• 제목/요약/키워드: Original Style

검색결과 354건 처리시간 0.027초

새로 발굴한 가사체 <춘향전>에 대하여 (On the Newly-Discovered Gasa-Style )

  • 구사회;이수진;양지욱
    • 동양고전연구
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    • 제34호
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    • pp.387-414
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    • 2009
  • 논문에서는 새로 발굴한 가사체 <춘향전>을 소개하고자 한다. 지금까지 <춘향전>은 민요나 잡가, 시조나 가사 작품이 삽입가요로 쓰인 경우가 있었어도 작품 전체가 가사체로 바뀐 경우는 일찍이 없었기 때문이다. 이번에 나온 가사체 <춘향전>, 일명 양지욱본 <춘향전>의 작자는 서책의 이면에 기록된 내용으로 보아서 전남 순천군 용두면 대가촌에 살았던 배형(裵珩: ?-?)으로 추정된다. 지어진 시기는 아직 확실치 않지만 고종 37년(1900) 4월로 추정하였다. <춘향전> 서책의 27면에 걸쳐서 종배법(縱排法)에 의해 삼단편언대우법(三段片言對偶法)으로 표기되어 있다. 특정 장면만을 모아서 아예 가사체로 바꾼 것이라는 특징이 있어 <춘향전>이 가사로의 양식적 변모를 시도했던 사례라고 말할 수 있다. 이런 측면은 <춘향전>이 율문에 가깝기 때문에 행가름만 하면 그 자체로서도 가사체와 다를 것이 없을 것으로 보인다. 표기법은 국문과 한자, 그리고 이두를 뒤섞어 사용한 국한이자혼용법(國漢吏字混用法)을 사용하고 있다. 작품에는 잘못된 표기도 많은 편인데, 그것은 이본을 베끼는 과정에서 잘못 적어서 발생한 것이 아니다. 작자가 판소리를 현장에서 직접 듣고 기록하는 과정에서 소리를 따라 기록하다가 빚어진 것으로 보인다. 서사 진행에 있어서는 다른 이본들에 비해 과감한 생략이 뒤따르거나 반대로 확대되는 경우가 있다. 유연한 서사 진행보다는 주요 장면을 부각하여 집중하는 편이 많다고 할 수 있다. 그리고 양지욱본 <춘향전>은 11장면이 순차적으로 이루어져 있는 것을 확인할 수 있었다. 양지욱본 <춘향전>은 과거 장면 이후로 생략되어 있어서 미완성 작품이다. 그리고 이것은 작자로 추정되는 배형이라는 사람이 애초에 소설을 염두에 두고 기록한 것이 아니라, 판소리를 듣고 그 가운데 문장이나 표현이 빼어난 부분을 골라 적은 작품으로 추측된다.

바즈루어만 감독의 영화음악 특징 : 영화 <댄싱히어로>, <로미오와 줄리엣>, <물랑루즈>를 중심으로 (Characteristic of Film Music by Director Baz Luhrmann : Focusing on the Movies , and )

  • 김윤식;김영삼
    • 한국엔터테인먼트산업학회논문지
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    • 제13권8호
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    • pp.223-230
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    • 2019
  • 본고는 바즈루어만 감독 영화음악의 특징을 분석하기 위하여 그의 대표작 <댄싱히어로>, <로미오와 줄리엣>, <물랑루즈>를 연대기 순으로 분석을 함으로서 각 작품에서 사용된 음악의 특징과 역할에 대하여 살펴보았다. 먼저, <댄싱히어로>에서는 댄스 스포츠의 다양한 춤을 역동감 있는 촬영 기법을 통해 담아내면서 다양한 장르의 댄스음악을 활용하여 내러티브를 주도했으며, 특히 메인 테마 음악으로 'Time after Time'을 사용하여 최신 팝 음악으로 관객의 감성을 자극했다. 그리고, 셰익스피어의 원작인 <로미오와 줄리엣>에서는 대사와 스토리를 유지하며 화려한 패션과 다양한 록 음악을 주크박스 스타일로 꾸며내었고, 또한 가장 현대적이고 트렌드한 MTV스타일 영상으로 조화를 이루었다. 마지막으로 <물랑루즈>에서는 고전적 백 스테이지 뮤지컬과 발리우드 영상을 담아내며 주크박스 형식의 트렌드한 곡으로 구성되었지만 그 곡을 섞어서 한곡처럼 부른 '믹스 앤드 매치'의 방법을 통해 영화음악을 발전시켰다. 결론적으로 바즈루어만 감독은 화려한 영상미와 더불어 다양한 주크박스식 음악을 영상과 연결하여 다양한 스타일의 영화음악을 트랜디하게 발전시켰고, 이는 기존의 곡조차 새롭게 느껴지게 하는 바즈 루어만 감독만의 독특한 영화음악 연출 방식으로 재탄생되게 되었다.

