• 한국환경복원기술학회지
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• 제15권6호
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• pp.79-89
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• 2012

This study was compared to the differences in the habitat, species composition and community structure of revegetation and nature area in Korea. Plant number in plot of revegetation and nature area was 10.3 and 15.0 taxa, respectively, and coverage was 90.6 and 88.1%, respectively. Revegetation and nature area was very heterogeneous, due to low similarity index (0.38) and less common plants. Festuca arundinacea frequency (56.7%) was highest in revegetation area, and Oplismenus undulatifolius frequency (66.7%) was highest in nature area. Plant appearing of revegetation and nature area was 111 and 136 taxa, respectively. Herb appearing of revegetation and nature areas was 93 (83.3%) and 72 (52.9%) taxa, respectively, tree was 18 (16.2%) and 64 (47.1%) taxa, respectively. Plant communities of revegetation area was classified into Lespedeza bicolor, Indigofera amblyantha, Alnus sibirica, Festuca arundinacea, Eragrostis curvula, Miscanthus sinensis, Humulus japonicus, Setaria faberii, Rudbeckia bicolor, Pueraria lobata community. Plant communities of nature area was classified into Pinus densiflora, Quercus aliena, Quercus acutissima, Quercus variabilis, Quercus serrata, Castanea crenata, Pinus rigida, Robinia pseudoacacia, Populus tomentiglandulosa, Phyllostachys bambusoides community. Habitat, species composition and community structure of revegetation and nature area showed a large difference.

• 교육시설 논문지
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• 제27권3호
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• pp.3-14
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• 2020

The purpose of this study is to discuss the planning direction of educational spaces to support children's healthy and creative learning based on bio_philic theory. This study analyzed the characteristics of the application of biophilic patterns in children's education space through case analysis. The conclusion of this study is summarized as follows. As a result of the analysis of children's classroom space, the pattern of 'A(Visual connection with nature), F(Dynamic & Diffuse Light), K(Prospect)' shows high application rate, but the pattern of 'C(Non-Rhythmic Sensory Stimuli), G(Connection with Natural Systems), I(Material Connection with Nature)' shows low application rate. In particular, there is a lack of connection with patterns such as hearing, smell, touch, taste stimulation and water experience, and curiosity through exploration of nature about 'B(Non-visual connection with nature), E(Presence of Water), N(Risk/Peril)' changes in nature and ecosystem. In the corridor and rest space, the pattern of 'A(Visual connection with nature), D(Thermal & Airflow Variability), F(Dynamic & Diffuse Light), G(Connection with Natural Systems), K(Prospect)' shows high application rate, but 'B(Non-visual connection with nature)' shows low application rate. In addition, the application of patterns related to the stimulation of curiosity through direct exploration of nature and the exploration of the patterns of 'E(Presence of Water), N(Risk/Peril)' is insufficient. Therefore, in the case of classroom spaces, the active use of nature as it is should be considered within the scope that does not cause visual confusion, and it should provide an area that can be experienced through the five senses. And corridors and rest spaces should be designed to introduce more active natural elements as spaces to recover stress caused by learning. In other words, the characteristics of children's education facilities need to be connected between classroom space, corridor, rest space and external space. This study is meaningful in that it analyzes and derives the application characteristics of 'biophilic design' which affects the 'Attention Restoration' of children's educational spaces through foreign cases.

• 디자인학연구
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• 제17권3호
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• pp.91-100
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• 2004

자연은 끊임없이 신비한 산물들을 대량생산해내는 만물의 공장이며, 그 산물들은 끊임없이 변화하고 있다. 또한 자연은 인간이 살아가는 환경을 둘러싼 미적 아이디어를 끊임없이 제공한다. 그러므로 인간은 자연을 대상으로 시각적 관찰을 통해 표현하고자 하는 자연스런 충동에 따른 조형을 추구하게 된다. 자연에 대해 인간이 얻을 수 있는 미적 체험은 그 대상에 대하여 시각적으로 연구할 때, 연상에 따른 형상들을 의식적으로 떠올릴 수 있게 해주는 미학적 변형의 원천인 것이다. 수없이 변화된 자연물과 마찬가지로 의식적으로 경험되는 인 공의 산업 생산물은 자연물과 구조적, 형태적 질을 공유하며 조형적 균형을 위한 의미를 갖게 된다. 자연을 관찰하여 질서나 원리를 통해 디자인에 적용시키고자한 시도는 바우하우스 이후 디자인의 한 방법으로서 부분적으로 실천되어 왔지만, 자연에 대한 연구과정이 서로 분산된 영역에서 진행되어왔다. 최근에 이르러서 이러한 연구는 관련 분야간에 복합되는 입장에서 매우 중요시되고 있다. 따라서 자연유기체의 다양한 범주들을 본 연구에서는 단지 부분적으로 제품디자인 측면에서 고찰하지만, 종합적으로 디자인학적 조형성과 자연유기체의 조형학적 접근은 기본적으로 중요한 것이라 생각하여 본 소고에서 고찰해 보고자 한다.

