• 한국실내디자인학회논문집
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• 제20권6호
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• pp.236-243
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• 2011

The digital space color of new media environment denied not only the deterministic relationship of designed color and circumjacent color but also the deduced an special elements of digital space color. Such phenomena historical perspective of Gernot Wersig, new media principle of Lev Manovich and remediation of Bolter, J.K & Grusin, R. are expressed in various new media environment across. In particular, development of digital technology is moving away from its previous space color based on scientific, statistical and quantitative perspective by using diverse variables. The following research focuses on the fundamental concept of space color by type, composition of digital space color. The paper reflects on the meaning and concept of contemporary which enables the application of digital space color system on space through advanced technology. The principle of digital space color such as multidimensional malerisch, discontinuous video, vague original and copy, irregular repetitiveness of 'copy of copy', selective color of observer, experiential color of observer, and etc. makes it possible to extract the expressed element and method of digital space color. Meanwhile, the features of digital space color such as divided field of form, non-systematized of process and collage of communication can be inferred from case analysis.

• 한국콘텐츠학회논문지
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• 제10권11호
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• pp.169-179
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• 2010

최근 공간디자인은 온 라인과 오프라인이 융합된 혼합현실 공간으로 진화하고 있다. 그러나 혼합현실 공간의 기준과 척도는 제시된 바 없으며 융합체계로서의 미디어환경과 표현방법 또한 연구가 미흡한 실정이다. 따라서 미디어환경 특성 연구는 유비쿼터스 기술 기반, 혼합현실 공간에서의 임계점으로서 중요한 위치를 차지하는 동시에 다양한 체험공간의 구축방법으로서 혼합현실 공간적 분별을 위한 기준점으로서 네 가지 미디어 환경과 표현특성을 제안하고자 한다. 1)현실공간은 인간의 시 지각에만 의존하여 보여지는 미디어환경으로 디지털 기술기반의 새로운 소재와 LED 등을 이용한 표현방법으로 발전하고 있다. 2)증강현실공간은 정보기기를 이용한 보여 지는 미디어환경으로 다양한 2D, 3D 콘텐츠가 증강되어 표현된다. 3)가상공간은 미디어 기기에 완전히 의존하여 구현되는 환경으로 공간적, 물리적 제약 없이 완벽한 그래픽정보로 표현된다. 4)증강가상공간은 가상의 스튜디오를 구성, 디스플레이를 통해서만 시청할 수 있는 환경으로 실제의 사물과 그래픽정보가 융합되어 표현된다. 혼합현실공간의 미디어 환경과 표현특성은 체험의 목적에 따라 융합, 혼합, 조합되어 공간적, 시간적, 정보적으로 제약 없이 체험 가능한 지능형정보공간으로 구현 가능하다는 것이다. 향후 미디어환경 특성에 따른 콘텐츠의 유형적 특성 연구가 필요시된다.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.135-142
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• 2017

Recently, as human-centered design and humanization of space accelerates, the concept of physical space is changing to user-centered space. In particular, in the case of exhibition space to utilize digital media, visitors' actively experiencing exhibits and participating exhibition are regarded as an important factor, thus affordance design serves as a crucial factor to afford satisfaction with exhibition space to the visitors. Accordingly, the study is to understand the concept of the affordance and the digital media exhibition environment and to analyze the preference for each affordance design factor in the digital exhibition environment. The survey is conducted to people in the twenties who inhabit Seoul and the metropolitan area, familiar with the digital media. The results of the survey show that the most important role of the digital media in the exhibition environment is to create the atmosphere for concentration and complexity is the most preferable among interactivity, network ability and complexity, the feature of the digital media. Additionally, the results reveal that cognitive affordance presenting the feature of design to help the user when he/she want to know something is the most preferable among sensory affordance, physical affordance, cognitive affordance and functional affordance and as the time exposed to the digital media increases the importance of the affordance design is high. As the digital environment is common now in many fields, it will be regarded as a crucial factor to the visitors of an exhibit hall from now on whether affordance design is used.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.143-151
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• 2011

With today's new media environment throughout Ubiquitous information innovation, live and dynamic fluid space is being created by integrating organic integration between electronic space and physical space and transplanting intelligence to materials. In other words, perception occurs in fluid space itself in a new media environment so has complicatedly organic relationship with environment and humans. In addition, emotion, time and movement have actively attempted to enter the space so designs appealing to humans' emotions are made through stimulation of synaesthetic sensory organs. This can be understood in the same context that media is eventually expansion of human body. Fluid space has characteristics of a live organism with factors such as sensor, perception and behavior so it needs to interpret perceptual system relationally and synthetically through an organic study method. This study looks into characteristics of organic perceptual system in terms of the meaning that fluid space with movements have as the sensory-perceptive subject and accordingly makes the world more sufficient as the third space, prepares a possibility to get out of limited five senses, and will develop fluid space as the organic environment making stimulation by itself.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.48-56
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• 2012

Digital technology in modern society is entering the era of digital convergence and ubiquitous computing, and is playing an important role to overcome the limitation of time and space. Based on new media method's rapid application development, a wide range of forms as digital design is made possible. A large part of our living such as information sharing, collaboration, production, recreation, working and various social activities has been realized from the space that digital media offer. As we see a much broader range, the digital media's diverse expressions affect, in interactive ways, not only the relationship between humans and things, between each individual human, and between humans and the environment, but also even emotional purification and realm of educational, cultural, and social aspect. In this study, the aim is to discuss the user-centered design considered for integration into the interaction space design method and is to concentrate on research on. Focusing on digital media, user-friendly interface features of the space environment, construction and utilization of digital media have been applied to try to analyze the interaction effect of space that is created for the design and application of various applications and will seek ways. Thus, various case-studies have been explored where interface space is developed, creating virtual reality through cognitive basis and 3-D interface space. For example, emotional expressions are embedded for the space of commerce, education and exhibition, enabling intercommunication through haptic interface, with changing sound and visual effects which are caused by the movement of people in a certain space. With consideration of the relationship between physical environment and objects, interactive design should be achieved by providing a human oriented interface based on social, cultural and environmental aspects.