현대패션에 나타난 그라피티에 관한 연구 (A Study on Graffiti Expressed in the Modern Fashion)

  • 김선영
    • 한국의류학회지
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    • 제31권5호
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    • pp.777-787
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    • 2007
  • The purpose of this study is to consider various characteristics in the graffiti-look in the modem fashion by interpreting meanings and properties of graffiti, transferred from street art to a new main stream in art. The scope of this study is limited to works from the 1990s to the present, and the materials for the literatures and exploratory study are fashion-related portfolios and the domestic and foreign fashion magazines. The first characteristic is satire. The graffiti-look conveys directly or indirectly with phrase or symbol various messages of politics, social ideology, wealth and poverty, environmental pollution, anti-war, etc. Body is even more used for graffitiand designers express freely their identity or ideology through the formative style of graffiti. The second characteristic is pleasure. Fantastic expressions from a fairy-tale or fable in the graffiti-look give humor meaning freedom and sense of liberation in a sense of catharsis to the modem people's emotion. The graffiti-look uses graffiti works to introduce its original message of humanism, happiness, humor, etc. to clothing; as a result, the graffiti-look features pleasure. The third characteristic iscommercial application. Brand logo designed by graffiti style is decorated with clothing, accessory, or ornament. This may not only emphasize brand name through lingual function of graffiti, but also be used for a distinctive marketing strategy against other brands. Logo which is regarded motive or pattern of design leaves a image instead of a meaning and performs a design function stressing formative sense.

현대 의상에 나타난 Cezanne 회화의 조형성에 관한 연구

  • 이효진
    • 복식
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    • 제18권
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    • pp.167-181
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    • 1992
  • This study was conducted to clarify the formativeness of Cezanne's painting and it's influence on the Modern Fashion. Recently, fashion was introduced and applied the originality of paintings into the fabric and fashion designing. To go with the current of the times I already discussed about the Modern Fashion under the influence of the color of Impressionism and N대-Impressionism in the previous paper. In this study, Cezanne's painting and it's influence on the Modern fashion was investigated. As one of the original Impressionist, Paul Cez anne had been so adversely affected by the critical attack on his contributions to the 1874 and 1877 exhibitions that he never again showed with the group. That is, he was the first Impressionist to become dissatisfied with the superficial recording of atmospheric effects. When he turned to nature, it was not simply to depict the objects that occupied a given site but rather to consider relationships among those objects. Cezanne attempted to track down the fundamental laws of geometrical prototypes of sphere, prism and corn. Color too, he found, could be employed according to principle, like the tones of a musical scale. Throughout the Modern Fashion, various forms of Bustle style dress and geometrical style dress were reappered under the influence of the Cez anne's painting technique. And the order and the unity of all nature was illuminated on the fashion's pattern.

