• 아동학회지
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• 제1권
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• pp.65-81
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• 1980

This study is aimed at investigating the compensatory education which was already implemented or is being implemented in the U.S.A. and Japan; and at studying the types of programs and their characteristics; and at sounding out the possibilities of the application of such programs in family and social conditions is Korea. In order to achieve the above mentioned objectives, the established items for the study are as follows: (1) Various types of early children's education (2) Programs of compensatory education for the disadvantaged Children (3) Head Start Program, Early Training Project and Montessori School (4) Integrated Preschool Programs (5) Day-Care Center for employed mothers We investigated the various compensatory education programs for the preschool children who are in economically, socially, culturally disadvantaged conditions. Head Start Programs were federally supported programs for preschool children and opened as summer programs in 1965 for the first time. The purpose of Head Start has been to give preschool children the kinds of experiences they need in preparation for school. The Head Start children were found to be significantly better prepared for school than the normal children. However, after six to eight months, their initial advantages had virtually. disappeared and then the simple problem with Head Start and other such programs was that little long-term good could be evidenced unless the high quality educational environment was maintained. Therefore, to solve this problem, three other programs were funded as part of the overall Head Start. These three programs are the Parent-Child Center, Home Start, and the Child and Family Resources Program. The Early Training Project for disadvantaged children was implemented by Klaus and Gray of Peabody College in 1962. The program was a field research study concerned with the development and testing over time of procedures for improving the educability of young children from low income homes. Its major concern was to study whether it was possible to offset the progressive retardation observed in the public schooling careers of children, living in deprived circumstances. Children, who were trained through the Early Training Project were superior to control groups in the test of IQ and vocabulary as well as linguistic abilities, and preparation for reading. This project showed the possibilities which could prevent preschool children from being disadvantaged socially, culturally and mentally. In 1907, Montessori School was established by Maria Montessori in Italy and her school program has been introduced at present to several countries in the world as one compensatory educations. She first began her experimental methods with retarded children, followed by disadvantaged children from the tenements of Rome. The Montessori approach futures a prepared environment and carefully designed, self-correcting materials. The Montessori curriculum presents tastes that feature sequence, order, and regularity, in addition to those that develop motor and sensory skills. She was interested in children's intellectual development and in developing good work habits. One of the latest developed programs for disadvantaged children is "Integrated Preschool Program" which has successfully integrated handicapped and nonhandicapped children. Several studies have showed that handicapped children in integrated school environments are accepted by and interact with their nonhandicapped peers. In fact, this program provides a number of potential, and perhaps opportunities for nonhandicapped children to serve as valuable resources in fostering the development of their handicapped peers. Next we turn to Japanese programs which are divided into two different types. One is Day-Care Center which was established by Child Welfare Law and the other is kindergarten organized by School Education Law. The kindergarten opened in 1876 and it has been part of school systems since 1947 by the implementation of education law, and the Day-Care Center which started in 1890 for the employed mothers. was changed into Day-Nursery by the enactment of child welfare law in 1947. The laws and operational regulations for the Day-Nursery were set up and were put in effect by the establishment standard acts of children welfare facilities, and the Day-Nursery has been operated in various types by the increasing demand, chiefly because of the socio-economical changes of family structures in both urban and suburban areas. Nursery education for physically and mentally disadvantaged children is for those who are blind, deaf and dumb, mentally retarded; physically disadvantaged by accidents or diseases. Montessori education in Japan was started in 1968 and many research groups for studying Montessori were organized. In 1977, Montessori remedial education society was also organized in which they started a number of studies; a study for developing materials; in-service training for the remedial education; and seminars and lectures, etc It is strongly suggested that we study the early educations that are being implemented in Japan and a variety of compensatory educations that were already implemented in the U.S.A. and modify them for the organization of our own model and properly accommodate them to our social needs.

