• 제목/요약/키워드: Scientific history viewpoint

검색결과 24건 처리시간 0.023초

"의학입문(醫學入門)"에 반영된 학질(瘧疾)의 학술계승(學術繼承)과 성과(成果) (The Scientific Succession And Fruits Of Hakgil(Malaria, 瘧疾) In Euhakibmun(醫學入門))

  • 조학준
    • 대한한의학원전학회지
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    • 제26권2호
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    • pp.85-103
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    • 2013
  • Objectives : I would find out the developmental succession and results of Li Ting(李梴)'s research for hakgil(malaria, 瘧疾) reflected in Euhakibmun(醫學入門). Methods : I had searched from which books the original contents of Euhakibmun(醫學入門) came, in aspects of classification, causes, mechanism, symptoms, differentiation and medical treatments of malaria. Results : Lee Cheon(李梴) classified causes of malaria from the viewpoint of Yin and Yang, and made its medical treatment modalities definite. He used its prescriptions rationally and analytically according to the classification of malaria which he suggested. Conclusion : Lee Cheon(李梴)'s studies on malaria(瘧疾) in Euhakibmun(醫學入門) were very creative and special unlike existing assessment known in Korean medicine academic world.

고대 로마의 실내 장식벽화가 과학적인 원근법에 미친 영향 연구 (A Study on Effects of Decorative Interior Wall Paintings of the antique Rome on the Scientific Perspective)

  • 홍재동
    • 건축역사연구
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    • 제11권3호
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    • pp.69-86
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    • 2002
  • Under the assumption that techniques of interior decoration often frequently used by people of the antique Greece and Rome became basis for scientific perspective in the period of Renaissance, this study analyzed characteristics of wall paintings excavated as relics of the antique Greece and Rome. The result of the study can be summarized as follows ; (1) Decorative wall paintings which were and have been excavated from relics of the antique Roman cities are characterized by single and multiple point techniques as their perspective. The two techniques were later adapted by people of the Baroque in the 16th century who recognized and expressed space through putting it into a certain framework. (2) Such antique wall paintings drawn using the technique of single point clearly indicate that the technique was not fully created in the period of Renaissance but developed by people of the antique Greece and Rome. Unlike its present form, the technique was unsophisticated and poor in many respects when first created. Since then, it has become manipulated as spatial recognition has been developed in various ways. (3) Illustrations on vase surfaces or wall-decorative painting panels of the antique Greece were painted mainly through the technique of multiple points which helped changes in the sense of space. The technique were later complied with by the theory of cubism which was emerged in the late 19th century. In other words, the technique was developed over times into a basis of the theory. (4) Some of the antique Roman and Greek wall paintings were drawn by using the method of single point perspective. When the height of the wall foundation, 90cm, as specified in [Ten Books of Architecture] by Vitrubius, the viewpoint for the method almost complied with the height of spectators' view, or 150cm. This height is almost same as the height of the view point employed by wall paintings in the Renaissance period.

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과학사 자료를 활용한 중학생들의 천동설에서 지동설로의 개념 변화 (Middle School Student’s Conceptual Change from Geocentricism to Heliocentricism Using Science History Materials)

  • 최진희;김희수;정정인
    • 한국지구과학회지
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    • 제26권6호
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    • pp.489-500
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    • 2005
  • 본 연구의 목적은 중학생에게 과학사 자료를 활용한 인지 갈등 수업을 하였을 때 나타나는 ‘우주관’에 대한 개념 변화의 인지적 과정을 살펴보는 것이다. 연구 대상은 인지수준이 각각 상, 중, 하인 중학교 2학년 학생 남녀 4명을 표집 하였다. 매 차시별 수업 후 형성된 학생의 ‘우주관’ 개념에 대해 면담과 탐구 활동지 분석을 실시하였으며, 사전$\cdot$사후 개념 검사로 개념 변화 정도를 알아보았다. 연구결과 4명의 학생들이 가지고 있는 천문학적 선개념은 차이가 있었고 천체의 운동과 관련된 오개념도 다양하였다. 형식적 조작기와 전이단계 있는 학생은 과학사를 이용한 수업을 통하여 천동설에서 지동설로 개념 변화가 이루어졌다. 그에 비하여 구체적 조작기에 해당하는 학생의 선개념은 전반적으로 비과학적이거나 무개념 상태였으며, 인지 갈등을 일으킬 만한 현상을 제시하여도 개념 변화를 일으키지 못하는 등 과정에 어려움을 보였다. 이 단계의 학생에게는 새로운 자료를 제시하고 이를 설명하게 하는 인지 갈등 과정을 통하여 천동설에서 지동설로의 개념 변화를 일으켰다. 수업 처치 후 학생들의 개념 검사지의 성취도가 $10\%$ 이상 높아졌다. 이는 과학사 자료를 이용한 학습 지도가 과학적 개념 변화에 있어 효과적이라고 할 수 있다.

