• 인터넷정보학회논문지
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• 제10권5호
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• pp.165-181
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• 2009

본 논문은 해마의 형상 분석을 위한 효과적인 모델 표현 방법과 분석 과정에서의 실제감을 향상시키는 스테레오-햅틱 장치 기반의 대화형 가상 환경을 제공한다. 매개변수형 표면 모델과 골격 표현은 해마의 형상을 효과적으로 표현하고 이러한 정보를 옥트리 자료 구조에 저장하여 대화형의 형상 분석 작업을 가능하게 한다. 그리고 골격 기반 정규화 방법은 다양한 모달리티를 갖는 의료 영상으로부터 생성된 3차원 해마 모델들의 위치와 방위를 정확하게 맞추어주는 기능을 수행한다. 또한 본 논문에서는 정상인 해마 형상 집단과 간질 환자 해마 형상 집단의 정확한 분류 작업을 수행하기 위하여 SVM 알고리즘 기반의 분류기 모델을 구축하였다. 실험 결과를 통하여 본 논문에서 제안한 표현 구조는 다양한 단계의 형상 표현을 제공하며 SVM 기반 분류기는 두 집단간 형상 차이를 분석하기 위한 효과적이었음을 확인하였다. 또한 스테레오 디스플레이 장치와 햅틱 장치를 결합한 가상환경은 사용자에게 향상된 공간 인지와 조작력을 제공하기 때문에 의료 분야에서의 해마 모델과 같은 다양한 해부학적 구조에 대한 분석 작업에 효과적으로 활용될 수 있다.

• 한국정보처리학회논문지
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• 제5권11호
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• pp.2884-2896
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• 1998

온라인 서명검증을 위해서는 서명의 국부적인 형태가 중요한 판단 근거가 된다. 함수적 접근이나 매개변수적 접근과 같은 지금까지의 접근방법은 서명을 시간에 대한 함수로 나타내거나, 특징집합으로 표현함으로써, 서명의 국부적인 모양을 무시한 채로 서명검증에서 유용한 요소로 사용될 수 있는 국부적인 모양에서의 다양한 특징, 국부적인 모양의 변화, 형태의 복잡성 등을 사용하지 않았다. 이 논문에서는 서명을 구성 형태에 근거한 구조적인 표현 방법으로 나타내어 서명의 국부적인 모양의 분석과 중요한 부분에 대한 선택적인 사용이 가능한 새로운 접근방식의 서명 검증 기법을 제시하였다. 즉, 서명의 구조적 표현에 근거하여 국부적 가중치 적용방법과 진위판단을 위한 임계치의 개인별 차등화 방법을 고안하였고, 이에 대한 실험결과를 분석하였다.

• International Journal of Control, Automation, and Systems
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• 제2권4호
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• pp.509-515
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• 2004

In this paper we present the linear combination of a fuzzy opening and closing filter with locally adaptive structuring elements that can preserve the geometrical features of an image. Based on the adaptation algorithm of linear combination of the fuzzy opening and closing filter, the optimal structuring element for image representation is obtained. The optimal structuring element is an indicator of the shape and direction of an object's image, which is useful in filtering, multi resolution, segmentation, and recognition of an image.

• 한국의상디자인학회지
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• 제25권1호
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• pp.153-168
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• 2023

Non-representation creates difference and change that can be used as a creative design method that satisfies contradictory requirements for similarity and differentiation. This study drew upon the characteristics of the concept of non-representation expressed in contemporary art and architecture, in which Gilles Deleuze's philosophical thinking was reflected, and analyzed the non-representation depicted in contemporary fashion. The non-representation expressed in contemporary art and architecture is as follows. Non-representation of delaying becoming focuses on reverting to preexisting objects and redefining traditional meaning, thereby delaying the representation of latent meaning. Non-representation of non-becoming removes existing values and typical forms and expresses amorphousness. Non-representation of becoming by repetition or reiteration realizes the difference caused by the passage of time by repeating or overlapping shapes. Non-representation of becoming expresses the transformation of space by flowing through time rather than by actual movement. Non-representation in contemporary fashion shows the following expression characteristics. First, the non-representation of deferring becoming deconstructs the traditional values and forms of clothing and expresses designs by displacement or juxtaposition. Second, the non-representation of non-becoming is expressed concepts unrelated to the body and focus upon amorphous objects that do not become concretized forms. Third, generative non-representation by repetition and overlap expresses the possibility of change by overlapping clothing items or details expressed by repeating segmented objects. Fourth, generative non-representation by movement reproduces the meaning of space and time by moving the shape of the clothing or visually changing the surface of the material of clothing. As a result of the study, the non-representation shown in contemporary fashion aims for versatility to conform to social changes. This study provides new insight into the fashion design method by increasing the understanding of the cocnept of non-representation and showing its potential.