• 항공우주정책ㆍ법학회지
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• 제1권
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• pp.193-222
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• 1989

The purpose of this study is to review the rights and duties of cargo owners, the party to the contract of international carriage of goods by air under the Warsaw Convention System and the IATA conditions. It is generally known that air freight is the most-cost mode of transportation. However, should there be considerations of total distribution cost, the use of air freight leads exporters to be advantageous in physical distribution. The Warsaw Convention System defined and limited the rights and duties of cargo owners and air carriers paticipating in the international carriage of goods, but it does not regulate every aspect of air transportation. Therefore, the unregulated parts are governed by national laws and by individual contracts of carriage. The International Air Transport Association(lATA), a worldwide organization of airlines, has formulated model conditions of contract for the carriage of cargo. These models are not uniformly followed but they serve as a basis for many of the individual standard form of contracts prepared by air carriers. The contract of air carriage of goods is a contract of adhesion, 'the consignor recognizing and accepting the conditions laid down by the carrier'. There are consignors and carriers as the parties to the contract of international carriage of goods. In addition to his basic right, implied in Warsaw Convention Article 18 and 19, to require devery of the goods in good condition and at the date agreed upon, the consignor has the right to dispose the goods in the course of the journey up to the moment when the consignee is entitled to require delivery. If it is impossible to carry out the orders of the consignor, the carrier must so inform him forthwith. The right conferred on the consignor ceases at the moment when that of the consignee begins in accordance with Warsaw Convention Article 13. Nevertheless, if the consignee declines to accept the air waybill or the goods, or if he cannot be communicated with, the consignor resumes his right of disposition. Unless it is otherwise agreed, it is the duty of the carrier to give notice to the consignee as soon as the goods arrive. The consignee is entitled, on arrival of the goods at the place of destination, to require the carrier to hand over to him the air waybill and to deliver the goods to him, on payment of the charges due and on complying with the conditions of carriage set out in the air waybill. The air waybill is supposed to be made out by the consignor. If the carrier makes it out, he is deemed, subject to proof to the contrary, to have done so on behalf of the consignor, whether there is one air waybill or several, each must be made out in three original parts. The first is for the carrier, the second is for the consignee, and the the third is handed to the consignor when the shipment has been accepted. The consignor is responsible for the correctness of the particulars and statement concerning the cargo appearing in the air waybill. Each of the original parts of the air waybill has evidential value and possession of his part is a condition for the exercise by the consignor or consignee of his rights under the contract of carriage. Hague Protocol set forth in Article 9 that nothing in this. Convention prevents the issue of a negotiable air waybill, but Montreal Additional Protocol No. 4 deleted this article. All charges applicable to a shipment are payable in cash at the time of acceptance thereof by the carrier in case of a prepaid shipment or at the time of delivery thereof by the carrier in case of a collect shipment. The carrier shall have lien the cargo for unpaid charges and, in the event of non-payment thereof, shall have the right to dispose of the cargo at public or private sale and pay itself out of the proceeds of such sale any and all such amounts. In conclusion, the Warsaw Convention System has the character of ambiguity in various respects, not only in the part of the forms of documents but also in conditions of contract. Accordingly, the following propositions might be considered: (1) If the carrier does not obey the orders of the consignor for the disposition of the goods without proper reasons, he will be liable strictly for any damage which may be caused thereby to the cargo owner. The special agreement and carrier's conditions of carriage which limit unreasonably the consignor's right of disposition of the goods will be nullified. (2) The instrument of the Warsaw Convention System which is not yet in force(Montreal Additional Protocol No. 4) would considerably simplfy the processing and keeping of computerized records of the carriage. Until this instrument enters into force, the airlines will be faced with practical problems preventing them to substitute computerized data processing techniques for the formal issuance of the documents. Accordingly, Montreal Additional Protocol No. 4 should become effective as soon as posisble. From a practical point of view in the international trade, the issuance of negotiable air waybill should be permitted for the security of the bank.

