• 패션비즈니스
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• 제2권4호
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• pp.21-27
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• 1998

This study is regards to merchandising in terms of paradigm shift on marketing and cost reduction. All research was done to trace the change of customer's purchasing trend taking examples through two of major women fashion brand, Katharine Hamnett and Cynthia Rowley since Korea has been in IMF controlling. The conclusion is as following; 1. After IMF controlling, young character casual and middle-low priced unisex mode have mainly been in '98 fashion trend. On item terms, cross coordination with reasonable prices was formed as main stream. 2. Shortened production lead-time made it possible to reduce its cost. Also new types of fashion business has been introduced to customers. 3. Speedy action are more emphasized through the benefits of simplified marketing channel and shortened payment terms. 4. It used to be a typical style to enjoy the high margin with an famous overseas brand paying license fee. Currently, the trend is extended to re-export to overseas for the licensed OEM goods.

• 한국의류학회지
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• 제33권1호
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• pp.22-32
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• 2009

The purpose of this study was to suggest the appropriate marketing strategies for Korean fashion companies wishing to enter the US market. In-depth-interview with documentary research were performed to investigate the seven Korean fashion companies launching in the US market as wholesalers or retailers. The interviews were executed from May to July 2007. The results of the study were summarized in accordance with Marketing Mix(4P's). In most cases, the brand targets are female customers of 20's to early 30's. The products carried by the companies are trendy with a tint of vintage and oriental feelings. The price ranges from middle to high level. Most brands are engaged in wholesaling through trade shows to sell the merchandise for department stores or specialty stores, but recently are trying to convert to retailing. Trade shows and show rooms are used as one of the promotion tools, but celebrity marketing has also been active for the promotions. Most companies suggested their superior qualities of the products as their strength, and the lack of experience and information as their weakness. Most companies forecast that the influence of FTA between Korea and the US may be limited because of Korea companies' overseas outsourcing system.

• 한국경제지리학회지
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• 제21권4호
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• pp.393-408
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• 2018

본 연구는 특정 집단의 기억이 공간적 스케일을 넘어 확산되는 과정에 주목하며 이의 원인과 지리적 함의를 찾고자 한다. 위안부의 역사는 한반도를 넘어 미국의 한인사회를 중심으로 회자되기 시작하여 2010년 뉴저지 주 팰리세이즈파크 공립 도서관 마당에 미국 최초의 위안부 기림비가 건립되는 결실로 이어졌다. 위안부 할머니들이 겪었던 전쟁 범죄의 피해 경험이 제한된 스케일을 넘어 미국으로 확산되는 과정은 다양한 주체들에 의한 다층적 과정 및 정치적 목적이 내포되었음을 이해해야 한다. 본 연구는 위안부 기억의 초국적 확산 과정에 있어 미국 내 한인 이민자 집단의 역할에 대해 조명하며 그들의 미국 내 정치적 입지 확대 및 타 민족과의 정서적 연대에 있어 기억의 이식이 어떻게 개입되었는지를 분석하였다.

• 한국의류학회지
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• 제44권1호
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• pp.175-191
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• 2020

This study proposes an entrepreneurship education process for fashion product start-ups through rewards-based crowdfunding. It examines issues such as: the general concept of crowdfunding and the pros and cons of rewards-based crowdfunding, the detailed curriculum plans in a chronological order for the regular class development, and the presentation of a visual plan to show the whole process. An entrepreneurship education process is developed in 13 steps: research on crowdfunding market, prototype plan, prototype production, story development, visual contents development, rewards development, project evaluation, public schedule & service setting, period setting & start funding, community management (Q&A), funding ends & deposit, complete manufacturing & start delivering, and the final information disclosure & open the next project plan. This research is intended to investigate rewards-based crowdfunding as a new paradigm of entrepreneurship and apply entrepreneurship education in fashion product development. However, it is limited to studying the Wadiz crowdfunding platform in Korea. Therefore, we propose a case study on various crowdfunding platforms in Korea, a case study on entrepreneurial curriculum application, and a follow-up study on the possibility of entry into an overseas crowdfunding platform.

