• 천문학회보
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• 제41권2호
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• pp.45.3-45.3
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• 2016

2015년 12월에 개관한 국립부산과학관은 동남권 유일의 종합과학관으로 천문교육을 위한 천체관측소와 천체투영관을 보유하고 있다. 천체관측소에는 국내 최대규모의 구경 350mm 굴절망원경을 포함 다양한 천체관측 및 교육장비를 갖추고 있고, 천체투영관에는 디지털식 투영기와 직경 17m의 돔스크린, 133석 규모의 시설을 갖추고 있다. 이러한 천문시설은 일반개인관람, 학교단체교육, 학교 및 가족이 참여하는 1박 2일 캠프프로그램, 천문행사 등에 활용되고 있다. 개관 1주년을 바라보고 있는 시점에서 지속적인 천문 교육수요 창출을 위해 보다 효율적인 운영방법모색 및 다양한 컨텐츠를 개발이 요구되고 있다. 이를 기반으로 2021년 부산에서 개최되는 제31차 국제천문연맹총회(IAUGA)에서의 국립부산과학관의 역할을 증대시키고자 한다. 이번 발표에서는 국립부산과학관의 천문시설의 활용 현황을 소개하고 타 기관의 우수 사례를 공유하여 국립부산과학관 뿐만 아니라 전국 천문교육의 지속적인 발전 방법을 논의하고자 한다.

• 한국과학교육학회지
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• 제24권1호
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• pp.109-120
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• 2004

The purpose of this study was to examine a) each of the selected science museums for its role in educating on ethical issues in science and technology, b) what are the most frequently dealt ethical themes in science and technology; c) how were those themes presented (via exhibition, play, panel, movies, etc); and d) identify common characteristics in the selected science museums' presentations of ethical issues. The results indicated that selected museums present ethical issues related to technology development, mainly on biotechnology and environmental issues. The type of presentations dealing with ethical issues most frequently were exhibitions, panels and simulations, followed by demonstrations and lectures. All of the selected museums had common characteristics for actively taking an educational role in ethical issues in science. The study suggests that efforts to communicate the ethical issues in various areas should be reinforced to educate students and the public, and that it may be the museum's role to expose ethical aspects of technology related to human rights, dignity, health and development issues from the early stage of its development.

• 한국실내디자인학회논문집
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• 제5호
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• pp.24-29
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• 1995

Entering into the modern society, the discussion on the role played by and the social position held by museums are forced to take into account the visitors, that is, the general public being real consumers of culture in accord-ance with the enlargement of the study of the visi-tors. The study of a museum has been developed with priori-ty given to the architectural study and exhibition space, but the study of the form of circulation of visitors using the museum is believed to have put an emphasis on the rough form of circulation on the basis of the general and basic theory and the particulars while the discussions on the more concrete method of study and its application are excluded as a basis of approaching in details to exhi-bition plans or producing plans. Consequently, the purpose of the study is to under-stand the problems in the form of circulation in the exist-ing exhibition rooms, and to infer the planning principles of interior design with priority given to the problems in space composition, details of exhibitions, the points in method, recognitions by visitors and the relation of path line as a way of resolving the problem.

• International journal of advanced smart convergence
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• 제12권4호
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• pp.321-327
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• 2023

The current rapid development of artificial intelligence technology has involved all aspects of the production field. The development of various algorithms and programs has pushed artificial intelligence to a new peak. Due to its complexity and diversity in the field of architectural design, the positive impact of artificial intelligence technology on architectural design is discussed from the perspective of conceptual design. For museums, which are one of the increasingly popular public facilities, the introduction of artificial intelligence technology has provided certain help in assisting the conceptual design of the museum. This article analyzes the theoretical and practical support of artificial intelligence technology in improving conceptual design, analyzing the architectural appearance, structural layout, materials, etc., to increase the feasibility and practicality of assisting conceptual design. It has certain reference significance for building a modern, advanced, international and interactive modern museum.

• 한국항해항만학회지
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• 제43권6호
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• pp.475-482
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• 2019

해양에 대한 인간의 이용과 활동의 증가는 해양오염, 해양생태계 및 서식지 파괴로 이어지고 있다. 이러한 결과, 특히 생애주기가 길고 개체수가 적은 해양동물은 멸종위기에 내몰리고 있는 실정이다. 따라서, 우리나라 정부는 2010년부터 수족관이나 해양박물관과 같이 인공적인 서식장소 11개를 서식지외 보전기관으로 지정하여 멸종위기에 처한 해양생물들을 보전하기 위해 노력하고 있다. 그러나, 해양생물의 보전 서비스를 제공하는 서식지외 보전기관에 대한 중요성과 그 경제적 가치를 추정한 연구는 아직 이루어지지 않고 있다. 따라서 본 연구의 목적은 우리나라 해양동물의 보호와 증식을 위한 관리방안인 서식지외 보전기관의 운영정책에 대한 일반시민들의 정량적 지지도를 추정하는 것이다. 이를 위해 우리나라 푸른바다거북의 보전을 위해 시식지외 보전기관으로 운영되고 국립해양박물관의 해양동물 보전역할에 대한 경제적 가치를 추정하였다. 연구의 결과, 서식지외 보전기관과 같은 비시장재인 공공재에 대한 대표적인 가치추정법인 조건부가치추정법을 적용하여 추정된 서식지외 보전기관(국립해양박물관)의 경제적 가치는 약 418억원에서 최대 약 781억원으로 나타났다. 이러한 본 연구의 결과는 해양동물관리 정책자들에게 우리나라 연안해역에 서식하는 멸종위기에 처한 해양동물의 효율적인 관리방안 수립에 유용한 기초자료로 활용될 수 있을 것이다.