• 치위생과학회지
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• 제10권4호
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• pp.241-250
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• 2010

부산, 경남 지역 성인의 구강위생용품의 인지도, 사용법 숙지, 현재 사용실태를 파악하고 구강위생용품을 권장하고 보급하는 방안을 제시함으로써 가정에서의 구강건강관리에 도움을 주고자 할 목적으로 조사되었다. 이에 임의로 선정한 부산, 경남 지역의 성인 350명을 대상으로 자기기입식 설문조사를 실시하였으며, 구강건강 상태별로 구분하여 구강위생용품의 인지도, 사용법 숙지, 현재 사용실태를 조사 분석하여 다음과 같은 결과를 얻었다. 1. 연구대상자들의 구강위생용품에 대한 인지도는 사용법 숙지와 현재 사용률 보다 높았으며, 사용법 숙지는 현재 사용률 보다 높았다. 특히, 이쑤시개 사용자율이 다른 구강위생용품의 인지도, 사용법 숙지, 현재 사용자율 보다 높았다. 2. 관심 관리 구강병인 치아우식증과 구강암은 치간칫솔을 가장 많이 인지하고 사용법을 숙지하고 현재 사용하고 있었고, 치주병은 치주환자용 칫솔을 가장 많이 인지하고 사용법을 숙지하고 치간칫솔을 현재 가장 많이 사용하는 것으로 나타났다. 부정교합은 교정용 칫솔을 가장 많이 인지하고 치간칫솔을 가장 많이 사용법을 숙지하고 현재 사용하는 것으로 나타났다. 3. 구강건강 중요도가 '중요하다'고 생각하는 연구대상자의 46.9%가 의치세정제의 사용법을 가장 많이 숙지하고 있었고, 45.8%가 혀클리너를 현재 가장 많이 사용하고 있었다. 그리고 구강건강 중요도가 '보통이다'고 생각하는 연구대상자의 48.4%가 의치용 칫솔의 사용법을 가장 많이 숙지하고 있었고, 50.0%가 첨단칫솔을 현재 가장 많이 사용하는 것으로 나타났다. 4. 구강건강 상태가 '보통이다'라고 생각하는 연구대상자의 47.7%가 혀클리너의 사용법을 가장 많이 숙지하고 있었고, 42.9%가 워터픽을 현재 가장 많이 사용하는 것으로 나타났다. 5. 구강건강 문제가 충치인 연구대상자의 33.3.%가 의치세정제를 가장 많이 인지하고 있었고, 39.1%가 지각과민둔화세치제의 사용법을 숙지하고 있었고, 45.8%가 혀클리너를 현재 가장 많이 사용하고 있었다. 잇몸의 경우 96.0%가 고무치간자극기를 가장 많이 인지하고 있었고, 47.2%가 교정용 칫솔의 사용법을 가장 많이 숙지하고 있었으며, 50.0%가 고무치간자극기를 현재 가장 많이 사용하는 것으로 나타났다. 6. 연구대상자들의 최대 관심 관리 구강병으로 치아우식증이 50.7%, 치주병이 34.1%, 부정교합이 12.2%, 구강암이 3.0%순으로 조사되었다. 조사대상자 대부분이 최대 관심을 갖고 관리하고 있으며, 자신의 구강상태의 문제점을 인지하고 반영한 것으로 사료된다. 7. 구강위생용품을 사용하게 된 동기를 조사한 결과, '독자적인 판단으로 좋을 것 같아서'가 45.9%로 가장 많았으며, 구강위생용품을 사용하지 않는 이유는 '적절한 구강위생용품을 몰라서'가 26.0%로 가장 높았다. 본 연구의 결과, 부산 경남 지역 성인의 구강위생용품에 대한 인지도는 높았으나 사용법 숙지 및 현재 사용률이 매우 낮았다. 따라서 전 국민을 대상으로 구강위생용품의 효과 및 필요성 등에 대한 홍보가 이루어지고, 치과의료기관에서 구강보건인력들이 환자특성에 따른 적합한 구강위생용품의 선택과 사용방법에 대한 교육이 이루어져야 할 것으로 검토되었다.

