• 공연문화연구
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• 제39호
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• pp.279-323
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• 2019

『북녘 땅 우리소리』에 수록된 북한 어로요의 음악적 특징에 대해 고찰한 결과는 다음과 같다. 북한 어로요 중 <노젓는소리>, <그물당기는소리>, <고기푸는소리>는 조기잡이와 명태잡이에 모두 보이며, <닻내리는소리>와 <만선풍장소리>는 조기잡이에서, <닻올리는소리>와 <고기벗기는소리>, <만선노젓는소리>, <명태거는소리>는 명태잡이에서 보인다. 그 외 <돛다는소리>, <조개잡는소리> 등이 보인다. 리듬요소 중 빠르기에서 <돛다는소리>는 보통빠르기이며, 멸치나 청어잡이의 <고기푸는소리>는 상당히 느리다. <노젓는소리>(조기)는 빠르기가 다양하며, 모두 보통빠르기 이상이고, 대체로 뒤로 갈수록 빨라진다. 그 외의 곡들은 모두 빠른 편이다. 박자구조는 4/♩.가 가장 많고, 간혹 2, 3, 5박자도 보이며, 각각 4박으로 구성된 받는소리와 메기는소리가 맞물려서 2박이 겹치는 6박 주기의 리듬을 쓰거나 불규칙박자를 쓰는 경우도 있다. 음조직은 메나리조가 가장 많고, 그 외 수심가조, 창부타령조, 난봉가조, 오돌또기조 등이 있으며, 음고가 뚜렷치 않은 구령조도 있다. 메나리조의 곡에서 창부타령조의 전조나 변이가 관찰되었다. 갈래별로 특정 음조직을 선호하는 경향이 있다. 형식에서는 메기고받는형식이 압도적이나, 선후창보다 독창으로 부른 경우가 더 많다. 선후창 다수에서 메기는소리와 받는소리가 부분적으로 겹치는 양상을 보인다. 통절형식은 교창이나 독창으로 불렀으며, 독창으로 부른 경우도 작업의 특성을 고려하면 원래는 교창이나 제창으로 불렀을 것으로 추측된다. 함북 선봉군과 강원도 양양군의 <고기푸는소리>, 평남 증산군의 <만선풍장소리-봉죽타령>과 충남 태안군의 <만선풍장소리-배치기소리>, 남포시와 경기도 강화군의 <노젓는소리>는 닮은꼴의 어로요이다. 인접 지역의 경우 갈래가 달라도 선율을 공유하는 경우가 있으며, 특정 갈래에서는 상당히 먼 거리까지 선율을 공유한다. 멸치 청어 양미리잡이에서 <고기푸는소리>가 동해안 일대에서 널리 공유되고 있다는 점이 최초로 확인되었다.

• 한국도로학회논문집
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• 제5권4호
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• pp.37-47
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• 2003

제주도 여러 도로현장에서 송이(화산쇄설물)는 빈번하게 접하는 토목재료이다. 송이는 일반적으로 파쇄성이 크고, 입자가 큰 재료로 알려져 있을 뿐, 이 화산쇄설물에 대한 연구가 미미하여 이 송이에 대한 처리방법에 많은 어려운 점이 따르고 있다. 본 연구에서는 제주도 각 지역에서 채취한 송이의 기본적인 강도특성에 관하여 연구하였다. 연구결과로 구한 송이의 강도특성 값은 추후 도로, 옹벽, 사면 등의 각종 설계 시 기본적인 자료로써 적용되어 질 수 있을 것이다.

• 셀메드
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• 제6권4호
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• pp.25.1-25.2
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• 2016

The purpose of this study is to examine Ssukdaemeori of Chunhyangga may have effect on depression for music therapy. Ssukdaemeori of Chunhyangga, one of the five surviving stories of pansori (a long epic song), is a touching, sad song in Han Ak (Korean music, 韓樂). In this paper, the author reports on the very sad song, Ssukdaemeori. While listening to the song, Koreans feel the same amount of despair when Ssudaemeori's heroine, Chunhyang, cries out in hopelessness and grief. The author argues that Koreans get to see the saddest parts of themselves reflected back at them in the sorrowful sight of the heroine. It is also believed that Ssukdaemeori has contributed to the healing of Koreans' indignation and pain. For example, depression is currently a social problem. However, listening to sorrowful music like Ssukdaemeori can have a good effect on people feeling sad and depressed.

• 건축역사연구
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• 제25권4호
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• pp.45-56
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• 2016

The purpose of this study is to clarify the historical background of the setting of seungdang(僧堂) and gowon (庫院) in the Zen Buddhist temples of Song dynasty, in terms of as a Buddhist temple universality and as a Zen temple specificity, through the historical reference investigation on its relevance to the Buddhist temples of Tang dynasty. In the Zen Buddhist temples of Song dynasty, the Zen meditation space of seungdang was located on the west side of Buddha hall, and the kitchen and officiating priest's living space of gowon was located on the east side of Buddha hall. Through the analysis of historical reference it was confirmed that, in the Buddhist temples of Tang dynasty, the Zen meditation section of seonwon(禪院) was on the west side, and the gowon was on the east side too. Therefore, it can be said that, the setting method of seungdang and gowon of the Zen Buddhist temples of Song dynasty was established above tradition of the Tang dynasty Buddhist temples.

