• Journal of East-Asian Urban History
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• 제1권
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• pp.55-80
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• 2019

The New Culture Movement marked the dawning of a turbulent era in China. By the time of May Fourth Movement, the cultural contradiction and confliction grew into an extensive and enduring social movement extending deep and far-reaching influence on the Chinese society. The huge difference and contradiction existing between the Beijing and Shanghai cultures contributed to the outbreak of this social movement. To be specific, there was an active human and information exchange involving the two leading Chinese cities and at the same time the old and new cultures, thoughts and moralities constantly acted upon each other.

• 대한가정학회지
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• 제38권11호
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• pp.89-104
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• 2000

The purpose of this study is to grope the direction of the environmental movement for the improvement of welfare. The deterioration of environment which was resulted from the development of material civilization due to the industrialization made people newly recognize the importance of environment. The quality of the future life depends on the solution of the environmental problems. The family-centered environmental movement as a new cultural movement in the daily life should be revitalized for the purpose of improving welfare. This study investigated the several views on the environmental problems in the neighboring disciplines of home economics. And on the basis of the results of the study, the direction of environmental movement to be developed in home economics was represented. This study represented the directions of the environmental movement as a new cultural movement in the daily life as follows: alternative life-style, that is, pro-environmental life-style-oriented direction; community-oriented direction such as cooperative association movement in daily life; the politicalization of the environmental problems, that is, the endeavor to reflect the election promise on the environment in the vote, etc. The content of the environmental movement shoed be treated of in environmental education, consumer education, family-life education, school education, and life-long education.

• 한국실내디자인학회논문집
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• 제24권3호
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• pp.59-68
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• 2015

As the economical and cultural levels become higher, the public have more various and new cultural desires, leading to an increase in the number and kinds of cultural facilities. Out of all the cultural facilities built in such a trend, art museums are the yardstick for a certain nation's cultural level, and the number of art museums is gradually increasing every year in Korea, as a cultural space where the public can make cultural exchanges with artists. On the contrary to the increasing number of art museums, however, the number of art museum visitors is decreasing every year, so various attempts are made to activate art museums in Korea. Thus, this study aims to seek a plan to activate the space of an art museum by improving the physical movement of art museum visitors, especially targeting small-sized ones out of all the art museums in Korea. For accurate analyses and verifications, this study used the visibility-ERAM program. As a result of analyses, this study found out and reconsidered several problems related to the space of art museums, and based on the results, the researcher could verify the related hypotheses, further comprehending possible errors of the proposed solution to those problems and supplement in a short period of time. Since such an analysis method and process has objective accuracy, it is expected that the results of this study will be used as basic data for future plans to activate the space of art museums.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.188-195
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• 2010

The museum architecture has been developed with new social and cultural movement because of the its representative role of cultural character. After emergence of the modern museum in Korea, the function and role of the museum has been changed and developed especially after increasing role by local government. The cultural desire by the new pace of consumerism has requested museums to undergo with some changes and advancements in their function and programs. This research aims to examine the progress of museum programs in Korea even though it has sort history. The scope of the analysis is discussed the extension of existing and new national museums which could be the measurement of the direction of the policy for museum. These changes have a tendency to correspond to social and cultural demands. Based on the existing program, new programs accommodate education and services which represent the characteristic of the museums. These changes caused the extension of the existing museums and the emergence of the small museums which has special program fields and even influences to expand existing museums for sub-characters. The study for chronological changes could be useful to establish the basic guidelines of the configuration for the museum program and space in the early stages for the new construction.

• 미술이론과 현장
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• 제16호
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• pp.71-103
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• 2013

This paper explores the key figure of minjung misul ("the people's art"), Kim Bongjun, and the art collective Dureong in the relationship between 'dialogue' and the dissidents' structural critique of Korea's modernities. During the 1980s' prodemocracy movement, the minjung artists and other dissident intellectuals used the notion of dialogue as metaphor for and allegory of democracy to articulate not only Koreans' experience of modern history, which they saw as "alienating" and "inhumane," but also the discrepancies between Koreans' predicaments and their political aspirations and their working toward the fulfillment of those ideals. Envisioning alternative forms of modernities, Kim Bongjun and other Dureong members paid attention to the fundamental elements of art, which consist of art as a modern institution, as well as the everyday lives of people as the very site of Koreans' modernities. They endeavored to create "art of life," which presumes its being part of people's lives, based on the cultural and spiritual traditions of the agrarian community. They also participated in the national culture movement, the minjung church, and the alternative-life movement to radically envision everyday lives through the indigenous reinterpretation of democratic values. Despite the significant role played by the church mission and its community involvement, its effects on minjung misul have received little attention in the relevant studies. Thus, I consider in particular the minjung church's and the alternative-life movement's confluence of multiple cultural and social constituencies in relation to Kim and the Dureong collective's vision of a new art and community.

• 한국언론정보학보
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• 제63권
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• pp.53-75
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• 2013

