• 한국의류학회지
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• 제37권4호
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• pp.452-466
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• 2013

The Silla Dynasty was an open society and was an independent, creative, brilliant culture built on diverse cultures and values. Transforming from the Silla Dynasty to the Unified Silla, it unified the culture of the Three Kingdoms into one. It also displayed unique clothes that adapted new foreign elements into rich clothes forms unlike previous styles. This study first classifies the aesthetic consciousness of the Silla Dynasty by exploring the beauty of the Silla Dynasty realized through artifacts, books, and records in the Silla Dynasty and defines the each characteristic of the aesthetic consciousness. Second, it highlights the independency of Korean beauty through an investigation of how the aesthetic consciousness form appeared through these new appearances in the aesthetic consciousness of Silla Dynasty clothes. The results of the study show that the aesthetic consciousness of the Silla Dynasty can be inferred through Silla Dynasty artifacts, literature, sensuous beauty, and records that were classified into random natural beauty, humorous beauty, and decorative technical beauty. The Silla Dynasty aesthetic consciousness and aesthetic consciousness appeared in Silla Dynasty clothes based on the aesthetics of authenticity that created the honest and simple aesthetic moving of the early natural aesthetic sense of the Silla Dynasty. Silla Dynasty clothes are found to have transformed into an ornamental aesthetic consciousness of a sensual and decorative aesthetic consciousness in a Unified Silla.

• 복식
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• 제50권5호
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• pp.5-24
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• 2000

The results from the consideration of this are as follows. 1. Silla Kingdom has been the name of chronolongical era, from king Bubhung 2nd years to Jinduck 4 years. 2. From Dang dynasty has been received to King of Silla, first class-third class of Dang's office and rank. 3. After unification of Silla Kingdom, Dang dynasty's envoy and missionary and many commercial men and artist come froze Dang to Silla, threfore, influenced their costume habbits and behabiers from royal families costumes and common peaples costume, without concern of that one's social position. 4. Ancient Silla Kingdom performed a religious service an emperor's ceremony, but after unification, performed King's level a religious service, therefor King's ceremonial costumes are Dang dynasty's king's level Myunryukwanbok.

• 한국지역지리학회지
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• 제19권4호
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• pp.580-599
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• 2013

통일신라는 통일 이후 120 여 년 동안 인구가 계속 증가하며 전성기를 누리지만, 8세기 후반부터 발생한 빈번한 가뭄으로 50년 동안 무려 11번의 기근이나 흉년을 겪으면서 정치적, 경제적, 사회적 변화가 나타난다. 고대사 사료에는 이 시기를 여전히 신라 전성기로 기술하지만, 가뭄과 기근으로 국가는 쇠퇴하기 시작한다. 이 시기를 기점으로 주민 이탈이 시작되며 국가의 역량이 급격하게 쇠약해졌고, 9세기 중엽 50년 동안 모반이나 난이 아홉 차례 발생하여 정치적 불안정이 절정에 달한다. 이후 국가 체제가 급격하게 붕괴되어 AD 935년에 경순왕은 나라를 왕건에게 넘긴다. 이와 같은 붕괴의 배경에는 500년 주기의 가뭄 발생과 수십만의 인구가 수백 년 동안 나무를 에너지원으로 하면서 식생을 심각하게 파괴한 인간활동이 있다. 식생파괴는 경작지를 황폐시키고 하천과 지하수의 수문 현상을 바꾸면서 가뭄 피해를 가중시켰다.

• 한국전통조경학회지
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• 제41권1호
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• pp.47-55
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• 2023

본 연구에서는 5~7세기 신라시대 석축의 입면조형원리를 규명하고자 돌의 크기, 비례, 형상, 각도, 분포 등에 대하여 분석하여 다음과 같은 결론을 도출하였다. 첫째, 신라시대 석축의 돌의 크기 균등도는 -0.8~4.1로 낮게 나타났다. 이는 작은 돌부터 큰 돌까지 다양한 규격의 돌을 사용했음을 의미한다. 또한 신라시대 석축의 큰 돌의 분포는 높이에 관계없이 균등하게 나타났다. 이는 신라시대의 석축에서 우물, 산성 등 구조적 분류와 관계없이 공통적으로 나타났다. 신라인들은 석축공사에서 실용성, 효율성만을 추구한 것이 아니며, 의장적 요소를 고려했다고 생각된다. 둘째, 신라시대 석축의 돌의 비례편차는 0.861~1.515로 높게 나타났다. 이는 신라시대 석축은 긴 판석형의 돌만 사용한 것이 아니라, 길고 짧은 돌을 혼재하여 사용한 것을 의미한다. 셋째, 신라시대 석축의 돌의 형상평균은 0.45로 낮게 나타났으며, 형상편차는 최대 0.15로 높게 나타났다. 이는 전체적으로 돌은 불규칙적인 형상을 하고 있으며, 각 돌은 형상의 차이가 높은 것을 의미한다. 넷째, 신라시대 석축의 돌의 각도편차는 4.3~16.2로 나타났으며, 각도의 평균은 2로 나타났다. 이는 신라시대 석축의 각 돌의 각도는 좌, 우로 기울어져 있음을 의미한다. 다섯째, 신라시대 석축은 돌의 크기, 세장비, 형상, 각도간의 상관성이 나타나지 않았으며, 조선시대 석축은 돌의 크기와 세장비에서 양의 상관관계, 돌의 크기와 형상에서 음의 상관관계가 나타났다. 이는 조선시대 석축은 돌이 비교적 정형화된 반면, 신라시대 석축은 재료의 본성을 지켜 입면이 재료와 하나가 됨으로써 절제의 미를 나타낸다고 할 수 있다.

