Seismic response of the tower such as time domain, natural frequency, modal shapes and peak acceleration measured at each layer are presented and discussed. In addition, the amplification ratio of the tower is calculated from the accelerations of each layer to determine tower stability in accordance with Korean seismic design guide. The determination and evaluation of status and response of the brick tower by simulation analysis play an important role in the preservation of history as well as valuable architectural heritages in South Korea.

• 암석학회지
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• 제14권1호
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• pp.24-37
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• 2005

본 연구에서는 익산의 미륵산 일대의 화강암 지형경관에 대한 지형학적 및 지질학적 특성을 파악하고, 더불어 미륵사지 서탑에 사용된 석재의 공급지를 추정하였다. 절리는 익산 지역에서 가장 뚜렷한 지형학적 및 지질학적 구조이며, J1 절리의 방향은 N71°E∼EW이고 J2 절리의 방향은 N20°W∼N20°E의 범위를 나타낸다. 절리의 형태를 세분할 때 연구지역에서는 cross형의 절리가 우세하며 또한 linear형의 수직절리도 관찰된다. 지형적 특징으로 토어와 핵석도 관찰되는데, 토어를 이루는 핵석들은 2∼3m의 길이에 2∼3m 또는 5m 이상의 높이를 가진다. 그들의 경도는 주로 hammer bounce에 속한다. 미륵산 화강암에서 나타나는 토어는 tower형과 castle형이 우세하다. 한편 타포니와 나마 등과 같은 지형적 특징도 나타난다. 미륵사지 서탑의 석재와 인근 미륵산 화강암의 암석기재적 및 지구화학적 특징들을 비교할 때, 이 두 암석들은 매우 유사함이 지적되어 미륵산이 석재의 공급지일 가능성이 제기된다. 미륵산에서는 과거 채석의 흔적이 다수 발견되기도 한다.

• 복식
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• 제59권6호
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• pp.29-40
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• 2009

On April 28th of 2006, a set of Buddha's reliquary was excavated from the pagoda in n Nacsan Temple. According to the record, the relics were put in the pagoda in the 18th year of King SookJong in the Chosun Dynasty (1692). The present paper examines ten pieces of wrapping clothes covering reliquary found in the pagoda. They are especially precious data in the history of textiles because they were blocked off from outside and was preserved in good condition with vivid colors still remaining after more than 300 years. Of the ten pieces of wrapping cloth, five were double-layered and the other five were single-layered. They include 15 pieces of silk fabric but, excluding repeated use of the same silk fabric, the total of 11 pieces of silk fabric were examined. All 11 kinds of silk fabric were patterned, 9 of which were Satin and the other 2 were Twill. Of the 9 Satin pieces, 8 pieces were 5-end satin which had the ground of 5-end warp satin with the figure of 5-end weft satin. The remaining 1 Satin piece were more splendid with prominent figures by using warp and weft of different colors. The 2 Twill pieces used twill weave-the ground was 3-end warp twill and the figures were 5-end weft twill. Both of the Twill pieces were weaved with character patterns, partly using wrapped gold thread as supplementary weft. The patterns of 11 pieces of silk fabric include flower, dragon/phoenix, cloud, and geometric patterns. Five were flower patterns, three were dragon/phoenix patterns, two were geometric pattern, and one was cloud pattern. In addition, various treasure patterns, character patterns were utilized as supplementary patterns. The flower and phoenix patterns reflect characteristics of the textiles of the 17th century whereas check pattern and cloud pattern were very unique.

• 헤리티지:역사와 과학
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• 제33권
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• pp.136-161
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• 2000

This paper is a study on the design of the gilt-bronze sarira caskets discovered in 1959 and 1996, from a east and a west three-story stone pagodas in Gameunsa Temple site which was built in 682. One of the most interesting discoveries is the ceiling with Bokdu(覆斗) design which can be seen in Dun-Huang grotto of China, reflected upon the ceiling structure of the cover (outer casket) and the square box (inner casket). The structure of these sarira caskets, as art crafts, directly represents architectural structure of Dun-Huang grotto that was made during the early T'ang period of China. Moreover, the sarira caskets are decorated with ornate designs and these designs also can be seen on the murals of Dun-Huang grotto. Accordingly, those sarira caskets tell us creative ability and international taste of Silla's craftsmen. By tracing the origin of structure and design pattern of the sarira caskets to Central Asian and Chinese architectures, it is able to understand international style of the sarira caskets of Gameunsa Temple site.

• 건축역사연구
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• 제18권6호
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• pp.103-126
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• 2009

This study aims to discover historical trends and change of form of all stupas in India with observation of field study that is as direct as possible, by classifying, analyzing, and synthesizing the stupas. Study of Indian stupa in Korea has a number of shortcomings since only introductory partial approach has been made in order to seek the origin of Korean pagoda. This study also aims to correct errors of stupa terminology in Chinese character committed by misinterpretation of Hindi language which was established by precedent Japanese scholars several decades ago. Piled-up stupas were totally destroyed by pagans, therefore their remains tell us only of structure, material, sizeand disposition. However remains of carved stone at torana and drum give us clues as to the original form of stupa and worshipping activity, as well as change to a more luxurious form. Many rock cave stupas of India show us both simple forms matching the ascetic age of early Buddhism and luxurious changes in Mahayanan era introducing us to statues of Buddha. Indians recovered the spheric form of 'anda,' a Hindi term meaning cosmic egg, from the hemispheric form of the piled-up stupa. Therefore we might discard the erratic term of 'bokbal', which means an upset vessel. Railings and parasols became main factors of stupa design. Carved railings around stupa became a sign of divinity. Serious worshipping activity made drums long or high and created multi-embossed stripes. Bases of circular drums of some cave stupas changed their shapes to rectangular or octagonal. Single parasols became multiparasols of affluent flowerlike curved stems on carved stupa. Multistoried, elongated and high parasols of Gandhara stupas are closely related to such factors as diverse changes of form in Indian subcontinent. Four-sided torana gate and ayaka column of the circular form of original stupas suggest the rectangular form of subsequent East Asian pagoda, and higher and wider base of Indian stupas became the origin of East Asian rectangular pagoda.