• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2001년도 춘계학술대회논문집
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• pp.911-916
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• 2001

Structural acoustic modification method based on the structural mobility analysis is applied to reduce the structure-borne noise radiated from hard disk drive system. Sound intensity techniques and ODS(Operational Deflection Shape) techniques are also used in order to provide the structural acoustic information for the mobility modification. The sound intensity is for the acoustic visualization of the noise source locations, and the ODS is for the visualization of the vibration pattern and its dynamic characteristics of the noise sources. Using visualization information of sound and vibration, local structural input mobility is reduced in the frequency band of interest by designing asymmetrical wave-stringer structure in the wave-number domain as well as frequency domain. The overall sound pressure level is reduced by 4dB and its controlled sound power radiated from the disk drive is proved to under 2.8Bel in idle-spinning mode and 3.1 Bel in random-seeking mode, which are the lowest noise levels in the hard disk drive industry.

• 한국소음진동공학회논문집
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• 제19권9호
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• pp.907-914
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• 2009

An approach to 3D visualization of multiple sound sources has been developed with the application of a moving array technique. Frequency domain beamforming algorithm is used to generate a beam power map and the sound source is modeled as a point source. When a conventional delay and sum beamformer is used, it is considered that 2D distribution of sensors leads to have deficiency in spatial resolution along a measurement distance. The goal of moving an array in this study is to form 3D array aperture surrounding multiple sound sources so that the improved spatial resolution in a virtual space can be expected. Numerical simulation was made to examine source localization capabilities of various shapes of array. The 3D beam power maps of hemispherical and spherical distribution are found to have very sharp resolution. For experiments, several sound sources were placed in the middle of defined virtual space and arc-shaped line array was rotated around the sources. It is observed that spherical array shows the most accurate determination of multiple sources' positions.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.430-435
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• 2008

IT기술의 발전과 함께 휴대용 음원 재생 기기의 보급에 따라 다양한 형대로 분화되어진 하드웨어는 다양한 형대로 발전하고 있으며, 이와 함께 청각적 정보만을 위한 하드웨어로 그 기능을 제한하지 않고 좀더 많은 정보를 사용자에게 전달하기 위한 그래픽 유저 인터페이스(GUI)의 기능이 강조되고 있다. 전자 기기를 통하여 출력되는 음원은 단순히 외부로 음을 출력하는 목적을 넘어서 음원의 분석을 통하여 사용자에게 소리에 대한 특정을 시각적 정보로 전달하는, 청각적 정보의 시각화 과정의 중요성이 강조되고 있다. 이러한 요구로 인하여 음원의 특정적 정보를 시각적으로 표현하는 것을 목적으로 하는 사운드 그래픽 이퀄라이저(Sound graphic equalizer)를 이용함에 이르게 되었다. 본 논문에서는 GUI의 한 형태인 사운드 그래픽 이퀄라이저에서 기존 방식의 막대그래프의 형태에서 벗어난, 사용자와의 피드백(Feedback)이 가능한 새로운 시각적 표현 형태를 지닌 사운드 그래픽 이퀄라이저의 대안을 찾고자 한다. 음원의 특정을 분석하여 각각의 소리에 대한 정보를 시각적으로 표현하는데 있어 새로운 형태적 구성 방안을 사운드 비쥬얼라이제이션(Sound visualization) 작품을 통하여 구성하고 각각의 음원 따라 시각적 음원 정보를 접하는 사용자의 취향에 따른 이미지를 이용하여 구성하는 개인 맞춤형 사운드 그래픽 이퀄라이저의 구축 가능성을 타진해본다. 사용자와의 소통 과정을 통한 실시간 출력 영상의 형태 적용을 통하여 사용자 친화적인 GUI 형태를 구축하는데 있어 새로운 대안을 제시하고자 한다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2003년도 춘계학술대회논문집
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• pp.1009-1009
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• 2003

VIPER a new tool for the VIsual PERception of sound quality and for sound design will be presented. Requirement for the visualization of sound quality is a signal analysis modeling the information processing of the ear. The first step of the signal processing implemented in VIPER, calculates an auditory spectrogram by a filter bank adapted to the time- and frequency resolution of the human ear. The second step removes redundant information by extracting time- and frequency contours from the auditory spectrogram in analogy to contours of the visual system. In a third step contours and/or auditory spectrogram can be resynthesised confirming that only aurally relevant information were extracted. The visualization of the contours in VIPER allows intuitively to grasp the important components of a signal. Contributions of parts of a signal to the overall quality can be easily auralized by editing and resynthesising the contours or the underlying auditory spectrogram. Resynthesis of time contours alone allows e.g. to auralize impulsive components separately from the tonal components. Further processing of the contours determines tonal parts in form of tracks. Audible differences between two versions of a sound can be visually inspected in VIPER through the help of auditory distance spectrograms. Applications are shown for the sound design of several interior noises of cars.

