• 제목/요약/키워드: Sang(skirt)

검색결과 52건 처리시간 0.036초

공진기의 임피던스 변화에 근거한 비접촉 생체 신호 센서 (Non-Contact Vital Signal Sensor Based on Impedance Variation of Resonator)

  • 김기윤;김상규;홍윤석;육종관
    • 한국통신학회논문지
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    • 제38C권9호
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    • pp.813-821
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    • 2013
  • 본 논문에서는 공진기의 임피던스 변화에 근거한 생체 신호 센서를 제안한다. 제안된 생체 신호 센서는 호흡과 심장 박동 같은 생체 신호를 감지할 수 있고, 시스템은 공진기, 발진기, SAW 필터, 그리고 파워 감지기로 구성되어있다. 인체와 같은 유전체의 주기적인 움직임은 근거리 장 영역 안에서 공진기의 임피던스 변화를 야기하며, 따라서 공진기의 공진 주파수의 변화는 발진기의 발진 주파수 변화에 영향을 끼친다. 여기서 SAW 필터 저지대역의 가파른 주파수 응답특성은 작은 양의 주파수 편차를 큰 변화로 바꿀 수 있다. 기존의 센서의 감지 거리를 확장시키는 것을 목적으로 ISM 대역 870 MHz 대역에서 동작 시켰으며, 최대 거리 120 mm에서 호흡과 심장 박동신호의 검출을 확인하였다.

A Study on the Design and Composition of Victorian Women's Mantle

  • Lee, Sang-Rye;Kim, Hye-Jeong
    • 패션비즈니스
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    • 제14권6호
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    • pp.188-203
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    • 2010
  • This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women's dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the $19^{th}$ century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A.line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three-dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women's suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. In the late Victorian age when the hourglass style was in fashion, mantle returned again to plain design emphasizing the details of the shoulders. The results of this study are expected to present motives for the development of contemporary designs, to contribute to the new recognition of the value of mantles, and to open a new research area of clothing history.

온라인 쇼핑몰의 서양식 여아 돌복 연구 (A Study of Western-Style First Birthday Clothing for Girls from Online Shopping Malls)

  • 권상희
    • 한국의류산업학회지
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    • 제21권1호
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    • pp.13-26
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    • 2019
  • In this study, Western-style first birthday clothing for girls from online shopping malls was explored. Specifically, clothing types, forms, colors, textiles, prints/patterns, and trimmings were examined. Using the keyword dol bok (meaning "first birthday clothing") and the search engines Naver and Daum, online shopping malls that sell or rent Western-style first birthday clothing for girls were found. From 15 online shopping malls, 317 dresses, 76 outers, and 69 bonnets were analyzed. The one-piece dress was the main item of Western-style first birthday clothing for girls. Most first birthday dresses were white or ivory in terms of color; other common features were the bell silhouette, a high waistline, a midi- or knee-length skirt with multiple layers, and bow trimming. The upper bodices of dresses featured round necklines without collars and sleeves, and the main textiles used for dresses were satin, lace, organza, and tulle. Two main types of outers were jackets and capes. Most outers were white or ivory and waist-length or shorter, with elbow-length or longer sleeves. Outers were typically made of fur, satin, and lace. Most bonnets were also white or ivory in color, made of satin and lace, and decorated with ribbon ties and frills/ruffles. Because a precedent study indicates that a monochromatic color scheme was the least favorite and that consumers want a proper fit and length-adjustable design, conclusions of this study point to the need for color diversification; color combinations for two-piece dresses, outers, and accessories; and lacing or shoulder snaps instead of zippers.

영ㆍ정조 시대의 속화에 나타난 18C 복식에 관한 연구 -오명현, 윤용, 이인상, 강희언, 작품을 중심으로- (A Study of Costumes of the 18th Century, Appearing in Genre Paintings from the King Young-Cho Period to the King Jung-Cho Period: Focused upon the Works of Focused upon the Works of Mung-Hyun Oho, Yong Yun, In-Sang Lee, Hee-Eon Kang)

