• 제목/요약/키워드: Stitch

검색결과 241건 처리시간 0.033초

연속 봉합 단속 결찰법을 이용한 미세 혈관 문합법 (Microvascular Anastomosis Using 'Continuous Suture with Interrupted Knot' Technique)

  • 최문수;박상훈
    • Archives of Reconstructive Microsurgery
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    • 제8권1호
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    • pp.22-27
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    • 1999
  • While the conventional end-to-end anastomotic technique is accepted as 'the golden standard' for microvascular anastomosis, it is time-consuming and tedious. In an effort to offer faster and safer ways of performing microvascular anastomoses, numerous anastomotic techniques have been proposed, but further refinements in microvascular techniques are still necessary. A 'continuous suture with interrupted knot' technique was devised for faster and safer anastomosis. It has been successfully used in microanastomoses of both artery and vein for free tissue transfer. It is a combination of the interrupted suturing technique and the continuous suturing technique. First, a continuous suture is made with the size of loop decreasing in order, and then the sutures are tied individually from the first loop to the last one as in the conventional interrupted suturing technique. It was applied clinically to fourteen patients over the past ten months and found to be a highly efficient technique that satisfied our needs. This 'continuous suture with interrupted knot' technique has several advantages over other techniques : The operative time is reduced comparing conventional interrupted suture technique. By delaying the tie and with the vessel walls kept separated, the risk of through-stitch can be reduced. Tying all the sutures at one time not only speed up the procedures, but also reduced the surgeon's fatigue. In addition, it has no problem of anastomotic stenosis which is a disadvantage of continuous suture technique. This technique proved to be faster and safer, and has patency equal to that of the conventional end-to-end anastomosis. It is of great help to the surgeon in reducing operative time, especially in clinical situations when many anastomoses are required, or lengthy grafting procedures are undertaken.

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의류용어의 원류와 그 의미분석 -오용되는 오래어를 중심으로- (A Study on the Origin of the Clothing Terms and Their Interpretations -Focusing on the Misused Foreign Languages-)

  • 조규회
    • 한국의류학회지
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    • 제19권6호
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    • pp.933-945
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    • 1995
  • The purpose of this study is to examine the current foreign languages of clothing terms which have been misused, clarify the meanings and suggest the unified teams. The results are as follows. First, English and Japanese are great parts of the origins of the clothing terms in foreign languges which have been misused. And next, there were French, German, Portuguese and Spanish via English and Japanese. Especially, the misused foreign languages in styles, materials of clothing are also via English and Japanese. The compound words in Japanese are many parts of them and misused Japanese, Japanese via English, French, German, Dutch, Spanish, Poltuguese, and some terms can not be found their origin. (ex: 색채, 컬러, 카라) In case of the colors of clothing, the terms have the English marking rules and the Japanese pronounciation. And some unified terms are Korean, English, and Chinese letters. (ex: 빨강, 레드, 적색) There are lots of the misused foreign lagusges in sewing terms. On each case, the corresponding words in English and Japanese were suggested to understand easily. The most of the unified words were suggested in Korean. (ex: 하찌사시 $\rightarrow$ 하자시; padding stitch, 팔자뜨기) In clothing construction, there were lots of the misused terms in Japanese and the corrupted terms of Japanese. And so the explains and the unified terms were suggested. (ex: 구세토리, 몸새맞춤, 나찌, 가위집 (내기)) Finally, the origins of terms in western history of costume were clarified and analyzed the meanings : $\circled1$robe, $\circled2$ jacket, gipon, pourpoint, doublet, justaucorps, habit, flock(coat), cutaway, swallow tail coat, 배광, lounge suit, $\circled3$ coat Robe is the gown style garment which was used by men and women from the Middle ages, the jacket is a short, coat-like garment and coat is a long outer garment. Each origin is different, however the 'jacket' and the 'coat' were used confusely in the middle of 19th century.

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물리치료가 슬관절 내측측부인대 손상을 동반한 전방십자인대 재건술 후 운동기능 회복에 미치는 영향 (The effects of functional movement recovery of physical therapy after ACL reconstruction with MCL injury)

