• Title/Summary/Keyword: Piano Music

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Circular Statistics in Musicology

  • Lee, Jeong-Ran;Oh, Hee-Seok
    • Communications for Statistical Applications and Methods
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    • v.15 no.2
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    • pp.273-282
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    • 2008
  • An essential aspect of music is structure. Beran (2004) introduced a method of comparing piano plays via circular statistics based on the fact that there is circular structure in music. We expand the application of this method to a pair of two pop songs and discuss the possibility of applying it to detecting musical plagiarism. Circular statistics provides an objective view point comparing the musical works.

The musical preference of autistisic children (자폐아동의 음악적 선호도와 문제 행동의 연관성)

  • Kang, Kyoung Sun
    • Journal of Music and Human Behavior
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    • v.4 no.1
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    • pp.47-60
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    • 2007
  • The purpose of this study is to examine the musical preference of autistic children. Based on the written responses of the questionnaire from mothers, therapists and teachers of 60 autistic children the music preference of the autistic children were analyzed. The results showed that the autistic children prefer music listening rather than playing or singing. The keyboard and piano are the most preferred instruments by these children. In music genre they prefer children's song and commercial music. Though they all have language disorder, they have a strong tendency toward music with text. It was also found that there is a relationship between music preference and behavior. The hyperactive and oppositional children have a tendency to enjoy more stimulative music compared to other autistic children.

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A Study on Pattern of Concert Dress Preference Design (연주복 선호 디자인에 따른 패턴 연구 - 피아노와 성악 중심으로 -)

  • Park, Sung-Yul;Hong, Jung-Min
    • Fashion & Textile Research Journal
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    • v.5 no.5
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    • pp.465-469
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    • 2003
  • The present study revealed; that (1) The students majoring in a piano course were the preference type of the performance dress - best line was designed of upper form chest. It was 1.5cm shorter than armhole line, the princess line was preferred Top one piece without sleeves which was designed with slim by bottom line through west dart form best line. The expression method was showing embroidery and bidding, colors were in order to white, ivory, black and blue style. The material was in order to silk with glorious shinning, silk satin and race style. (2) The students majoring in a vocal music were the preference type of the performance dress - the princess line was designed shorter, the west line of back and forth was preferred the one piece of bulk style divided with three partitions. Neck line was 5cm shorter than the middle of back, 9cm shorter than the side neck position, 9cm shorter than the middle of forth, sweet heart neck line with circular sleeve designed 7cm shorter than the side neck position. Colors were in order to ivory, red and yellow style. The material was in order to silk with glorious shinning silk satin and race style.

Being blackness: An analysis of sorts and rolls of Afro-American music genres adopted in post-structural Afro-American literary works (흑인다운 것: 현대흑인문학 속에 도입된 흑인음악장르의 종류와 역할 분석)

  • Lee, Noh-Shin
    • English Language & Literature Teaching
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    • v.15 no.4
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    • pp.331-344
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    • 2009
  • The purpose of this study is to explore sorts and roles of Afro-American music genres such as jazz, blues, gospel, and swing which were shown in post-structural Afro-American literary works: Toni Morrison's novel Jazz, Alice Walker's novel The Color Purple, and August Wilson's play The Piano Lesson. It has been phenomenal for several important Afro-American writers to create their works in which they invite traditional Afro-American music genres. This has made significant effects to depict a wide range of episodes in their works, which are historically and culturally associated with such music genres. This paper analyzes varied ways in which the writers combine these two artistic fields, which are all Afro-American, and express their authenticity and identity as being blackness.

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A Consideration on the System for Ear Training (청음연습을 위한 시스템에 관한 고찰)

  • Kim, Seoung-Eun;Song, Eun-Jee
    • Journal of Digital Contents Society
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    • v.9 no.3
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    • pp.517-524
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    • 2008
  • Ear training is said to be the ability to measure sound either in terms of musical scale or cord by listening to music acoustically. This is the most basic subject and the most practical technique in any music genre; also, the most crucial factor for individuals who are studying music. Ear training is an important skill to develop when learning to play the piano, or learning any kind of musical instrument. It is also the key factor in a successful music education. Everyone can develop their musical ability if ear training is provided during childhood. The aim of this study is to develop an ear training system whereby beginners or children can learn music with ease in terms of computer access which is part of their daily life. This system is devised so that children can practice ear training easily. This system is also beneficial to others who plan to major in music.

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Modeling of Piano Sound Using Method of Line-Segment Approximation and Curve Fitting (선분 근사법과 곡선의 적합성을 이용한 피아노 음의 모델링)

  • Lim, Hun;Chong, Ui-Pil
    • The Journal of the Acoustical Society of Korea
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    • v.19 no.3
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    • pp.86-91
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    • 2000
  • In this paper, we will discuss the characteristics of the magnitude and the phase of the piano sound in frequency domain by using the FFT(Fast Fourier Transform). The method deciding the parameters representing those sounds through the mathematical model is described. We used the curve fitting method for the modeling of the harmonic part of the sound including the fundamental frequency in order to minimize the errors between original sounds and modeled sounds. furthermore, we used the line segment approximation method for the modeling of the noise part around fundamental frequency. We also applied the same method for the phase model and could get the modeled sound to be similar to the original sound using the parameters. Therefore the high compression ratio comparing the modeled sound to the original sound is achieved.