• 영어영문학
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• 제54권1호
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• pp.31-60
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• 2008

As a way to situate environmental literary study, urban nature recently seems to have become an increasingly important part of ecocritical studies. Considering the recent deprecation on the alleged ecocriticism's ecocentric position, this move looks promising. However, a scrutable review of recent publications of ecocritical studies reveals a contradicting result that an ecocritical approach to urban nature not only lacks substance but also makes too much of the cultural and political issues of 'environmental justice' in which the traditional value and beauty of nature is totally sacrificed and neglected for its political purpose. Under the current circumstance that the environmental crisis threatens all landscapes of wild, rural, and urban, ecocriticism needs to put together "green" landscapes of wildness and "brown" landscapes of urban environment. The interdependence between outback and urban landscapes is best observed in suburban areas in which both landscapes coexist and merge. Provided with due learning and attention of nonhuman environment in their backyard, suburban residents have privilege of both appreciating nature's beauty and value of its own, on the one hand, and acutely reckoning urban environmental concerns related to their health, safety, and sustenance, on the other, in their own home grounds. The post-1980s in the United States has witnessed the emerging voices of suburban nature writings that speak for both green and brown landscapes, which have escaped from ecocritical attention. Among the suburban nature writings, those of Michael Pollan and Thomas Mitchell well illustrate how the green and brown landscapes are interwoven and, accordingly, how environmental awareness of both landscapes can start in suburban 'home.' Ecocriticism's validation as relevant studies of literature and environment may depend on these suburban nature writings which demonstrate an 'ancient-future' ethic of "home" based environmentalism.

• International Journal of Advanced Culture Technology
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• 제11권1호
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• pp.232-240
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• 2023

The ecological expression of art in modern society takes the harmonious developmental relationship between man and nature as an element and combines it with the various manifestations of painting as an expression of ecological artistic development. The necessary relationship for the harmonious development of nature is accurately articulated, and the ecological changes in people are expressed in integrated materials that inspire human reflection. In the pursuit of material pleasures, mankind is neglectful and indifferent to the environment. The development of composite painting in art and ecology is a process that more reveres the harmony between man and nature as well as satisfying the creative value of the work. After systematic evaluation and research, people have engaged in various structural forms of composite art painting development in the long history of art development, focusing on the integration of environmental and ecological culture. In the process of nature education going through development, the comprehensive practical development of nature education is enhanced and efforts are made to feel new ecological art ideas and new ways of valuing environmental protection. In this paper, an observational study of eco-art will be carried out, starting from the theory of hierarchical division and analyzing the contradictory relationship between man and nature. Recognize nature, understand it and feel it through eco-art painting. The analysis of the contradictory relationship between man and nature is combined with the identification of various types of information that give value to the environmental protection public, and the combination of ecological painting and nature art to achieve an upgrade of the environmental protection idea of the value of painting. In the development of artistic ecological comprehensive painting, it is necessary to put forward technical requirements and standards that meet the development of modern industry according to the characteristics and methods of ecological painting. The author of this paper discusses the necessity and social value of artistic ecological painting creation from the artist's point of view, expounds the practical achievements of ecological painting from the perspective of the history and present situation of the development of ecological aesthetics at home and abroad, and gives the concept and creative method of contemporary art comprehensive material painting in combination with his own actual situation.

• 한국체육학회지인문사회과학편
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• 제55권3호
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• pp.15-25
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• 2016

이 연구는 퇴계의 경(敬)을 중심으로 운동하는 몸에 대한 생태윤리학적 접근을 시도하였다. 인간과 자연의 갈등원인은 인간의 욕망에서 비롯된 잘못된 자연관을 들 수 있다. 퇴계는 욕망의 문제를 경을 통해 극복할 수 있다고 보았다. 퇴계 경사상의 생태윤리학적 접근 가능성은 다음과 같다. 첫째, 퇴계의 경은 자연 속에서 완성된 것이기에 가능하다. 둘째, 퇴계의 경은 자연에 대한 인간의 책임(배려)을 강조한다. 셋째, 경은 도덕 실천능력과 연관되기 때문이다. 한편, 퇴계는 '몸을 잘 보존하는 것'이 자기보존인 동시에 자연의 순리를 따르는 천리의 의미로 이해하였다. 이러한 관점에서 운동하는 몸은 신체건강과 마음건강의 의미가 존재하며 동시에 인간과 자연을 하나의 관계망으로 이해하여 자연 질서를 따르는 생태적 가치의 측면도 존재한다. 운동하는 몸을 통한 경의 획득은 '경신(敬身)'과 '활경(活敬)'의 실천을 제안한다. 자연과 함께하는 신체운동을 할 때 몸을 공경하는 '경신'의 단계에 머무르는 것뿐만 아니라 생태환경을 보전(活敬)하면서 자연을 통해 요산요수(樂山樂水)의 덕을 함양하는 단계로 나아가는 것이다.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.116-123
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• 2011

