• Title/Summary/Keyword: Natural worship

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Interpretation of Primitive Worship of Maogusi Dance of Xiangxi Tujia Nationality (상서(湘西) 토가족(土家族) 마고사(毛古斯) 무용 원시숭배(原始崇拜)의 해석)

  • Zhu, Yi
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.22 no.3
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    • pp.381-389
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    • 2021
  • Maogusi dance is an ancient ritual dance of the Tujia, a Chinese ethnic minority living in the remote region of the western Hunan Province of China. With characters, dialogues, simple story plots and unique performance procedures, it expresses ancient people's devout worship of nature, totems, ancestors, and reproduction in the uncivilized age. With the advancement of human civilization and the opening to the outside world, many dances of the ethnic minority gradually have faded out, while the Maogusi dance is still popular among the Tujia people and its spiritual symbols have been passed on through the generations. It is recognized by experts in dance and drama circles as the original source of Chinese dance and drama. From the perspectives of philosophy, religion, anthropology and folklore, this paper tries to remove the mysterious veil covering the Maogusi dance of the Tujia to explain how its ancient spiritual symbols have survived and why the original ecological consciousness has been preserved. These aims would help in understanding the deep connotation of this ancient Chinese art with its long history and profound culture.

A study on shaman costume from the perspective of Siberian shamanism spiritual culture (시베리아 샤머니즘 정신문화의 관점에서 본 샤먼복식 연구)

  • Liu, Shuai;Kwon, Mi Jeong
    • The Research Journal of the Costume Culture
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    • v.29 no.1
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    • pp.103-120
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    • 2021
  • This study interprets Siberian shaman costumes from the perspective of Siberian shamanism's spiritual culture by combining theoretical and empirical studies. According to the natural environment and language families, the Siberian people are classified into the Altai, Tungus, Ural, and Paleo-Siberian groups. Se Yin's research classifies the spiritual culture of Siberian shamanism as cosmic, spiritual, and nature view. Eliade's research has divided Siberian shaman costumes into form, headdress, and ornament. According to the present study, shaman costume form and decoration reflect the Siberian three-tiered cosmic view, such that the shaman's head, body and feet correspond to the upperworld, middleworld and underworld. In addition, animism, totemism and ancestral worship appear in the shamanism's spiritual view. For example, the costume's form shows the totem of each tribe, while the costume accessories reflect animal worship, plant worship and ancestral worship. Finally, shamanism's nature view mainly manifests through three processes: personification, deification, and ethics. As an intermediary between man and the spirits, shaman use their clothing to reproduce the image of half man and half spirit. The shaman's costumes are deified and considered to have divine power. For example, the animals represented on the costume help the shaman travel through space. Generally, good animals help a shaman enter the upperworld, while animals that help a shaman enter the underworld are considered evil. Also, the number of hanging accessories represents the shaman's ability.

우리나라 조우삽관과 의상적배경

  • 권영숙
    • Journal of the Korean Society of Costume
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    • v.21
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    • pp.129-142
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    • 1993
  • We priority given to Jowoo-Kwan this study examined the ideologic backgrounds which had influences on Jowwo-Kwan throughout the Birds Worship Thought and the Yin-Yang and Five-Elements Thought. Jowoo-Kwan with bird-feathers to Jeol-Poong namely the orgin of the Korean Kwan-Mo existed as a northern cultural elements until the Three States. The customs of Joo-Kwan were greatly related to the hunting life of a horse-riding people and they were dominated the Birds Worship Ideology originated from the primitive religion of a northern people namely Shamanism. In the early days Jowoo-Kwan with natural bird-feathers was decorated with golden bird-feathers with the development of a so-ciety and it changed realistic and crative in the form. The results that Jowoo-Kwan is applied to the Yin-Yang and Five-Elements Thought as follows. The Higher front part represents Yang and on the other hand the lower back part does Yin. Thus Jo-woo-kwan consists of a ideologic Yin-Yang. By means of principles of the Five Elements Birds are included in four animals with the mean of God and especially we can confirm it from a red bird. Expresions of Jowoo-Kwan shows the influences of the Five Elements thought.

