• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2005년도 추계 학술대회논문집(수송기계편)
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• pp.174-179
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• 2005

In automotive engineering, the brand sound is one of the important advantage strategy in a car company. For the design of brand sound, the selection of descriptive word for a car sound is one of major works in automotive sound quality research. In paper, booming sound and rumbling sound, which are professional words used by NVH engineers are used for the design of brand sound. We employed sound metrics which are the subjective parameter used in psychoacoustics. According to most research results, the relationship between subjective evaluations and sound metrics has nonlinear characteristics and is very complex. In order to link these subjective evaluations to sound metrics, the artificial neural network technology has been applied to two-dimensional sound quality index for a passenger car. These indexes is used for 46 passenger cars, which are samples of famous cars in the world. Also the preference in car sounds is evaluated by the trained NVH engineers. We coupled this preference with booming and rumbling sounds by using artificial neural network. In future, the two -dimensional sound index and preference index are very useful fur the development of brand sound in passenger cars.

• 한국산학기술학회논문지
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• 제19권9호
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• pp.420-426
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• 2018

데니스 게이버(Dennis Gabor)의 음향 양자(Acoustic Quanta) 이론은 음향 합성법의 하나인 그래뉼러 합성법(Granular Synthesis)의 이론적 토대가 되어 많은 컴퓨터 음악 작곡가들과 사운드 디자이너들에게 영감을 주었다. 음향 양자는 1에서 100 ms의 지속시간을 가진, 시간적으로 더 이상 짧게 분해될 수 없는 소리를 뜻한다. 그래뉼러 합성법은 원음을 매우 짧은 시간 간격으로 분할하여 소리 입자들(Sound Grain)로 만든 다음, 이 소리 입자들을 조합하여 새로운 음악 또는 음색을 구현하는 방법이다. 음향 양자 개념은 그래뉼러 합성법의 소재가 되는 소리 입자의 이론적 근거가 되었다. 기존 음향 합성법과는 전혀 다른 음색의 사운드를 만들어 낼 수 있는 그래뉼러 합성법은 사운드 디자인 분야에서 다양한 용도로 사용 가능하다. 본 논문에서는 게이버의 음향 양자 개념을 소개하고 이를 그래뉼러 합성법에 적용하여 활용 가능한 사운드 디자인 방법, 특히 동기식(Synchronous) 그래뉼러 방식에 의한 신디사이저(Synthesizer) 제작 가능성과 그 응용에 대하여 논하였다. 연구결과 가청주파수를 감안한 음향 양자의 지속시간은 0.239에서 33.367 ms 사이가 되어야하기 때문에 음향 양자의 본래 개념과는 차이가 있었다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2003년도 춘계학술대회논문집
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• pp.1009-1009
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• 2003

VIPER a new tool for the VIsual PERception of sound quality and for sound design will be presented. Requirement for the visualization of sound quality is a signal analysis modeling the information processing of the ear. The first step of the signal processing implemented in VIPER, calculates an auditory spectrogram by a filter bank adapted to the time- and frequency resolution of the human ear. The second step removes redundant information by extracting time- and frequency contours from the auditory spectrogram in analogy to contours of the visual system. In a third step contours and/or auditory spectrogram can be resynthesised confirming that only aurally relevant information were extracted. The visualization of the contours in VIPER allows intuitively to grasp the important components of a signal. Contributions of parts of a signal to the overall quality can be easily auralized by editing and resynthesising the contours or the underlying auditory spectrogram. Resynthesis of time contours alone allows e.g. to auralize impulsive components separately from the tonal components. Further processing of the contours determines tonal parts in form of tracks. Audible differences between two versions of a sound can be visually inspected in VIPER through the help of auditory distance spectrograms. Applications are shown for the sound design of several interior noises of cars.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2002년도 춘계학술대회논문집
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• pp.731-739
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• 2002

recently out door stadiums have been built as multi purpose stadium for athletic sports It hold but also various events and huge concerts. in the past, out-door stadium usually was built, but recently the out-door stadium which of the 50 ％ of roof covered by doom have been built increasingly. as the result, the sound obstacle is becoming very important. but a design of sound has become unplaned except some of the stadium, also rarely been built by sound-absorption material. as the result, the purpose of this study is investigating, analyzing the theory for plan of electric acoustic sound, a drawing of acoustic design and measurement a result value, comparison, evaluating a main sound factor with criteria of the Seoul City design. and reservation time, clearness, sound pressure level suitable for using purpose, so the necessary quantities will be added to financial budget of building acoustic design. and For verification, this contains acoustic analyser measurement and computer simulation and this study will find the solution of helping method.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2014년도 추계학술대회 논문집
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• pp.425-430
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• 2014

The purpose of this study is to establish a clear-cut concept and meaning of soundscape design through an inquiry into the various literatures on the ideologies, features and domains of soundscape design. Soundscape enables us to design various relationship through a sound in that it is important for interaction, namely the relations with sound, environment and people in a region. Soundscape design is an endogenous design which is participated in a large number of people of the region, and it contains various activities such as research study, environmental preservation, creation of sound environment and sound education.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2006년도 추계학술대회논문집
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• pp.946-949
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• 2006

This study is a trial to make a design chart of sound insulation for multiple panel. Dilatational frequency, ${\Large f}_d$ becomes a key factor for optimal design since it acts like a turning point in sound insulation performance of such panels. Hence, in tuning the ${\Large f}_d$ optimally, elastic modulus of core material and thickness of the skin panel is designated to parameters. Based on these parameter, a design chart of sound insulation for multiple panel is made. Its applicability is proved by the case study of High noise reduction panel.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2010년도 춘계학술대회 논문집
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• pp.996-999
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• 2010