• 환경정책연구
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• 제6권2호
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• pp.97-122
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• 2007

환경부는 2006년에 국토환경성평가지도, 생태자연도, 토지피복지도 등 전국단위 국토환경지리정보 구축을 완료하였다. 이제는 국토환경지리정보의 복합적인 특성을 감안한 고도화 전략이 필요한 시점이다. 이에 본 연구에서는 국토환경지리정보 여건분석과 정보화 추세를 반영하여 국토환경지리정보의 고도화 전략을 수립하였다. 국토환경지리정보는 2차 자료 특성과 단위 업무별 또는 단위 부서별로 분산되어 관리되는 특성이 있다. 이에 따라 국토환경지리정보에 기반한 정책수립 지원과 복합적인 정보가 필요한 수요자들의 요구를 충족시켜 주기 위해서는 행정업무처리 위주의 정보체계에서 의사결정지원 중심으로 정보체계를 전환하여야 한다. 이에 본 연구에서는 국토환경지리정보 고도화의 비전을 "국토환경지리정보 고도화를 통한 지속가능한 국토관리체계 구현"으로 설정하였다. 비전을 달성하기 위한 목표로는 지식기반의 전략적 지리정보 구축, 고객중심의 투명한 정보공개 기반 마련, 확장 통합형 국토환경지리정보 구축, 국토환경지리정보에 기반한 환경행정 실현, 국토환경지리정보 활용도 극대화 효율적 국토환경관리 업무프로세스 지원으로 설정하였다. 비전과 목표를 달성하기 위한 실행방안으로 정보의 신뢰성을 검증할 수 있는 품질관리프로그램의 개발, 환경정보 통합제공체계 구축, 정보수집, 시스템 구축, 시스템 활용, 시스템 관리측면에서 법제도 정비방안, 업무프로세스, 인력 및 조직, 법 제도, 정보기술 부문의 운영관리 방안을 제시하였다. 본 연구는 그동안 국토환경지리정보의 양적 팽창 위주에서 진일보하여 질적인 신뢰성을 확보할 수 있는 정책적 전환계기로 활용될 수 있다. 그러나 본 연구에서 도출한 고도화 전략이 모든 국토환경지리정보와 환경행정 현황을 반영하였다고는 할 수 없다. 따라서 향후에 본 연구에서 도출한 결과를 실제 환경행정에 적용하기 위해서는 국토환경지리정보에 대한 체계적인 범주화, 관련자 면담 등을 포함한 보다 본격적인 논의가 필요하다.

• 한국가스학회지
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• 제22권1호
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• pp.37-44
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• 2018

국제해사기구의 선박배출가스 규제 등의 환경규제 강화로 세계 주요 국가에서는 선박배출가스에 대한 3가지 솔루션 중에서 LNG연료를 장기적 솔루션으로 추진하는 국가와 기업이 늘어나고 있다. 본 연구에서는 세계적으로 LNG벙커링에 대한 비즈니스를 어떠한 형태로 이끌어 가는지에 대한 고찰로서, 주요 국가인 일본, 중국, 싱가포르의 아시아 지역과 유럽 그리고 미국을 중심으로 비즈니스 모델 관점에서 분석을 하였다. 연구결과 중국은 국가 위주의 LNG벙커링 정책 수립 후에 국가와 에너지 회사가 제휴하여 LNG연료추진선박용 LNG벙커링 비즈니스를 진행하여 있음을 발견하였다. 유럽 일부와 미국은 순수한 민간회사 위주의 LNG벙커링 비즈니스가 진행되고 있으며, 민간회사는 현재 선박유보다 저렴한 LNG연료 확보를 위하여 LNG터미널, 천연가스 액화플랜트 등의 중상류 사업자와의 제휴를 통해 가격 경쟁력이 높은 LNG를 확보하면서 자사 LNG연료추진선박에 LNG벙커링을 하는 비즈니스 모델을 가지고 있다. 전 세계 LNG벙커링 비즈니스는 공기업보다는 민간기업 위주로 진행되고 있으며, LNG벙커링 인프라 구축에는 초기비용이 필요하여 대부분 에너지 대기업 위주로 비즈니스가 진행되고 있었다. LNG벙커링 비즈니스는 현재 3가지 모델(TOTE 모델, Shell 모델, ENGIE 모델)이 개발 되고 있다. 국가별로 LNG벙커링 비즈니스 추진 방식은 기업 및 국가 정책에 따라 다르게 적용된다는 것을 발견하였다.

