• 한국생활과학회지
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• 제24권3호
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• pp.407-421
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• 2015

This study examined the pixel's expression trend and nature featured in contemporary fashion, which works as a basic unit symbolizing the digital image, paying attention to its formativeness. The work through this process aimed at suggesting an opportunity for recognition about pixel image utilized as a formative component beyond its simple meaning of unit and providing the fundamental materials for usage in creative fashion design reflecting the digital emotion in the future, In research method, literature review was followed on pixel and the empirical study about its image was also performed that was found in the modern fashion. As a result, the trend in pixel has these characteristics. Its first nature lies in its plane expression. It was printed as mosaic or graphic grid image or expressed through patchwork technique. Also, rather than a certain form or figure, its unique image was emphasized according to the applied color, size, and position. Second, a stepwise pattern in pixel was applied to external format for part of clothing, eye glass and necktie, indicating some interest and wit. Third, in application to plane and external shape, the graphically modernized effect was realized, not to mention the illusive image with cubic expression. As shown, the characteristics in contemporary fashion via pixel expression were given in fantastic image, optical humor, and reflection of digital value.

• 대한가정학회지
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• 제45권5호
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• pp.15-23
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• 2007

The purpose of this study was to understanding the intrinsic meanings and aesthetic characteristics expressed by current fashion trends in neckties and to develop a new and unique fashion design for neckties. This study used precedent studies and related literatures to review the changes in neckties and the types of knots used over time. The findings were then verified by photographs from fashion magazines and collections from the 1990s. The results of this study are as follows. First, neckties, generally regarded as a symbol of masculinity, are often mixed with other men's or women's clothing items rather than being worn by themselves, and they provide an androgynous characteristic in women's fashion. This transcendence of femininity or masculinity reflects the human desire to be a more perfect being by sharing each others characteristics, and it can be seen in contemporary beauty trends. Second, neckties have been transformed into scarves, waist belts, front-fly omaments, and so forth. They are used to express a new and sensational sense, the sense of deconstructionism, by breaking away from stereotypes and changing the shape of neckties atypically.

• 한국의류산업학회지
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• 제14권4호
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• pp.532-543
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• 2012

This research is aimed at analyzing the image and preference of the school uniform of a girls' high school located in Ulsan. The analysis of 396 data were measured by the frequency, the t-test through SPSS 12.0. The results show that first, in the image, they associated a cold color, short v zone, necktie with mannish image, a coordination between boxy jacket and flared skirt or silhouette mixture of mannish image and feminie image with unfashionable. Second, sensibility images that they prefers differed significantly in mature, soft, and practical images between different academic spheres, and in terms of refined image between different grades. Third, in preference of school uniform wearing, photo 9 showed the significance by groups and photo 6 showed it by grade. As a result of uniform design preference analysis, significant differences were by academic shown on photo 2 in total harmony and color combination, on photo 3 in details, on photo 7 in lower garment design, on photo 8 in upper garment design, on photo 9 in total harmony, upper garment design, lower garment design, color combination and details. Meanwhile, photo 1 showed the significance by grade in color combination, photo 4 in total harmony and upper garment design, photo 7 in upper garment design, respectively. Through this study, we could assume schoolgirls' attitude toward school uniform currently worn by them and it is considered to be used for resolving diverse problems which have been raised when school uniform design is being planned to satisfy students' desires.

• 한국생활과학회지
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• 제23권4호
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• pp.681-695
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• 2014

This study has the purpose to find basic materials for development of kindergarten's uniform and suggest the improvement of its design based on the survey results from Suncheon area in Jeollanam-do of Korea. Such study methods were conducted as literature review, survey with direct visit, interview, and photographing of dresses regarding the kindergarten uniform. The following are research results. First, kindergarten teachers presented a positive opinion about the necessity for children to wear the uniform. In selection of design, they regarded the activity as most important factor. Kindergartens applying active wear compatible as townwear also accounted for 57.1%, which is more than half. Second, the formal wear, in the winter season was found to consist with jacket or knit cardigan, knit vest, shirts, skirts or pants, and necktie. For color, most of them are in dark tone, which need to be brighter. For pattern, they are in plain color, which needs to have various patterns. As to the cloth material, such problems should be improved as warmth retentivity in consideration of seasonal nature, moisture retentivity, breathability, color retentivity when washing, and harmless to human body. Third, active wear is mostly the casual sportswear type. But it has no characteristic unique to kindergarten in design and needs to be altered for differentiated design. Especially, it is simply divided into winter wear and summer wear in kind. Therefore, it is required to have differentiation for seasonal characteristic and diversity in number of item and improvement in terms of cloth material.