Aluminium extruded panel is the most important element for sound insulation in a express train. However, comparing with the flat plate with the same weight, the extruded panel shows remarkably low sound transmission loss above the 1st local resonance frequency, which is determined by the dimension of the core structure. Preceding study showed the possibility of the improvement of sound insulation performance by properly designing the core dimension. By the proper core design, local resonance frequency shifts to higher frequency region without any reduction of bending or torsional strength and without any weight increase. Based upon this result, this study investigates in detail the design modification of the core structure of the aluminium extruded panel used in a express train under development, in aspect of sound insulation. Design result is compared with those of other developed models.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2009년도 추계학술대회 논문집
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• pp.270-275
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• 2009

Sound absorption characteristics of membrane system which are used in stadiums and arenas were investigated. Theoretical studies on acoustic properties of single and double leaf permeable membrane conducted. Also, experimental studies on sound absorption characteristics of combined membrane system that is composed of outer and inner membrane material were conducted. In this study, sound absorption characteristics of each membrane were investigated by experiments in reverberation chamber. 4 types of permeable membranes and a non-permeable membrane were used for experiments. Air space behind membrane material and tension on the membrane was varied. Sound absorption performance of permeable membrane materials was confirmed. As increasing air space behind the membrane material, sound absorption coefficient was increased. In a resonance absorption frequency band sound absorption coefficient varied more dramatically. Sound absorption characteristics were flat in mid and high frequency range and sound absorption coefficient was from 0,3 to 0,5. Also sound absorption coefficient was increased by the increment of surface density and air permeability of membrane. However, over the certain value of air permeability, sound absorption coefficient was decreased. These results can be used as design factors and method for the room acoustic design of dome-stadiums and large free-form buildings.

• 한국음향학회:학술대회논문집
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• 한국음향학회 1999년도 학술발표대회 논문집 제18권 2호
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• pp.237-242
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• 1999

In this study, a design method using plane actuator is developed to make new speaker system, whose shape is much thinner than that of conventional loudspeaker. Piezofilm(PVDF) is used as plane actuator of flat speaker. To avoid the distortion of sound radiated from flat speaker, the frequency response of radiated sound to be flat is taken as the design objective. The electrode pattern and orientation angle of piezofilm actuator is optimized to satisfy the design objective. The formulation is based on the coupled finite element and boundary element method. Genetic algorithm is used in the optimization process, which is useful in the optimization of discrete design variables. Frequency response with optimized piezofilm actuator is made flat enough to satisfy the design objective. For the enhancement of sound power, double-layered piezofilm actuators are also considered. The sound power with double-layered actuator becomes larger than that with single-layered actuator as expected.

• 방송공학회논문지
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• 제13권5호
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• pp.602-611
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• 2008

지금까지 TV, 영화, 광고 등 미디어콘텐츠 제작에서 사운드디자인은 스토리를 전달하는 청각효과측면에서 전문가의 경험적 느낌에 의하여 주로 진행되었으며, 수용자가 느끼는 시청각적 효과를 적용키 위한 정량적 연구와 검증은 아직 취약한 실정이다. 본 연구에서는 미디어콘텐츠 제작에서 사운드디자인설계의 차이가 수용자에게 미치는 커뮤니케이션 효과의 차이를 알아보고자 시도한 비 동등성 대조군 전후 유사실험 연구이다. 연구방법은 60초의 TV광고영상을 음악으로만 디자인한 실험영상(A트랙)과, 음향효과와 음악으로 디자인한 실험영상(B트랙)을 시청하는 동안 뇌파측정을 통하여 얻어진 뇌 지수(Brain Quotient)를 비교 분석하여, 어떠한 사운드 디자인 설계가 수용자의 커뮤니케이션 효과에 차이가 있는가를 알아보았다. 그 결과, 첫째, 인지효과의 해당 뇌지수인 주의지수(ATQ)를 A트랙과 B트랙을 비교한 결과 A트랙이 B트랙보다 높은 활성화 차이를 보였다. 이는 음악위주의 사운드 디자인이 음향효과디자인보다 수용자에게 더 높은 관심과 집중도를 보였다고 해석할 수 있다. 둘째, 감성효과에 해당하는 정서지수(EQ)를 A트랙과 B트랙 비교결과 A트랙이 B트랙보다 높은 활성화를 보였다. 이 역시 음악위주의 사운드디자인이 음향효과위주의 디자인보다 정서적으로 감성효과가 높게 관여한다는 것을 의미한다. 셋째, 기억활성효과에 해당하는 뇌 활성지수(ACQ)는 A트랙과 B트랙 비교결과 B트랙 군보다 A트랙 군이 약간의 차이가 있었으나 유의하지는 않았다. 이번 실험을 통하여 지금까지 강한 집중을 위해서는 음향효과디자인이, 정서적인 감정은 음악디자인이 관여도가 높다는 기존의 연구에서, TV광고음향의 한정이 있기는 하나 집중도에서 음악디자인이 오히려 효과가 높을 수 있으며, 정서적인 관여는 역시 음악디자인이 효과가 높다는 결론을 얻을 수 있었다. 다만 기억활성도에서 유의한 차이가 없었던 점은 피험자숫자를 늘리는 등 계속적 연구가 필요하다. 본 연구는 미디어콘텐츠에서 사운드디자인설계가 수용자에게 미치는 커뮤니케이션효과의 영향을 뇌파측정을 통하여 정량적으로 알아 본 것에 의의가 있으며, 사운드디자인제작현장의 기초 자료로 활용될 수 있음을 기대한다.