기념비 건축물의 파괴와 보존의 의지에 관한 연구 -제1차 세계 대전 전후 프랑스와 독일의 사례를 중심으로- (Destruction and Preservation of Architectural Monuments -in the Context of World War I France and Germany-)

  • 김영철
    • 건축역사연구
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    • 제31권5호
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    • pp.57-64
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    • 2022
  • Architectural Monuments have to overcome the challenge of time due to physical properties. The fundamental issue must be grounded in an understanding of history and art to overcome this challenge and make themsustainable. Many efforts to preserve the monuments through the 19th century and at the beginning of the 20th century to record them in scientific form were successful. To be aware of the meaning of the art and not to be 'barbare' anymore was behind the promotion of these activities. Above all, the 19th-century French architect Viollet-le-Duc contrasted the concept of barbarism with the concept of art and tried to redefine architecture as art. The ritual to escape 'barbare' played an important role in the end. This consciousness was also at work in the propaganda for the preservation of medieval architectural monuments in France, led by intellectuals such as Rodin. Also, the concept of 'barbare' served as an important yardstick whenever the cause of their loss was questioned while important monuments were destroyed in the First World War. From the viewpoint of Germany, Dehio was the pioneer of the preservation movement and documentation of monuments. The principle he advocated was preservation, not restoration. The historian Pevsner, who moved to England, also surveyed monuments in various parts of England and left them in the same format as Dehio. These facts show that architecture as art plays a fundamental role in the history of human life.

간호학 방법론에 대한 성찰 (Reflection on Nursing Methodology)

  • 이은주;박영숙
    • 대한간호학회지
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    • 제23권3호
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    • pp.453-466
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    • 1993
  • Quantitative methodology has been the predominent methodology utilized in research in nursing. However since the 1970s qualitative methodology has also emerged as a useful methodology and has been utilized by many researchers. But in the use of this methodology, the philosophical, epistemelogical, and theoretical backgrounds have been neglected by many researchers. This paper reports a review of the literature on methodologies, quanitative and qualitative, used in nursing, and makes suggestions for future research directions. It explains why qualitative methodology has emerged as as effective methodology in nursing and discusses how the qualitative methodology differs from the quanitative one. A comparison of the two is made based on perspectives of humane being and human behavior as well as the development of nursing science. This paper also presents several views on change in nursing science, since viewpoint not only influences the determination of the current stage of nursing science but also the shaping of the future directions of nursing science and research. Scientific revolution by Kuhn, the evolutionary perspective by Toulmin, the transition of research tradition by Laudan. and convolutionary processes are presented. However, this paper indicates that it is too early to adopt these points of view, because the history of nursing science is too short. It suggests that nursing needs pluralism in philosophy, paradigms and theory, as well as in methodology. Although we experience paradoxes in adopting different perspectives in nursing, it is wise for us to continue to include a variety of viewpoints including those to which we are not accustomed, such as qualitative methodology, since we are not yet able to decide what is best for the development of nursing science.

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19세기 남병철 『의기집설(儀器輯說)』 혼천의 용법 분석 (ANALYSIS OF THE USAGE OF NAM BYEONG-CHEOL'S ARMILLARY SPHERE IN UIGIJIPSEOL IN THE 19TH CENTURY)

  • 최홍순;김상혁;민병희;남경욱;유경한;김용기
    • 천문학논총
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    • 제39권1호
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    • pp.13-26
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    • 2024
  • The armillary sphere, an astronomical observation device embodying the Orbital Heaven Theory of the Later Han Dynasty in China, holds both historical and scientific significance. It has been produced in various forms by many individuals since its inception in the era of King Sejong in the Joseon Dynasty. A prominent figure in this field was Nam Byeong-cheol (南秉哲, 1817-1863), known for his work 'Uigijipseol' (儀器輯說), published in 1859, which detailed the history, production methods, and usage of the armillary sphere. This text particularly highlights 21 applications of the armillary sphere, divided into 33 measurements, covering aspects like installation, time, and positional measurements, supplemented with explanations of spherical trigonometry. Despite numerous records of the armillary sphere's design during the Joseon Dynasty, detailed usage information remains scarce. In this study, the 33 measurements described in 'Uigijipseol' (儀器輯說) were systematically classified into six for installation, nineteen for position measurement, seven for time measurement, and one for other purposes. Additionally, the measurement methods were analyzed and organized by dividing them into the ecliptic ring, moving equatorial ring, and fixed equatorial ring of the armillary sphere. In other words, from a modern astronomical perspective, the results of schematization for each step were presented by analyzing it from the viewpoint of longitude, right ascension, and solar time. Through the analysis of Nam's armillary sphere, this study not only aims to validate the restoration model of the armillary sphere but also suggests the potential for its use in basic astronomical education based on the understanding of the 19th-century Joseon armillary sphere.