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멸치(Engraulis japonicus) 잔사 분말을 첨가한 칼국수의 최적화 (Optimizing Recipes of Korean-style Cut Noodles with Anchovy Engraulis japonicus Soup Base Residue Powder)

  • 이소연;류홍수
    • 한국수산과학회지
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    • 제47권5호
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    • pp.545-555
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    • 2014
  • To develop Korean-style cut noodles with enhanced protein and calcium levels, we manipulated the ratio of dried anchovy Engraulis japonicus soup base residue powder to wheat flour, using a response surface methodology based on trained panel trials to determine the optimum ratio. Texture analysis and nutritional evaluation were also performed on cut noodles containing dried anchovy soup base residue (CNAR). Higher umami taste and springiness, and lower fishy flavor were strongly correlated with overall acceptability. The optimal CNAR formulation consisted of wheat flour (96.02 g), anchovy residue powder (2.67 g), and water (50.64 mL). CNAR had lower gumminess and adhesiveness (P<0.001), but higher springiness, cohesiveness (P<0.001), and chewiness (P<0.05), than the control (original wheat flour cut noodles). The addition of anchovy soup base residue elevated protein, lipid, and ash levels relative to the control. Color values decreased with increasing residue powder content. In vitro protein and starch digestibility of CNAR were lower than in the control (P<0.001). CNAR yielded significantly higher total free amino acid content than the control (P<0.01), leading to CNAR's improved palatability. Dried anchovy soup base residue can be used in wheat flour cut noodles to improve nutrition, sensory acceptability, and profitability.

임언국(任彦國)의 "치종방(治瘇方)" 번역 연구 (A Study on "Chijongbang(治瘇方)")

  • 박상영;권오민;안상영;한창현;안상우
    • 대한한의학원전학회지
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    • 제22권4호
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    • pp.117-128
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    • 2009
  • This study is purposed to list the full translation of "The secret method of tumor treatment(治瘇方)" and to report the results to the academic world. The results are described as follows. 1. It seems to be difficult to accept the current "The secret method of tumor treatment(治瘇秘方)" as the original script of "The method of tumor treatment(治瘇方)". It seemed that the Imeonguk(任彦國)'s 'Important and Valuable Method(遺方)' at the era of Joseon was copied by handwriting among the private sector. 2. There are contents which are overlapped with "Experience Method of Acupuncture(針灸經驗方)". A further study is required whether the "Experience Method of Acupuncture" was added later on. Because resolution for the before and after of these two books may be acted as an important matter to conjecture the related schools with acupuncture science. 3. The Korean style unique method and terminology were introduced frequently in "The method of tumor treatment". Besides that, materials for the medicine were filled with the things of easy-to-contact in our daily life. It is regarded as one of the excellent materials to confirm the superiority of oriental medical science through the clinical experiments today.

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유아의 연령과 부모 문해 상호작용 유형에 따른 유아의 환경인쇄물 읽기능력의 차이 (The Differences in Children's Reading Abilities of Environmental Print according to Children's Age and Types of Parental Literacy Interaction)

  • 손승희;김명순
    • 아동학회지
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    • 제33권5호
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    • pp.181-200
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    • 2012
  • The purpose of this study investigate the differences in children's reading abilities of environmental print according to children's age and types of parental literacy interaction. The subjects comprised 111 illiterate children, 3 to 4 years of age, and their mothers. The Children's Reading Abilities of Environmental Print Scale (CRAEPS), Parent's Literacy Interaction Rating Scale (PLIRS) as developed by Son (2012) were used in this study. The collected data are analyzed by means of descriptive analysis, K-mean cluster analysis, Correlations, and two-way ANOVA. The results of this study are as follows : Illiterate Korean children, aged 3 to 4 years, can read environmental print which are familiar to them, and an 'open interaction style' plays an important role in developing the child's reading ability of environmental print. Therefore, in order to develop child literacy, it is necessary to research, not only teaching methods for using environmental print in the home, child care centers, and in kindergarten, but also parent education programs regarding the importance of the mother's literacy interaction style.