• 한국정보과학회논문지:시스템및이론
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• 제33권10호
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• pp.777-788
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• 2006

물체의 표면에 돌출된 형상을 실시간으로 표현하는 변위매핑 방법에 대하여 설명한다. 기존의 이미지 기반 변위매핑 방법이 기준면에서 함몰된 형상만을 표현할 수 있는 것과 달리, 기준면에서 수직방향으로 돌출된 높이를 표현하여, 표면에서 돌출된 형상의 상세를 실시간으로 표현한다. 또한 폴리곤의 경계부분에서 시점에 따라 수직인 두 개의 면을 추가하여, 기준면의 경계 외부로 초과하는 픽셀의 변위를 표현하였다. 이로써 경계부분의 돌출 형상에 대한 정확한 외곽선을 표현할 수 있다. 제안된 방법은 부드러운 돌출 형상의 표현과 더불어 돌출 형상의 급격한 경사면에 텍스처 정보를 추가하여, 수직 돌출 형상을 포함한 급격한 경사면을 표현할 수 있다. 이 방법은 GPU에서 수행 가능한 픽셀 단위 계산으로 이루어져 실시간으로 가시화가 가능하며, 경계부위의 정확한 외곽선의 표현과 급격한 돌출 형상의 표현이 가능하여, 건물과 같이 기준면에서 돌출된 형상의 상세 표현에 사용된다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제5권1호
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• pp.228-246
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• 2011

A 3D model based approach for a face representation and recognition algorithm has been investigated as a robust solution for pose and illumination variation. Since a generative 3D face model consists of a large number of vertices, a 3D model based face recognition system is generally inefficient in computation time and complexity. In this paper, we propose a novel 3D face representation algorithm based on a pixel to vertex map (PVM) to optimize the number of vertices. We explore shape and texture coefficient vectors of the 3D model by fitting it to an input face using inverse compositional image alignment (ICIA) to evaluate face recognition performance. Experimental results show that the proposed face representation and recognition algorithm is efficient in computation time while maintaining reasonable accuracy.

• International journal of advanced smart convergence
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• 제13권2호
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• pp.172-186
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• 2024

With the globalization of the film industry, ethnic minority films have been developed and studied by many scholars for their special ethnic representation. The film "Tharlo" directed by Pema Tseden carefully explores the identity anxiety of a Tibetan shepherd. Through the connection and separation between the protagonist and traditional culture, it shows a complexity of modern ethnic identity for minority people. This study explores what kind of cinematic techniques and symbolic elements the director uses to shape ordinary characters, build a narrative space, and show ethnic representation. This paper puts forward a theoretical framework combining cinematic quantitative methods with qualitative narrative and semiotic analysis, aiming to deepen our understanding of cinematic techniques and ethnic representation, and provides a new perspective and profound insights for discussing the complexity faced by ethnic minorities in contemporary films. This study finds that Tseden's "Tharlo" successfully portrays the complex transformation of Tibetan cultural identity in the context of globalization and modernization through cinematic techniques such as fixed camera positions, long take and black-and-white cinematography, combined with the use of symbolic elements like mirrors, lambs and identity cards.

• 패션비즈니스
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• 제16권3호
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• pp.63-77
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• 2012

This study action drama TV drama 'Ya-ha'(夜叉) the actual work practices of the pre-consultation stage through the Writers, Producer, Art directors and in consultation with the opinion of the character set the record of the contents and character changes over time in accordance with characters makeup the design elements were analyzed. The methods of study was used local and abroad related books, studies, publications and cases and the subjects were limited to be four male make up characters in drama 'Ya-cha'. As a result, TV action drama 'Ya-cha' make up design elements and representation techniques were classified as description of skin tone, wound, the shape of eyebrows, hair type, shape of beard and materials and carried out an important role in the character representation. First, presentation techniques changed skin tones depending on character and position and described wound shape as expression technique and materials were analyzed. Second, the shape of eyebrows was based on the physiognomy of the form. And hair type changed volume, thickness, length and texture depending on character. Third, shape of beard is expressed different kinds of volume, thickness, length and texture depending on character. There fore, that systematization of the make-up design elements is useful to express stable characters and make drama for make up in various image genres.

• 한국응용곤충학회:학술대회논문집
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• 한국응용곤충학회 2005년도 춘계 학술발표회
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• pp.66-66
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• 2005

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2013년도 춘계학술대회 논문집
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• pp.93-94
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• 2013