  • 최은주
    • 복식문화연구
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    • 제12권5호
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    • pp.859-879
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    • 2004
  • As a result of research, the characteristics of the general costumes from the king Young-Cho period to the king Jung-Cho period in Genre Paintings of Mung-Hyun Oho, Yong Yun, In-Sang Lee, Hee-Eon Kang follows. First, the typical man wore his hair in a topknot(sangtu), and put on 'Bung-gu-ji', 'Lip', or a scarf on his head. The length of the 'Jeogori'(Korean traditional jacket) was long enough to cover the waist. Dress for work had side slits, and had half length sleeve Jeogori, and short pants looked like 'Jam-bang-i'. They went barefoot and wore 'Jipsin'(Korean traditional straw shoes). Dress for outdoor was 'Po' that knot at front of chest by band. 'Baji'(slacks) were with knot below knee, worn 'Hang-jun'(ankle band) and the width of slacks was suitable. They were 'Beoseon'(Korean traditional socks) and shoes. Second those in the upperc1ass and those in the military put on 'Mang-geon', 'Gat', 'Sa-bang-gan', 'Tang-geon', 'Bok-geon' on their head on a topknot. Most of them wore 'So-chang-i', 'Jung-chi-mag' or 'Do-po'. The length of Jeogori covered the waist or the hip and were tied with 'Go-rum'(ribbon). Baji was tied with Hang-jun and 'Dae-nim'. The waist of the slacks were tied with a dark colored waist-band and folded down their waist of slacks. They wore white color Beoseon and 'Hye' or dark color leather shoes. They wore 'Sup'(assistant of arm) for bow. It showed the lifestyle of the 18C with fan, 'Be-ru', 'Mug', 'Yun-jug', teacup, pot, etc. Third, child's hair was short or knotted to the back of the head. The length of Jeogori reached waist line, Git of Jeogori was 'Dunggurai-Kit'(shape of round) and other style Jeogori, which reached the hip line, had side-slit. Baji was tied with Dae-nim, and the width of the slacks is suitable. They hang 'Yum-nang'(Pocket). Final, most women worked outdoors wearing their hair in a high twisted style, or covered it with scarf. They wore Jeogori and 'Chima'(Korean traditional skirts), Bagi. They folded up the sleeves of the Jeogori. And they folded the 'Jambang-i-styled' pants to just above the knees, fastening at the waist. When they wore skirts, they also wore underpants under the skirt that went down to the knees. Most of them went barefoot and wore straw shoes, Jipsin. Through genre paintings, we can understand the ways and forms of our ancestor's clothing. And with our understanding, interest, and passion, we can be familiar with Hanbok in our daily life by succeeding and creating its peculiar style. And then we can promote the globalization of Hanbok.

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테크토닉 문화와 패션에 대한 연구 (A Study on Tecktonik Culture and Fashion)

  • 권상희;하지수
    • 한국의류학회지
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    • 제33권6호
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    • pp.869-879
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    • 2009
  • 본 연구의 목적은 테크토닉 문화 및 패션의 특징을 파악하고, 한국과 프랑스에서 테크토닉 문화와 패션이 갖는 특수성을 밝히는 것이다. 특히 그 동안 주로 연구되었던 영 미권이 아닌 한국에서 하위문화가 어떻게 확산, 향유되는지에 주목하였다. 테크토닉은 2000년 프랑스 파리의 한 클럽에서 등장한 댄스 장르이자 음악 장르로, 인터넷을 통해 전 세계적으로 전파되었다. 테크토닉 패션은 슬림한 라인, 강렬한 색상, 하이탑 스니커즈를 특징으로 하는데, 이러한 패션 스타일은 동시대 패션의 흐름과 맞물리면서 테크토닉 댄스와 음악의 성격을 표현한다. 프랑스와 비교하여, 한국 테크토닉 패션 스타일은 남성의 경우 진한 메이크업과 모히칸 헤어를 잘 시도하지 않으며, 여성은 짧은 치마로 섹시함을 강조하는 경향이 있다. 테크토닉의 발생지인 프랑스에서는 테크토닉이 긍정적인 사회적 놀이문화로서 자리매김했으나, 한국의 테크토닉은 그 이미지만이 차용되어서 연예인의 패션 스타일이나 광고 수단으로 상품화되었다. 하위문화로서 테크토닉은 놀이성, 상품성, 디지털 통신매체의 적극적인 이용이라는 특수한 성격을 가진다. 테크토닉을 즐거운 댄스에 참여하는 것으로 여기는 프랑스에서는 놀이성이 두드러지고, 테크토닉을 시각적인 흥미요소로 여기는 한국에서는 상품성이 두드러진다. 이러한 성격의 차이가 두 나라의 테크토닉 패션에 차이를 가져왔다.

