• Journal of the Korean Wood Science and Technology
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• v.10 no.3
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• pp.190-193
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• 1982

Conclusion: The results of this study are encouraging for the development of a set of interpretable diagnostic criteria for a reasonably reliable identification of some species. The present study has been limited in the characteristics studied and was made on relatively poor photography. Further study on high quality photography, over wider areas and including such additional characteristics as crown texture and shadow intensity should prove useful. A preliminary examination has been made of some photo-image characteristics of a number of important tree species on large scale (1:9,000) contact prints of panchromatic mm. The characteristics studied were crown image tone, and shape. Image tone was estimated against a standard grey-scale and shows within-species consistency and a range between species. Crown shapes were subjectively assessed but there appears to be a within-species consistency and interpretable between-species differences. The results of this trial suggest that it should be practicable to make a number of important species distinctions by photo-interpretation with a useful degree of reliability. Other characteristics beside those studied might be usefully examined. Photography: Hand-printed glossy contact prints of vertical 1:9,000 scale panchromatic photography of Kwangnung Experimental Forest flown May 1964. The filter used is unknown (probably minus-blue). The camera is unknown but was probably a military type K-17 or K-22 with 6"(apostfophy) lens. The photography shows notably poor resolution. Species: 143 individual trees ranging through 11 species (7 softwood, 4 hardwood) were included in the study. A range of size classes were included for each species.

• Journal of the Korean Society of Costume
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• v.57 no.2 s.111
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• pp.143-154
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• 2007

This study's purpose is how express gender image according to sex in editorial fashion photography. This study's objectives are the women's magazine Vogue, Harper's Bazaar and man's magazine GQ, Esquire published 2000-2005 within the country. The photography was classified with established a standard based on the precede studies. The photo is classified Gender image according to dress and its ornaments, model character and atmosphere by Sex Expression of femininity woman has exposure of body parts and emphasizing thin eyebrows and red lips, soft and mild image, modest and static pose. Man expressed femininity used ladylike color and pattern, erotic exposure of body and long hair style. Commonly emphasizing red lips, natural background of flower plant, S-line. For expression of masculinity man and woman are used masculinity item, short hair-style and thick eyebrows. And also emphasize square like chin and shoulder. Specially, woman used direct silhouette to conceal soft body curved line. The expressions of androgynous woman and man are colorful dress and make-up. Woman emphasized male face to show and man expressed soft image through hull of abundant material of fur. All two sex selected method that conceal body curved line and face to express sexless. Hiding characteristics of body and face make indistinct of sex. The gender is affected by atmosphere such as model and illumination background as much as clothes because of the editorial fashion photography.

• The Research Journal of the Costume Culture
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• v.23 no.1
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• pp.1-10
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• 2015

This study, which focuses on a masquerade, starts from the concept that all men exist as visual objects as well as visual subjects before discussing an issue of sexuality to inquire into masquerade characteristics of fashion photography. Masquerade is a concept that can describe various and multidimensional attributes of humans in social norms prescribed separately for men and women till now, and the concept has not yet been introduced in the field of fashion. However, it is considered a measure to analyze contemporary expressions of sexuality, on which a need for this research is raised. This study looks into the basic concept of the object and the ego through a psychoanalysis-related literature review. This study, then inquires into Jacques Lacan's notion of gaze and Roger Caillois's theory of mimicry through related specialty publications. This study reinterprets the concept of masquerade from Lacan's perspective and carries out an empirical analysis of masquerade characteristics in contemporary fashion photography based on the result drawn in parallel. Sexual masquerade shown in fashion photography based on the concept of masquerade is as follows: first, it appears as normative sexual description, divided into male and female by social norms; second, sexual ambiguity, obscuring the distinction between the sexes through playful and bombastic forms; and lastly, sexual subversion, disguising as the opposite sex through putting on clothes of the opposite sex.

• Proceedings of the Optical Society of Korea Conference
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• 2002.07a
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• pp.144-145
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• 2002

3차원 디스플레이 시스템의 구현을 위해 다양한 방법으로 연구가 진행되고 있는데 Stereoscopic 방법에 비해 IP(Integral Photography)방식은 비안경식이고 시야각과 시점 이동 면에 있어서 좀더 나은 특성을 가지고 있다. n에 대한 연구는 입체 영상의 해상도를 넓히고, 시야각을 넓히며, 또한 동영상을 구현하기 위한 방향으로 진행되고 있다. 여기서는 IP에서 동영상 구현에 대한 새로운 방법을 제시하고자 한다. (중략)