근대 과학자와 예술가의 사례를 통해 살펴 본 융복합교육으로서의 과학교육: 과학과 예술을 중심으로 (Implications of Science Education as Interdisciplinary Education through the Cases of Scientists and Artists in the Modern Era: Focus on the Relationship Between Science and the Arts)

  • 조헌국
    • 한국과학교육학회지
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    • 제34권8호
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    • pp.755-765
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    • 2014
  • 통섭 또는 융복합은 오늘날 매우 많은 관심을 받고 있다. 이에 본 연구에서는 과학과 예술의 통합을 시도한 근대 과학자와 예술가들의 발견 과정을 중심으로 융복합의 특징을 살펴보고, 근대의 사회철학적 배경을 고려함으로써 오늘날 과학교육이 융복합교육으로서 필요한 과제와 방향에 대해 논의하고자 한다. Netwon, Kepler, Galileo 등의 근대 과학자들은 예술의 사실적 묘사와 같은 방법을 통해 과학 지식을 표현하고 추론하는 데 활용하였으며, 예술과 과학의 규칙과 대응 관계를 통해 새로운 이론을 주장하고자 하였다. 예술가들 역시 과학을 통해 보다 사실적인 현상의 묘사를 힘썼으며, 특히 선원근법을 중심으로 한 해부학과 광학에 주로 의존하였다. 또한 과학자들과 예술가들 모두 유비 추리를 통한 일종의 "빌려오기"를 통한 융복합을 시도하였다. 이는 시기적으로 신플라톤주의의 영향을 받은 것으로 해석할 수 있다. 당시의 과학자들은 상황이나 장소에 대한 구분 없이 적용되는 보편타당한 법칙과 방법을 추구하였으며, 예술과의 융합을 통해 과학 지식을 예술에 접목시키기도 하고 예술의 유용한 도구를 과학적 발견에 활용하기도 하였다. 따라서 오늘날 융복합교육으로서의 과학교육은 학생들에게 보다 전체적인 관점에서 바라볼 수 있도록 해야 하며, 과학과 예술 간의 통합을 통한 아이디어 창출을 목표로 과학과 예술 간의 상호 보완적인 관계를 중심으로 초학문적 시도를 장려해야 한다. 또한, 협동학습의 조직 및 관련되는 평가 기준의 마련을 통해 집단적 창의성을 증진시키고 일상 맥락에서의 문제 해결을 통한 경험을 강조해야 할 것이다.

중등 과학 교사들의 기본 입자에 대한 사고 조사 (A Study of the Secondary School Science Teachers' Perceptions Related to Basic Particles)

  • 남초이;박규석;백성혜
    • 대한화학회지
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    • 제53권6호
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    • pp.774-783
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    • 2009
  • 연구의 목적은 중등 과학과정에서 매우 중요하게 다루어지는 기본 입자의 개념에 대한 과학교사의 관점을 알아보는 것이다. 첫 번째 연구내용은 중등 과학교사들의 기본 입자에 대한 개념을 과학사적 관점에 근거하여 분석하는 것이다. 두 번째 연구내용은 과학교사들이 원자, 원소, 분자 개념들을 서로 관련지어 이해하고 있는 지에 대해 조사하였다. 세 번째 연구내용은 과학교사들의 기본 입자 개념 형성에 영향을 준 요인을 알아보는 것이었다. 이 연구를 위하여 96명의 중등 과학교사들을 선정하였다. 연구의 자료는 이 연구에서 개발한 질문지를 통해서 수집되었고, 자료 분석은 반복적 비교 분석법에 의하여 이루어졌다. 연구결과, 교사들이 갖는 기본 입자 개념은 전공에 상관없이 유사한 관점으로 나타났고, 교사들이 갖는 기본 입자 개념들이 과거 관점에 속하는 것으로 나타났다. 또한 교사들은 문제에 따라 다른 관점을 적용하였기 때문에 기본 입자 개념들 사이의 유기적인 이해가 부족하였다. 많은 교사들이 교과서, 교사용 지도서, 참고서의 영향을 받아 이러한 기본 입자에 대한 혼란스러운 관점을 형성하였다.