한국 사회운동에 관련한 논의는 주로 1980년대 정치변동이 일어나며 대립되는 양 진영 간의 갈등이 발생하는 지점으로부터 시작한다. 1961년부터 26년 간 지속된 군부 통치 체제에 반대했던 세력을 중심으로 1987년 6월 항쟁이 발생한 이후, 한국 사회운동에서는 줄곧 민주화 운동과 맞물린 문제제기가 이뤄져 왔다. 이와 더불어 산업화가 활발하게 진행되며 나타난 노동자의 인권문제 또한 사회운동 영역의 중요한 화두였다. 그러나 민주화, 산업화 등의 다양한 사회 변동으로 사회운동의 주제 또한 복잡해지고 다원화 되고 있다. 최근에는 서구 사회에서 두드러지게 나타났던 여성인권운동 및 환경운동을 포함해 한국 사회의 특수성을 띤 이주자, 농어촌, 외국인 노동자, 재개발 문제 등으로 한국 사회운동의 영역이 확장되고 있다. 본 논문에서 다루고자 하는 두리반 운동 또한 다양한 사회운동의 한 갈래에 포함된다. 강제 철거에 저항했던 이 운동은 기존 방식과는 다르게 운동 참여자인 각 주체가 능동적이고 적극적으로 운동을 주도하는 새로운 사회운동 방식을 제시하는 단초 역할을 했다. 두리반 운동은 사회운동을 통한 문화생산이 가능하다는 중요한 의미를 갖고 있음에도 불구하고, 아직 이 운동이 갖는 사회적/문화적 의미에 대한 학술적 논의는 미미한 상태이다. 특히 기존 사회운동 연구에서는 운동의 주제에 치중한 나머지 운동 참여자의 역할을 면밀히 다루지 못한 한계를 드러낸다. 이 연구의 목적은 두리반 운동 참여자들의 사회운동으로서 문화적 실천 행위를 분석해 그 사회 문화적 함의를 탐구하는 데 있다. 이를 위해 본 연구는 두리반 운동 당시 행해진 문화행사들의 주최자와 심층 인터뷰를 진행하는 한편, 연구자가 직접 현장을 방문해 참여 관찰한 내용을 기반으로 운동 중 나타났던 문화적 실천들이 갖고 있는 의미와 이를 통해 지향하고자 했던 바가 무엇인지 알아보고자 한다.

• 한국경제지리학회지
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• 제12권4호
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• pp.597-612
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• 2009

이 연구에서는 도자기를 모티브로 한 일본의 한 농촌지역의 지역활성화운동의 사례를 살펴보고자 하였다. 특히 도자기가 지역활성화의 모티브가 된 역사와 핵심 활동가집단의 이념적 특성과 역할, 그리고 변화하는 현실에 대한 지역사회의 대응전략 등을 중점적으로 검토하였다. 마시코(益子)지역의 도자기산업은 19세기에 본격적으로 발전하기 시작하였고, 20세기에 접어들어서 여러 번 고비를 겪었지만 1960년대부터 민예운동과 결합되면서 비교적 안정적으로 도자기산업이 성장하였다. 이러한 마시코의 경험은 1980년대 말 이후 일본정부가 주력하였던 '위로부터의' 지역활성화운동과는 달리 자생적인 '밑으로부터의' 지역활성화운동이라고 평가할 수 있다. 또한 일본 전국에 유행처럼 번진 지역활성화운동들보다 선행하여 지역의 전통적이고 토착적인 문화적 자원을 적극적으로 활용한 사례라고 할 수 있다. 민예운동과 결합한 마시코의 지역활성화운동은 문화예술가 집단의 이념적 지도를 바탕으로 부단히 변화하는 현실의 상황들에 적극적으로 대응하여 왔다. 그 대표적인 예로 들 수 있는 것이 1950년대 중반부터 일용 도자기생산으로부터 민예품 도자기생산으로의 전환과 1960년대 중반의 도자기생산 및 판매의 핵심활동가집단의 공식적 출범과 산지직매체계의 구축, 그리고 1980년대 이후의 본격적인 민관협력 등이다. 현재까지 도자기를 모티브로 한 마시코의 지역활성화운동은 비교적 성공적인 길을 걸어왔지만, 지역사회의 다양하고 복잡한 최근의 내부 분화는 현실의 조건에 맞게 새로운 전통을 만들어가야 하는 상황에 놓여 있다는 것을 말해준다.

• 한국실내디자인학회논문집
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• 제13권3호
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• pp.3-10
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• 2004

Modern society is indefinable and constantly changes like nature changes. It uses design to create new experiments and trend within social environment and culture. In the history of interior architecture and postmodernism, the Italian design movement of Archizoom, Studio Alchimia and Memphis are very important, and Andrea Branzi was the central figure of this design movement. His experimental and defiant works throughout this design movement produced design with combination, indefiniteness, sustentation, and reiteration. Designers must recreate themselves continually and need to have constant experimental spirit and attempts. From this point of view, the study on Andrea Branzi who led Italian design revolution with various experiments and attempts is valuable, and it will help to find the direction of design in this modern social and cultural environment.

• Child Studies in Asia-Pacific Contexts
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• 제7권1호
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• pp.1-13
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• 2017

The rich cultural backgrounds and practices of children from native cultures are often absent in classroom instruction, as teachers might feel that they have inadequate knowledge and backgrounds in the unique practices of these populations. Historically, children from native cultures have had challenging educational experiences and poor educational outcomes. To address these challenges, we propose a Family and Culture Based (FCB) framework that draws from family-centered practice, asset-based practice, and culturally responsive pedagogy. This article describes the three steps of the FCB framework, which uses a teacher-as-learner approach to instruct students from native cultures by engaging teachers in reflection, gaining knowledge about the cultural practices of the family and community, and integrating the new knowledge into practice. We use a Pacific Islands case (Native Hawaiian family) and a Pacific Northwest case (First Nations family) to illustrate the potential benefits of using the FCB framework with indigenous students.

• Journal of East-Asian Urban History
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• 제2권1호
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• pp.87-111
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• 2020

Since 1949, The first generation leader MAO zedong liked reading history books and historical biography, It led to criticism and evaluation of history and character be targeted in every movement, before the February Outline(er yue ti gang) had been revoked, the Shanghai society discussed "Hai Rui's Dismissal "basically" within the "learning and using Chairman MAO's works(huo xue huo yong mao zhu xi zhu zuo)" category, with the deterioration of the national political situation, based on the historical drama "Hai Rui's Dismissal" discussions, the dilemma of cultural propaganda and academic research appeared.