• 한국생활과학회지
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• 제23권5호
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• pp.843-859
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• 2014

The purpose of this study is to find the differences among the clothing brands through examination of present situation about uniform design in domestic coffee houses and provide the basic materials in developing uniform designs to reflect the brand identity. For research contents and method, the overall circumstances were examined about the domestic coffee houses and their uniforms at large via literature review. Then, characteristics on their 10 uniform designs were reviewed according to item, color, pattern and accessary. The following are results. First, cardigan, cap, and necktie according to the individual brand are added with basis of shirt and apron in composition of coffeehouse's uniform. Second, in cardigan, those colors including black, navy and brown are used, reminding of the coffee. Brand logo or symbol is also presented on it, which addresses the brand image. Third, the kind of shirt consists mainly with long or short shirt blouse and long sleeve or short sleeve pique shirt. Job title or gender differentiates the shape and color. Fourth, one-piece type is commonly applied for the apron. At the same time, a short skirt is put on as well. An image expression is often found by the unique brand color also, but mostly, some dark tones like brown or black are largely used. Fifth, in cap, various kinds are worn including the cap as in the case of baseball, fedora, beret, and hunting cap. In color, black or brown color same to that of apron is common, which fails to show differentiation. Thus, consideration of color remix with application of brand symbol is thought to be an alternative to this.

• 한국의류산업학회지
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• 제16권4호
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• pp.532-542
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• 2014

This study developed a practical knitwear design with applying the pattern of Queen Yeong's pearl pouch. The ume flower pattern of pearl pouch was simplified to be one repeat pattern, and four simulated knit pattern samples of G-A, G-B, R-A, and R-Bwere made with cable, cross, and two background colors of gray and red using Texpro V.11.0. The items of design application were selected after an interview with a panel of university students in their twenties and knit samples were produced by hand knitting. The small sized G-A for the partial ornament of hat, sweater, skirt, kitchenware case and accessories; the long sized G-B for the tuck of sleeves, hem of skirt and one-piece dress, partial ornament of sweater, scarf, and curtain decoration: the small sized R-A was preferred for point ornament of pouch, boots, hat, partial ornament of children's fashion products and accessories: the long sized R-B for table runner, leg warmer, tuck of sleeves, skirt hem, necktie, and scarf. The knit samples were formulated with partial ornaments attached on dress and props or connected each other. Colors of pastel and navy were also presented to meet the demands of panels. The study placed a limit on the slight difference between the simulation samples and knit samples due to the characteristics of threads and hand tension. The color variation for multiple coordination and activation to reduce the piece rate for young customers remains to be discussed in the near future.

• 패션비즈니스
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• 제13권2호
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• pp.100-114
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• 2009

In Honam province, the cultural prototype are largely unknown to the people, also the research on this subject are scarce, the artistic excellence, somewhat under evaluated, both in our country and internationally. It is imperative that we develop the modern design using this prototype. thereby apply it to many areas of cultural products. We should extend the dimension not only to the local festival but also to the mass production resulting in the commercial gains. The Unjusa Buddha festival for promoting the public relation would be greatly benefited by using the concept of the temple, the local prototype, by which we expect to create a ingenious textile design pattern, coinciding with the main purpose of this study. The ancient material around Unjusa come to be the subject of our textile design by way of selecting the most remarkable ones of heritage among the materials of Unjusa. In the long run, the harmonious contrast of both traditional and modern image were sought in this study. Designed patterns were edited using Adobe Photoshop CS3, a multi-purpose graphic program and were simulated in the towel for visual presentation. The design is of two kinds, the one is of the free style using combinations of reclining Buddha, stone Buddha, stone pagoda, and geometric patterns freely not to be standardized. The other one is mixing of lotus pattern, reclining Buddha, and geometric patterns. These designs were applied delicately on the towel, necktie and handkerchief, and the various colors were suggested by the 6 color ways. The brilliance of our traditional cultural property should be noted by these designs and I hope that this study would be a help to develop our cultural prototype and make a product of using the outstanding heritage.

• 한국의류산업학회지
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• 제21권5호
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• pp.665-676
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• 2019

This study provides basic data for future design proposals aimed at improving the uniforms and bullet/stab proof garments of local police. An analysis was conducted on various aspects of the uniforms used until 2015 and those newly introduced in 2016. Current bullet/stab proof garments were compared with old stab proof garments; in addition, police force posting on the internal SNS were analyzed in regards to the improvement needs for uniforms. Analyses results are as follows. As for the uniforms, convenience was improved by eliminating the necktie, and the four trigrams embroidery was added to emphasize the Korean identity. Cargo-style pants were added for enhanced activity, and the color of the top was changed to turquoise to improve discrimination. In terms of material, durable polyester was used heavily in outside uniforms that were likely to be damaged during work; consequently, the percentage of elastic materials was increased for improved activity. The price showed a high increase rate due to inflation and the use of functional new materials. Complaints and demands for improvement continued despite various modifications made to uniforms and suggested a strong need for further improvements that reflected the opinions of wearers. As for the protective garments, there was a limit to reducing the final weight despite the use of lightweight material because of protection performance enhancements made from expanding the protection surface area. Also, considering further decrease in supply rate, it was deemed necessary to secure budget for full supply of bullet/stab proof garments.