어린이가 선호하는 치과 의료진의 복장에 대한 연구 (STUDY ON CHILDREN'S PREFERENCE TOWARD ATTIRE OF DENTIST AND DENTAL HYGIENIST)

  • 남정란;이난영;이상호
    • 대한소아치과학회지
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    • 제36권2호
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    • pp.175-188
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    • 2009
  • 어린이 치과 진료 시 진료에 도움을 얻고자 연구한 설문지조사 시 진료진들의 복장에 대한 선호도에 응한 650명의 어린이에 치과 진료진들에 대한 선호도에서 다음과 같은 결과를 얻었다. 1. 남 여 치과의사의 복장으로 정장가운과 일상복 중 전반적으로 정장가운을 대상자의 특정별로 남자 67.7$\sim$87.6% 여자 59.2$\sim$75.9% 선호하였다. 2. 남자 치과의사의 정장가운 중 전형적인 흰색 긴가운을 가장 선호하였으며 일반 긴가운, 짧은 자켓이나, 짧은 수술복 순으로 선호하였다. 3. 여자 치과의사의 가운 중 전형적인 흰색 긴가운을 가장 선호하였으며 일반 긴가운, 짧은 자켓가운, 짧은 수술복 순으로 선호하였다. 4. 치과위생사의 가운에 대한 선호도에서는 투피스 바지에 대한 선호도가 높았으나, 원피스, 투피스 치마, 만화 캐릭터, 에이프런 가운에 대한 선호도의 차이는 크지 않았다. 5. 가운의 색에 대한 선호도에서는 흰색에 대한 선호도가 높았다. 6. 가운의 무늬에 대한 선호도에서는 전형적인 형태의 민무늬에 대한 선호도가 높았다.

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Supplementation of Either Conjugated Linoleic Acid or γ-linolenic Acid with or without Carnitine to Pig Diet Affect Flavor of Pork and Neutrophil Phagocytosis

  • Lee, Jun-Yeob;Cha, Keun-Hwan;Chae, Byong-Jo;Ohh, Sang-Jip
    • Journal of Animal Science and Technology
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    • 제53권3호
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    • pp.237-252
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    • 2011
  • In this study, four different oils containing either CLA, GLA, GLA+Carnitine or corn oil (control) were supplemented to finishing pigs (average 70.8 kg initial BW) diet for 28 d of feeding period. To evaluate the values of the dietary fatty acids, especially in view of sensory and nutritional characteristics of pork; pig performances, carcass characteristics, serum cholesterol, neutrophil phagocytosis, TBARS, electronic nose flavor and fatty acids profile of pork were measured. There were no differences in daily gain and nutrients digestion among treatments, but daily feed intake of CLA enriched diet was lower (P<0.05) than that of other diets. There were no differences in backfat thickness, dressing percentage and carcass grade among pigs fed diets supplemented with different oils. Serum total cholesterol showed a tendency to be lowered in pigs fed GLA enriched diet. TBARS values during storage of pork were higher in belly from pigs fed control diet whereas the values of belly from pigs fed GLA+Carnitine diet were lower than others. However, difference in TBARS was not remarkable in adipose tissue and 4 weeks extended storage regardless of pork parts. Proportion of saturated fatty acids such as C16:0 and C18:0 were higher (P<0.05) in pork loin and thin skirt from pigs fed CLA enriched diet compared to those from other diets. There were no differences in fatty acids profiles of belly and adipose tissue. CLA accumulation in pork was increased by the dietary CLA supplementation and this could be also confirmed by a slight de novo synthesis of CLA in pork from pigs fed CLA free diets. GLA was selectively accumulated to pork adipose tissue and loin from pigs fed GLA enriched diets. There was no accumulation of GLA when GLA was not supplemented, indicating no de novo synthesis of GLA. Phagocytic activity was the highest (p<0.05) in neutrophil of pigs fed GLA+Carnitine supplemented diet, then, followed by pigs fed GLA supplemented diet. There was no difference in phagocytosis between control and CLA treatment although the phagocytosis was numerically lowest in pig fed CLA enriched diet. There were distinct differences in electronic nose flavor pattern among treatments regardless of the parts. This study showed that dietary supplementation of functional fatty acids like CLA or GLA was able to result in characteristic differences in feed intake, TBARS, fatty acids profile and flavor of pork, serum cholesterol regulation and neutrophil phagocytosis.

