• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2006년도 춘계학술대회논문집
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• pp.629-633
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• 2006

We investigated a new longitudinal acceleration wave decomposition method in time domain. The proposed method separates up- and down-stream waves with an axial strain and axial acceleration measured at a single point on the transmission path. The advantages such as low computation load and easy implementation would be possible by developing time domain under the following assumptions; low frequency range, uniform cross sectional area and elastic wave propagation. We confirmed the feasibility and performance of the method through experiment using Split Hopkinson Pressure Bar (SHPB). The method can be effective in several applications, including active vibration control with wave view point, where real time wave decomposition is necessary.

• 한국시뮬레이션학회:학술대회논문집
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• 한국시뮬레이션학회 2002년도 춘계학술대회논문집
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• pp.21-32
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• 2002

In accordance with the development plans of Ulsan harbor, Ulsan new harbor will be contructed considering supporting Ulsan harbor as a safe berthing and departure at single buoy mooring(SBM). In this study, we used a full-mission ship handling simulator adopting 300,000 DWT VLCC manoeuvered at the planned Ulsan SBM. Five masters who have had a long experience of ship maneuvering were called to carry out the simulations, of which each scenario were tried one, completed total of 68 times. The marine traffic safety was assessed in terms of 1) the closest point of approach(CPA) to other SBM and breakwater in the vicinity and the probability of crossing the restricted area of the closest SBM and fairway limit, 2) subjective evaluation such as the mental burden and the maneuvering difficulty of shiphanders, and 3) the opinions of shiphandlers. From the result of this simulation, we have a conclusion as follows; First, because crude oil berthing angle is so small by current S-OiL Co. crude oil buoy by SK Co. No 3 crude oil buoy different view SK Co. No 3 crude oil buoy and interference of current KNOC crude oil buoy, Berthing is impossible, and Emergency departing is very dangerous too operation impossible. Second it is desirable that SK Co. No 2 and No 3 Single buoy Mooring that do different view controls position so that to be not put in straight line each other. Third, SK Co. No 1 and 2 single buoy mooring that do different view to Onsanhang berthing and departing is seized by single buoy mooring by external force ship that set sail does faith control need.

• 대한원격탐사학회지
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• 제33권6_2호
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• pp.1139-1149
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• 2017

수목을 3차원 구조로 정량화하는 것은 다양한 환경분석 모델링의 입력 자료로써 매우 중요하다. 그러나 3차원 측량이 가능한 라이다는 고비용과 전문인력이 필요해 파편화된 소규모의 도시녹지를 측량하기에는 경제적 장비운용적 차원에서 현실적이지 않다. 또한 수목은 계절에 따라 민감하게 변화하므로 시계열 모니터링으로 도시생태계를 이해하려면 높은 빈도로 쉽고 빠르게 수관구조를 측량할 수 있는 디바이스와 이에 맞는 정량화기법의 개발이 필요하다. 환경분석 모델링의 입력 자료로써의 필요가 아니더라도, 도시내 수목의 크기와 나이는 관리비용, 생태계서비스, 경관, 안전 등과 직결되므로 반드시 정보화될 필요성이 있다. 본 연구에서는 도시내 수목의 3차원 환경정보 데이터를 생성하기 위한 디바이스와 방법론으로써 UAV(Unmanned Aerial Vehicle)와 SfM-MVS(Structure from Motion-Multi View Stereo), solid modeling을 제시하였다. 따라서 제시된 device와 방법론의 검증을 목표로 하여 다음과 같이 분석을 수행하였다. 첫째, stereo image들로부터 생성된 point cloud로 측량한 결과의 정확도를 지상 라이다 자료와 비교 검증하였다. 두 번째, UAV촬영 사진개수를 감소시킴에 따라 변화하는 point cloud의 밀도가 수목의 부피 및 크기 정량화 결과에 어떤 영향을 주는지를 살펴봄으로써 고해상도의 point cloud가 정밀한 수목 측량에 꼭 필요한 요소인지를 확인하여 보았다. 마지막으로, 수목 부피의 정량화 및 형상화를 위해 solid model이 얼마나 적합한가를 검증하고자 다른 3D type의 측정치와 비교하였다. 분석의 결과를 통해, UAV와 SfM-MVS 그리고 solid model을 이용하면 단일수목을 손쉽게 저비용 높은 시간해상도로 정량화 및 형상화가 가능함을 확인하였다. 다만, 본 연구는 단일 개체목만을 대상으로 한 연구이므로 더 넓은 녹지에 적용하기 위해서는 이에 맞는 비행계획의 수립, 다양한 공간정보 데이터와의 융합, 녹지규모 확대에 따른 정량화 기법의 개선 등 앞으로 이를 발전시킬 수 있는 후속연구가 필요하다.

• 융합신호처리학회논문지
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• 제3권3호
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• pp.41-46
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• 2002

해상 표적을 효율적으로 탐지하고 식별하기 위해 전자광학 센서가 사용되지만 실제 센서에 입력되는 영상 정보는 센서의 뷰-앵글의 한계로 인하여 탐지할 수 있는 영역이 제한된다. 따라서 팬-틸트 카메라로부터 촬영한 연속해상 영상으로부터 파노라마 영상의 생성기법 연구는 필요하다. 그러나, 해상 환경에서는 밝기값이 전 영역에서 유사하고 시변(time varying)함으로 기존의 영상기반 모자이킹 방법으로는 해상 파노라마 영상을 생성할 수 없다. 본 논문에서는 해상에서의 고해상도 파노라마 영상을 생성하기 위한 새로운 방법을 제안한다. 제안 알고리즘에서는 팬-틸트 카메라의 단일 초점 특성을 이용하여 특징환경에서의 모자이킹 결과를 해상 환경에서 적용함으로써 기존의 모자이킹 방법의 한계를 극복하였다. 가상 실험과 실 영상 적용실험 결과에서 제안 알고리즘이 해상 파노라마 영상 생성에 효과적임을 확인하였다.

