• 패션비즈니스
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• 제5권5호
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• pp.27-35
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• 2001

The purpose of this paper is to explore that what is the consideration when using photographs as data sources for historic costume research. So in other to achieve the study, first of all, I have to think over about the new media, photography, and then review the articles and studies how they have been used by scholars outside or our field. The considerations are the followings: 1. What kind of information can be found in historic photographs? The kind of information that may only be found in historic photographs and not in any other data source. What types of photographs are there; how the information varies by type of photograph. 2. What photographs can provide as data sources? How photographs can be used quantitative versus qualitative information; how to collect this information from one or more photographs, the criteria for the use of photographs. 3. Limitations of using historic photographs and what kind of information cannot be found in historic photographs. Be sure to discuss investigating the reliability of assigned dates;the importance of and suggestions on how could be done as part of the criterial for use of photographs. So, by asking and understanding these questions, we will use photographs better as a visual resource forward.

• 동굴
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• 제74호
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• pp.33-43
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• 2006

지리학(地理學)은 장소에 관한 학문이며, 장소를 관찰하는 것으로부터 연구가 시작된다. 지리학을 발전시키기 위해서는 그 장소에 관한 정보를 기록하고, 그 기록을 연구자료로서 축적하고, 전달하는 것이 필요하다. 사진지리학(寫眞地理學)은 사진의 기록성(記錄性)과 예술성(藝術性)을 지리학에 접목시킨 것이다. 즉 사진지리학은 지리학연구(地理學硏究)나 지리교육(地理敎育)에 있어 영상매체(映像媒體)로서의 제사진(諸寫眞)을 어떻게 효과적으로 이용할 수 있는가를 연구해 가는 것이다. 지리학에 있어 이용되는 사진은 그 성격상 크게 지리사진(地理寫眞)과 일반사진(一般寫眞)으로 나눌 수 있으며, 형태상으로 크게 정사진(靜寫眞)과 동사진(動寫眞)으로 구분된다. 일반적인 단사진(單寫眞), 슬라이드, 항공사진(航空寫眞), 위성사진(衛星寫眞) 등은 정사진에 해당되며, 비디오, 영화 등은 동사진에 속하는 것이다. 지리사진(地理寫眞)은 결과적으로 지리적인 정보가 찍혀 들어간 것만이 아니라, 처음부터 확실히 그러한 정보를 찍으려고 하지 않으면 안 되는 것이다. 사진지리학자(寫眞地理學者)들에게 요구되는 것은 사진을 지리학적으로 볼 수 있는 안목, 보다 효과적인 지리사진을 촬영할 수 있는 기술, 같은 내용을 효과적으로 표현하여 전달할 수 있는 예술적 감각 등이다. 따라서 이들에 대한 연구와 개발은 곧 사진지리학이 풀어가야 할 과제가 된다.

• 대한원격탐사학회:학술대회논문집
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• 대한원격탐사학회 2004년도 Proceedings of ISRS 2004
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• pp.72-76
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• 2004

For successful route guidance, navigation systems should provide to users more realistic and actual information such as photographs than those in either 2-dimensional and 3-dimensional models. In this paper, we propose a method for servicing photographs for route guidance in navigation systems. The method includes how to acquire photographs with the most successful view for the guidance, how to construct link information among them and navigational map data, and how to provide the images to users efficiently.

• 복식문화연구
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• 제22권3호
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• pp.450-467
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• 2014

Modern society attaches great important to state of the technology, but, unconscious desire and subconscious are also discussed in an important value. In the social background of such madness is acting as an artistic inspirational to the many people. At such a time, fashion photographs also being used medium which speak for people's desire. Editorial fashion photographs with unusual stories or including experimental visual elements unlike fashion advertising have increasing. The subject of this study is the formative characteristics in recognition of madness from ancient times until now and find out new meaning of the unusual and informal form of editorial fashion photographs showed in Vogue Italia since 2000. The analysis data of this study, we used 36 photographs of editorial fashion photographs taken by Steven Meisel, Tim Walker and Miles Aldriege. The final process of analysis made in with agreement of 10 major people. We used photograph's basic visual elements as analysis to avoid arbitrary interpretations. The content of this study is drawing in editorial fashion photographs from the viewpoint of Michael Foucault's Madness theory, Deleuze and Felix Guattari's Madness as the aspects of desire. The madness images in the editorial fashion photographs were showed as Decadence, Blindness, Violence and Grotesque based on the analysis results from above. The formative characteristics of editorial fashion photographs enabled the awareness on the value and importance of madness in modern society. These editorial fashion photographs can be the source of our wider perspectives for changing recognition of madness.

• 복식문화연구
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• 제17권3호
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• pp.447-458
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• 2009

The advent of various arts and remarkable development of mass media since 1980s accelerate fashion photographs' advancement. The expression of fashion through photographs can represent characteristics of ages, societies, cultures, traits of designers and techniques of photographers. This study focuses on Cindy Sherman's fashion photographs, which represent different kinds of respect to the women's states and identity. Cindy Sherman describes neglected women, sexual characteristics, and tries to overcome the limitation existing in modern society. By analyzing her fashion photographs, women's identities can be examined and the new trial of fashion photographs' expression is able to be considered as well. The results are summarized into two traits. The first is grotesque images, which have strange cuts, dissolved and deformed bodies. Those are expressions to subvert the stereotype of women. The second is amusement, which is expressed with uncanny and ridiculous appearances. These fun images are challenges to depict human instinct and also symbolic plays.

