• 한국의상디자인학회지
• /
• 제13권2호
• /
• pp.147-162
• /
• 2011

The performance-art costume is a tool for expression that can dynamically display the intention of a production. The purpose of this study is to examine the whole costume for performance arts targeting musical works, to which were added such elements as music, dance, and drama, among performance arts in several genres. This study aims to consider how the symbol contained in the costume was intended to be expressed by inferring a change in performance costume and character as the stage costume. Accordingly, the following research problems were established in this study. First, Which role does the costume play in performance art? Second, into which types can the performance-art costume be classified depending on the kind of performance art? Third, what is the expressive method for the performance-art costume? To examine the types of performance-art costume, the acting costume, the singing costume, the dancing costume and the rhythmic performance costume were considered. As a result, the performance costume can be seen to have been designed through the effect of a change in color by lighting, through the differentiation of character caused by excessive decoration, through the differentiation in material for free movement, and through symbolic expression.

• 한국실내디자인학회논문집
• /
• 제18권5호
• /
• pp.89-100
• /
• 2009

Stage lighting system is very important in theater. Because basic of performing art. Recently, The stage lighting system is very close with a performing arts. The performance arts is to have an easy communication between actors and audience. All activities related to performance art take place between the stage light and auditorium. Therefore, when constructing theater the best conditions of the stage light system should be considered for the smooth progress of play. It will be method of solution that basically facility in the performance art hall. The results of this study can be used for suggesting an operation and system improvement for stage lighting system in performance art hall. Recently, changes in the progress of plays have required the perfect stage light system. As a result, performance art hall are the most advanced stage lighting system technology of changed. The following procedures were taken for this research-the literature on the development of stage lighting system and equipment, structure, and the dimmer and computer console system has been reviewed theoretically Most of all, Cheonan City Hall Bongseo Hall and CMB EXPO art hall is important a sample of lighting system. The result of this study presents operation and system improvement stage lighting system in theater, below to operation and system improvement at stage lighting system local self-government corporation performance art hall are inconsistent stage.

• 공연문화연구
• /
• 제37호
• /
• pp.437-464
• /
• 2018

본 연구는 공연문화분야의 학문적 정체성과 특성을 파악하고 변화과정을 살펴보기 위해 의미연결망 분석을 활용하여 연구동향을 파악하였다. 이를 위해 우리나라 공연분야 연구의 대표적 학회지인 한국공연문화학회에서 발행하는 <공연문화연구>에 수록된 455편의 논문을 대상으로 공연문화분야의 연구동향과 추세를 분석하였다. 세부연구과제로는 2000년부터 2017년까지 학회지에 수록된 논문명을 대상으로 <고전희곡연구>에서 <공연문화연구>로 제호변경 전후의 연구수요 변화현상을 파악하였다. 다음으로 2005년부터 2017년까지<공연문화연구>의 논문명, 주제어, 초록을 대상으로 <공연문화연구>의 시기별 연구동향을 파악하여 공연문화분야의 변화현상을 파악하고 미래예측을 통한 발전방향을 제시하였다.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
• /
• pp.146-150
• /
• 2006

The purposed of this study is to analyze the performance-art facilities. Research methods were reference study (interaction, local performance-art facilities) and research on the actual condition (on 4 local performance-art facilities for field investigation). Consequently emotional interractive space design makes people satisfied with their five senses, communication with people increase and enable people to experience something new that they haven't experienced before transcending time and space. Interaction design is designing experience of user through the interaction for human, thing, system, and space. The result of this research is to found out the possibility of emotional interaction design concept applied in public service area as a plan to revitalize the performance-art facilities.