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Stevie Wonder's music has had on the K-POP (Stevie Wonder의 음악이 K-POP에 끼친 영향)

  • Yun, Byung-Jin;Cho, Tae-Seon
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.17 no.10
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    • pp.104-108
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    • 2016
  • African-American music heavily influences a variety of musical genres, including folk music, jazz, rhythm and blues, soul, and funk music. The music derived from traditional African music with its unique syncopated rhythm using a five-note pentatonic scale, and has developed through significant influences from gospel music. African-American music has also evolved through historical social movements, such as eliminating the racial discrimination, and has been influenced by the personalities of different cities in the United States. Modern music features fusion with elements of Western music. One of the most influential and respected artists of the 20th century was Stevie Wonder, who was known as "Father of African-American music." He was an accomplished artist, winning numerous awards despite being disabled. He has become one of the most famous and respected artists worldwide. This study of Stevie Wonder's life, music, and spiritual strength, aims to highlight his significant achievements and contributions to pop music. This is a study based on an analysis of the work of Stevie Wonder and describes how elements of African-American music influences current Korean pop music and musicians.

Pitch extraction and generating a piano score from a wave sound of the piano music (피아노 연주곡의 wave sound에서의 피치추출 및 악보생성)

  • Choi Jae-Heon;Kim Kyoo-Nyun
    • Proceedings of the Acoustical Society of Korea Conference
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    • spring
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    • pp.251-254
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    • 1999
  • 본 논문에서는 피아노 음으로 구성된 간단한 웨이브 (Wave) 형식의 연주곡으로부터 각 음들의 음높이인 피치(pitch)를 추출하는 방법과 연주곡의 악보를 생성하는 방법에 대해 연구한다. 본 연구의 최종 목적은 위의 방법을 사용하여 클래식 악기로 연주된 CD-DA방식의 음악을 같은 음질이 보장되는 MIDI [1,3,7,8] 데이터로 변환하는데 있다. 이번 연구에서는 하나의 악기(피아노)로 연주된 음악으로 고정시줬으며, 잡음이 없는 깨끗한 웨이브 사운드로 제한하였다. 웨이브 사운드 형식으로 된 간단한 피아노 연주곡을 입력 데이타로 사용하였다. 이 웨이브사운드에서 Autocorrelation[4,5,6]방법을 사용하여 각 음들의 피치를 추출하였다 또한, 웨이브 사운드로부터 추출한 음의 피치, 음의 지속시간 등의 정보를 사용하여 연주곡에 대한 악보를 생성하는 방법에 대해 연구하였다. 본 논문에서는 웨이브 사운드 데이터에서 악보로의 변환까지를 이루고 있지만, 향후 실제 클래식 악기와 흡사한 MIDI 음원모듈이 제공될 경우 CD-DA방식의 원음과 같은 음질의 MIDI 음악을 생성하는 것도 가능할 것이다.

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Keyboard Solo System using a Real Time Hand Recognition Method (실시간 손 인식 기법을 인용한 건반 연주 시스템)

  • Lee, Eun-Kyung;Ha, Jung-Hee;Seo, Eun-Sung;Park, So-Young;Kim, Seong-Hoon
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.13 no.11
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    • pp.2273-2276
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    • 2009
  • As parents are interested in music education for infants in these days, they require systems to help these infants to actively play music. In this paper, we propose a keyboard solo system using a real time hand recognition method. In order to enable the infants to use the system easily, the proposed system plays some sounds whenever the infants move their fingers on a paper piano. For the purpose of minimizing cost to play music, the proposed system utilizes a general PC with only a paper piano, a web camera, and a speaker. With the aim of precisely and efficiently recognizing both a hand and each key on keyboard, the proposed system divides a recognition step into a hand recognition step and a keyboard recognition step. Also, the hand recognition step considers only skin color, and the keyboard recognition step considers only black and white without other colors.

Development of a Music Score Editor based on MusicXML (MusicXML 기반의 악보 편집기 개발)

  • Khan, Najeeb Ullah;Lee, Jung-Chul
    • Journal of the Korea Society of Computer and Information
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    • v.19 no.2
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    • pp.77-90
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    • 2014
  • In the past composers used to make music with classical instruments such as piano, violin, guitar, flute, drums, and other well-known tools. With the advent of digital technology many software programs were developed which allow musicians to compose tunes using personal computers. Many file formats were introduced such as NIFF, SMDL and MIDI but none besides MIDI has been successful. Recently MusicXML has emerged as a de-facto standard for the computer representation of music. This paper presents a brief description of the structure of the MusicXML format and describes the development of a music score editor based on MusicXML. We implemented a MusicXML-based score editing software using C# language and a feasibility test showed the efficiency of our proposed method.