• 한국주거학회논문집
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• 제11권3호
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• pp.53-63
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• 2000

The purpose of this study is to improve design method for renovating an environmental friendly residential space where nature and humans could coexist. In the present study, five deteriorated multi-family housing complexes have been selected and one hundred and thirty eight dwellers have been asked about ecological important factors through the questionnaire. This study presents the adaptable solutions, such as are the enlargement of unit space or area, the renovation of facade, the functional change for dwellings on the ground level, the open piping of circulation systems, the expansion of community facilities(include greenarea), the build up of spatial hierarchy and the housing development set reuse planning forth as a premise, for the aspects of dwelling unit, building block and site planning.

• 한국주거학회논문집
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• 제15권6호
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• pp.57-65
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• 2004

This paper has attempted to analyze the site planning theories of Raymond Unwin (1863-1940), who is called the father of British town planning. A prominent contribution of his was to establish both the site planning of garden suburb and urban housing style in British type. Here it attempts to analyze how he greatly and firmly established the concept of Housing Group, and how he got this the concept from the life and spatial composition of villages. It could be pointed out that the main factors of the Unwin theory are social mixture, creation of community consciousness and informal landscape design, and that the small enclosed space with plenty of amenity is his main theme. It is pointed out that the Unwin theory is composed of recognizing urban life as totality, and group planning theory, and that he definitely originated a new technique: Housing Group. It is analyzed that the syntactic relations between the group planning theory and housing designs in the English garden suburbs are epitomized in Hampstead Garden Suburb, Middlesex.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
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• pp.78-81
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• 2001

The lastest art is being characterised by an ever active exchange between different genre. Installation Art is an artistic attempt to integrate visually and dynamic consciousness and movement of human beings and the actual living space based on the new spatial concept of integrative Environment Approach. Through the visual and structural reflection of personal experience and movement new interpretation of space in which various activities and events take place in relation to time is realized. The methods of Installation that relate on the contemporary interior design are as follow : expression of object through deconstruction, space of every experience, enlargement of concept of space, space of interactive.

• 한국의상디자인학회지
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• 제2권2호
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• pp.81-94
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• 2000

This study attempted to make a comparative investigation into architecture and fashion. It was intended to grasp the contemporary meaning of fashion expressed in fashion by investigating the image of lightness expressed in contemporary fashion. With the increasing trend of the characteristics of lightness over the whole field of contemporary design, this study took an opportunity to probe its understanding and a desirable direction of expression. The study results were summarized as follows: First, flexibility conveys comfortableness and lightness that makes people feel wear no costume in a soft and flowing style. This phenomenon is thought to express the desire to depart from the dismal and heavy ideology of the past times. Second, lightness is expressed as the virtual transparency felt from what is spatial. It shows a sense of openness while removing the internal and external boundary. Third, liberalness expresses the unfettered consciousness of freedom by expressing an open, free image through free, thin and transparent fashion.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.44-51
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• 2009

Various and complex cultural phenomena have led to many changes in the space. The concept of unconsciousness, among others, and experimental expression technique and the concepts from surrealism that rather attaches great importance to contingency than intentional attempt have been employed in the space. The abstract expression as expressional characteristics of surrealism makes the space ambiguous through the concept of automatism using the approach of indeterminism and double image expression, and represents the space providing diversity through the dualism. In contrast, objective expression, which was based on depaysement, generates the tension and expresses the dramatic situation in such a way and manner which are intentional, distorted transformed, together with heterogenous meanings aligned through the reversal appeared in the techniques of collage and paranoiac-critical method. However if such space accommodating the expressional characteristics of surrealism is approached as superficial concept in analyzing the human's inner consciousness and imaginary society, expression of the ultimate concept contained in the expressional characteristics of surrealism can hardly be achieved. Hence, the spatial analysis from the semiotic approach, instead of unilateral method aimed to convey the meaning only, which creates the signification, was adopted. The study, as effective approach to the space accommodating the expressional characteristics of surrealism, was intended systematically evaluate the concreteness of understanding and generation of meaning through the semiotic method. Greimas' semiotic square analysis to the space plays the important role in generating the spatial meaning, as well as is needed for objective analysis of the importance of various characteristics and methodology which the space contains through the expressional characteristics of surrealism.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.20-27
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• 2009

