• Journal of the Korean Wood Science and Technology
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• 제10권3호
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• pp.190-193
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• 1982

Conclusion: The results of this study are encouraging for the development of a set of interpretable diagnostic criteria for a reasonably reliable identification of some species. The present study has been limited in the characteristics studied and was made on relatively poor photography. Further study on high quality photography, over wider areas and including such additional characteristics as crown texture and shadow intensity should prove useful. A preliminary examination has been made of some photo-image characteristics of a number of important tree species on large scale (1:9,000) contact prints of panchromatic mm. The characteristics studied were crown image tone, and shape. Image tone was estimated against a standard grey-scale and shows within-species consistency and a range between species. Crown shapes were subjectively assessed but there appears to be a within-species consistency and interpretable between-species differences. The results of this trial suggest that it should be practicable to make a number of important species distinctions by photo-interpretation with a useful degree of reliability. Other characteristics beside those studied might be usefully examined. Photography: Hand-printed glossy contact prints of vertical 1:9,000 scale panchromatic photography of Kwangnung Experimental Forest flown May 1964. The filter used is unknown (probably minus-blue). The camera is unknown but was probably a military type K-17 or K-22 with 6"(apostfophy) lens. The photography shows notably poor resolution. Species: 143 individual trees ranging through 11 species (7 softwood, 4 hardwood) were included in the study. A range of size classes were included for each species.

• 복식
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• 제57권2호
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• pp.143-154
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• 2007

This study's purpose is how express gender image according to sex in editorial fashion photography. This study's objectives are the women's magazine Vogue, Harper's Bazaar and man's magazine GQ, Esquire published 2000-2005 within the country. The photography was classified with established a standard based on the precede studies. The photo is classified Gender image according to dress and its ornaments, model character and atmosphere by Sex Expression of femininity woman has exposure of body parts and emphasizing thin eyebrows and red lips, soft and mild image, modest and static pose. Man expressed femininity used ladylike color and pattern, erotic exposure of body and long hair style. Commonly emphasizing red lips, natural background of flower plant, S-line. For expression of masculinity man and woman are used masculinity item, short hair-style and thick eyebrows. And also emphasize square like chin and shoulder. Specially, woman used direct silhouette to conceal soft body curved line. The expressions of androgynous woman and man are colorful dress and make-up. Woman emphasized male face to show and man expressed soft image through hull of abundant material of fur. All two sex selected method that conceal body curved line and face to express sexless. Hiding characteristics of body and face make indistinct of sex. The gender is affected by atmosphere such as model and illumination background as much as clothes because of the editorial fashion photography.

• 복식문화연구
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• 제23권1호
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• pp.1-10
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• 2015

This study, which focuses on a masquerade, starts from the concept that all men exist as visual objects as well as visual subjects before discussing an issue of sexuality to inquire into masquerade characteristics of fashion photography. Masquerade is a concept that can describe various and multidimensional attributes of humans in social norms prescribed separately for men and women till now, and the concept has not yet been introduced in the field of fashion. However, it is considered a measure to analyze contemporary expressions of sexuality, on which a need for this research is raised. This study looks into the basic concept of the object and the ego through a psychoanalysis-related literature review. This study, then inquires into Jacques Lacan's notion of gaze and Roger Caillois's theory of mimicry through related specialty publications. This study reinterprets the concept of masquerade from Lacan's perspective and carries out an empirical analysis of masquerade characteristics in contemporary fashion photography based on the result drawn in parallel. Sexual masquerade shown in fashion photography based on the concept of masquerade is as follows: first, it appears as normative sexual description, divided into male and female by social norms; second, sexual ambiguity, obscuring the distinction between the sexes through playful and bombastic forms; and lastly, sexual subversion, disguising as the opposite sex through putting on clothes of the opposite sex.

• 한국광학회:학술대회논문집
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• 한국광학회 2002년도 하계학술발표회
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• pp.144-145
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• 2002

3차원 디스플레이 시스템의 구현을 위해 다양한 방법으로 연구가 진행되고 있는데 Stereoscopic 방법에 비해 IP(Integral Photography)방식은 비안경식이고 시야각과 시점 이동 면에 있어서 좀더 나은 특성을 가지고 있다. n에 대한 연구는 입체 영상의 해상도를 넓히고, 시야각을 넓히며, 또한 동영상을 구현하기 위한 방향으로 진행되고 있다. 여기서는 IP에서 동영상 구현에 대한 새로운 방법을 제시하고자 한다. (중략)

• 한국광학회:학술대회논문집
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• 한국광학회 2001년도 제12회 정기총회 및 01년도 동계학술발표회
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• pp.118-119
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• 2001

3차원 디스플레이 시스템에 대한 연구는 입체 영상이 높은 해상도와 넓은 시야각을 갖도록 하기 위하여 다양한 방식으로 활발히 진행되고 있다. 1908년 Lippmann에 의하여 제안된 Integral photography(IP)는 특별한 안경이 필요하지 않고 연속적인 시점을 제공한다는 장점을 갖고 있다. 제안된 당시에는 기록 및 재생 매체로 사진 건판을 사용하여 동영상의 재생이 불가능하였지만, 최근 사진 건판 대신 CCD 카메라와 LCD 패널을 기록 및 재생 매체로 사용함으로써 동영상이 가능한 IP 시스템이 제안되었다. (중략)

