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한, 미, 일 웹툰 분석을 통한 구독자 선호 요인 탐색 : 네이버 웹툰을 중심으로 (A Study on Subscriber's Preference Factors through Korea, United States and Japan Webtoon Data Analysis : With Naver Webtoon)

  • 도상범;강주영
    • 한국빅데이터학회지
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    • 제3권1호
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    • pp.21-32
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    • 2018
  • 현재 국내에서 서비스되고 있는 웹툰은 네이버, 다음 등 포탈을 중심으로 매우 빠른 성장을 보이고 있으며, 잠재적 시장성이 매우 높은 산업으로 촉망받고 있다. 웹툰의 특성 가장 두드러지는 특징은 다양한 요구를 가진 고객층을 대상으로 서비스를 제공할 수 있는 것이다. 이 때문에 국내뿐만 아니라 해외에서도 웹툰산업을 긍정적으로 판단하고 관련 산업 시장을 확충하고 있다. 이러한 현실은 국내 웹툰 작가 및 사업자로 하여금 웹툰을 기존의 k-pop이나 드라마 중심의 한류 컨텐츠와 더불어 새로운 한류 컨텐츠로 수출할 수 있는 기회를 제공한다. 성공적인 시장진출을 위해서는 수출 대상 국가의 소비자층에 대한 면밀한 분석이 요구된다. 본 논문에서는 네이버 웹툰에서 수집한 데이터의 분석을 통해 각 국가에서 서비스되는 웹툰과 해당 웹툰을 구독하는 소비자층에 대한 특성을 도출해보았다. 이를 통해 국가별로 웹툰 구독자의 선호도에 영향을 미치는 요소들을 빠르게 파악할 수 있을 것이다.

중외전통보드게임의 비교 및 개선방안 -중국 장기게임을 중심으로 (The Comparison of the Traditional Boardgames and Their Improvement scheme - Focused on Chinese Chess Game)

  • 이현흠;이완복;경병표;이동열;유석호
    • 디지털융복합연구
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    • 제11권10호
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    • pp.669-677
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    • 2013
  • 중국전통보드게임은 중화민족의 전통적인 놀이문화로써 수천 년에 달하는 역사를 가지고 있으나, 게임 룰에 변화가 없고 고정적이어서 지금까지 주요 선호 층이 중 노년층에 집중되어 있다. 수십 년 전에 개량 중국장기가 출시되었는데 장기판, 장기 쪽, 게임 룰에 변화를 시도한 바 있다. 본 논문은 중국 전통 장기게임들에 대해 조사해 보았으며, 개량 사례를 조사하였으며 또한 중국장기의 게임의 재미요소를 증진시키고자 만들어 졌었던 변형된 장기게임들에 대해 고찬하였으며, 개선방안을 제시하였다.

디지털 시대의 대중문화 현상과 트랜드 분석연구 (영화 "곡성(2016)"을 중심으로) (A Study of Trend of Pop Culture in Digital Age (Focusing on the film "The Wailing"(2016)))

  • 이태훈
    • 디지털융복합연구
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    • 제15권2호
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    • pp.301-307
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    • 2017
  • 디지털 기술의 발달로 모호한 감성의 자극에만 집중하며 만들어지고 있는 상업영상 들이 영상문화 전반에 트렌드 같이 번지고 있다. 2016년 한국영화의 천만관객 영화에 가까운 성공을 거둔 영화들의 모습을 살펴보면 여론몰이를 하는 사회적 현상만 존재하고 영화의 참 실체는 없다는 공통점을 찾을 수 있다. 이에 필자는 680만 관객을 동원하며 사회의 큰 관심을 받았던 영화 '곡성'을 중심으로 앞서 언급한 문제점을 관객들의 일반적 반응등과 같이 분석, 나열하고 이에 대한 올바른 개선점 등을 도출함으로써 영화예술이 대중예술의 격과 깊이를 계승, 발전할 수 있는 길을 모색하고자 한다. 문화, 철학, 종교, 역사 등 인류사회가 공유하는 문화유산의 깊이 있는 사실적 반영은 사회구성원의 문화적인 정서의 동질성과 공감 확보를 위한 필수 명제라고 할 수 있으며 이를 바탕으로 감독이 전하고자 하는 메시지나 내용이 표현 되었을 때 시간과 공간을 뛰어넘어 영화사에 각인되는 진정한 대중예술 콘텐츠가 만들어 질 것이다.