  • 김인섭;임원식;배성수
    • The Journal of Korean Physical Therapy
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    • 제14권1호
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    • pp.27-37
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    • 2002
  • This is the study of the knee joint injured patients at the orthopaedic surgery clinic where is located in Daejon, who has MCL combine injured ACL reconstruction caused by sport activity and accident during the period from Jan. 2001 to Oct. 2001. By comparing with groups between 7th case of I-group for MCL combined stitch and II-group for ACL reconstruction since 6weeks cast. We have been concluded with that following results. 1. Range of motion for the knee was not limited at 5th case(37%) of I-group, 6th case(42%) of II-group and the cases of Flexion deficit less then 10 -degree were 2nd case(13%) of I-group and II-group 1st case(8%) with no extension deficit more then 5 -degree. 2. The level of activity that tells you whether you are capable of exercise for six month after operation. It han been divided by 3 levels. The case of capable of doing low risk exercise(swimming, cycling, etc.) was 5th case of I-group, the case of capable of doing medium risk exercise(jogging, etc.) was 3rd case of I-group and 4th case of II-group and the case of capable of doing high risk exercise(football, etc.) were 3rd case of I-group and 3rd case of II-group. 3. The timing of the return to their job were average 6.4 weeks for I-group and average 22.9 weeks for II-group(P<.05, statistical difference). 4. There was no statistical difference between I-group and II-group for the timing of the return to their job(P>.05). 5. By using VAS to compare them there was no statistical difference between I-group and II-group of clinical results according to Lysholm scale.

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조선시대 남성 분묘 출토 적삼 고찰 - 송효상(宋效商, 1430-1490), 송희종(宋喜從, 16C중후반)묘 출토 복식을 중심으로 - (Men's Single-layered $Chog{\breve{a}}ri$ in Joseon Dynastry -Focused on SongHyosang(1430-1490), SongHeejong(the late 1500s) tombs -)

  • 권준희;권영숙
    • 복식
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    • 제59권3호
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    • pp.131-144
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    • 2009
  • This study is about single-layered $Chog{\breve{a}}ri$ excavated from SongHyosang(宋效商, 1430-1490, SHS hereafter), SongHeeJong(宋喜從, the late 1500s, SHJ hereafter) tombs. There are 7 single-layered $Chog{\breve{a}}ris$ for men. We focus on comparison of their design and sowing method. 1. Design: Investigating collar, $Chog{\breve{a}}ris$ from SHS have MokpanGit and $Chog{\breve{a}}ris$ from SHJ have KalGit. KalGit has been seen from SHJ to 17th, 18th and 19th centuries. After the late 1500s, there is no MokpanGit single-laTered $Chog{\breve{a}}ri$ for men. Side panel under arm has various shapes(triangle, trapezoid, triangle+trapezoid) in 15th century. After the late 1500s, It changes into no side panel. Two $Chog{\breve{a}}ris$ with no side panel from SHJ reveals that the late 1500s is a period of transition. 2. Sewing method: First, researching lengthwise grainline of the fly, the left fly has lengthwise grainline outside In four, inside in three. The right fly has lengthwise grainline outside in just one, the others have lengthwise grainline inside. Compared with today's way, there is a great difference, but in those times there isn't an established rule. This is true of side panel under arm. The sewing method are backstitch, running stitch, and hemming. Researching the construction method of seam, in putting two selvages together, open seam and plain seam are used. In putting selvage and bias, bias and bias together, flat felled seam and french seam are used. This study shows that single-layered $Chog{\breve{a}}ri$ far men from 15C. to 16C. has changes of design such as collar(Git) and side panel undo. arm. But there is little change in sewing method.

가리비의 조형성을 이용한 한지직물 의상 디자인 연구 (A Study on the Fashion Design of Hanji(Korean traditional paper) Textile Using the Formative Features of Scallop)

  • 권민정;유금화
    • 한국의상디자인학회지
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    • 제13권3호
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    • pp.149-163
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    • 2011
  • Hanjisa(Korean paper yarn), a new material made from the traditional Korean paper, has been developed through local R&D efforts, reflecting the current trend highly valuing environmental friendly. This new material is considered suitable for the 21C lifestyle and culture pursuing improved quality of human life and the environment. Therefore, this study aims to widely make known the originality and functions of the environmentally friendly Korean paper yarn, as well as to increase its commercial value. Furthermore, a new category of apparel design is presented by studying painting dyeing based on transformational tuck techniques and wax resist dyeing with formative features of repeated lines and rhythms of shells in order to implement three-dimensional and decorative artistic expressions. The texture of the Korean cotton paper yarn was particularly suitable to employ tuck and dyeing techniques Which express formative features of shell. Also, the material was useful for expressing the three-dimensional feelings with repeated curves and cross sections of shells. Moreover, paraffin resist dyeing and stitch techniques were used in order to avoid monotony and the images of shells visually materialized. Through the results stated above, this study could explore how to overcome obstacles to globalization of the Korean modern apparel such as its uniqueness, limit of materials or absense of internationality by applying modern design to the Korean paper fabrics. In the future, it is expected that more manufactures could produce and supply the new materials so as to make widely known the originality of the Korean paper fabrics and develop the material into a popular organic product fitting the modern lifestyle.