• 패션비즈니스
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• 제6권3호
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• pp.94-109
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• 2002

The advent of the information age, advancement of the multi-media, and proliferation of internet are all ushering-in a new era of a cyber world. The artistic expression is unfolding into a new genre of a new era.. In the modern art, the boundary between the fine art and the applied art is becoming blurred, and further, distinction of fine art from popular art is also becoming meaningless. The advancement of science and technology, by offering new materials and visual forms, is contributing to the expansion of the morden art's horizon. As fashion illustration is gaining recognition as a form of art which mirrors today's realities, it has also become increasingly necessary to add variety and newness. Fashion illustration is thus becoming the visual language of the modern world, capable of conveying artistic emotion, and at the same time able to effectively communicate the image of fashion to the masses. The increasing awareness of artistic talent and ingenuity as essential components of fashion illustration is yielding greater fusion between fashion illustration and art & technology. This has resulted in the use of the advanced computer technology as a tool for crafting artistic expressions, such as fashion illustration, and this new tool has opened-up new possibilities for expressing images and colors. Further, the computer-aided fashion illustration is emerging as a new technique for expression. The concept of fashion illustration, history of fashion illustration from its incepton to modern date is reviewed and the simplicity has been researched throughout past studies published in Korean and overseas Journals.

• 한국언론정보학보
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• 제46권
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• pp.354-386
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• 2009

1990년대 초반 이후부터 한국 시장에 본격적으로 등장하기 시작한 글로벌 여성잡지는 다른 글로벌 미디어 상품과는 달리 라이선스 계약이나 조인트 벤처를 통한 국내 출판사와의 파트너십을 통해 국내에서 제작 출판되고 있다. 이러한 소유구조의 특성으로 인해 글로벌 여성잡지에서는 글로벌 요소와 지역 요소가 혼재되어 나타나고 있는데, 다양한 글로벌/지역 요소들의 이해관계가 나타나는 글로벌 여성잡지는 단순히 글로벌 미디어라고 보기보다는 다양한 지역 요소들을 반영하고 이와 관계를 맺으며 새로운 콘텐츠를 생산해내는 글로컬(glocal)화된 미디어라고 할 수 있다. 따라서 본 연구에서는 글로벌 여성잡지에 나타나는 글로벌과 지역의 역동적 상호작용의 이해를 위해 제작과정에 나타나는 글로벌/로컬 요소를 살펴보고, 이러한 요소들이 서로 어떻게 상호작용하고 있는가를 현업 종사자들과의 인터뷰를 통해 알아보고자 하였다. 연구결과, 글로벌 여성잡지의 현지화 과정은 글로벌 미디어의 일방향적 동질화 과정이 아니라 지역 현실을 반영하는 글로벌과 지역의 상호작용 과정임을 보여주었으며, 글로벌 여성잡지 종사자들은 본사의 방침을 따라 기사의 콘셉트와 형식을 유지하면서도 한국 실정에 적합한 기사를 생산하고자 노력하고 있음을 볼 수 있었다.

• 패션비즈니스
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• 제8권3호
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• pp.70-83
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• 2004

The female image has been changed incessantly with age and has been eminently represented in cosmetic advertisement. The female images are changed from the classical images to the active and professional images with the historical current of cyber, digital, and fusion. These changes in the expression of female image are largely due to the spread of post-modernism, feminism, de-construction (Kim, 1994), digital information revolution, and increase of income. The female images in cosmetic advertisement have been expressed very variously with fashion, marketing target, and characteristics of articles. (Im, 1997) The cosmetic advertisements of pure and graceful images were popular in the past. But nowadays individual image, womanly image, and unchanged beautiful image are in vogue. Individual image is very popular in young generation with very short fashion period. Active career woman image represents passion and beauty with extension of women' social roles. Unchanged beautiful image in modern industrial pollution stands for the desire of keeping the beauty in youth. Brand is very important factor to consumers in purchasing. Brand is no larger the simple concept in the past, and accepted as reflection of the image, social status, service, and life-style(Lee, 1998) consumers are very favorable to foreign cosmetics with the increase of overseas travels and import. This phenomenon is considered as very natural, especially in young generation. To create a successful brand image, the harmony of quality, psychological preference, advertisement, and reasonable price are required. According to the questionnaire research implemented by the subject of college women students in five universities in Seoul, the majority of college women students purchase domestic cosmetic brands in cosmetic specialty stores and depend on the tips of acquaintances. Quality, skin-trouble, and brand are considered as special regards for purchasing. Especially, internet shopping in purchasing marks high growth rate and preference for foreign cosmetics is very ardent. It can be expected that the 21st century is the epoch of various small production different from the mass-production in the 20th century. Female image will be probably expressed with individual, emotional, and professional image in the media of digital, fusion, cyber, and technology culture. It can be said that the tendency of cosmetic purchasing in the future will be more focused on brand image and life style.

