• 한국구조물진단유지관리공학회 논문집
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• 제15권1호
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• pp.180-188
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• 2011

최근 대구경철근에 적용할 수 있는 기계적 철근이음장치에 대한 연구가 진행되고 있다. 본 논문에서는 대구경 기계적 철근이음재에 대한 구조적 성능평가에 대하여 연구가 수행되었다. 원자력발전소에 대구경의 기계적 철근이음장치를 적용하기 위해서 2가지 형태의 철근이음장치에 대한 실험이 수행되었으며, 원자력발전소에 적용되는 11번과 14번 및 18번에 대한 대구경 철근 이음 장치가 조립되어 정적 및 동적실험이 수행되었다. 실험은 ASME SEC III DIV.2 CC-4330에 따라 이루어졌다.

• 한국의류학회지
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• 제31권3호
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• pp.351-363
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• 2007

Most of the proceeded research of jogories in the Goryeo era are about the total clothing system of the men and women's dress and not many have studied of the developing process of the jeogories specific structures. Therefore, the purpose of this study is to figure out the origin and the alteration of a git, gil, seop and gorem which forms a jeogori after the Unified Shilla era. The range of this study os from 918 to 1392, Goryeo era and 80 pieces 7 portraits and 5 Buddhist relics were for references. This study reached the following conclusions. First, oat git, gil, seop, somae and gorem forms the Goryeo era's jogori. Second, as the length of the joegori got shorter then the past, the ryeongem also got shorter and changed to an oatgit. Third, as most of the opening side of the jeogori started to fix on the right. Forth, an extra cloth attached on the gil developes a seep that be originates in Unified Shilla when get shoter. Fifth, there were wide and very long sleeves that came all the way down to the hand, narrow sleeves and long sleeves. Sixth, Goryeo era's jeogori had ribbons and cloth buttons to fix the form instead of a belt.

• 패션비즈니스
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• 제12권3호
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• pp.62-71
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• 2008

Costume elements are closely related with human living environment and also play an important role in the costume patterns. The East and the West have influenced and adopted each other's culture through mutual trade, which are well reflected in costume patterns and textile patterns. These days world wide fashion shows the designs applying costume details of the East and the West, which is much affected by the orientalism. The purpose of this study is to compare the sleeve patterns which take an important part in women's costume design of the Joseon Dynasty and the European Monarchy in the 16th century. Korean women's costume showed sleeves in rectangular shape with same width and long length, together with cuffs. Later they changed to diagonal shape of getting narrower toward the wrist. Western women's costume showed sleeves with puff and slash patterns. Then they were classified into French, British and Spanish styles which were getting narrower toward the wrist. Later they adopted the shape of leg of mutton which was puffed in middle and narrower toward the wrist. I n Korea and Europe, they showed respective changes in sleeve patterns, but also similarity of getting narrower toward the wrist. The East and the West are now exchanging their culture in every aspect such as politics, economics and social matters. Costume fashion is not an exception. The characteristic designs of traditional costumes are shown on global fashion, which is influenced by the orientalism.

• 한국의류산업학회지
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• 제21권2호
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• pp.163-170
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• 2019

This study utilized the wearing test of subjects and a preference survey to determine wearing preference on types of blouses according to shoulder angle. The shoulder angles of the subjects were set as average shoulder, slopping shoulder, and square shoulder. The blouse sleeves were set as set-in, raglan, and kimono according to five domestic clothing construction books. A total of 15 blouses were made and tested by different bodices and sleeve types. The wearing test of subjects had the human subjects evaluate the appearance of the subject looking at the mirror while standing as well as evaluated the sensation test while not looking at the mirror. The preference survey was given to 100 females and was conducted using photos with combinations of three types of sleeves and shoulder angles in a survey under the same conditions. The average shoulder showed that set-in with the highest score in the wearing test was also preferred in the preference survey. The slopping shoulder evaluated the highest score in the wearing test by mirror; however, the preference survey showed that raglan was the most preferred choice. The squared shoulder showed that raglan with a high score in the wearing test by mirror was also preferred in the preference survey.