모더니즘 시대의 건축과 패션에 나타난 조형적 특성에 관한 연구 (A Study of the Formative Characteristics in Architecture and Fashion of the Modernism Period)

  • 김혜영;허다슬
    • 복식
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    • 제55권4호
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    • pp.62-78
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    • 2005
  • The modern period was the time that the most radical and extensive social and mental changes were occurring throughout the history, and modernism was prevailing as a general cognition system of people. Modernism, which carries principles of progress, belief in application of scientific technology, worship of reason, ideal of liberty as a col-e value of civilization, was plated as a leading ideology in the realm of society, culture and art In the early 20th century. In this study, the formative characteristics of modernism seen in architecture and fashion are analogized and analyzed in four ways ell the basis of the theory of p. Greenhalgh. First, 'Standardization for mass-production', which is analogized which P. Greenhalgh's 'Decompart-mentalisation', 'Social Morality', and' Technology'. Standardization for mass-production in architecture focuses on the development of a design prototype in order to mass produce; the development of ready-made clothes is actively done ill the fashion area for the same purpose as well. Second, 'Rational functionality' coming from P. Greenhalgh's 'The total work of art' and 'Function'. While rational functionality in architecture puts an emphasis on the rational operation of all the functions in regard to the relation between each part and the whole, rational functionality in fashion call be mainly seen in a dramatic increase in physical activity which could be hardly found before the modernism period. Namely, all the fashion design elements are developed for a certain rational and functional design on each part as well as on the whole in order to greatly increase physical activity. Third, 'the pursuit for genuineness of objects and universality of beauty' is on the analogy of P Greenhalgh's 'Truth', 'Anti-historicism', 'Abstraction', 'Internationalism/Universality'. This idea is adopted in architecture in the form of design of geometrical abstraction. In the same way, design using geometrical abstraction comes to have a significant meaning in fashion of the modernism period. So to speak, modernism architecture and fashion can be reborn to become an inter·national style by giving up the decorative and regional design prevailing before modernism and by expressing universal aesthetics in the form of simplicity and abstraction instead. Fourth, 'Expression of progress through a change in a viewpoint' stems from P. Greenhalgh's 'Progress', 'Transformation of Consciousness', 'Theology'. In architecture, this concept appears by using new construction materials and methods and by representing new aesthetical idea. As a result, it makes it possible for people to make progress for better lives. Like in architecture, new attempts for material application and processing are made in fashion. This gives rise to a general change in a viewpoint related to fashion, so that a flew fashion design which there has never been before can come out.

농촌 친환경 주거 개발을 위한 이엉지붕 열환경 특성 분석 -신석기시대 이엉지붕 움집을 대상으로- (Analysis of the Thermal Environment Characteristics of Thatched Roof for Eco-friendly Rural Housing Development -Focused on the Neolithic Thatched Roof Dugout Hut-)

  • 송헌
    • 한국농촌건축학회논문집
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    • 제16권1호
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    • pp.35-42
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    • 2014
  • Due to the development of civilization, the humans is privileged the rich of technologies for housing thermal environment. But, this kind of technological development caused enough trouble of energy excessive consumption. For solve this problem, many researchers strive to exploit the low energy sustainable techniques. For such a reason, the eco-friendly techniques of vernacular house are resurfacing. These traditional techniques are applied to a development of eco-friendly modern housing. They are no longer recognized as outdated products. On this context, this study proposes an scientific analysis on the thermal environment characteristics of Neolithic thatched-roof dugout hut(Um house). So far the several studies have been carried out in viewpoint of the history and structural compositions of the Um house which has been used as the normal housing for about 1000 years in the Neolithic era, however the thermal characteristics analysis of the Um house has never been studied. Um house is not a housing which has been composed by the scientific analysis or architectural design technology, but evolved empirically over a long period. This study on the thermal environment characteristics of Um house would provide basic information for the development of korean eco-friendly rural housing by korean climate characteristics. In this study, the thermal environmental characteristics of the Um house in the Neolithic era was analysed experimentally. The results of this study could be summarized as follows: 1. When the solar insolation and the ambient temperature in the daytime were $420W/m^2$ and $17^{\circ}C$ respectively, the surface temperature of the Um house roof covered with the rice straw was $37^{\circ}C$ and that in the roof $32^{\circ}C$, and in the conditions above the air temperature in the room was $15^{\circ}C$. 2. When the ambient relative humidity was 40%, that in the room of the Um house 50%, and at the ambient relative humidity of 90~100%, that in the room was 60%. 3. Through the experimental analysis, it was verified that the enthalpy and relative humidity is in an inverse relationship. 4. In general the comfort degree in the living space is changed with the seasonal climate, also in this study, the comfort degree in the room of the Um house in October and November was higher than that in May and June.