• Journal of Preventive Medicine and Public Health
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• 제28권4호
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• pp.911-923
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• 1995

유기용제와 같은 신경독성 물질에 폭로되지 않은 제조업체 여성 근로자를 대상으로 세계보건기구의 Neurobehavioral core Test Battery(NCTB) 7가지 검사 항목 중 사업장 여건을 고려하여 산타아나 민첩성검사와 목적점 찍기, 숫자 기호화, 단순반응시간, 시각기억 검사 등 5가지 항목을 세계보건기구 표준방법에 따라 실시하여, 신경독성 물질폭로로 인한 신경행동학적인 영향을 평가하기 위한 대조군 자료를 마련하고자 본 연구를 시행하였다. 잘 쓰는 손과 반대편 손의 산타아나 민첩성검사 수행능력은 각각 $45.7{\pm}7.1$ 및 $41.9{\pm}6.4$개, 목적점 찍기는 $191.9{\pm}38.6$개였다. 숫자 기호화와 시각기억검사는 각각 $57.7{\pm}16.0$ 및 $7.8{\pm}1.7$개, 단순반응시간의 평균은 $274.8{\pm}44.6msec$였고 평균 표준편차는 $70.5{\pm}69.0msec$였다. 대부분의 신경행동검사 항목들은 피검자의 연령, 교육수준의 영향을 받는 것으로 나타났다. 산타아나 민첩성검사는 양손 모두에서 피검자의 교육년한에 영향을 받는 것으로 나타났다. 목적점 찍기 검사에서 올바르게 한 것은 피검자의 연령과 교육년한에 영향을 받는 것으로 나타났다. 숫자 기호화는 연령과 교육년한에, 단순반응시간은 교육년한에, 그리고 시각기억검사도 교육년한에 영향을 받는 것으로 나타났다. 전체적으로 볼 때 피검자의 교육수준은 모든 검사항목에서 주요한 영향 변수로 작용하고 있었고 연령은 일부 검사의 영향 변수로 작용하였다.

• 미술이론과 현장
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• 제5호
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• pp.43-80
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• 2007