영화 '아메리칸 사이코'에 나타난 1980년대의 사회상과 복식에 관한 연구 (The Social Aspects and Costumes of the 1980's Expressed in the Movie 'American Psycho')

  • 김혜정;박지훈
    • 대한가정학회지
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    • 제44권12호
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    • pp.117-126
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    • 2006
  • A movie's fashion style delivers the overall atmosphere of the scene including the characters's class, personality, spiritual world and inner thinking and even their conflicts in the story. The movie 'American Psycho' directed by Mary Harron and based on from Bret Easton Ellis's original novel ridicules the American yuppie culture of the 1980's through the behavior of the hero Patrick Bateman. The life style of the yuppie sees itself as the high-class embodiment of a particular culture, but the various subcultures such as Glam and Punk show that it is merely a two-faced culture suffering from hypocrisy and mammonism. An analysis of the costumes found in the movie indicated an exhibition of the 1980's Haute Couture fashion, which was mainly occupied by the mainstream social class and of the social phenomenon of post-modernism. The anti-fashion presented in the movie as the resistance culture formed by the subculture was in extreme contrast with the expression of self-actualization.

Post-modern 복식의 복고성에 관한 연구-Baroque 복식의 loop와 tassel을 중심으로-

  • 정흥숙
    • 복식
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    • 제25권
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    • pp.71-83
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    • 1995
  • The purpose of this study was to analyze the formative costume of Baroque style and to in-vestigate the characteristic of loop and tassel which are the main factors of decoration in the Post-modern clothing in point of the characteristic of retro. For this purpose, theoretical studies about the concepts of Post-modernism and aesthetic sphere o Baroque style were preceeded. Especially the parody which is concept that is the most influencing to the contemporary art, architecture, and costume. It is the identity of the parody that is being understood smoothly the creation and the imi-tation which is contrasted each other. The parody is urging the purpose rather than the essence and the recreation rather than the originality of the original works. The synthetic results were as follows ; 1. The frequent usage of loop and tassel which was expressed in the first half of 1990's in the modern clothing influenced the aes-thetic will of aspiration about the past. 2. The characteristic of retro to the tra-ditional form constitutes a base of spiritual thinking of Post-modernism which has been expressed in 1970's afterwards. The peculiarity about the great change in the traditional concept of artistic creation in the Post-modern clothing is the very extention of a range of application about the retro in which it becomes the essence or the oppor-tunity in artistic creation.

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계성의『원치』에 관한 기초적 연구 (A Basic Study on the Yuarye of Ji Cheng)

  • 이유직;황기원
    • 한국조경학회지
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    • 제23권2호
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    • pp.223-241
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    • 1995
  • Ji Cheng's great work on garden design, the 'Yuanye'(Craft of garden), written in 1631 and originally published in 1634 is the first surviving manual on landscape gardening in the Chinese tradition. This study aims at investigating not only Ji Cheng's life, achievements companionship and design activities, but also the xylographic copies, literary style, and framework of Yuanye in their historical context in order to provide the bases for further study, Ji Cheng was exellent in poetry and painting. And he constructed Dongdiyuan in Changzhou around 1623, Wuyuan in Yiaheng in 1631, and Yingyuan in Yangzhou around 1634 But no poems, paintings, and gardens designed by hi shill exist Therefore his design phi philosophy is able to be interpreted only by his work, Yuanye. After publishing, Yuanye fell into obscurity for several centuries in Chlna. It was redescovered and reprinted for the first time in 1931. Yuanye is composed of prefaces and main text The main text is divided into 'the Theory of Construction' and 'on Gardens', and the latter also into 10 sections. In this text Ji Cheng explains the aesthetic principles underlying garden design and the appropriate emotional response to various efftcts Especially, he emphasizes the importance of basin the garden design on the taxi ting nature and features of landscape and making use of natural scenery. The literary style of the book is highly mannered, and there are so many poetic descriptions and Ji Cheng's native Jiangsu dialects. So the translation of the original text is very difficult After this, the major design concepts of Ji Cheng's landscape gardening theory and whole network of these concepts have to be studied.

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