• 한국융합학회논문지
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• 제9권2호
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• pp.201-206
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• 2018

본 연구는 한국과 중국의 남성 장신구 선호도에 관한 연구로서 점점 커지고 있는 현대의 남성장신구 시장의 변화와 발전을 위해 시작되었다. 한국의 남성장신구는 여성 장신구의 일부로서 소규모 시장으로 발전하다가 2006년 이후부터 남성 장신구로서 따로 분류되어 성장하기 시작했다. 하지만 아직까지도 매우 일부의 브랜드에서만 취급하고 있고 디자인의 다양성이 취약하여 혁신을 필요로 하는 시점이다. 중국의 남성 장신구 시장은 젊은 신흥부자들의 영향으로 급속하게 발전하고 있는 추세이다. 하지만 한국과 마찬가지로 중국 또한 남성 장신구의 디자인에 대한 연구가 미흡하여 남성 장신구에 대한 선호도에 대한 연구가 요구된다. 이를 위해 한국과 중국의 남성 장신구 중 대표적인 넥타이핀과 커프스 버튼의 선호도를 설문을 통해 조사한 결과 양국 모두 현재 판매되고 있는 디자인에 만족하지 못하고 있었으며, 한국은 넥타이핀과 커프스 버튼의 대중화가 어느정도 이루어져 소비자의 맞춤형 혁신적 발전이 요구되고 중국은 넥타이핀과 커프스 버튼의 대중화를 통해 남성 주얼리 시장의 성장을 기대할 수 있는 결과를 얻었다.

• 한국의류학회지
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• 제31권6호
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• pp.985-996
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• 2007

본 연구의 목적은 한국전통문양의 문헌고찰 및 활용 사례의 분석을 통해 활용되는 문양의 종류와 문양의 상징적 의미를 살펴보고, 패션문화상품의 전통문양활용 실태를 토대로 문양의 상징성을 적용하여 텍스타일 디자인을 시도함으로써 패션문화상품 디자인 개발에 발전적 인 방향을 모색하고자 하였으며, 패션문화상품을 위한 텍스타일 디자인 개발 프로세스는 다음과 같다. 첫째, 패션문화상품을 광범위한 패션의 일부로 간주하여 2005년부터 2007년까지 최근 3년 동안 S/S 시즌의 패션트렌드를 살펴보고 이를 반영한 컨셉을 설정하였다 둘째, 패션문화상품에 많이 활용되고 있는 문양을 중심으로 텍스타일 디자인을 위한 문양을 선정하였다. 셋째, 패션문화상품 디자인 개발을 위한 아이템을 선정하고, 전통문양의 상징적 의미에 따라 아이템의 문양을 선정하였다. 넷째, 텍스타일 디자인에 활용할 모티브를 발췌하여 패턴의 배열방법에 따라 전개하였다. 끝으로, 전개된 텍스타일 디자인은 텍스타일 CAD(Tex pro)와 Illustrator 10을 활용하여 아이템별 도식화에 적용하고, 이미지로 제시하였다. 이상과 같은 디자인 프로세스를 통하여 본 연구에서는 다음과 같은 결론을 얻을 수 있었다. 첫째, 전통문양을 이용한 패션문화상품 디자인은 전통 문양 의미적 측면 외에 문양에 내재된 상징적 의미를 적용함으로써 한국의 전통미의식에 대한 이해와 철학적 접근이 이루어 질 수 있다. 둘째, 전통공예품이나 민예품에 사용되어 오면서 소비자에게 진부한 문양으로 인식된 전통문양은 형태를 변형하거나 간결한 형태로 단순화하여 이미지를 강조하고, 트렌드를 반영한 스타일 및 색채의 적용으로 현대적 감각의 디자인으로 재창조될 수 있다. 셋째, 전통 문양을 응용한 디자인은 표현기법과 제작방법에 따라 다양한 이미지와 시각적 효과로 표현될 수 있으며, 이에 활용범위가 확대되어 다양한 아이템에 적용될 수 있다. 넷째, 패션문화상품에서의 전통문양은 우리 고유의 독창적인 디자인 요소로 활용될 수 있어 고부가가치 상품개발을 위한 디자인 영감의 원천으로 활용될 수 있다. 향후 전통문양을 응용한 문화상품개발을 위해서는 전통문양에 대한 이해를 토대로 다양한 접근과 시도가 이루어져 다양한 상품이 개발되어져야 할 것으로 본다.