• 건축역사연구
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• 제7권1호
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• pp.49-66
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• 1998

The purpose of this study is to connect the technics and form from ancient to Korea Dynast But in these period there is no buildings remains but paintings, fine arts, and stupas. In the historical materials there are many architectural form and signature revealings, so as a result these analysis, 1)The building showed in paintings of Silla, and Korea Dynasty reflect the architectural style their own Dynasty. 2)In detail, the architecture of Silla and Korea Dynasy was connected with Chinese architectur Liao, Song. But from the 8Century Koreans were succeeded the one of Silla Dynasty and had originility in architectural style. 3)The architectursl style in Silla and Korea Dynasty were very various and very rich content. And we must more serious study of historical materials so that we improve the ancient a middle age of architcture in Korea.

• 한국의류학회지
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• 제39권1호
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• pp.91-105
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• 2015

This paper accomplishes the following points: First, the costume style held by women in the Silla dynasty are examined. Second, a new fashion concept is drawn from Silla's costume images with lessons from analyzing how major brands from China and Japan have adopted their own traditional images. Third, a Korean fashion concept is crafted to reflect important modern fashion design factors. The conclusions of this study are: The concept of Korean fashion using Silla costume image based on the 2015 S/S trend was developed and suggested as: 'Harmony of Contrast', new beauty created by mutually contrasting things; 'Timeless' transcending time-space flowing from the past, present, to future; 'Empathy' where past and present are harmonized; 'Modern with Antique' expressing a new style modernism where the old retains value. The efforts to express identity via conceptualization of Korean fashion are an effective strategy that satisfies the goals of setting Korea's fashion design apart from others and spreading Korean culture.

• 한국주거학회논문집
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• 제27권2호
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• pp.43-51
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• 2016

The purpose of this study was to search the architectural forms including the residence plan and wooden structure and the measuring unit in building sites named Bang in Gyeong_Ju, the capiatal of Silla dynasty. It includes the following three historic sites: JaMaeJung-ji, the east district of HwangLyong-sa (S1E1) and InWang-dong historic site. Especially, the data from excavating and studying the east district of HwangLyong-sa were very precious and meaningful. The results were as follows: 1) There are individual characteristics at the sites of JaMaeJung-ji, the east district of HwangLyong-sa and InWang-dong. 2) It is assumed that the builldings of the east district of HwangLyong-sa had most various types of plan and various types of wooden structures. 3) There were various types of wooden structures like as symmetrical or asymmetrical style, regular columnar or irregular columnar style and a third purlin location or a forth purlin location. 4) This study also showed there's a high probability that buildings at Bang sites had been built by the Tang dynaty scale. In Silla dynasty, there was similar tendency to BackJe Dynasty in the way that measuring unit changed according to the times.

• 복식문화연구
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• 제6권2호
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• pp.181-202
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• 1998

When the study the costumes of Silla Dynasty, the only well-founded data is shown in the prohibition that is promulgated in the period of King Hungduk. In the prohibition, the social limitation according to the Silla Golpum system is closely described, now it is interesting researchers very much. Any times the promulgation of a ordinance has a proper reason. The ordinance of the period of King Hungduk also has no exceptions. It made a reason clear in the introduction - inaccordance with the social position, the list of articles is used with different, in spite of the strict regulation, the distinction of costumes was in disorder because of the trend of luxury and os we have to make right according to law. Some historian think that the prohibition assumes the character of an political innovation. The prohibition contains an social signification, the items of prohibition did not enumerate simply prohibiton items. Through away of research to analyze the hidden meaning contained in the prohibition, we can see the social phenomenon of Silla Dynasty. And compared with the type of clothing, the kinds of clothing mentioned in prohibiton have changed very much. I believe that we can find out political and social change in prohibition.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2000년도 Proceeding of CIN-KIN Joint Symposium 2000 on M.E.T. Under STCW 78/95 and SINO-KOREA MARITIME CONTACT IN MID-CENTURIES
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• pp.205-218
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• 2000

Hull forms of Jiao Yi Ship for shipping and foreign trade in Silla and Tang Dynasty were transformed and developed in accordance to their voyage and rational routes. The trade ship was a sea ship, used by Chang Po Go's, the Silla great sea merchant ship, in the marine trade with China during the 8th and 9th century. It is not easy to presume the hull type and trade formal of Chang Po Go's Jiao Yi Ship of the 8th and 9th Century. Studying on the ship type of the trade ship is the urgent problem to be solved, in the sphere of leaning about the history of communication between China and Korea. The authors take the initial prove into this subjects, by researching Chang Po Go's marine activities, and point out that the trade ship's original type should be the Sha Ship which was the sea ship sailing th sea in northern China, in the Tang Dynasty. This study aims to present materials concerning hull forms of Chang Po Go's Jian Yi Ship by analysing ancient voyage history, foreign trade history, and ship history of Silla, Tang and Japan during the 8th and 9th century.

• 건축역사연구
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• 제23권5호
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• pp.37-45
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• 2014

It was identified by the excavation that architecture remains were confirmed buddhist temple consist of ruins of main building of a temple, auditorium site, ruins of stone pagoda, embankment, pedestrian Facilities and drainage etc. in the Gwangmyeong-dong site. The site has been held temple arrangement with 1 main building of a temple, twin Pagodas from the Unified Silla period to Goryeo dynasty. The temple constructed after that was destroyed the architecture in the Unified Silla period. It seems that aristocrat or royalty power of within group of the nearby remains of city which was constructed in the Unified Silla period build and visit the temple. Considering there are excavations, it assumes that the temple had been constructed during the last days of the Unified Silla, was closed up during the mid-Goryeo Dynasty.