• 전자공학회논문지A
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• 제31A권4호
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• pp.1-10
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• 1994

In the real-time delivery of multimedia data streams over networks, the interruption of continuity in a single media stream and the mismatching of the data within the same time interval in multimedia data streams transfered in paralled on different channels are considered as the most serious synchronization problems. There are several mechanisms proposed to handle these problems. In this paper, these mechanisms are analyzed and compared in various point of view by the computer simulation. According to the simulation results, it has been shown that the method which uses the segmentation and the method which uses the seperate synchronization channel are superior to the method which uses the synchronization marks in view of the real-time transmission and quality of sevice. On the other hand, it can be seen that the method which uses the segmentation is superior to the method which uses the seperate synchronization channel from a channel utilization's point of view.

• 대한전기학회:학술대회논문집
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• 대한전기학회 1989년도 추계학술대회 논문집 학회본부
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• pp.5-9
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• 1989

In this paper, while 2-or 3-phase induction motor is driven with balance and no noise driving at dynamic and steady state condition. Single-phase induction motor is driven with pulsating torque except specific driving point. So we analyze the reason of producing pulsating torque with the view of unsymmetring concept. These results are applied to the design of high efficincy, high quality single-phase induction motor.

• Journal of International Society for Simulation Surgery
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• 제1권2호
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• pp.57-61
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• 2014

We present a robust 3D facial reconstruction method using a single image generated by face-specific super resolution technique. Based on the several consecutive frames with low resolution, we generate a single high resolution image and a three dimensional facial model based on it. To do this, we apply PME method to compute patch similarities for SR after two-phase warping according to facial attributes. Based on the SRI, we extract facial features automatically and reconstruct 3D facial model with basis which selected adaptively according to facial statistical data less than a few seconds. Thereby, we can provide the facial image of various points of view which cannot be given by a single point of view of a camera.

• 한국추진공학회:학술대회논문집
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• 한국추진공학회 2010년도 제34회 춘계학술대회논문집
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• pp.264-267
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• 2010

This research focuses on the development of numerical code to deal with compressible two phase flow around three dimensional objects combined with cavitation model suggested by Weishyy et al. with k-e turbulent model. The cryogenic cavitation is carried out by considering the thermodynamic effect on physical properties of cryogenic fluids in physical point of view and implementing the temperature sensitivity in the energy equation of the government equations in numerical point of view, respectively. The formulation has been extensively validated for both liquid nitrogen and liquid hydrogen by simulating the experiments of Hord on hydrofoils. Then, simulations of cavitating turbopump inducers at their design flow rate are presented. Results over a broad range of Nss numbers extending from single-phase flow conditions through the critical head break down point are discussed. In particular, thermal depression effects arising from cavitation in cryogenic fluids are identified and their impact on the suction performance of the inducer quantified.

• Journal of Multimedia Information System
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• 제1권1호
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• pp.1-10
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• 2014

In this paper, we propose a new view synthesis technique for coding of multi-view color and depth data in arbitrary camera arrangements. We treat each camera position as a 3-D point in world coordinates and build clusters of those vertices. Color and depth data within a cluster are gathered into one camera position using a hierarchical representation based on the concept of layered depth image (LDI). Since one camera can cover only a limited viewing range, we set multiple reference cameras so that multiple LDIs are generated to cover the whole viewing range. Therefore, we can enhance the visual quality of the reconstructed views from multiple LDIs comparing with that from a single LDI. From experimental results, the proposed scheme shows better coding performance under arbitrary camera configurations in terms of PSNR and subjective visual quality.

• 건축역사연구
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• 제11권3호
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• pp.69-86
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• 2002

Under the assumption that techniques of interior decoration often frequently used by people of the antique Greece and Rome became basis for scientific perspective in the period of Renaissance, this study analyzed characteristics of wall paintings excavated as relics of the antique Greece and Rome. The result of the study can be summarized as follows ; (1) Decorative wall paintings which were and have been excavated from relics of the antique Roman cities are characterized by single and multiple point techniques as their perspective. The two techniques were later adapted by people of the Baroque in the 16th century who recognized and expressed space through putting it into a certain framework. (2) Such antique wall paintings drawn using the technique of single point clearly indicate that the technique was not fully created in the period of Renaissance but developed by people of the antique Greece and Rome. Unlike its present form, the technique was unsophisticated and poor in many respects when first created. Since then, it has become manipulated as spatial recognition has been developed in various ways. (3) Illustrations on vase surfaces or wall-decorative painting panels of the antique Greece were painted mainly through the technique of multiple points which helped changes in the sense of space. The technique were later complied with by the theory of cubism which was emerged in the late 19th century. In other words, the technique was developed over times into a basis of the theory. (4) Some of the antique Roman and Greek wall paintings were drawn by using the method of single point perspective. When the height of the wall foundation, 90cm, as specified in [Ten Books of Architecture] by Vitrubius, the viewpoint for the method almost complied with the height of spectators' view, or 150cm. This height is almost same as the height of the view point employed by wall paintings in the Renaissance period.