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스트립 영상 배치를 이용한 동심원 모자익의 효율적인 생성 (Efficient generation of concentric mosaics using image-strip mosaicking)

  • 장경호;정순기
    • 한국컴퓨터그래픽스학회논문지
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    • 제7권2호
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    • pp.29-35
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    • 2001
  • 영상기반 가상현실 시스템에서 사용되는 가상환경은 영상모자익(image mosaics)을 통해 만들어진 파노라마 영상으로 표현할 수 있다. 이 경우 실린더 파노라마 영상은 생성 시 제약성 때문에 고정 시점에 방향만을 바꿀 수 있는 탐색을 지원하다. Shum은 가상환경 내에서 자유로운 시점이동을 제공하기 위해 카메라를 일정한 간격으로 회전시켜 얻은 영상으로부터 동심원을 이루는 여러 개의 실린더 형태인 광필드(light field)의 4차원 함수를 세 개의 파라미터, 즉 중심으로부터 거리, 높이, 각도의 3차원 함수로 단순화시킨 동심원 모자익(concentric mosaics)을 제안하였다[10]. 그러나, 이 방법은 카메라의 동일한 간격의 수평 회전운동에 의해 영상을 얻어야 하기 때문에 특별한 장치가 필요하고, 중심으로부터의 거리에 따라 카메라를 배치시켜 촬영함으로써 많은 영상을 처리해야하는 단점이 있다. 본 논문에서는 Shum의 동심원 모자익 생성시의 단점을 보완하기 위하여 영상 스트립을 실린더 평면에 배치시키는 방법을 이용한 효율적인 동심원 모자익 생성 알고리즘을 제안한다. 이는 영상 촬영 시 자유로운 수평 회전이 가능하여 부가적인 촬영장치가 필요하지 않다. 또한 새로운 시점에 대한 영상을 생성할 때, 보간 영상의 사용을 최소화하여 영상의 질을 향상시켰다.

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패션 트렌드 정보지에 나타난 니트소재 분석 - 2002년~2011년을 중심으로 - (Analysis of Knitted Fabrics in Fashion Trend Books - Focused on 2002~2011 -)

  • 김미진;정승령;박명자
    • 한국의상디자인학회지
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    • 제14권2호
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    • pp.127-145
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    • 2012
  • In an effort to investigate the overall trends of knit fabrics in fashion trends books, this study analyzed the components(fabric, yarn, gauge, thickness, knitting structure, pattern, dyeing and finishing) of knit fabrics in fashion trends books by the years and seasons from the S/S season of 2002 to the F/W season of 2011. Analyzed in the study were total 883 knit fabrics including the knit samples in Nelly Rodi Knitwear and Promostyl Fabrics. Collected data were put to frequency analysis with SPSS 12.0. Group mean analysis was also performed for thickness. The research results were as follows: As for knit fabrics in fashion trend books by the years and seasons, knit fabrics were most used in 2004 with similar frequency of knit fabrics among the seasons. As for fabric composition of knit fabrics, the uses of blend fabrics were considerably prominent both in S/S and F/W seasons and recorded the highest level in the S/S season of 2003 and the F/W season of 2002. As for gauge composition of knit fabrics, S/S seasons saw the most uses of fine G of 20G or higher, while F/W seasons saw the many uses of 12G-18G, which showed the highest frequency in 2002. As for knitting structure of knit fabrics, the plain stitch was used most both in S/S and F/W seasons and recorded the highest level in the S/S season of 2011 and the F/W season of 2007. As for pattern of knit fabrics, stripes and solid patterns were used most regardless of seasons. As for dyeing and finishing of knit fabrics, non-processed fabrics were used most, recording high frequency in the early 2000s.

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빅토리아 앨버트 박물관 소장 활옷의 조형성 연구 ((A) Study on the Formative Characteristics of Embroidery Panels of Hwarot at the Victoria and Albert Museum)

  • 권혜진;김지연
    • 복식
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    • 제63권7호
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    • pp.176-188
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    • 2013
  • This research examines embroidery panels of Hwarot belonging to the Victoria and Albert Museum (the V&A). There are a total of seven objects and are all disassembled into clothe pieces. They were classified into two groups according to their acquisition year. One group, four objects, was acquired by the Museum in 1920. Considering their materials, embroidery threads, techniques and formative characteristics of patterns, it can be assumed that the objects formed an original dress, Hwarot. Although they look very similar to the embroidery patterns of Hwarot belonging to National Folklore Museum of Korea, they are more finely embroidered with very thin embroidery thread that uses the Jarisu technique. There are some differences in used embroidery threads and embroidery skills between Hwarot artifacts of the National Museum of Korea and the V&A. The embroidery of the National Museum of Korea used thicker threads and longer (approximately 0.7cm) Jarisu stitch techniques. With these details, they would have been made in different time periods. Comparison of the V&A and Changdeok Palace' Hwarot objects show that their patterns' motifs are almost similar but the pattern units, expressions and embroidery techniques are different. Regarding the colors of their patterns, it is noticeable that the peonies are generally expressed in reddish and the lotus patterns are expressed in either bluish or purplish color. It seems that they are contrasted with red-colored flowers and show harmony between yin and yang symbolically. Three artifacts of another group were acquired in 1925. Two of them show patterns almost the same as those of the sleeves of Hwarot (no.33156, no.33158) in Chicago Field Museum collection. The pattern of the remaining object is very similar to Hansam of Hwarot (no.33158).

