• International Journal of Advanced Culture Technology
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• 제10권1호
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• pp.196-203
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• 2022

Developing smart cities increasingly relies on metaverse technology. This has become much more apparent in the post-COVID-19 pandemic urban environment. The demand for fast processing of huge amounts of data and the convergence of various media types is essential for keeping city residents well-informed and safe. This paper builds on recent research on metaverse, smart cities, and digital outdoor advertising media. It proposes that "space culture media", which collectively functions by using physical or virtual spatial information, will play a key role in the smart city, functioning as an augmented city. Specifically, this paper deals with significant issues related to the smart city changes created by tecoration, a metaverse urban media space facilitated and enhanced through digital outdoor advertising.

• 한국실내디자인학회논문집
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• 제19권6호
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• pp.67-74
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• 2010

Today, the world is facing overflowing digital technology, floating digital contents in the air, and various perspectives on the contents, and these are called new media waves. The waves show diverse features applied in arts and interior designs. In the new media world, a process that shows what artists and designers are dreaming of, planning, and presenting is becoming important., Therefore, a purpose of this research is to understand and refine the concept of new media world, and is to study on presentations of new media art in commercial spaces. Up to present times, New media art is a metaphor in the air, which connects digital art and design. Like the modifier "NEW" contains meaning of frequent changing, new media art has various characteristics in the commercial areas. First, new media art shows lighter and various space-designs with numerous lights and colors through the evolution of interface between substances and non-substances. Second, new media art has liquidity of spaces that come with diverse communication and change though infinite possibilities of digital technology. Finally, new media arts has amusement itself based on virtual images through interactive reality extension from human experience.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2002년도 ITC-CSCC -1
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• pp.437-439
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• 2002

Tangible user interfaces have attracted strong attention in the HCI(Human and Computer Interface) community for their ability to take advantage of skills humans develop in the real world. We are developing "tangible media aided design system" which employs physical objects i.e., brick as interfacing media for 3D graphic modeling. This system is targeting for persons who are afraid of experiencing 3D graphic modeling and virtual space, or have a sense of reluctance in approaching to them. Our approach suggests the easiest way for people to experience computer system and virtual space carefree while developing and improving their space sense. This work is one of initial explorations of media aided design system using tangible user interfaces.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2007년도 추계 종합학술대회 논문집
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• pp.885-888
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• 2007

도시의 발전에 따라 상징적인 건축물 및 대형 광장, 차 없는 거리 등이 도시의 중요한 특징으로 부각되고 있으며 이와 함께 공공 예술에 대한 중요성이 부각되고 있다. 도시의 공공 공간을 중심으로 인터랙티브 미디어 아트 활동을 하는 9명의 세계적인 작가 또는 그룹을 선정하고, 이들의 대표적인 작품을 대상으로 흥미유발. 인터랙션, 장소의존성, 심미성, 상업성, 매체, 장비의 7개 항목을 기준으로 현대 공공 공간의 인터랙티브 미디어 아트의 특징을 분석하도록 한다.

• 디지털융복합연구
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• 제12권12호
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• pp.513-520
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• 2014

인간은 유사 이래로 자신을 둘러싼 모든 것들을 본능적으로 미메시스(Mimesis)하고 환영(Illusion)을 생산하며 예술과 문화를 계승 발전시켜왔다. 그 대상으로는 단지 지시할 수 있는 객체만이 아닌 객체를 둘러싼 공간 역시 포함되었다. 르네상스 시대에 등장한 원근법은 서구 역사에 있어 공간을 바라보는 지배적인 방식으로서 자리를 잡았고, 근대 시각 체계를 형성하였다. 오랫동안 원근법에 기반 했던 공간의 연출방식은 디지털 미디어 시대에 접어들면서 다층적 구조를 내포한 수평적 데이터 구성이라는 개념으로 재정의 되었다. 이러한 구성적 특성은 보다 효율적이고 합리적인 방식으로 공간의 사실적 재현을 가능하게 만들었다. 공간의 연출방식은 시각 예술 문화에 있어서 하나의 방법론이라는 외피적 범주를 넘어 세상을 바라보는 인간의 가치관을 반영한다는 의미를 지니므로 디지털미디어 기반의 공간 연출방식에 대한 심도 있는 연구의 필요성이 있다.