• 한국IT서비스학회지
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• 제2권1호
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• pp.145-156
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• 2003

This paper presents and analyzes urban planning process to be adopted to create ubiquitous space in city environment, using City of Seoul's Digital Media Street Project as a case study. The Digital Media Street will become the main pedestrian thoroughfare in the Digital Media City (DMC) in Sangam area, planned to become the world's first ubiquitous environment in full urban scale. Ubiquitous space is reinterpreted from an urban planning perspective, and a new approach to planning such a space is introduced, including strategies to couple technology, space, and human activities. Methodology, role of different actors, planning process, and institutional arrangement are examined in turn, and this yields further agenda for improvements that can be made in planning ubiquitous spaces in the future.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.141-145
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• 2006

The development of information & communication technology in 21st century along with the mass media In 20th century, the influence of state-of-art culture in our society rapidly increased in these days. This state-of-art culture makes the world becomes single-channeled by network, and there is a big change not only in human life but also in concept and understand for art and space. The development of digital paradigm and media technology is exerting a strong influence on the Ubiquitous computing environment that is being drawn great interest. The ubiquitous is concerned as expansion of media art, and the interactive art which is part of media art has the similarity with the ubiquitous computing environment. In this study, the possibility of connection between the territory of ubiquitous environment which is recently focused and has strong interrelation feature, and the territory of interacting will be examined. Furthermore, possibility of new space design work through seeking the possibility of connection between two territories will be estimated.

• 한국실내디자인학회논문집
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• 제16권5호
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• pp.30-37
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• 2007

According to the passage of an age, a method which communicates each other between the city and space, and space and a human has changed. Recently, as the city is developing related with the public, the sphere and a territory of activity of a public has been wider in an environment of the city. Therefore, development of night scenery and the rise of a medium of a vision are accompanied with a new material and the high-technology. Innovation of abundant techniques tends to being surface and mass media, and breaks from the architectural aspect of space as mutual expansion of relations between interior and exterior, and making a boundary obscurely. Space design represents peculiarity of non-territorial which modern art, an advertisement, a media and a reflection are integrated as getting over above tendency. As we find out methods which the public can communicate with the space in wider territory, the public and the space can extend mutual relations and the design of modern space is been varying a part as the space which has a context of city and synthetic sociality for the public by avoiding independent objects.

• 한국산학기술학회논문지
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• 제12권12호
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• pp.5938-5945
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• 2011

공간환경을 매체로 한 교육은 학교 교사와 학생들이 생활환경에 담긴 의미와 가치를 이해하고 보다 창의적이고 책임감 있는 사회적 의식을 배양하는 데 기여한다. 공간환경의 중요성에도 불구하고 국내 초등학교의 공간환경에 대한 교육은 단순한 공간환경의 이해에만 그치고 있고, 공간환경에 대한 폭넓은 이해나 공간환경을 미디어로 한 교과목간의 협력형 수업이나 다양한 사회적 이슈와 결합된 입체적 교육은 아직 시도되고 있지 못한 실정이다. 또한 학교 밖 교육은 미술관이나 박물관 등의 체험활동을 통해 이루어지고 있으나 지역사회와 연계되거나 교육결과가 사회와 공유되는 교육의 소통은 미흡한 실정이다. 본 논문에서는 핀란드와 영국에서 학교와 학교 밖 기관이 연계하여 진행하는 공간환경 매체형 교육의 사례를 분석하여 공간환경을 통한 교육이 주는 의미와 가치를 파악하고자 한다. 결론적으로 국내외의 공간환경 관련 교육프로그램이 시사하는 바를 정리하여 현재 진행되는 국내의 학교교육 중심의 공간환경 교육의 문제점을 보완하고 활성화할 수 있도록 공간환경을 매체로 한 교육프로그램의 개선방안을 제안한다.

• 디지털산업정보학회논문지
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• 제12권3호
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• pp.157-166
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• 2016

This paper presents the interior space information using 6D-360 degree immersive media video information. And we implement the augmented reality, which includes a variety of information such as position information, movement information of the specific location in the interior space GPS signal does not reach the position information. Augmented reality containing the 6D-360 degree immersive media video information provides the position information and the three dimensional space image information to identify the exact location of a user in an interior space of a moving object as well as a fixed interior space. This paper constitutes a three dimensional image database based on the 6D-360 degree immersive media video information and provides augmented reality service. Therefore, to map the various information to 6D-360 degree immersive media video information, the user can check the plant in the same environment as the actual. It suggests the augmented reality service for the emergency escape and repair to the passengers and employees.