This study aims to understand the consumer consciousness of the interior design by experiencing the interior space of the model house provided by the construction company. For this, the author investigated the spatial images about the apartment interior design and the satisfaction level depending on the experiential elements. Survey questionnaires were distributed to people who visited six model houses. Subjects were asked about the experience about the interior space of the model house. Their response to the experiential elements was analyzed with 5-point Likert scale and was computed as frequencies, percentages, and means. For the spatial image characteristics, adjectives were substituted for the image scales. As a result, the author found out the following: First, the interior space was commonly directed to the soft image, which was mixed with modern, noble, decent, dynamic and natural styles depending on the companies. The trend of each interior design basically had static, soft and vague images, and partially had two kinds of tendencies: the one was mild and natural, and the other was modern and elegant. Second, as the strategic modules of the experiential marketing, five experiential elements were investigated to find the satisfaction level through the model house interior space. The emotional element got the highest point followed by the cognitive element and the active element, while the sensible element and the relative element got the lowest point. Third, consumer response was generally positive toward the model house interior design provided by the construction company. It is necessary to make up for the design that can give an aesthetic pleasure with familiar images, rather than give a firm recognition about the design.

• 한국지역지리학회지
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• 제10권2호
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• pp.428-446
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• 2004

본 논문은 1990년대 우리나라 대도시의 변화(특히 도시의 경제, 정치, 사회문화 부문)에 관하여 서울, 대전, 대구, 광주 시민들의 의식을 조사하여 비교 분석한 것이다. 서구 대도시의 발달을 배경으로 제시된 각 부문별 이론들, 즉 포스트포드주의론, 도시거버넌스론, 포스트모더니즘론, 그리고 지속가능한 발전론 등에 기초하여 설문항목들을 도출하여 설문지를 작성하였다. 이 설문조사를 통해 밝혀진 내용들 가운데 주요한 점들은 다음과 같다. 첫째, 전반적으로 대도시 시민들은 1990년대 도시 변화에서 경제 및 정치 분야보다는 공간구조 및 사회문화 분야의 변화를 더 강조하였다. 둘째, 도시경제분야에서, 시민들은 첨단기술산업의 중요성을 인정하지만, 기존의 지역불균등발전에 따른 발전 저해요인들(대표적으로 지역자본 및 기업본사의 부재 등)이 매우 큰 영향을 미치고 있다고 인지한다. 셋째, 시민들은 도시정치와 관련하여 여전히 중앙집권화된 정치 정당구조를 문제시했으며, 도시발전의 수준이 낮을수록 단체장의 기업가적 마인드의 중요성을 인정했다. 넷째, 시민들은 사회문화 분야에 큰 영향을 미친 요인들로서 정보통신 수단의 발달 자동차의 보급 증대, 신용카드의 사용증대 등의 3대 요인을 지적했으며, 또한 일반적 추정과는 달리 도시축제의 효과에 대해 크게 동의하지 않는 반면 자신들이 살고 있는 도시에 대해 상당한 자긍심을 가지는 것으로 조사되었다.

• 한국실내디자인학회논문집
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• 제26권3호
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• pp.34-44
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• 2017