DSRR을 이용한 주파수 선택적 표면 설계 (Design of a Frequency Selective Surface Using DSRRs)

  • 우대웅;김재희;지정근;김기호;성원모;박위상
    • 한국전자파학회논문지
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    • 제21권2호
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    • pp.194-201
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    • 2010
  • 본 논문에서는 CDMA/RFID 주파수 격리도 향상을 위해 double split ring resonator(DSRR)을 이용한 주파수 선택적 표면(FSS)을 설계하였다. 제안된 FSS의 단위 셀 구조는 외부 SRR과 내부 SRR로 구성되며, 이 두 SRR의 gap은 같은 방향에 위치한다. SRR의 gap 간격 및 line 두께 등을 조절하여 전체적인 크기를 유지하면서 공진 주파수 및 스커트 특성을 조절할 수 있다. 동작 주파수에서 제안된 SRR의 필드는 magneto-dielectric SRR과 다른 방향을 가진다. 한 층은 $9{\times}9$ 단위 셀로 구성되어 있으며, 50 mm 간격을 두고 다른 층이 위치해 있다. 시뮬레이션 결과를 검증하기 위해 패치 안테나 및 FSS를 제작했으며, 측정 결과는 시뮬레이션 결과와 유사한 경향을 보인다. 단위 셀의 저지 대역에서의 전기적 크기는 $0.110\;{\lambda}{\times}0.110\;{\lambda}{\times}0.002\;{\lambda}$로 다이폴 FSS에 비해 소형이며, 지지대를 포함한 2층 FSS의 크기는 $1.058\;{\lambda}{\times}1.058\;{\lambda}{\times}0.153\;{\lambda}$이다. 측정 결과 CDMA 대역의 이득이 유지되며, RFID 대역에서 6.9 dB 이득이 감소하였다.

토양(土壤) 수분(水分)의 상태(狀態)가 대두(大豆)의 생육(生育) 및 근계발달(根系發達) 특성(特性)과 P, K 흡수(吸收)에 미치는 영향(影響) (Growth and Root Characteristics and P, K Uptake by Soybean under Different Soil Water Conditions)

  • 정영상;임형식;하상건;한성
    • 한국토양비료학회지
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    • 제25권1호
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    • pp.8-15
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    • 1992
  • 토양수분(土壤水分)의 상태(狀態)가 콩의 지하부(地上部) 및 뿌리의 생육(生育)과 P, K흡수(吸收)에 미치는 영향(影響)을 알아보기 위하여 강수(降水)가 차단(遮斷)된 비닐하우스 내(內)에서 지하수위(地下水位)를 20cm, 40cm 그리고 60cm로 조절(調節)된 상태(狀態)의 mini-rhyzotron에서 팔달콩을 재배(栽培)하였다. 이와 비교(比較)하기 위하여 1/2000a Wagner 포트에서 단장용수량(團場容水量)으로 유지(維持)된 적습상태(適濕狀態)와 유효수분(有效水分)의 80%가 소모(消耗)되어 토양수분(土壤水分)이 부족(不足)한 상태(狀態)를 비교(比較)하였다. 각 포트에 발아(發芽)된 콩을 심어 세 개씩의 개체(個體)를 재배(栽培)하여 재배(栽培) 37일(日) 째와 수확기(收穫期)에 식물체(植物體)의 지상부(地上部) 및 뿌리를 채취(採取)하여 분석(分析)하였다. 지상부(地上部) 및 뿌리의 생육(生育)은 토양수분(土壤水分)이 부족(不足)한 처리(處理)와 지하수위(地下水位)가 20cm로 높아 과습상태(過濕狀態)가 유지(維持)된 처리(處理)에서 제한(制限)되었다. 적습유지(適濕維持) 처리(處理)와 지하수위(地下水位) 및 60cm 유지(維持) 처리(處理) 간(間)에는 큰 차이(差異)가 없었다. 생육초기(生育初期)에 식물체(植物體) 지상부(地上部)의 P 및 K의 함량(含量)은 토양수분(土壤水分)이 부족(不足)한 처리(處理)에서 적습유지(適濕維持) 처리(處理)에서보다 높았으며, 후기(後期)에는 적습유지(適濕維持) 처리(處理)에서 높았다. 전체(全體) 흡수량(吸水量)은 건물중(乾物重)이 많은 적습유지(適濕維持) 처리(處理)에서 많았다. 뿌리의 건물중(乾物重)과 길이는 지상부(地上部)보다 더 크게 영향(影響)을 받았다. 토양수분(土壤水分)의 상태(狀態)의 차이(差異)에 의하여 뿌리의 형태해부학적(形態解副學的) 차이(差異)가 있음이 관찰(觀察)되었다. 적습유지(適濕維持) 처리(處理)에서는 정상적(正常的)인 치밀(緻密)한 cortex조직(組織)이 발달(發達)되었으나, 지하수위(地下水位)가 높아 토양수분(土壤水分)이 과다(過多)한 상태(狀態)에서 생육(生育)한 뿌리에서는 비정상적(非正常的)인 cortex조직(組織)에 aerenchyma가 형성(形成)되었다. Aerenchma는 내초(內梢)의 분열조직(分裂組織) 부근을 중심(中心)으로 형성(形成)되었다. 이 시험조건(試驗條件)에서 발견(發見)된 콩의 뿌리에서 aerenchyuma의 형성(形成)은 과다(過多)한 토양수분(土壤水分) 조건(條件)에 대한 콩 식물체(植物體)의 적응성(適應性)의 하나로 판단(判斷)되며, 우리나라에서 논뚝과 같이 토양수분(土壤水分)이 과다(過多)한 조건(條件)에서 콩의 재배(栽培)가 가능(可能)한 이유(理由) 중(中)의 하나로 보아진다.