• Proceedings of the Optical Society of Korea Conference
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• 2001.02a
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• pp.118-119
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• 2001

3차원 디스플레이 시스템에 대한 연구는 입체 영상이 높은 해상도와 넓은 시야각을 갖도록 하기 위하여 다양한 방식으로 활발히 진행되고 있다. 1908년 Lippmann에 의하여 제안된 Integral photography(IP)는 특별한 안경이 필요하지 않고 연속적인 시점을 제공한다는 장점을 갖고 있다. 제안된 당시에는 기록 및 재생 매체로 사진 건판을 사용하여 동영상의 재생이 불가능하였지만, 최근 사진 건판 대신 CCD 카메라와 LCD 패널을 기록 및 재생 매체로 사용함으로써 동영상이 가능한 IP 시스템이 제안되었다. (중략)

• Journal of the Korean Society for Precision Engineering
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• v.7 no.2
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• pp.65-73
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• 1990

Speckle photography is a simple non-contacting method for analysing surface displacement. In its basic form, the object to be studied is illuminated with a beam of laser light from any convenient direction, and a double exposure photography of the surface recorded on the fine-grain film, the object is undergone the displacement to be measured between exposures. Like this, it allows the strain field to be evaluated in two dimensions. A direct experimental comparison of speckle photography with theoretical value on a notched tensile test specimen showed that serious errors could, however, occur due to local surface tilting and due to aberra- tions of the imaging lens. Methods of minimising these effects and those of the speckle de-correlation which occurs by the various conditions are discussed.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.7
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• pp.4601-4610
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• 2014

Photography has been a way of recording a range of images throughout the previous 160 years since its birth in 1839. It has also included the observations and records on the subjects, which is almost same as reality in its outward appearance, various looks of a city and architecture in the daily lives at these places. These pictures provide archaeological and geographical information beyond time and space as well as expressing cultural and artistic images using the creative senses. This thesis analyzes the images of a city and architecture as various angles along with development process of the photograph. The purpose is to examine what viewpoints, methods and concepts have been used to observe the city and architecture. The study will show that photography is a means of artistic expression and a means of indirect understanding of a city and its architecture by early modern photography of the 19th Century.

• The Journal of Art Theory & Practice
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• no.15
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• pp.51-79
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• 2013

This paper examines the characteristics of post-modern self-portrait photography. Characteristics of postmodernism associated with the "loss of centeredness," such as the death of the author, interdisciplinarity, and intertextuality, brought about a number of changes within the self-portrait. The distinction between post-modern and modern self-portraiture can be characterized by the following qualities: appropriation, the use of photography, and the utilization of the human body as an art. The characteristics of post-modern self-portrait photography can be represented through the works of Cindy Sherman, Orlan, and Morimura Yasumasa. By presenting prototypical women in her works, Cindy Sherman not only represents images of those women, but also exposes her fictitious role in the work. She creates a distance between herself in the works and herself in reality and discloses a paternalistic gaze. Meanwhile, Orlan transforms her face into a distorted image and presents it as an alternative identity that is representative of postmodernism. She corrodes the standard concept of identity through plastic surgery and treats the face not as a place where the identity stays, but as a simple body part or fragment of skin. Orlan's post-human face is malleable according to the artist's desire to raise the issue of what the human face is, and opposes the structure of modernism. Morimura Yasumasa also appropriates images from masterpieces and presents a hybrid identity between Eastern and Western, male and female, original and replica, and subject and object. In order to dissect social prejudice, he puts forth every single structural dichotomy that coexists in his self-portrait and suppresses a strong ego. He also studies the relationship between 'seeing' and being 'seen' by trading the painter's role from that of the subject to that of the object.

• The Journal of the Korea Contents Association
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• v.20 no.6
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• pp.367-380
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• 2020

360 product photography is one of the realistic media technologies that can observe subjects from various angles as one of the real-world VR production methods. This study examined the effect of 360 product photography on the intention to Continuous Use through the technology acceptance model. The results of the online survey showed that informative, which is the characteristic of 360 product photography, affects both ease of use and perceived usefulness, while reliability and entertainingness affect only perceived usefulness. Internal innovation had an impact on perceived ease, but not on perceived usability. Ease of use, both mediators, had a positive effect on sustained use intention. These findings can be used as a reference for various studies in the field of 360 product photography which is still insufficient. In addition, it can provide strategic implications for the production direction of 360 product photos.

• Korean Journal of Optics and Photonics
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• v.5 no.1
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• pp.182-188
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• 1994

We review the basic principles of laser speckle photography and its applications to the measurement of surface displacement and deformation and to flow velocimetry. metry.