• 복식문화연구
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• 제30권6호
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• pp.814-827
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• 2022

This study examines the social and artistic aspects of the Netherlands in the 16th century, focusing on the paintings of Pieter Bruegel the Elder (1525-1569), a repre- sentative Dutch painter at that time. Also analyzed were the types and characteristics of each item of the male populace's and nobles' costumes at that point in the Renaissance. The results are as follows: most of the populace's chemises do not have frills on the neckline and sleeves; the doublet has a loose body and sleeves overall; and the sleeves and armholes are fixed with sewing rather than being detachable, making the epaulet invisible. The neckline of the doublet usually does not have a collar, but it sometimes has a hood. In the case of trousers, most males are shown wearing waist-high stockings, and a piece of cord is visible. It seems that the populace's coats were mainly Spanish-style capes. The 16th-century Dutch populace's costumes are imitative-reflecting a desire to emulate the codpieces and hairstyles of the aristocrats-while providing individuality through hats and belts. In terms of practicality, it appears that a knife and pouch were used in various living environments. This trend can be seen as a reflection of populace's perception of the costume at the time.

• 한국의류학회지
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• 제23권6호
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• pp.829-840
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• 1999

Ordinarily hair styles and headclothes show the racial characteristics. Uighur's men had let their long hair hang down their back in many queues, According to the order of estates men wore double high coronets hthree-pointed coronets from the headdress. Married women wore the felt headdress. The type of men's clothes were long caftans which had a round collar slits on the both sides and tight sleeves. They tied Chan Die belts and wore long boots. Women wore long tunics with everted collar which was decorated. Later the type of women's dress was changed into the long caftan. Late period of Turfan Uighur Mongol style had appeared.

• 한국전기전자재료학회:학술대회논문집
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• 한국전기전자재료학회 2009년도 추계학술대회 논문집
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• pp.286-286
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• 2009

According to previous report, aged sleeves for old transmission lines have various defect such as biased installation or corrosion of steel sleeve. These defects can cause serious accidents such as rapid increasing of sag or falling out of overhead conductor from sleeves. Moreover, the defects have been limited power capacity of transmission line. This paper study on mechanical and thermal behavior of ACSR $410mm^2$ conductor and sleeve with various defect model. The conductor has been aged artificially for 50 years. The detailed results were presented in the text.

• 복식문화연구
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• 제7권3호
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• pp.22-34
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• 1999

The purpose of this study was to trace and identify the origin and the meanings of the word ho-su(胡袖) of Chosun dynasty period. Findings of this study can be summerized as follows : The original meaning of the word ho-su(胡袖) is a name of round sleeves. Later it was used as a name of a dress with round sleeves. The word ho-su as a name of a dress is an abbrecviated form of ho su so o za(好袖小 子) of a previous period. The word jyo go ri(赤古里) in historical documents is anothor name of so o za(小 子). Wearing the ho-su(胡袖) was restricted to royal family women. It was included in royal women\`s wedding garments as ordinary use. Colors of this dress was used as a means of differentiating the rank and position of the wearer.

• 복식문화연구
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• 제7권3호
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• pp.17-21
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• 1999

The purpose of this study was to trace and identify the word, ho-su(好袖), appeared in Sejosillok(世祖實錄). The results of this research can be summerized as follow : the word, ho-su(好袖) was one of the names of sleeves of so-o-sa(小 子). The ho-su(好袖)is a kind of round sleeves with small wrists. The ho-su(好袖) was a synomym of hak-su(鶴袖). The word, ho-su(好袖)is Korean transliteration of ho-su(好袖). Although the first characters of ho-su(好袖) and ho-su(胡袖) are different from each other in Korean, the sounds and the meanings of these two words are the same. Ho-su(好袖), ho-su(胡袖), and hak-su 鶴袖are synonyms.

• 한국의류학회지
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• 제27권8호
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• pp.873-882
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• 2003

The purpose of the study is altering ready-made garments for the wheelchair users. Some alterations ready-made garments suggested for the wheelchair users are applicable to the physical conditions using the wheelchair, which create limitations in the use of clothing. Alterations ready-made garments were suggested 3 parts of the altering on the tops and 3 parts of the pants. Detachable sleeves at the elbow, adding the action pleats on the shoulder and back openings with zipper were adapted on the tops. The altering crotch length from the center back, changing position of the pocket and adding the pleats at the knee were adapted on the pants. The snap-tapes, zipper and hook & eye were used for the altering the ready-made garments.