• 한국의류학회지
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• 제25권5호
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• pp.913-924
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• 2001

The purpose of this study is to investigate the sensibility of body exposure in contemporary fashion. 31 kinds of costume samples have been selected from photographs in fashion magazines. Those were divided into part of exposed body, the way of exposure and kinds of exposure. I have measured them by using Semantic Differential method. The subjects were 120 male and 120 female in twenties. The obtained data were analyzed by factor analysis, ANOVA, MDS and regression analysis. The results of analysis are as follow; 1. Factor analysis has extracted four factors which consist of the sensibility of body exposure. These factors are Attraction, Activity, Boldness, Simplicity. 2. There were significant differences in design of body exposure and demographics. 3. Evaluative dimensions of the sensibility of body exposure were identified by Hard-Soft, Active-Elegant. 4. Preference was related to words which are buying desirable, attractive, simple, natural, active appealed by design of body exposure costume and buying desirable was related to words which are favorite, modest, beautiful, natural appealed by mood of exposure costume.

• 감성과학
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• 제21권4호
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• pp.11-24
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• 2018

본 연구는 사회적 배제가 물리적 따뜻함을 추구하게 만든다는 선행연구에 기초하여 사회적 배제가 감성적 따뜻함을 추구하게 만들고, 감성적 차가움을 회피하게 만들 것이라는 예측을 향 감성을 사용하여 검증하기 위해 이루어졌다. 이를 위해 차가운 감성으로 지각되는 향과 따뜻한 감성으로 지각되는 향을 선정하기 위한 사전조사를 실시한 후, 사회적 배제를 지각한 집단과 통제 집단의 향 선호도에 차이가 있는지 확인하기 위한 두 가지 실험을 진행하였다. 결과적으로 사회적 배제를 경험한 사람은 그렇지 않은 사람보다 따뜻한 향에 대한 선호가 강한 반면, 차가운 향에 대한 선호는 약했다. 본 연구는 사회적 배제가 물리적 따뜻함을 추구하게 만드는 현상을 감성적 차원으로 확장했다는 측면과 선행연구에서 간과해 왔던 차가움을 회피하게 하는 현상까지 관찰했다는 측면에서 이론적으로 중요하다. 또한 컴포트 푸드, 인물 감성, 공간 감성 디자인, 인공지능 채팅봇의 감성 등에도 실용적 시사점을 가진다.

• 한국의류학회지
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• 제24권6호
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• pp.861-872
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• 2000

The purpose of this study is to objectively explain the visual sensibility of clothing pattern and develop the design of clothing pattern that satisfies the consumer's sensibility. The photos stimuli on clothing pattern are divided into source, presentation, layout and are composed of each 6 photos per chapter totally 48 photos and semantic differential bi-polar scales are consist of 27 couples sensibility words. The subjects were 400 females in the twenties. Data were analyzed by SAS. The major finds were as follows: 1. As a result of the factor analysis, 4 factors of visual sensibility were consist of Coordination, Hardness and Softness, Attention, Rhythm. 2. As to the difference of visual sensibility based on the composition of clothing pattern, there were differences Hardness and Softness, Rhythm by source and there were significant differences among 4 factors by presentation and layout. 3. According to the age and education level, there were significant differences in Attention, Rhythm and according to the consuming areas, there were significant differences in Coordination, Rhythm. 4. According to sensibility positioning, The clothing pattern was classified as soft-hard, simple-complicated. 5. As a result of the regression analysis, preference, consuming desire and satisfaction appears to be closely related. Good quality is related with total clothing image which is brought about composition of clothing pattern.