인공강우시스템을 활용한 의복의 방수성능 평가 (Garments Waterproofness Test Using Rain Tower System)

  • 차희철;박준호;임지영;심현섭
    • 한국의류산업학회지
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    • 제17권6호
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    • pp.1013-1019
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    • 2015
  • As the interest in leisure and health increases, the domestic outdoor wear industry becomes bigger. The waterproofness of fabrics does not ensure the waterproofness of garments because of the stitch holes during the sewing process even with the seam sealing tapes. Thus the water leakage often becomes a problem during the end use. Still companies use fabrics waterproofness data for garments marketing because they are simple to run the test, less expensive than the whole garment testing, and easy to achieve the quality control. In this study the rain tower system for evaluating the waterproofness of garments has been developed and the waterproofness of the selected waterproof and breathable garments in the market were tested. The rain tower was consisted of rain tower room, rainfall forming system and measurement system. Two different levels of rainfall can be simulated with this system(100l/m2/hr and 450l/m2/hr). Jackets in the market have been tested at two different rainfall conditions. The temperature and humidity data inside jackets didn't provide much information on the waterproofness at severe rainfall condition(450l/m2/hr, 1 hour). However, water leakage was detected on the cotton undershirt inside jacket. 5 out of 8 jackets passed the normal rainfall condition(100l/m2/hr, 30 minutes). The newly developed rain tower system was able to evaluate the waterproofness of the jacket seams. It is recommended the further study on the detailed test conditions for the end use of the waterproof and breathable garments.

여러가지 솔기의 Oxygen Index Value에 관한 비교연구 (Comparison of Oxygen Index Values of Different Types of Seams)

  • 이은영
    • 한국의류학회지
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    • 제3권2호
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    • pp.1-7
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    • 1979
  • 본 연구의 목적은 여러 증류 솔기의 내연성을 Oxygen Index Test를 통해서 알아봄으로서 내연가공을 한 옷에 가장 이상적인 솔기의 종류를 제시하는 데 있다. 이 목적을 위해서 6가지 종류의 솔기를 내연가공한 옷감으로 만들어 실험하였으며 솔기 종류 이외의 변인으로는 솔기제작에 사용된 실(내연가공한 실과 일반 면사)과 세탁회수가 포함되었다. 솔기의 종류는 (1) 뉜솔(FF) (2) 가름솔에 zig-zag로 시접처리 (PZ) (3) overlook stitch로 박은 솔기(OL) (4) serger로 박은 솔기 (SG), (5) 내연가공한 binding을 사용한 쌈솔(TB) (6) 내연가공하지 않은 binding 을 사용한 참솔(UB) 등이였다. 실험 결과에 의하면 솔기 종류에 따라 O.I. value에 상당히 유의한(p<0.001) 차이가 있었으며, 실의 종류에 따라서도 상당히 유의한(p<0.001) 차이가, 세탁 회수에 따라서도 유의한(p<0.05) 차이가 나타났다. 또한 솔기 종류와 세탁, 솔기 종류와 실의 종류 사이에도 상당히 유의한(p<0.001) 상호작용이 있는 것으로 밝혀졌다. Newman-Keuls 겅증에 의하면 TB, FF, OL 사이에는 유의한 차이가 없으며 이들은 PZ, SG(내연가공하지 않은 실), UB보다 훨신 높은(p<0.01) 내연성을 보였다. SG의 경우 내연가공하지 않은 실을 사용했을 때는 PZ보다도 낮은 O.I. Value를 보였으나 내연가공한 실을 사용했을 때는 FF나 TB 만큼 높은 O.I. 결과가 나타났다. 또한 TB는 위의 솔기 중에서 가장 높은 O.I.를, UB는 가장 낮은 O.I.를 보임으로서 binding의 중요성을 나타냈다. 위의 결과로서 SG, FF, TB가 내연가공에 바람직한 솔기로 나타났으나 TB는 구성과정이 복잡하여 대량 생산에는 많이 사용되지 않으며 SG는 실의 내연가공 여부에 대한 규제가 필요한 것으로 나타났다. 또한 PZ나 UB, SG(일반 실사용)는 내연가공한 옷생산에 사용되지 않는 것이 타당하겠다.

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