• 대한기계학회논문집A
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• 제32권7호
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• pp.576-582
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• 2008

This paper describes a synthesized photoelastic method developed for the visualization and evaluation of sound pressure distribution of elastic wave in a solid. The visualization of wave stress field is achieved by synthesizing two photoelastic pictures, in which the direction of the principal axis of linear polariscopes differs by $45^{\circ}$. From the analysis of the wave stress distribution using this method, it is possible to evaluate the characteristics of elastic waves in a solid, such as the intensity of stress, directivity and resolution characteristics of the wave emitted from a commercial probe, and characteristics of scattering from various types of defects.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 춘계 학술발표대회 논문집
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• pp.160-161
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• 2005

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2007년도 추계학술대회논문집
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• pp.33-36
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• 2007

Acoustic holography exhibits the spatial distribution of sound pressure in time or frequency domain. The obtained picture often contains far more than what we need in practice. For example, when we need to know only the locations and overall propagation pattern of sound sources, a method to show only what we need has to be introduced. One way of obtaining the necessary information is to use envelope in space. The spatial envelope is a spatially slowly-varying amplitude of acoustic waves which contains the information of sources' location. A spatial modulation method has been theoretically developed to get a spatial envelope. By applying the spatial envelope, not only the necessary information is obtained but also computation time is reduced during the process of holography. The spatial envelope is verified as an effective visualization scheme in time domain by being applied to complicated sound fields.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2007년도 춘계학술대회논문집
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• pp.484-488
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• 2007

In this paper, the measurement system using the microphone array developed for analyzing cabin noise of the vehicle and its applications are discussed. The sensor is a three dimensional microphone array, the microphones and cameras are equipped on the rigid sphere. The cameras are used for acoustic visualization. As applications, the experiments in both reverberation chamber and anechoic chamber are discussed. These results show that this system is very useful to evaluate or improve the vehicle sound insulation performance.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 1997년도 춘계학술대회논문집; 경주코오롱호텔; 22-23 May 1997
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• pp.662-668
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• 1997

Since the structural impedance is much greater than that of medium in the most cases, we often assume that the structure is rigid and that the structural vibration is independent of medium, i.e. we usually calculate the vibration of the structure first, and then obtain the radiation sound from it. This assumption is no longer satisfied when the structural stiffness is small or the fluid impedance is comparable to it. This situation often happens in underwater acoustics. Although many researchers have studied about structural-fluid coupling, we have difficulties in solving the problem analytically. Therefore the numerical method using powerful computation leads us to obtain the various coupling problem. To understand the physical coupling phenomena, visualization of sound field by a geometrically simple system(plate-cavity coupled system) is performed experimentally. Acoustic holographic method is used to estimate sound field.

• 한국멀티미디어학회논문지
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• 제10권12호
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• pp.1687-1697
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• 2007

Paik Nam-June is known as a Video Artist. Video is a presentation tool with the feature of recordability. However, it is not only a video which has been applied as an art presentation tool by him. Nevertheless, the existing researches fail to notice the aesthetic concept which is shown as the rest contents or forms, as they focus on the media features of Paik Nam-June's video. Therefore, this article aims at contemplating the art world of Paik Nam-June with its contents as 'visualization of music' and its form as 'hypermediacy' Therefore, 1. Sound is shown as the visualization of music, with the direct influence of absolute hollowness and noise of John Cage, originated from Zen Buddhism, while the foundation of it is known to be from the liberation of dissonance of Arnold Schoenberg and creative impromptu of shamanic sound. 2. The from of TVs influence of the orchestra, originated from Culture of a dining table in Korean. and indicated hypermediacy 3. Paik Nam-June indicated 'Text-interpretation' us to text analytics of 'how to read', rather than the question of 'what to tell' by intermedia as the visualization of music & hypermediacy.