• 한국의상디자인학회지
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• 제17권3호
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• pp.85-98
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• 2015

Modern fashion shows the trend of various styles and the period focusing on only product functions is changed to the period focusing on consumer's sensibility. Consumers show different sensitivities and preference by individual at the stage cognizing and recognizing the stimulation of given image and the method of objective measurement based on the fashion sensible vocabularies is necessary to measure fashion sensibility. Therefore, this research is significant to examine differences of preference to classic fashion by generation and awareness for sensible vocabularies and suggest methodology of design sensible evaluation research through the quantitative evaluation objectifying subjective sensibility. For the method of research, precedent theses related to classic, concept and characteristics of classic in books and definition and characteristics by generation were examined, the best 3 domestic portal sites were selected and adjective vocabularies and images related to classic were collected from 2010 to 2014. Among the 206 adjectives collected, vocabularies whose average is more than 3.5 were drawn by 5-point Likert scale for fashion expert group. And, among the total 306 images collected, 21 representative images were selected by preliminary investigation of fashion expert group. For the classic images and vocabularies selected, frequency analysis, factor analysis and variance analysis were conducted by SPSS 19.0. The results of analysis are as follows. Preference to classic fashion image by generation was analyzed. As a result, both of two generations selected classic fashion as the most classic one. The images of the next orders were analyzed. As a result, Y generation selected basic classic fashion image which is casual with high activity as a classic one. Baby boom generation selected ancient classic fashion image, so there were differences in preference for classic by generation. As a factor analysis on classic adjective vocabularies, they could be divided into 5 factors such as basic form, attractive form, traditional form, vintage form and active form and they verified that credibility of all measuring variables for classic sensible vocabularies was achieved. Differences of classic sensible vocabularies by classic fashion image and generation were examined. As a result, generation and classic fashion image made a significant effect on five factors. Therefore, there were differences of the awareness on classic fashion images and sensible vocabularies among the generations and this thesis can be a fundamental material which objectifies subjective sensibility and suggests the methodology of new research.

• 감성과학
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• 제16권4호
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• pp.545-556
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• 2013

본 연구는 모바일 폰의 GUI 디자인의 구성요소를 색상, 텍스트, 레이아웃, 그래픽아이콘, 동영상으로 정하고, 이들 요소와 브랜드 선호도와의 관련성을 실버세대를 대상으로 고찰하는 데 목적이 있었다. 이러한 목적을 달성하기 위해 모형을 구축하고 가설을 설정한 후 다중회귀분석으로 검증하였다. 그 결과는 다음과 같다. 첫째, 모바일 폰의 GUI 디자인 구성요소별로 통계적 유의성을 고찰한 결과 색상, 텍스트, 레이아웃, 그래픽 아이콘, 동영상 요소는 제시된 유의수준에서 통계적으로 유의하게 나타남에 따라 이들 요소는 모두 브랜드선호도에 영향을 미치고 있다고 판단된다. 둘째, 모바일 폰의 GUI 디자인 구성요소들이 브랜드 선호도에 미치는 상대적 영향력의 크기는 텍스트, 색상, 동영상, 그래픽아이콘, 레이아웃 순서로 나타났다. 따라서 실버세대의 경우 모바일 폰의 브랜드 선호도를 높이기 위해서는 '텍스트' 요소와 '색상' 요소를 다른 요소보다 우선적으로 고려해야 함을 알 수 있다. 아울러 '텍스트' 요소와 '색상' 요소의 영향력이 높을수록 브랜드의 선호도는 높아질 것으로 판단된다.

• 감성과학
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• 제18권4호
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• pp.119-128
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• 2015

전자책이 널리 보급됨에 따라 반사형 디스플레이 기반인 단말기의 수요도 증가하고 있다. 본 연구에서는 책을 읽을 수 있는 종이책, E-ink 전자책, LCD 태블릿의 감성과 독서 상태를 비교했다. E-ink 전자책에 대한 소비자의 감성반응을 알아보기 위해 감성평가 후 독서 장치의 종류에 따른 가독성, 선호도 실험을 수행하였다. 실험은 화면으로만 판단할 수 있도록 마스크를 제작했으며 컨텐츠의 내용만 다르게 설정하고 모든 조건과 환경을 동일하게 하였다. 감성반응 파악을 위한 감성어휘 실험에서는 의미분별법을 활용한 결과 LCD보다 E-ink 전자책을 종이와 가깝게 느끼는 것으로 나타났다. 가독성에 대한 선호도를 알아보기 위한 실험에서는 자기보고식 설문을 한 결과 LCD보다는 E-ink 전자책을 선호하였으며 E-ink 전자책보다는 종이를 선호하거나 비슷하게 선호하는 것으로 나타났다. 사용자들이 E-ink 전자책을 종이와 비슷한 감성을 갖고 있으므로 E-ink 전자책이 종이책을 대체할 수 있을 것으로 기대한다.