• Human Ecology Research
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• 제52권4호
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• pp.383-394
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• 2014

The purpose of this study is to analyze the expression types and aesthetic meanings of fashion photographs adopting parody storytelling. The expressions of parody storytelling in advertising into the following five 5 types: parody of literature, movies, TV programs, art, and social issues. Therefore, in this study, we analyzed fashion photographs adopting parody storytelling from literature, movies, TV programs, art, and social issues, in fashion magazines. The meanings of fashion photographs adopting parody storytelling are as follows: First, the photographs adopting parody storytelling create new meanings with respect to a changeable narrative by transforming the original. Second, the humor of deviation comes from fun and interest generated the play of intent transformation and reconstruction of the original. Third, the photographs adopting parody storytelling of social issues suggest current messages. There is a growing tendency toward the value and the meanings of storytelling, and the various contents that have become the motive of the parody have important meanings. In particular, the analysis of expression methods and meanings of storytelling will contribute to raising the brand image through an effective fashion photographs project strategy. A story can be used as a source of inspiration and can contribute various ideas for a fashion photo-shoot and for fashion marketing.

• 복식문화연구
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• 제18권6호
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• pp.1261-1273
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• 2010

The advent of various arts and remarkable development of mass media since 1980s accelerate fashion photographs' advancement. The expression of fashion through photographs can represent characteristics of ages, societies, cultures, traits of designers and techniques of photographers. In addition, that is the tool which contains economical role as a product and artistic role as photos. Therefore, this study examines hyprt-reality images in editorial fashion photographs. Hyper-reality means the reproduction which represents the reality of life more actually. Hyper-reality through photographs elevates reality of virtual things and creates the confused situation which haunts the boundary between reality and reproduction. This study classifies the hyper-reality in editorial fashion photographs into three groups by their external traits, ideal reality, collapse of reality, and restoration of reality. First, ideal reality is represented as harmony among fashion, characters, and space, causality of fashion with time and circumstances, positive will, and melting with nature. Second, collapse of reality is expressed as in harmony between fashion and situation, violence, fetishism and symbol of death. Third, restoration of reality is shown as recurrence to nature and images of utopia to express dignity of life.

• 한국지구과학회지
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• 제26권6호
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• pp.477-488
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• 2005

제7차 교육과정의 초등학교 ‘과학’ ‘실험관찰’ 교과서와 서로 다른 출판사의 중·고등학교 과학과 지구과학 I, II교과서, 각각 4권씩을 대상으로 교과서에 수록된 화석사진을 분석하여 화석의 종류, 산출지역과 척도의 표기에 대한 분석결과 다음과 같은 결론을 얻었다. 초등학교의 ‘과학’, ‘실험관찰’ 교과서에 수록된 화석사진의 종류는 32개였으며, 중학교 과학교과서 4권에는 50개, 그리고 고등학교 8권의 교과서에서는 109개였다. 그러나 화석사진에서 표현되는 과학적 정보는 부족하였다. 초등학교의 과학교과서와 실험관찰에서는 수록된 화석사진의 $68\%$에 산출지가 표기되어 있었으며, 척도가 표기된 화석사진은 전체의 $6\%$였다. 중학교와 고등학교 교과서의 경우, 전체 화석의 $40\%$와 $16\%$에 산출지가 표시되어 있으며, 척도는 14%와 18%만이 표기되어 있었다. 보다 효과적인 과학교육의 목표를 달성하기 위해 과학교과서에 수록된 화석사진에 산출지와 척도를 표기할 필요가 있다.

• 대한원격탐사학회:학술대회논문집
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• 대한원격탐사학회 2004년도 Proceedings of ISRS 2004
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• pp.566-569
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• 2004

This study is to trace the change of stream shape using the past series of aerial photographs, and to compare the land use changes of riparian area along the stream. For the Gyeongan national stream, aerial photographs of 1966, 1981 and 2000 were selected and ortho photographs were made with interior orientation and exterior orientation, respectively. As apparent changes of the stream, the consolidated reaches of stream with levee construction were straightened and their stream widths were widened. Especially the stream width of inlet part of Paldang lake was widened almost twice because of the rise of water level by dam construction in 1974. The land use maps (1966, 1981,2000) of riparian areas were also made, respectively and classified into 6 categories (water, forest, agricultural land, urban area, road, sandbar) by digitizing. The area of forest and agricultural land decreased and urban area increased as the stream maintenance was performed.

• Ocean and Polar Research
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• 제27권4호
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• pp.497-507
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• 2005

This paper presents a method for obtaining mosaic aerial photographs that are useful for a long-term shoreline change study in the Nakdong estuary. Although this method involves digital photogrammetry software of the shelf its usage can be simplified to accomodate the shoreline change study. Ground control points, which are common in aerial photographs, were measured from digital maps. Block triangulation was highly affected by land-based GCPs. Extension of tie points near the shoreline to vertical control points gave more reliable results for the block triangulation. A constant Digital Elevation Model (DEM), close to mean sea level, was employed to produce ortho-rectified photographs, from which mosaic photographs were made. Accuracy of photographs were found to be acceptable for the analysis of long-term shoreline change, and the promising construction of a shoreline change database in the Nakdong estuary.