PASKYULA was formed in September, 1923 through the union of artists involved in two art groups: Kim Ki-Jin, Kim Bok-Jin, Yeon Hak-Nyeon who had previously participated in the ToWolHoi, and Park Young-Hi, Lee Sang-Hwa, An Seok-Ju, former members of the BaeckJo. After its founding, the PASKYULA artists had been searching for the social function of art to reform the harsh reality of Minjung and the nation with criticism toward society as well as art world. Their art theory for MinJung could grow relatively ease in relation to changing social and political conditions in the early 1920s. In August, 1925, PASKYULA organized the Korea Artista Proletaria Federatio with the YeomGunSa, and laid the groundwork for Proletariat art movement which was regularized in the late 1920s. From PASKYULA up to the early state of KAPF, the theory of art advocated by Kim Bok-Jin and An Seok-Ju could be summarized as "art for MinJung". At that time, widely ranging discourses on MinJung, however, was spawned in art theory, because many intellectuals-including artists and writers-begun to pay more attention to MinJung, who emerged as one of the social forces after the Samil Independent Movement. Sometimes, MinJung was construed as the target of enlightenment from a negative viewpoint. On the other hand, several intellectuals under the influence of individualism asserted that the discussion itself on MinJung exerted an evil influence on art. In contrast of these cases, the PASKYULA artists including Kim Bok-Jin, An Seok-Ju perceived that MinJung had the potential to change society, and regarded them as "a creator of genuine civilization and art". In the PASKYULA artist's writings, the concept of MinJung was often overlapped with the meaning of the Choson nation suffering under colony. Although their concept of MinJung was transformed gradually into the proletariat as they were under the strong influence of socialism, it did not change that they grasped the realities of the whole Choson Peninsula through the proletarian consciousness. In the early state of PASKYULA, the methodology for social function of art was presented in a twofold manner. First of all, Kim Bok-Jin emphasized on the necessity of education to improve MinJung's way of life through art, and it was embodied by the organization of ToWol Art Workshop and public lecture. Also, he championed "the popularization of art", which was one of methods to distribute art to MinJung. According to the PASKYULA artists, art should be not art for art' sake but art for MinJung. That was why they advocated the convergence of art and MinJung's life. Especially Kim Bok-Jin affirmed a link between art and industry because he considered industry the field inextricably linked with MinJung's life. In this context, his idea could be read as the generalization and equalization within the framework of possession. Kim Bok-Jin thought that the social ramifications of capitalism deprived MinJung of their right to enjoy art, and emphasized the artist' social role to return the right to them. That is, the even distribution of art was mainly discussed than the contents of art in the half of 1920s. By 1925, the contents of art itself became an issue in the PASKYULA art theory, and it was based in realism. Kim Bok-Jin and An Seok-Ju insisted that art should be reflection of real life. At that time, realism acquired the representation of MinJung and the nation's realities not realistic style. In fact, the various Western art styles including Futurism, Constructivism, Cubism etc. were exploited in the PASKYULA's visual images. Western art, target of criticism on theory, was selectively adopted in the works which were produced by Kim Bok-Jin and An Seok-Ju. Kim Bok-Jin's MoonYeUnDong cover design was conceived of as the example in which Western art was adopted with it's ideology under the influence of MAVO, while Western art shown in An Seok-Ju's illustrations served as a decorative function in many cases. Especially, An Seok-Ju attempted the various styles of Western art simultaneously, which may be seen as representing that PASKYULA did not have a firm ideology for their style. Also, it can be read as showing his hasty zeal to overcome Western art rapidly. The wish to establish "art for MinJung" as soon as possible was accompanied with the will to jump over the all steps of Western art though it was superficial. This aspiration of PASKYULA was expressed through the mass media, which had the potential for communicating to MinJung. At this point, there was a significant disparity between PASKYULA and another art groups in the first half of 1920s. However, the PASKYULA's method on the basis of the mass media could not but have a certain limitation because of the medium's properties. Nevertheless, PASKYULA' attempts may be considered to be valuable in sense that they expended the boundaries of Korean modern art into the commercial art questioning the matter of the distribution for art.

• 한국연극학
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• 제49호
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• pp.5-47
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• 2013

Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.

• 기록학연구
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• 제19호
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• pp.103-151
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• 2009