• 한국의류학회지
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• 제24권7호
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• pp.976-986
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• 2000

The purpose of this study is to clarify the relationship between the visual sensibility and the decorative design of clothing. 41 kinds of costume samples have been selected from photographs in fashion magazines under detail and trimming, and divided into three types according to line, shape, and form. I have measured these images by using Semantic Differential method. The obtained data were analyzed by factor analysis ANOVA, discriminant analysis, regression analysis and MDS. The results of analysis are as follow; 1. Factor analysis has extracted five factors which consist of decorative design sensibility. These factors are Attractiveness, Hardness and Softness, Rhythm, Decorativeness, Cuteness. 2. There were significant differences in visual evaluation of decorative design and demographics 3. The discrimination among formative designs was closely related to decorative image, especially between line and form. 4. The Image effect on Preference, Buying needs, Riches and Pleasant was consist of complicated sensibility. 5. Evaluative dimensions of decorative design were identified by Simple-Complicated, Cubic -Plane perceptive image differed in degree of similarity in spite of same formative design.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2001년도 추계학술대회 논문집
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• pp.117-121
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• 2001

본 연구에서는 향에 대한 생리적 반응과 선호도가 노년층과 청년층에서 어떠한 차이가 있는지 살펴보고자 하였다. 20대 및 60대 피험자에게 100％의 Basil oil, Jasmin oil, Lavender oil, Lemon il, Ylangylang oil을 제시하여 자율신경계의 반응인 심전도의 RR간격과 GSR을 측정ㆍ분석하였으며, 선호도 평가를 하여 자율신경계의 반응과의 상관성을 검토하였다. 20대는 Lemon 향에서 RR 간격 및 GSR의 반응이 안정되게 나타났으며, 선호도 평가에서도 Lemon 을 가장 선호도가 높게 평가하는 것을 볼 수 있었다. 60대는 Lavender에서 RR 간격이 증가하고 GSR이 감소하여 안정된 반응을 보였고, Lavender에 대한 선호도 또한 높게 평가하여 60대는 다른 향보다 Lavender를 좋은 향으로 평가함을 알 수 있었다.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 1999년도 춘계학술발표논문집 논문집
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• pp.97-102
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• 1999

The purpose of this study is to find out the moderating influences of unity on typicality effect of prototype theory in new product development process. It is said in the classical point of view of categorization that the higher level of typicality, the more preference a consumer have on a specific product. According to, however, the prototype theory's view on the relationship between product preference and typicality, there is an inverted U-shaped relationship between those two factors. But the prototype theory is needed to be verified with various design variables such as harmony, proportion, balance etc as well as unity. Therefore this study verified moderating effect of unity on typicality effect of new product.

• 한국실내디자인학회논문집
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• 제14권5호
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• pp.205-211
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• 2005

The purpose of this study was to analyze the preference of traditional lacquered furniture and to suggest furniture design guideline. Subjects consisted of 336 residents aged up 20 years old in Seoul and Kyung-ki. area. The data were analyzed using the SPSS statistical package. The results of descriptive statistics, factor analysis, t-test and ANOVA are presented. The result of this study showed that the traditional and environmental values of the traditional lacquered furniture were highly appraised. With a furniture plan, modernized and stylelike design was desired and the table type furniture were wanted. And preference of traditional lacquered furniture was distinct by sex and age groups. Women and older age group wanted more decorative and luxury design than other groups. These results provide a practical guideline for the development of the traditional lacquered furniture design for users.