Identification and spectral analysis of the CIBER/LRS detected stars

  • 김민규;;이형목;;;;;;;;;이대희;;;;;남욱원;;;;;정웅섭
    • 천문학회보
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    • 제37권2호
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    • pp.141.1-141.1
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    • 2012
  • CIBER (Cosmic Infrared Background ExpeRiment) is a sounding-rocket borne experiment which is designed to find the evidence of the First stars (Pop.III stars) in the universe. They are expected to be formed between the recombination era at z ~ 1100 and the most distant quasar (z ~ 8). They have never been directly detected due to its faintness so far, but can be observed as a background radiation at around $1{\mu}m$ which is called the Cosmic Near-Infrared Background (CNB). The CIBER is successfully launched on July 10, 2010 at White Sands Missile Range, New Mexico, USA. It consists of three kinds of instruments. One of them is a LRS (Low Resolution Spectrometer) which is a refractive telescope of 5.5 cm aperture with spectral resolution of 20 ~ 30 and wavelength coverage of 0.7 to $2.0{\mu}m$ to measure the spectrum of the CNB. Since LRS detects not only CNB but also stellar components, we can study their spectral features with the broad band advantage especially at around $1{\mu}m$ which is difficult at ground observations because of the atmospheric absorption by water vapor. I identified around 300 stars from observed six fields. If we can classify their spectral types with SED fitting, we can study their physical conditions of the stellar atmosphere as well as making a stellar catalogue of continuous stellar spectrum.

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20세기 후반 패션에 표현된 예술 양식의 기계미 분석 연구(II) (A Study on the Analysis of the Mechanical Beauty of the Art Style Represented on the Second Half of the 20th Century Fashion(II))

  • 이효진
    • 복식문화연구
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    • 제6권3호
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    • pp.126-156
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    • 1998
  • The purpose of this study was intended to analyze mechanical beauty of the art style represented on the second half of the 20th century fashion. From the early 20th century, when the mechanical civilization began to develop in full scale, various distinctive styles of art began to emerge by the denial of the traditional artistic style, which is said to be an inevitable consequence fo the 20th century's spirit. That is, the diversified styles of modern art, which has developed in line with the rapid growth of civilizations, experienced environmental pollution, non-humanization and un-individualization. Those phenomena became mental anguish for artists and designers, they have come to meet with changes, by their efforts to find new way. SO, the mechanical beauty is becoming a very important factor arts. Especially, the collage of the Cubism have used as art techniques of positive mechanical beauty. And in the transition from Dada to Surrealism, the objects provided an important harmony, suggesting that all things, even those achieved by chance or presented in new associations or radical dissociations, could be said to have meaning. Pop Art that expressed daily living of spending culture in the post industrial society, scaled up the induction of mass media which was much more realistic than Dada or Surrealism. According to the results of this study, the second half of the 20th century fashion has generated mechanical beauty was examined and plundered by modern art styles. The mechanical beauty of modern art was represented in the modern fashion as the positive and negative formativeness. Above all, the best way that the fashion design should take in the future, is in the search of ways how to restore humanity that was lost due to use of machine, how t develop its merits and how to harmonized with mechanical civilization.