• 한국동물학회지
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• 제38권2호
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• pp.230-237
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• 1995

Playback experiments were excecuted with seven threat Tit males inhabited in Gsngnae Myeon, Darak Ri, Chungbuk province to investigate the signal value of partial song (one unit phrase composed of two notes) as a species recognition releaser. Territorial males responded strongly to their own natural, synthetic and partial songs played in the field. However, thew showed weak or no responses to the playback songs of other species: Coal Tit (Porus ate4 and Yellow-throated Bunting (EmberiEa elegansl.6reat Tits distinguished conspecific partial songs readily from songs of other species. The results demonstrated that one unit phrase which is a basic arrangement of the Great Tit song, containes information on species recognition.

• 건축역사연구
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• 제14권4호
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• pp.29-39
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• 2005

The Honam region has played an important role in the development of Korea poetry. So this study focuses on Song Soon among various factors of Honam architecture in 16th century. He was ahead of his times in development of Korean literature, and made buildings that become background and materials of his literature. Song Soon built Myonang-jong in Damyang for his life time and tried to design to pull in nature into his buildings. These buildings were built in beautiful landscape, and showed elegance as a retired scholar and Taoism characteristics. He provided basic ideas, that is, pulling in nature into architecture, and metaphysics morality, and his ideas also influenced Honam School Including Jung Chul. This study looks into Nujung architecture that had become materials of Myonang-jong Song Soon literature and characteristics of Honam architecture through his buildings at the same time.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2007년도 추계학술대회논문집
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• pp.221-225
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• 2007

Recently, on account of stress relief and settlement of a healthy drinking culture, many people are visiting a song practice room. In case of such song practice room, since the mechanical voice through a loud accompaniment-music and microphone is on using, there has made a very loud noise, and it influences a lot to the adjacent other space and song practice room booth. Consequently, from the designing stage an efficient measures for soundproof and sound-insulation should be arranged. However, as most of the song practice room wall-bodies that already built up or under construction step were constructed merely with consideration on an interior-wise factor only, it is suffering at the soundproof and sound-insulation. Reflecting such viewpoint, this Study has measured Sound Transmission Loss on the subject for the song practice room wall-body recently built up, and based on the actually measured data, by practice of comparison?analysis on it using various evaluation methods, would intends to present a fundamental material for establishment an efficient sound-insulation measure.

• 동의신경정신과학회지
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• 제22권2호
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• pp.49-59
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• 2011

Objectives : This study was performed to report the effect of Giungoroen-therapy based on song psychotherapy in the treatment resistant patient with psychosomatic disease. Methods : A 43 year-old female patient suffered from headache, facial numbness, right upper and lower limb's numbness, ptosis, chest discomfort, dysarthria without identifiable physical cause. We diagnosed her as psychosomatic disease, and tried to apply Giungoroen-therapy with Korean traditional medical treatment. But she was resistant to Giungoroen-therapy. So we applied Giungoroen-therapy based on song psychotherapy. Results : After the Giungoroen-therapy based on song psychotherapy, the patient revealed her unrecognized hidden issues and got some insights about herself. Then the symptoms, such as headache, facial numbness, right upper and lower limb's numbness, ptosis, chest discomfort and dysarthria were reduced considerably. Conclusions : These results suggest that Giungoroen-therapy based on song psychotherapy can be effective on improvement of resistant psychosomatic disease.

• 지식경영연구
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• 제19권2호
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• pp.91-108
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• 2018

This study mainly focused on measuring the impact of comments for a particular song on the number of streamings and downloads. We modeled multiple regression equations to perform this analysis. We chose digital music market for the object of analysis because of its inherent characteristics, such as experience goods, high bandwagon effect, and so on. We carefully utilized text mining technique in accordance with the algorithm of Naïve Bayes classifier to distinguish whether a comment for a piece of music be regarded as positive or negative. In addition, we used 'size of agency' and 'existence of hit song' as moderating variables. The reason for usage of those variables is that those are assumed to affect users' decision for selecting particular song especially when downloading or streaming via music sites. We found empirical evidences that positive comments for a particular song increase the number of both downloads and streamings. However, positive comments may decrease the number of downloads when the size of agency of the artist is big. As a result, we were able to say that a positive comment for a particular song functioned as 'word-of-mouth' effect, inducing other users' behavioral response. We also found that other features of an artist such as size of the agency that the artist belongs to functioned as an external factor along with feature of the song itself.

• 인문언어
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• 제5권
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• pp.193-217
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• 2003

This paper aims to infer conversational implicatures from Chief Priest Sung-chul′s Nirvanic song in light of the Buddhist view of language and its communicative functions. Zen-dialogs in which nirvanic songs are classified are defined as rational dialogs, which in fact observe the rules of conversation such as the ones proposed by Paul Grice (1975) even though they apparently ignore the rules. This paper also addresses the formal characteristics of the Priest′s nirvanic song and argues that the song exploits the rules of conversation using the whole song as an implicature trigger. Taking it for granted that Chief Priest Sung-chul holds the view on language and its communicative functions just as specified in the Doctrine of Mere Consciousness, which is one of the major tenets of Korean Buddhism, especially of the Chogye order, this paper tries to explicitly show and systematize the language-to-world relationship, which is only alluded to in the Doctrine of Mere Consciousness. This paper also refines the assertion of the doctrine as to the nature of language, which maintains that language is not associated with either the mind or outer objects (that is, an unassociated dharma), and is "a shared thing among shared things." This shows that language continuously interacts with the mind in a different way from the ones in which associated mental activities (caittas) interact with the mind and that accordingly, language is "an unshared thing among shared things."