• 한국게임학회 논문지
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• 제19권4호
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• pp.5-14
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• 2019

본 논문은 증강현실 게임 공간에 대하여 분석하고 기존 게임 공간을 참고하여 모바일 증강현실 게임의 공간에 대한 공간 분석 기준을 제시하고자 한다. 본 연구에서는 기존 게임 공간 분석과 제이슨 제랄드의 개인적, 행동적, 전망적 가상 공간 층위 분류, 가상 공간과 현실 공간의 상호작용성, 그리고 라브로프가 제시한 가상 공간에서 현존감을 결정하는 요인인 몰두, 조작, 탐색을 바탕으로 분류 기준을 제시하고 그에 따른 사례를 분석하였다. 이러한 분석을 통하여 증강현실 게임 공간 분석 기준을 제시하였다는 점에서 의의가 있으며 증강현실 게임 공간에 대한 다층적 연구가 지속되어야 함을 제언한다.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.114-124
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• 2004

Most previous studies, in general, related to housing needs have analyzed the data from self-administered survey or interview using questionnaire or simple 2D floor plan. This study was Intended to suggest how to increase the reliability and effectiveness of such survey methods in examining the residents' housing needs. In order to accomplish the purpose, the two kinds of surveys using Web based VR media and typical questionnaire were peformed. The same questions were used for these two surveys, and they included the furniture characteristics, use of each room, adjustment of room size, preferences for interior colors, preferred furniture in living room, space layout of floor plan, housing life style, and preference for housing characteristics. The answer differences between these two were analyzed. The subjects were 402 housewives who lived in apartment houses in Haeundae, Busan. Finding were as follows: first, the media method was more likely to be effective than typical questionnaire survey in explaining housing needs for the adjustment of room size in housing unit plan. Second, the media method was more realistic and reliable than the other in comprehending the needs for the interior colors. Last, the VR media tended to be more effective than the other in understanding the space layout of floor plan. This research sheds light on the utilization of visual instrument for the analysis of needs related to space use.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.125-133
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• 2014

While shifting from modern society to post-industrial society, social structure is changing from the period which pursues material affluence to that which pursues psychological abundance. Formation of various values along with pursuit of psychological abundance has made the illusion of standardization, massification, and popularization meaningless. Different from functionality oriented approach in the past, today's design requires diversified, multiple and integrated thinking and way in fast-changing social phenomena and stream, and lets human loose from the restriction of time and space thanks to technological development. It appears as new and various attempts along with paradigm shift of the wholle society, however the existing physical and actual things gradually transit to non-physical and non-actual things. Tendency of dematerialization has spread as far as esthetic and environmental genre on the basis of social and philosophical base along with change of consumption culture, and has displayed complex and de-genre aspect. Paradigm shift has expanded the range of communication by changing to user's independent awareness and sensitive concept, among them, light displays various changes of space by taking the role of new medium. Particularly, the light as the media expression beyond the phenomenon of light of traditional concept acts as an essential element to stimulate sensitivity and for experience as an immaterial element which shows this change of space most dramatically. This research aimed at recognizing space in complex dimension, exploring the relation between the light and space through media expression displayed in the realization of immateriality, expanding the meaning of light, and recognizing it as the possibility of creative and future-oriented light space creation which responds to technological development and social change.

• 한국실내디자인학회논문집
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• 제15권3호
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• pp.83-91
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• 2006

Our human society is rapidly changing into the world of advanced visual information with the development of image industry, the advent of satellite and terrestrial DMB, and the opening of Ubiquitous era. Like this, we are living in the space of overflowing media contents. Jean Baudrillad anticipated that the influential power of image would dominate our reality in 'Simulation'. Noticing the indication of our time, which is organized by various information media including the mass media, Baudrillad predicted that the 21st century would be an era of symbol and image due to the development of television, computer, and internet. This paper attempts to find the physical and conceptual peculiarities of the space change according to the use of display, by analyzing SF films, where future daily life is a major setting, under the judgement that the exploration of space change is significant. Through findings, it tries to lead the visual expansion, which recognizes display as space itself rather than object of space and changes unmoving space into moving space, and suggest the future space design by using digital space. It suggests case studies, which use digital display in the real space, as a study method and it examines the features, influences, and roles of digital display through investigating literatures and cases. In addition, it attempts to find a correlation of digital display and space by selecting films, which can give the affluent resources of analysis on the digital display among SF films. Therefore, it will come to a conclusion that space change should be dealt with in the space design.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 춘계 학술발표대회 논문집
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• pp.118-119
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• 2005