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덕흥리(德興里) 고분벽화(古墳壁畵)의 복식사적(服飾史的) 연구(硏究) (A Study of Historical Costume from the Mural Tombs of Dukheungri)

  • 박경자
    • 복식
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    • 제5권
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    • pp.41-63
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    • 1981
  • The mural portraits of the ancient Dukheungri tombs are very important for the study of our traditional costume because the tomb contains a stone. with the in-scription of the date of its erection, 408 A.D. and the name, and official status of the buried. The costumes shown in the mural paintings will be the basis on which historical research can be made concerning costumes before and after 400 A. D. The costume in the mural paintings is classified into five different categories; You (jacket), Po (overcoat), Go (trousers), Sang (skirt), and Gwan (hat). Comparing these categories with those of other mural paintings lead us to the following conclusions. 1. The length of the You (jacket) reaches below the buttocks and the sleeves are narrow. The edges of the sleeves are decorated with stripes. The You (jacket) over-laps on the right, center, and left sides, and there are many Jikryong (V-collar) and Danryong (rounded collar) styles, but it has a similar tendency to others of the Pyongyang area which exhibit many foreign influences. In a departure from tradition. the belts on the men's You (jackets) have only 3 knots in the front, with the back having more knots than the front. The belts of the women's You (jacket) seem to have had a band or button for fastening. We must re-evaluate the assumption that the You (jacket) and Go (trousers) of the northern peoples had the common characters of a belted You (jacket) and Po (over-coat) and that the Gorum originated from the Goryo or Unified Silla dynasty. The outside of the sleeves are longer and more to the side than the inner garment (underwear) so that the sleeves of the inner garment frequently overlapped the outer dress. The above mentioned facts have lead to the discovery of the "Hansam," "Tosi" and "Geodoolgi." 2. The Po (overcoat) was used only by the upperclasses and differs from those found in other mural tombs. The Po (overcoat) of the noble on the tomb mural is centered with an overlapping Jikryong (V-collar) while the other Po (overcoats) of the upperclasses are characterized by an overlap on the left, a Danryong (rounded collar) with two types of sleeves (wide and narrow). Foreign influences and traditional influences coexist in Po (overcoat). Belts have frontal knots without exceptions. The facts that the belts on the You (jackets) are on the front and the belts on the Po (overcoats) are on the back must be reexamined. 3. Go (trousers) is usually narrow, being wider in the rear and narrower below the knees. They were used by hunters on the back of horses with similar Go (trousers) from the Noinwoowha tombs being typical of the northern peoples. 4. Sang (skirts) are pleated as commonly seen in the Goguryo murals. The size of the pleat is varied, each pleat being characteristically wider and having different colors. Same types of pleat are discovered in Central Asia and China. It is uncertain whether the pleat of Goguryo was originated in Central Asia and China or only interrelated with those of the areas. 5. There are three kinds of Gwan (hats); Nagwan, Chuck, and Heukgun. Nag-wan was worn by the dead lords and their close relations. Chuck has three cone shaped horns. Heukgun was worn by military bandmen and horsemen. There are two kinds of hair styles. The up-style was used by the upperclass people closely related to lords, and other people used the Pungimoung hair style. The hair styles of the men and women are characterized by the Pungimoung style. which is a Chinese influence, but still retain their originality. The costume has a similar tendency from those from Yaksuri mural tombs, Anak No. 2 and Anak No. 3. We need to reexamine the costumes from $4{\sim}5$ century murals according to the Dukheungri murals. The costumes of Goguryo share many common factors with those of Western Asia, Central Asia and Ancient China (Han). It seems due to the cultural exchanges among the Northern peoples, the Western and Central Asians, and the Ancient Chinese. It may have resulted from the structural identity or morphological identity of the peoples, or their common social and natural environments and life styles. It will be very valuable to study the costumes of Japan, China, and Korea to find out the common factors. It is only regretful that the study is not based on direct observations but reported information made by 77 persons, because Dukheungri is an off-limits area to us.

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