How to see nature and how to define the relation between nature and the human certainly influence fundamental attitude toward nature and any results derived from the attitude. Therefore, in order to figure out a way for how the humans and nature should coexist, the thesis has began a philosophical analysis on the origin of the biomimetics. Based on findings from the analysis, the thesis would work on the features of biomimicry space, presenting related possibilities. For the philosophical characteristic of the thesis which was an ecological world view, introduced at the end of mechanical world view era, the ideas of Spinoza, Nietzsche, Bergson and Deleuze about nature were quoted. Based on what the philosophers have said, the thesis looks into successful ideas, designs and ways of living that nature has shown by itself. After all, the purpose of the thesis is to investigate the constantly changing space of the biomimetics by organic forms, autonomous systems and dividing programs. Based on this, nine cases were analyzed to derive the characteristics. As a result, organic forms, autonomous systems and dividing programs characteristics of ecological appear simultaneously in harmony. Biomimicry space can coexist with nature and the human is an effective way.

• 환경정책연구
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• 제7권2호
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• pp.49-66
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• 2008

본 연구는 경제적 가치와 환경가치를 유기적으로 결합시키는 행복경제학적 접근을 적용하여 자연관과 효용의 관계를 비교하고자 한다. 회귀분석을 수행한 결과 다음과 같은 사항을 발견할 수 있었다. 첫째, 본 분석에서는 자연관에 따라 행복함수 형태가 다르다는 것을 실증적으로 확인하였다. '인간중심적 자연관'의 가치체계는 경제가치중심이며 환경, 신뢰와 같은 비 물질가치 요소가 무시할 정도로 낮은 것임을 통계적 유의도를 통하여 알 수 있다. 둘째, '생태중심적 자연관'은 경제를 포함한 환경, 사람신뢰를 동시에 고려하는 중층적 가치체계를 가지고 있다고 할 수 있다. 그들의 가치체계에 따르면 인간의 편의와 경제적 가치에 치우친 행위는 행복극대화 관점에서 합리적이지 않다는 점을 분석 결과에서 알 수 있다.

• 한국실내디자인학회논문집
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• 제14호
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• pp.10-18
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• 1998

This study aims to make clear visual quality of organic form and structural order that is immanent in nature about a form as formative principles of architectural space design the significanced of this study is to prove the application possibility in to functional form architectural space design. All organic forms in nature has a unique shape and pattern in structure to be self-controled and good in order. Such an order in nature comes from regular construction and ratio principles which has aesthetical order by mathmetics. The specialty of beauty in nature can be revealed not only visual form but also the ratio balance and rhythm of structural principles. As we examine the aesthetic source embodied some object can be developed in to basic principles. Furthermore through this study we can find out that the form construction theory in nature forms share the quality attribute with geometrical form to be shown in architectural space design. Natural forms are ultimate visual expression of power that effects on the architectural space design. The rule of power in nature as nature formal characteristics have a direct influence and can be also applied to architectural construction. Therefore I expect that this study will be linked and continued to another structural view.

• 대한지구과학교육학회지
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• 제7권3호
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• pp.313-326
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• 2014

The purpose of this study is to explore the applying possibility of the Earth Systems Education(ESE) in elementary school science education through the improving of students' recognition with the earth systematic nature by systems thinking education - for this was the recognizing as earth systematic nature was the key element of ESE, and the systems thinking skill is accredited very effective tool for the understanding with earth systematic nature. For this, the systems thinking's teaching-learning programs were developed and applied to the 6th students (21s) for 10hours' classes. The results of this study are as follows; In most of the 6th students didn't recognize with earth systematic nature from a lack of understanding of the vapor being in every nature environments. In systems teaching-learning classes, most of students participated positively in learning activities and achieved the aim of a lesson. In the testing results for students' recognition improving to earth systematic nature after the systems thinking education, about 24% students were showed the improving results of the recognition with earth systematic nature. Consequently, It is suggested that just as the achieving of the points of ESE in elementary school science education, the approaching method of the systems thinking education is worth attempting to applying of the ESE.