• 한국정보과학회논문지:소프트웨어및응용
• /
• 제36권6호
• /
• pp.451-461
• /
• 2009

적응적 랜덤 테스팅(Adaptive Random Testing, ART)은 테스트 케이스의 효율적인 선택을 통해 순수 랜덤 테스팅(Random Testing, RT)보다 더 적은 수의 테스트 케이스를 이용해 입력 도메인 내의 오류를 찾는 것을 목적으로 한다. ART 기법 중 하나인 입력 도메인 반복 분할 기법(ART through Iterative Partitioning, IP-ART)은 초기 ART 기법의 단점인 많은 연산량을 입력 도메인 분할에 의해 효율적으로 개선되도록 하였으며, 입력 도메인 확장을 이용한 IP-ART(IP-ART with Enlarged Input Domain, EIP-ART)는 IP-ART의 테스트 케이스 분포 특징을 이용하여 추가적인 성능 향상과 확장성을 제공하였다. 하지만 EIP-ART는 입력 도메인 확장에 따라 발생하는 부하로 인해 테스트 케이스 생성에 오랜 시간을 요구하기 때문에 이의 개선이 필요하다. 따라서 본 논문에서는 두 가지의 추가 부하를 유발하지 않는 테스트 케이스 분포 조절 기법을 제안하고, 이들의 성능 개선 가능성을 실험을 통해 확인하였으며, 실험 결과, 제안된 두 기법 중 입력 도메인 타일링 기법이 모든 환경에서 더 우수한 성능 및 확장성을 갖는 것으로 확인되었다.

• 건축역사연구
• /
• 제15권1호
• /
• pp.61-76
• /
• 2006

The stage is ceremonial and legendary space unlike the ordinary world. Performance is not simply scrip-staged, but spatial art based on tempo that transmits extreme condition. The stage art is a visual art combined with stage settings, lighting, customs and the like. I exemplify the stage of Middle Age and Renaissance in the history of the art of public performance and so I review that what meditative functions each stage perform and that as what pattern of media it can be conceptualized. In this thesis, I divide the places of public performance Into the spaces of proscenium and polygon and also set up the concepts of hot and cool that McLuhan presents for each space. So, the degree of participation could be different according to the distinction of quantity of information, which is communication following the patterns of spaces. The basis of public performance might be the communication between co-actors and audiences. Since the sense of the art of public performance is the art in the process of establishing the meaning based on the communication with co-actors, it is not a confirmed and fixed one, but rather a reflexive one that can be created and changed continuously. Therefore, audiences should be regarded as the subjects, who are making the art of public performance with co-actors.

• 시큐리티연구
• /
• 제23호
• /
• pp.133-153
• /
• 2010

이 연구는 경호무도지도학과의 경호무도수업에 참여하고 있는 학생 203명을 대상으로 성취 목표성향과 열정, 그리고 지속적인 운동수행의 관계를 살펴보았으며, 그 결과를 간략하게 제시하면 다음과 같다. 첫째, 경호무도 참여자들의 성취목표성향은 열정에 유의한 영향을 미치고 있는 것으로 나타났으며, 성취목표성향은 강박열정보다는 조화열정에 보다 큰 영향을 미치는 것으로 나타났다. 둘째, 경호무도 참여자들의 열정은 지속적인 운동수행에 유의한 영향을 미치지 못하는 것으로 나타났다. 셋째, 경호무도 참여자의 성취목표성향은 지속적인 운동수행에 유의한 영향을 미치지 못하는 것으로 나타났다.