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글래머 스타일의 사적 고찰 (Historical Study of Glamour Style)

  • 박주희
    • 복식문화연구
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    • 제16권2호
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    • pp.382-396
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    • 2008
  • The purpose of this study is to analyze the transition of glamour style expressed in modern fashion throughout the history. The glamour style in modern fashion was categorized into five periods which are Hollywood glamour(H), Feminine glamour(F), Rich glamour(R), Decadent glamour(D), and Trash glamour(T). These categories were analyzed and compared in the viewpoint of aesthetic values deduced on the previous study. As a method of analysis, literature study and case study through the publications in aesthetics, history and preceding theses were used. The results of analysis are: Ostentatious luxury was suggested by extravagance of the movie star in H, the splendid American lifestyle in F, conspicuous consumption in R, fin de siecle bad taste in D and self-assured exposure in T. Mysterious idolatry was studied as exaggerated goddesshood of the movie star in H. It was expanded to celebrities including fashion models, television actresses, pop singers and young couture designers in the other periods. Artificial sensuality was originated from the femme fatale image of the courtesan as well as the traditional femininity of Victorian era in H. It was developed through exaggerated hourglass silhouette of the wife dressing in F. But an aggressiveness in R, a hyper-sexual femme fatale in D, an independent and defiant image of the showgirl in T were observed. Playful queerness stood out clearly by the fin de siecle phenomena. Though it was embodied in sexual perversive subculture, it emerged as hi fashion by young designers in the late R and became a crucial aesthetic value throughout D and T. It is more connected with the origins of glamour which arouses sexual ambiguity, crudity, aggressiveness and death. The continuity and discontinuity of the glamour style based on the theory of 'linked solution' were also analyzed.

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한류 패션의 동남아시아 진출을 위한 시장 분석 및 디자인 개발 - 베트남 호치민시를 중심으로 - (Fashion Market Analysis and Design Development for Expansion to Southeast Asian Market of Korean Wave Fashion -Focused on Vietnam, Ho Chi Minh City-)

  • 최혜린;이인성
    • 한국의상디자인학회지
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    • 제16권2호
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    • pp.139-150
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    • 2014
  • The purposes of this study are to analyze current situation of fashion market of Vietnam who is mainly influenced by Korean wave, analyze preferred fashion brand product and street fashion style of women in 10~20s interested in fashion so much, and develop the design suitable for Vietnamese consumers' preference so as to seek the methods domestic fashion industry can have competitive edge in emerging economic market. It's significant to suggest the direction of Korean new contents and seek the possibility of advancing new market by getting out of domestic market which is stagnated by preparing the foothold of fiber and fashion industry, beyond the first effects of Korean wave. Through this study, current situation of Korean wave which recently becomes new Korean wave based on the K-pop and futhermore, one of worldwide cultural situation could be recognized. Based on the preference of the Korean wave, current situation of Korean fashion industry spread gradually in Vietnam and design characteristics of fashion style preferred by Vietnamese consumers could be grasped. As the result, the design which can satisfy various needs of Vietnamese female consumers preferring fashion style was developed based on the characteristics by product's styles of Vietnamese fashion market. In addition, it intended to be helpful to plan the design of casual wear which is more professional so that Korean fashion industry can advance Vietnamese market through it.

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흑인 스트리트 스타일이 현대 패션에 미친 영향 (Influence of Black Street Style on the Contemporary Fashion)

  • 이영재;구인숙
    • 한국의류학회지
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    • 제21권3호
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    • pp.544-558
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    • 1997
  • Black street style has made unique fashion in popular music such as Jazz, Soul, Rhythm Il Blues. Reggae, and Rap, and it is counterculture and subculture against white. Furthermore, the black street style has played a starring role in the development of white culture as well as black culture, which emerged in direct opposition to the dominant cultures practised by a fraction of fellow countrymen within the black diaspora. The objectives of this study are to examine the social chronology of the black street style and the contemporary fashion, and the influences of the black street style on white culture. The seeds of black's style were sown in the late forties, developing throughout the fifties with the arrival of black immigrants from the west Indies and its examples were zooties, hip cats 8l hipsters, modernists. Rude boy & two-tone was anti·fashion style in sixties and then rastafarians continued in seventies costume is used to convey an essential symbolic class and ethnic message. The latest black's street fashion is hip-hop dress, which is pluralistic and electric, and funk is also erratic. During its ten-year reign as an international style, it has undergone numerous shifts because it is decline of racism B-boy & flygirls toraggamuffins & bhangra style to acid Jazz. These have played a crucial part in influencing the gigh fashion and avant-grade fashion designers' work. Today's street fashion has characteristics of postmodern culture without a racism in global village. Moreover, pop music stars take an effect on the street style continuously. With the opening of a new century, the study of the street style will overcast popular fashion and suggest the direction of fashion design.