• 한국농촌건축학회논문집
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• 제14권4호
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• pp.47-54
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• 2012

Since ancient times in Korea, in spite of the ranks of high and low, drink was like a all sorts of human emotions. In particular, the drought, or any weapon except when wages found the ball back to God or to buy a drink to celebrate the sixtieth birthday or marriage and feasting like mails, and the priests or the funeral, such as consciousness raising in this procedure. The country had strict rituals in ceremonial events were thereby is living up to deep. The history of the drink in the history of the past, given that the main grain farming culture has already begun since the era of gojoseon was launched remains to be seen. This has been a long history of traditional attention to clean up and organize the showing to the public hall is a nationally scarce in some areas of that era, or the facility is not large. Therefore, in this study, alcohol-related exhibits and Museum recognizes the reality of the future sake Museum architectural plans: the Foundation provides materials for that purpose.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.16-24
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• 2017

This study examines Safdie's design philosophy: place, purpose, and process and design strategies found in museum buildings. Safdie, influenced by personal background as immigrant, education of McGil University in Canada, apprenticeship from Louis Kahn, is one of the most recognized architects who designed renowned public and cultural buildings after Habitat 67 in Montreal, Canada. In order to reveal design strategies his eight museum buildings has been selected and analyzed in terms of interpretation of context, program presented in floor plan and section design, and the process of integrity found in structure and material. The results of this paper can be summarized as follows: 1) Reflection of existing context and regeneration of the locality has been in a creative way to reinforce the sense of place. 2) The layout of major and gallery space is determined according to the Safdie's interpretation of the site context and this can be categorized into three types. 3) Integration of the innovative structural frame and material has been experimented by using tartan grid and toroid form in the major and gallery spaces. This study is intended to reevaluate the significance of Safdie's design approach to building uniqueness of the site, program and tectonic.

• 한국비블리아학회지
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• 제30권4호
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• pp.5-27
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• 2019

본 연구는 국내 박물관 웹 사이트의 메뉴구조 및 콘텐츠 분석을 통하여 박물관 웹 사이트 메뉴구조의 발전방향을 제시한 것이다. 이를 위하여 국내 27개의 국립·공립·대학 박물관을 대상으로 메뉴구조를 콘텐츠 영역으로 구분, 정리하고 인포메이션 아키텍처의 구성요소인 조직화 시스템, 레이블링 시스템, 내비게이션 시스템의 측면에서 분석하였다. 본 연구의 결과, 적절한 폭과 깊이의 계층구조, 명확하고 일관성 있는 레이블 사용, 소장품 검색 기능 제공 및 소장품 현황 업데이트, 웹 사이트 오류에 대한 즉각 수정, 웹 사이트의 지속적 관리 등을 발전 방안으로 제시하였다.

• 한국실내디자인학회논문집
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• 제5호
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• pp.17-23
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• 1995

Placing itself in position of spectators, museum should be able to explain to them what meaning the medium of exhibi-tion has and what role it has to paly. For that, it is an indispensable process to plan an archite-ctural environment and exhibition presentation suitable to the exhibition which are main objects of museum, but as a result of its being reglected by this time, it has been recog-nized as a tigid and formal place closed and estranged from the general public. The authoritarian aspect of museum resulted from its sys-tem negative to the people of our country, while its services have been developed as a place in which one understand a country most quicky. Recently, however, as a movement of participating in the newly changing general trend, the contest of design of the new National Museum was announced publicaly worldwide introducing the Museografia method of planning exhibition presentation after thorough analysis of exhibition, which made it known that an importance is intensely put on the en-vironment of relics and their exhibition. The purpose of the study is to analogize the planning prin-ciple of the interior design of the exhibition room of sculp-tures, placing emphasis on the exhibition presentation intro-ducing Museografia as a way of examining the problems and solving them concerning the existing standardized uni-form method of displaying exhibition. The way of conducting the study are as follows.

• 수완나부미
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• 제12권1호
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• pp.7-47
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• 2020

This article is a sub-section of a comparative analysis of depictions of violence in Jakarta's Museum of the Indonesian Communist Party's Treachery, Ho Chi Minh City's War Remnants Museum, and Phnom Penh's Tuol Sleng Genocide Museum. In comparing these public history sites, I analyze how memories of mass violence were central to state formation in both Suharto's anti-Communist New Order (1966-1998), the Socialist Republic of Vietnam (1976-present), and Cambodia since the collapse of Democratic Kampuchea (1979-present). While this comparison points out specific distinctions about the role of the military, the nature of revolution, and conceptions of gender, it argues for a central similarity in the use of a mythology of victimization in building these post-conflict nation-states. This article focuses on my gendered analysis of the use of images of women and children in each museum. Depending on context and political purpose, these museums cast women as tragic victim, revolutionary heroine, or threat to the social order. My analysis of gender places stereotypical images of violence against women (the trope of women and children as the ultimate victims) in conversation with dark fantasies of women as perpetrators of savage violence and heroic images of women liberated by participation in violence.