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A study on the cultural symbolic representation of animal imitation in Korean traditional dance (한국전통춤에서 동물모방의 문화기호학적 표상에 관한 연구)

  • Kim, Ji Won
    • 기호학연구
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    • no.54
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    • pp.37-63
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    • 2018
  • In this study, we tried to represent representative animals in traditional dance and study about cultural symbolic representations that symbolize them, thus meaning Korean worship of animal worship and philosophy of life and discuss the identity of Korean traditional art. This is to ask fundamental questions about Korean culture and art, and to express the cultural philosophical reason for the representation of animal imitation. Therefore, Korean animal imitation dance was able to get a glimpse of Koreans' recognition of artistic value which is reflected in dance beyond simple cultural code. In other words, it was found that not only magic and sexual metaphors but also the adaptive attitude through natural friendly life and the ethical practice in reality were inspired by artistic aesthetics.

The Scenic Loss and Preservation of District Shrines at the Fringe of Tokyo

  • Poggendorf, Lorenz
    • Proceedings of the Korean Institute of Landscape Architecture Conference
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    • 2007.10b
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    • pp.99-104
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    • 2007
  • With their deity groves, Japanese Shinto shrines form unique green spaces. Further, many shrines are located between a settlement and the rural or natural environment. This location relates to the nature-worship of the Shinto tradition. However, when visiting present shrine precincts, it gives the impression that their original landscape location and green space is impaired by urban changes. This study focuses on the point how the scenic condition of district shrines at the fringe of Tokyo is challenged in the present, and presents an example of a successful preservation in the urban area. The key point of such preservation is that it goes beyond the shrine precinct itself. If there still exists a natural or beautiful scenery next to a shrine with some distinct historical or religious relationship, both shrine and scenery should be preserved together.

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The Religious Thought in the Wisdom of Royal Glory (Kutadgu Bilig) (위구르 고전 장편시 『복락지혜(福樂智慧)』의 종교사상)

  • 정병윤
    • Journal of Sinology and China Studies
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    • v.79
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    • pp.197-222
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    • 2019
  • The Wisdom of Royal Glory (Kutadgu Bilig) is a Karakhanid work from the 11th century written by Yusuf Khass Hajib. Translated, the title means something like "The Wisdom which brings Happiness" or "The Wisdom that Conduces to Royal Glory or Fortune" or "Wisdom Which Brings Good Fortune". The text reflects the author's and his society's beliefs, feelings, and practices with regard to quite a few topics, and depicts interesting facets of various aspects of life in the Karakhanid empire. So the famous Chinese writer Lao she once pointed out that "it is not only the Uyghur's precious heritage, is also a priceless art treasures of our country's culture history." This paper mainly discusses about the variety of religious thought, such as primitive belief(teng ge li worship, natural worship, animal worship, shamanism), Manichaeism, Buddhism, Islam, etc.

On the Application of the Islamic Patterns to the Textile Design (이슬람 예술에 표현된 패턴 특징과 텍스타일디자인에의 활용)

  • 김희선
    • Journal of the Korea Fashion and Costume Design Association
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    • v.6 no.1
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    • pp.13-24
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    • 2004
  • This study was analyzed three basic patterns of the Islamic arts. These are natural flora, geometrical and calligraphy pattern. Islamic belief in Aniconism, doctrine of unity and worship of arabic language demanded delicate, decorative, and abstract patterns instead of patterns of real image. Natural flora pattern was classified into arabesque and various flower patterns. Muhammad commands that "The artist who fashions a representation of living things is competitor of God and therefore destined to eternal damnation, so if you want to represent living things, you should only depict flowers and trees". Then the natural flora patterns developed into main Islamic pattern. Geometric pattern was composed of geometrical elements like, circle, trigon, square, rectangle, pentagon, hexagon, octagon or other polygons, stars or motifs with straight or curved lines. Circle symbolized ′celestial′ sphere and crystal of the lower octagon symbolized ′earthly existence′. Therefore if the circle join with the octagons, it means fusion of celestial and earthly existence. Another important influence on the Islamic art was the calligraphy pattern, the writing of Arabic language. The major language of calligraphy pattern was Arabic script and often Persian script. Calligraphy pattern was composed of Kufic and Cursive script. The cursive script was developed various forms. The Islamic tenet prohibit depiction of sacred images, the sacred Arabic calligraphy such as ′Alla′ or ′Mohammad′ was substituted of them. And the content of calligraphy pattern was used with Quranic phrases. The aesthetics of Islamic patterns analyzed aesthetic of ′rhythmic lines′, aesthetic of ′unity in multiplicity′, aesthetic of tessellation and aesthetic of harmony. On the textiles of the Islamic culture, the arabesque, floral, geometric and calligraphy patterns were frequently used.