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영역 확장 기법과 오류 역전파 알고리즘을 이용한 자궁경부 세포진 영역 분할 및 인식 (Nucleus Segmentation and Recognition of Uterine Cervical Pop-Smears using Region Growing Technique and Backpropagation Algorithm)

  • 김광백;김성신
    • 한국정보통신학회논문지
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    • 제10권6호
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    • pp.1153-1158
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    • 2006
  • 자궁 경부 세포진 영상의 핵 영역 분할은 자궁 경부암 자동화 검색 시스템의 가장 어렵고도 중요한 분야로 알려져 있다. 자궁 경부 세포진 영상은 배경과 세포의 영역이 확실히 구분되지 않는 경우가 많기 때문에 이들을 확실히 구분하는 것이 매우 중요하다. 본 논문에서는 이러한 문제점을 해결하기 위해 자궁 경부 세포진 영상에서 Region growing 기법을 적용하여 세포 영상을 분할한다. Region growing 기법은 화소간의 유사도를 측정하여 영역을 확장하여 분할하는 방법이다. 세포와 배경이 분할된 영상을 일정 임계값을 이용하여 영상을 이진화 한 후, 8방향 윤곽선 추적 알고리즘을 이용해 세포 영역을 추출한다. 추출된 세포 영역을 원 영상인 RGB 컬러로 변환한 후에 K-means 알고리즘을 적용하여 각 세포 영역의 RGB 화소를 R, G, B 채널로 각각 분리하여 클러스터링 한다. 클러스터링된 각 각의 R, G, B 채널의 클러스터 값을 이용하여 HSI 모델로 변환시킨 후에 세포핵 영역의 Hue 정보를 추출한다. 추출된 세포핵의 특징을 오류 역전파 알고리즘을 적용하여 정상 세포와 비정상 세포를 분류하고 인식한다.

The effect of various commercially available bleaching agents on the microshear bond strength of composite resin to enamel

  • Chang, Hoon-Sang;Cho, Kyung-Mo;Kim, Jin-Woo
    • Restorative Dentistry and Endodontics
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    • 제29권3호
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    • pp.219-225
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    • 2004
  • This study evaluated the microshear bond strength of composte resin to teeth bleached with commercial whitening strips and compared with those bleached with home bleaching gel. Twelve extracted human central incisors were cut into pieces and central four segments were chosen from each tooth and embedded in acrylic resin. Four blocks with 12 tooth segments embedded in acrylic resin were acquired and numbered from group one to group four. Group 1 was bleached with Crest Whitestrips, group 2 with Claren, group 3 with Opalescence tooth whitening gel (10% carbamide peroxide). Group 4 was used as control. The bleaching procedure was conducted for 14 days according to the manufacturer's instructions ; the bleaching strips twice a day for 30 min and the bleaching gel once a day for 2hr. After bleaching, composite resin (Filtek Supreme) was bonded to the enamel surfaces with a self-etching adhesive (Adper Prompt L-Pop) using Tygon tube. Microshear bond strength was tested with a universal testing machine (EZ-test). The data were statistically analysed by one-way ANOVA. The study resulted in no statistical differences in microshear bond strength between the tooth segments bleached with 2 different whitening strips and bleaching gel. It can be concluded that the effect of bleaching with either commercial whitening strips or bleaching gel on enamel is minimal in bonding with self-etching adhesive to composite resin.