• 가정과삶의질연구
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• 제25권3호
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• pp.137-149
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• 2007

This study explores diverse consumer characteristics pursuant to whether the consumers in question have purchased luxury goods, and it also explores the variables that tend to influence such purchases. Furthermore, the relationship between consumers' purchases of, propensity for and preference toward luxury goods is researched, and an analysis is also conducted on the degrees of influence that consumer purchases of luxury goods have on consumer propensity and preference for luxury goods. The results show that the experience of such purchases determines the diverse characteristics of consumers in such areas as age, expenditures and overseas travel. In addition, the propensity of consumers to buy luxury goods is related to the tendency toward trends, self-planning, rationality and economic efficiency, while the preference of consumers is linked to the tendency toward trends, self-realization and rationality. This study aims to analyze and understand the consumer group of college women in their 20s, and it also seeks to help establish policies that will provide consumer education so badly needed by such women who are or who will be the main players of their respective household economies and rates of consumption.

• 대순사상논총
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• 제47집
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• pp.173-202
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• 2023

본 연구는 재외동포 후속세대 학습자를 대상으로 고전 서사 <바리공주>와 <심청전>을 활용한 문화 교육 방안을 모색하고자 한다. 거주국에서 태생한 재외동포 후속세대 학습자의 비율이 늘어나고 있는 만큼 세대교체의 변화를 반영한 재외동포의 교육 방안이 요구되는 시점이다. 특히 재외동포 다수의 학습 동기를 고려하여 정체성 정립을 위한 문화 교육 방안을 제언하고자 하였다. 교육 자료로는 고전 서사<바리공주>와 <심청전>을 텍스트로 삼았다. 두 텍스트에 나타나는 통과의례적 구조가 주인공의 '존재론적 위치의 변화'를 보여준다는 점에서 정체성 교육에 유의미할 것으로 보았기 때문이다. 바리와 심청은 가부장적 세계에서 부유하던 여성 주체다. 그들이 부모와의 관계로 이루어진 세계에서 벗어나는 탈영토화의 과정을 거쳐 새로운 관계를 통해 스스로를 재정립하는 서사를 거주국의 질서에서 부유하는 재외동포가 가체험해 봄으로써 정체성을 성찰할 수 있도록 하였다. 인간의 본래적 자아를 긍정하는 작품 서사에 자기 서사를 합치함으로써 '나'를 구성하는 것들을 긍정할 수 있도록 인식의 변화를 유도할 수 있기 때문이다. 궁극적으로는 고전 작품 서사에 대한 심층적 이해와 작품서사 주체와의 일체감을 통해 자기 서사를 진단하고 혼종적 '주체'의 긍정성을 확보하는 방향으로 교육 방안을 제언하고자 하였다. 이는 자연스럽게 모국에 대한 문화에도 관심과 유대감을 높일 수 있는 계기가 될 수 있을 것이다.

• 한국의상디자인학회지
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• 제19권3호
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• pp.175-192
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• 2017

The purpose of this study is to provide the characteristics and development direction of K-fashion and to systematize the strategic features performed by government agencies, fashion associations, fashion companies, and other companies to activate K-fashion. This research analyzed K-fashion related articles published in major newspapers and magazines in Korea from the late 1990s to early 2017. The results of the study are as follows. 1. The characteristics of K-fashion are as follows: The first is a trendy and sophisticated design with modern sensibilities, unique designs that reinterpret the latest trends with designer creativity, practical and popular designs that ordinary people can wear comfortably in everyday life. The second is functional and trendy materials. The third is excellent sewing technology. The fourth is rapid turnover of products by quick connections among planning, production and sales. The fifth is a lower price than quality. 2. The direction for K-fashion to pursue was the continuous and ongoing development of the above characteristics and the creation of a 'design with the Korean emotion of its 5,000 year history'. 3. The following projects were carried out to promote K-fashion. 1) Utilization of K-pop, K-drama and other Korean wave content. (1) Holding a fashion concert event that combines Idol's K-Pop performances with fashion shows. (2) Hallyu (Korean wave) star's costume support and design collaboration with Hallyu stars. (3) Collaboration between entertainment companies and fashion companies. 2) Nurturing a global fashion branding project. 3) Business support for overseas expansion of the K-fashion brand. (1) Support project for foreign trade fair participation. (2) Holding a fashion brand fair in Korea. (3) Overseas business support by establishing a showroom and design center 4) Business to discover and nurture new designers