Korean-Japanese architect Itami Jun that proceeded with primeval architecture based on analogue ideas in the digital era realizing nomad architecture is delivering a totally different meaning in the modern time. Not like the Japanese architectural community equipped with rich technologies showed state-of-the-art architecture after 1980s, Itami Jun' formative consciousness intending to assimilate nature from the original position of things is thought to have started from the relationship with Korean-Japanese painters leading MONO-HA desiring to look at the world as it is and approach the source of existence. The purpose of this study is to analyze the spatial characteristics from the viewpoint of 'Theory of Meeting' which is the essence of the work theory of Lee UFan that made the theoretical foundation of MONO-HA to understand Itami Jun's architectural space in the ideological aspect. Although the characteristics of marginal men appearing in Itami Jun's architectural space as others located on the boundary between Korea and Japan, art and architecture, and functions are valuable research objects, they have not been studied in the aspect of source, so it is needed to research his works and the source of the spatial ideas that led his works. Based on Theory of Meeting claiming that the world becomes the place of experience by the medium of objet which is the structure of meeting, and that human beings can meet the truly opened world by self-awareness through body, the expressive characteristics of Itami Jun's interior space was analyzed. As a result of the analysis, it turned out that Itami Jun's interior space actively expressed Theory of Meeting on the unity of structure and space, and on the trans-boundary by the medium of objet. Conclusively, this study suggests that, in the reality of the modern interior design full of technology-intensive designs, analogue approach moving in the opposite way from technologies could be a better expressive method of design delivering the fundamental human emotions.

• 한국지역지리학회지
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• 제12권2호
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• pp.245-264
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• 2006

많은 개념적 연구와 담론에 의하면, 정보통신기술의 발달은 일상생활의 시공간적 활동에 지대한 영향을 미치고 있다. 그러나 이에 관한 경험적 연구들은 실제 그 영향이 그렇게 크지 않다는 점을 보이고 있다. 이러한 양 입장을 벗어나기 위해, 이 논문에서는 정보통신기술의 발달과 사회공간에 미치는 영향에 관한 연구는 개별 현상이나 의식에 초점을 두기보다는 사회공간적 관계, 즉 네트워크의 변화에 관심을 주어야 한다는 점을 주장한다. 카스텔(Castells), 어리(Urry) 등이 주장하는 바와 같이, 사실 정보기술의 발달은 새로운 정보네트워크의 창출을 의미하며, 그 공간적 측면을 이해하기 위해 '네트워크 사회공간'이라는 용어를 사용할 수 있고, 라투어(Latour) 등이 주장하는 '행위자-연결망'이론이 원용될 수 있다. 이 논문에서는 특히 새로운 사회공간을 구성하는 네트워크는 즉시적 층위, 기능적 층위, 그리고 물질적 층위를 가지는 것으로 이해한다. 또한 네트워크사회공간은 새로운 사회공간적 관련성으로서 중요성을 가질 뿐만 아니라, 네트워크의 결절을 형성하는 주체들의 참여와 이를 통한 정체성의 재구성이라는 점에서도 중요한 의미를 가진다는 점이 강조된다.

• 한국지역지리학회지
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• 제20권3호
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• pp.315-333
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• 2014

본 연구에서는 18대 총선에서 나타난 선거지역주의 현상의 실태를 분석하고 공간적 정당지지 패턴을 규명하고자 하였다. 연고주의에 의한 전략적 공천, 지역개발 공약, 지역주의 선동 등 정책 공급자인 정당의 지역주의적 선거전략과, 지역연고 정당을 지지하는 유권자의 투표행태가 상호작용하여 지역별 정당지지율의 편중도가 심한 선거결과를 초래하였다. 중앙선거관리위원회 유권자의식조사에서도 지역구와 비례투표에서 지역정당을 중시하는 투표성향을 확인할 수 있지만, 각 지역당의 핵심지역인 경북, 전북, 충남 권역의 지역구를 대상으로 후보자의 정치사회적 지위와 득표율간의 관계를 분석한 결과에서도 유권자가 대상권역 모두에서 정당을 1차 선택요인으로, 후보자의 경력과 직업을 2차 선택요인으로 고려함이 확인되었다. 지역구와 비례투표 모두에서 같은 정당을 선택하는 일괄투표의 성향이 강하였다. 정당별 득표율의 공간적 분포를 볼 때, 주요 지역정당의 텃밭에서 여전히 유권자의 지역주의적 투표행태가 강력한 반면, 서울과 충북의 유권자들은 '뉴타운' 건설이나 '행정복합도시' 조성 등 지역개발 공약에 크게 영향을 받아 이익지향적 투표성향을 보였다.