• 무역상무연구
• /
• 제44권
• /
• pp.3-29
• /
• 2009

The PECL have been drawn up by an independent body of experts from each member state of the european union under a project supported by the european commission and many other organizations. Salient features of the general provisions of the PECL, freedom of contract and pecta sunk servanda, good faith and fair dealing, most of the PECL are non-mandatory. The CISG uses the term fundamental breach in various setting. The concept of fundamental breach is a milestone in its remedial provisions. Its most important role is that it constitutes the usual precondition for the contract to be avoided(Art. 49., Art. 51., Art. 64., Art. 72., Art. 73). In addition, where the goods do not conform with the contract, a fundamental breach can give rise to a requirement to deliver substitute goods. Furthermore, a fundamental breach of contract by the seller leaves the buyer with all of his remedies intact, despite the risk having passed to him(Art. 70). Basically, PECL, PICC generally follows CISG, it was similar to all the regulation's platform though the terms and content sometimes differ. For example regarding to the non-performance and remedies, in the case of non-performance, that is the PECL/PICC term analogous to breach of contract as used in the CISG. Furthermore the PECL/PICC used fundamental non-performance refered to in PECL Art. 8:103 ; PICC Art. 7.1.1. correspond generally to the concept of fundamental breach referred to in CISG Art. 25. The main significance of the fundamental non-performance, in any systems, is to empower the aggrieved party to terminate the contract. The need for uniformity and harmony in international commercial contracts can be expected to lead to growth of international commerce subject to the CISG, PICC, and PECL. It is hoped that the present editorial remarks will provide guidance to improve understanding between the contractual party of different countries in this respect and following key-words.

• 한국콘텐츠학회논문지
• /
• 제12권1호
• /
• pp.211-224
• /
• 2012

본 연구에서는 야외공연장과 관련된 공연법, 도시공원 및 녹지에 관한 법률 그리고 건축법에 대하여 살펴보았다. 그 결과, 공연과 관련된 산업은 그동안 국가의 큰 정책과 법의 테두리에서 보호받지 못하고 독자적으로 성장해 왔다. 공연법제적인 측면에서도 공연예술의 자유나 공연활동의 진흥보다는 법제를 세분화 시켜가며 문화예술에 대한 규제 일변도의 정책을 취했다. 1999년 1월 각본심의제 폐지를 포함한 총 17건의 규제가 전면 폐지되었고, 6건의 규제도 대폭 완화하였다. 또한 문화예술의 중요성이 인식되어 정부 차원에서 육성 및 지원하기 위하여 공연예술 스태프 인력양성, 공연장에 대한 국가보조 등 실질적인 공연예술정책 제도가 도입되었다. 공연예술에 있어 무대조명, 음향, 무대기계 등 전문인의 참여의 필요성이 각인되었다. 이로써 정부수립 이후 50여년만에 공연예술에 대한 많은 규제가 공공질서 유지를 위한 최소한의 사항만 제외하고 모두 폐지되었다. 2002년엔 '공연'의 정의에서 '영화'를 제외시킴으로써 일제시대부터 제도적으로 남아있던 공연신고 제도가 영원히 폐지되었다. 이후 공연법이 규제위주의 법에서 공공복리 증진에 기여해야 하는 시대적 상황을 반영한 지원 육성 정책의 법제로 전환되었다.

• 무역상무연구
• /
• 제61권
• /
• pp.3-28
• /
• 2014

This study describes the buyer's remedies regarding defects in title under CISG. Although CISG stipulates the seller's liability for the delivery of conforming goods physically at Art. 35 and legally at Art. 41 and Art. 42 respectively, the buyer's remedies are not distinguished between non-conformity governed by Art. 35 and defects in title governed by Art. 41 and Art. 42. If the seller does not fulfill his obligation under Art. 41 and Art. 42 to deliver goods which are free from third party claims, the buyer should pay attention to which remedies are available under CISG. Under CISG, for defects in title in the delivered goods, the buyer is entitled to require performance in Art. 46 (1) unless he has resorted to a remedy which is inconsistent with this requirement, to declare the contract avoided by strictly limiting the situation in which the failure by the seller to perform his obligation amounts to a fundamental breach of contract in Art. 49, to claim damages in Art. 74, and to suspend the performance of his obligation where it becomes apparent that the seller will not perform a substantial part of his obligation in Art. 71 (1). Unlike Art. 35 non-conformity, the buyer may not require delivery of substitute goods under Art. 46 (2), claim repair under Art. 46 (3), and declare price reduction for title defects under Art. 50.