최근의 전자기록 환경을 맞아 기록물의 평가는 개별 기록의 내용적 가치에 따른 선별을 지양하고, 기록이 생성된 맥락인 기능에 대한 분석을 기반으로 이루어지고 있다. 기능평가는 0과 1의 비트스트림으로 구성된 방대한 양의 전자기록물을 일일이 평가할 수 없다는 현실적 측면에서도 지지를 받지만, 무엇보다 전자기록의 증거성 확보를 위해 행해지는 사전적인 업무분석과 밀접히 연계되어 수행된다는 점에서 전자기록 환경 하의 주된 평가방식으로 자리하게 된다. 우리나라도 지난 2006년 전자기록 환경에 대응한 기록관리혁신 과정에서 평가체제를 개편해 기능에 기반을 둔 평가방식으로 전환하였다. 이를 위해 정부기능분류체계를 기록물 분류체계로 삼아 업무분류와 기록분류를 통합시킴과 아울러 BRM 분류체계 내의 단위과제라는 기능에 보존기간을 책정케 함으로써 평가 상의 기능적 접근을 의도하였다. 하지만 기능평가에 대한 심도 있는 분석과정이 결여된 채개편작업을 추진함으로써, 평가의 논리 및 구체적 수행방식 면에서 여러 문제점들이 노정되어 있다. 이에 본고에서는 전자기록 환경을 맞아 새롭게 개편된 현행 평가제도의 개편 논리 및 수행방식을 분석한 다음, 평가방식 상의 문제점과 함께 그 개선방향을 제시하였다. 현행 평가제도는 기록물분류기준표를 근간으로 한 종전 제도의 단점을 보완하면서도 전자기록 환경에 대응하여 개편되었다는 점에서, 전자기록 환경 하의 중요기록 선별을 위한 제도적 골격을 마련하였다고 볼 수 있다. 하지만 평가의 핵심이라 할 수 있는 어떠한 대상을 어떠한 목적으로 선별할 것인가에 대해서는 그 철학 및 방책이 부족하다. 이러한 측면에서 본고에서 제시한 개선 방향을 크게 구분하자면, 우선 보존기간 책정을 기반으로 한 현행 평가방식의 한계를 극복하기 위해서는 각 기관별 업무분석을 대폭적으로 강화시킬 필요가 있다는 점이다. 둘째 전자기록의 현용적 가치 내지 필요성을 구체적으로 파악할 수 있는 방안 수립이 필요하며, 셋째 기록이 지닌 정보로서의 가치 선별을 강화시킬 방안 역시 마련되어야 한다는 점이다. 마지막으로는 국가적 차원의 중요기록물을 선별할 수 있는 별도의 평가전략 수립이 시급히 요청된다는 점과 더불어, 이를 기반으로 이원적 구도의 국가 평가체계를 형성해야 한다는 점이다.

• 직업교육연구
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• 제37권3호
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• pp.85-111
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• 2018

이 연구는 특성화고 간호과 교사의 역량을 도출하는 데 목적이 있다. 특성화고 간호과 교사에게 요구되는 지식과 기술, 태도를 도출하여 역량군과 하위역량을 검증하고, 우선순위를 제시하였다. 이를 위해 현재 특성화고 간호과에 근무하고 있는 교사 23명을 전문가 패널로 선정하여 델파이와 계층화분석(AHP) 기법을 적용한 연구를 진행하였다. 연구 결과, 특성화고 간호과 교사의 역량군과 하위역량은 다음과 같다. 첫째, 특성화고 간호과 교사의 역량군은 교수 학습 지도, 학생지도, 교육과정 개발 및 운영, 학교 경영 지원, 산학 및 대외협력, 자기계발 및 전문성 향상으로 총 6개로 나타났다. 둘째, 하위역량은 담당교과 관련 전공 지식 및 기술, 수업계획 및 준비, 수업 운영, 실험 실습 지도, 수업평가, 교수 학습매체 개발 및 활용, 수업환경 조성, 교과 외 학생 교육활동 지도, 진로 지도, 생활 지도, 학급 경영, 기술 및 자격취득 지도, 학교 교육과정 개발 지원, 학교 교육과정 편성 운영, 현장실습 계획 및 운영, 업무기획, 학교경영업무 지원, 교사 평가 및 인사관리 지원, 학습지원(실습실 및 기자재) 관리, 산학협력 구축 및 운영, 지역사회 협력 강화, 학교(학과) 홍보, 교육활동 개선을 위한 현장연구, 학회 및 연수 참여, 최신 지식과 기술의 탐구와 정보활용, 동료 교사 장학으로 총 26개로 도출되었다. 상대적 중요도에서 가장 중요하다고 인식되는 역량군은 교육과정 개발 및 운영이었으며, 역량군별로 우선순위가 높게 나온 하위역량은 실험 실습 지도, 기술 및 자격취득 지도, 현장실습 계획 및 운영, 학습지원(실습실 및 기자재), 관리와 업무 기획, 산학협력 구축 및 운영, 최신 지식과 기술의 탐구와 정보 활용이었다. 이 연구에서 도출된 역량 체계는 향후 특성화고 간호과 교사의 양성교육 및 연수 그리고 교원 평가에 적용하고, 관련된 연구의 기초자료로 활용될 수 있을 것이다.