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The Direction of Christian Education in the Post COVID-19 (코로나19 시기 이후의 기독교교육의 방향)

  • Kim, Sung-Joong
    • Journal of Christian Education in Korea
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    • v.63
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    • pp.39-64
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    • 2020
  • COVID-19 is sweeping the world, and it is in crisis in all aspects of politics, economy, culture, and religion. As people experience the beginning and spread of COVID-19, wince and re-spread, the people are living in anxiety and depression. Because of the COVOD-19 crisis, Korean churches were unable to provide on-site worship, and online worship began, and churches that started on-site worship also performed online worship. In the case of church schools, the functions of fellowship and education were paralyzed and many are offering online Sunday service only. Many people eagerly want to go back to what it was before COVID-19, but it seems difficult because COVID-19 has become a global issue and a pandemic situation. We can't wait to get better out of this. In the COVID-19 crisis, the church was unable to properly handle the church's original work and to fully fulfill the mission of education. The response of many churches was to postpone the planned ministry to the second half of 2020. Now, we should try to set a new direction and prepare specifically to move in the new direction. With this perspective, this paper studied the direction of Christian education in the post COVID-19. Specifically, the theoretical basis of the direction of Christian education in the post COVID-19 was found in the theory of Agape's encounter, Catechesis theory, and diakonia theory, and specific directions were suggested according to these theories. Specifically, based on the theory of Agape's encounter, Christian education that emphasizes the encounter with the natural environment, Christian education that emphasizes the encounter among family members, Christian education that emphasizes the encounter among citizens of the world, and Christian education that emphasizes the encounter through online were presented. Based on the Catechesis theory, Christian education copping with the attack of heresy was presented. Finally, based on the diakonia theory, Christian education of service for society and Christian education of service based on data were presented.

A Study on the Improvement of Service for the Revitalization of Natural Burial (자연장 활성화를 위한 서비스 개선방안 연구)

  • Lee, Jeung-Sun;Ahn, Jin-Ho
    • Journal of Service Research and Studies
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    • v.13 no.3
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    • pp.70-81
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    • 2023
  • The choice of business method is a necessary decision at the last moment of life, and to this end, we use several criteria. Our funeral methods were dominated by ancestral worship culture and religion, not nature. It is only recently that nature was used as a means from a human perspective, but natural field methods such as consideration for nature and symbiosis with nature have emerged. The recent high public preference for natural fields is today's strong zeitgeist and nature-friendly values. Based on statistics in 2021, Korea's national cremation rate exceeded 92%, and compared to less than 20% of the cremation rate just 20 years ago, our business method has changed rapidly. As the cremation promotion movement and government policies, which began in the early 90s, were systematically developed, the enshrinement facility was established next to us. However, while this was also subject to criticism of national damage, the Jang Act called natural field was introduced into the system in 2008, and about 15 years have passed, but the revitalization of natural field is slower than expected. One of the reasons for the stagnation of development is to forget the basic spirit of the natural field (once you return to the forest), and to think like a graveyard grave. Accordingly, this study aims to identify the background of the introduction and current operation of natural fields and present development measures to improve memorial services to make natural fields loved by the people.

A Study on the Vernacular Designs in Modern Fashion -Focused on Korean Designers- (현대 패션에 나타난 버내큘러 디자인에 관한 연구 -한국 디자이너를 중심으로-)

  • Joo, Shinyoung;Jeon, Jaehoon
    • Journal of the Korean Society of Clothing and Textiles
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    • v.38 no.6
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    • pp.796-809
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    • 2014
  • This study identifies formativeness and the Korean consciousness of the vernacular design in a Korean designers' collection in order to discover the internal characteristics of vernacular expression elements. The study is based on a theoretical review and an analysis of cases collected from Korean fashion designers' clothes. Research is limited to international collections of clothes presented by Korean fashion designers since 2,000. The process of Korean vernacular designs in fashion were analyzed for formativeness in form, color, pattern and detail. The research findings identified formativeness and Korean's consciousness of modern fashion designs that reflect vernacular designs as follows. First, they are round, flexible line and shape based on assimilated with nature, rhythmic curve to express life force and asymmetry based on an ecstatic world based on nature. Second, a white color explained the pure mind and racial peculiarities in regards to the five colors that expressed the thinking of traditional rituals such as prayers for comfort of life and ancestor worship. Third, there were patterns around shape of nature, praying, and Korea culture. Finally, there were skills of Korean traditional handcrafts such as embroideries, knit-works, gold foils, and quilts where clothes expressed the hardship of life and strong willpower to overcome. In conclusion, the clothing of Korean vernacular designs contains characteristics such as natural beauty, decorativeness, shamanism, and eclecticism.