• 한국정밀공학회지
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• 제7권2호
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• pp.65-73
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• 1990

Speckle photography is a simple non-contacting method for analysing surface displacement. In its basic form, the object to be studied is illuminated with a beam of laser light from any convenient direction, and a double exposure photography of the surface recorded on the fine-grain film, the object is undergone the displacement to be measured between exposures. Like this, it allows the strain field to be evaluated in two dimensions. A direct experimental comparison of speckle photography with theoretical value on a notched tensile test specimen showed that serious errors could, however, occur due to local surface tilting and due to aberra- tions of the imaging lens. Methods of minimising these effects and those of the speckle de-correlation which occurs by the various conditions are discussed.

• 한국산학기술학회논문지
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• 제15권7호
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• pp.4601-4610
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• 2014

사진은 1839년에 탄생한 이후 160년 동안 다양한 이미지들을 기록하는 방법이었다. 그것은 외부 현상 자체와 거의 동일한 실체에 대한 관찰과 기록, 그리고 동일한 장소에서 벌어지는 삶 가운데 다양한 시각으로 도시와 건축에 대한 관찰과 기록을 포함하고 있다. 이러한 사진들은 고고학적, 지리학적 정보를 제공함과 아울러, 시간과 공간을 넘어 창조적인 감각을 이용한 문화적 예술적 이미지를 함께 표현한다. 본 논문은 사진의 발달 과정과 함께 다양한 시각으로 도시와 건축의 이미지를 분석하고, 아울러 도시와 건축을 관찰하기 위해 사용해 왔던 관점, 방법, 개념들을 조사하는 것이 목적이기도 한다. 특히 19세기 여명기의 사진을 통해 사진이 예술적인 표현 수단으로 뿐만 아니라 당시의 도시와 건축을 간접적으로 이해하는 중요한 수단이 될 수 있었음을 밝히고자 한다.

• 미술이론과 현장
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• 제15호
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• pp.51-79
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• 2013

This paper examines the characteristics of post-modern self-portrait photography. Characteristics of postmodernism associated with the "loss of centeredness," such as the death of the author, interdisciplinarity, and intertextuality, brought about a number of changes within the self-portrait. The distinction between post-modern and modern self-portraiture can be characterized by the following qualities: appropriation, the use of photography, and the utilization of the human body as an art. The characteristics of post-modern self-portrait photography can be represented through the works of Cindy Sherman, Orlan, and Morimura Yasumasa. By presenting prototypical women in her works, Cindy Sherman not only represents images of those women, but also exposes her fictitious role in the work. She creates a distance between herself in the works and herself in reality and discloses a paternalistic gaze. Meanwhile, Orlan transforms her face into a distorted image and presents it as an alternative identity that is representative of postmodernism. She corrodes the standard concept of identity through plastic surgery and treats the face not as a place where the identity stays, but as a simple body part or fragment of skin. Orlan's post-human face is malleable according to the artist's desire to raise the issue of what the human face is, and opposes the structure of modernism. Morimura Yasumasa also appropriates images from masterpieces and presents a hybrid identity between Eastern and Western, male and female, original and replica, and subject and object. In order to dissect social prejudice, he puts forth every single structural dichotomy that coexists in his self-portrait and suppresses a strong ego. He also studies the relationship between 'seeing' and being 'seen' by trading the painter's role from that of the subject to that of the object.

• 한국콘텐츠학회논문지
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• 제20권6호
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• pp.367-380
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• 2020

360 제품 사진은 실사를 기반으로 하는 VR 제작 방식의 하나로 피사체를 다각도에서 관찰할 수 있는 실감 미디어 기술 중 하나이다. 본 연구는 기술수용모델을 통하여 360 제품 사진의 특성과 내적혁신성이 지속이용의도에 미치는 효과를 살펴보았다. 온라인 설문조사 결과, 360 제품 사진의 특성인 정보성은 지각된 용이성과 지각된 유용성에 모두 영향을 미치고 있는 반면, 신뢰성과 오락성은 지각된 유용성에만 영향을 미치고 있는 것으로 나타났다. 내적혁신성은 지각된 용이성에 영향을 미치고 있었지만 지각된 유용성에는 영향을 미치지 않았다. 매개변인인 지각된 용이성과 지각된 유용성은 모두 지속이용의도에 정적인 영향을 미치는 것으로 나타났다. 본 연구의 결과는 아직까지 미흡한 360 제품 사진 관련 분야에 다양한 연구를 위한 참고자료로 활용될 수 있을 것이다. 더불어, 360 제품 사진의 실무 제작에 전략적인 시사점을 제공할 수 있다.

• 한국광학회지
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• 제5권1호
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• pp.182-188
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• 1994

레이저 반점 사진계측법의 기본원리와 이를 응용하여 물체표면의 이동 및 변형을 측정하거나 유체의 속도분포를 재는 실험장치의 구성과 실험방법을 설명하였다.