• The Journal of the Acoustical Society of Korea
• /
• v.25 no.2
• /
• pp.72-77
• /
• 2006

British acoustics in the nineteenth century is important as a foundation for modern acoustics in the history of acoustics. The Purpose and objective of acoustics was different from those in modern age. and musical motivation was distinguished among them. This study intends to clarify various aspects of interaction between music and acoustics in nineteenth-century Britain by examining related materials in both published and unpublished forms. Then music Provided acoustics with instruments, subjects, and personnel, and acoustics did much as musical science in helping to improve and develop musical scales and enhancing the exactness of measurement of absolute pitches. Music played an essential role in developing acoustics to a modern discipline in Europe, especially in Britain. all through the nineteenth century.

• Journal of KSNVE
• /
• v.9 no.4
• /
• pp.681-686
• /
• 1999

In a church, speech intelligibility is very important together with the reverberance for musical activities. In order to obtain the primary data of a acoustical design for churches records were refereed and churches were measured in Europe and Japan. And in the base of measurements, those were judged by subjective hearing test. As some results, it has been found that the room acoustics of churches were different in a country and the reverberation time was perferred two seconds for speech intelligibility. However, although personal deviations were admitted, more long echoes were preferred for the music.

• The Journal of the Institute of Internet, Broadcasting and Communication
• /
• v.15 no.2
• /
• pp.229-238
• /
• 2015

This study is to look into importance and achievement on awareness of creative musical audiences, who use SNS, by the use of Importance Performance Analysis(IPA), and to find ways to improve the recognition of creative musical by performance enterprise. In other words, the study is to discover choice attributes, that need to be urgently improved, which importance is rated high but which achievement is rated low. As a result, it is learned that composition of content(memorable dialogue), admission fee(ticket prices, charges of using additional facilities), theater(parking), composition of stage(acoustics of the stage), staff services(ticket box staff, usher, and etc. are should be properly controlled by staff expertise) need to be consistently improved. In addition, it is learned for SNS non-user group that choice items such as creative musical choice attribute(admission fee), composition of stage(acoustics of the stage), production(overall music from a musical), admission fee(ticket prices, charges of using additional facilities), and theater(parking) need to be improved.

• Korean Institute of Interior Design Journal
• /
• v.13 no.3
• /
• pp.112-119
• /
• 2004

The purpose of this study is to grasp musical expression in the Monastery of La Tourette, an architectural work produced by an architect, Le Corbusier and a musician, Iannis Xenakis based on a musical piece, Metastasis. The results of the study on musical expression in the Monastery of La Tourette, which was done through analysis of correlation in expression between architecture and music, and spatial characteristics of this monastery, are as follows: First, in modern architecture and music, the expression of the space-time continuum concept is emphasized. Second, the architectural characteristics in this monastery that constitute musical expression are the Modular, confliction and fluidity in composition, plastic (acoustic) shape and symbolic shape. Third, these architectural characteristics are found to be expressed as counterpoint, alteration, temporality, acoustics and canon of music.

• Proceedings of the IEEK Conference
• /
• 1999.11a
• /
• pp.1127-1130
• /
• 1999

In this paper, using one method of Additive Synthesis, Analysis-by-synthesis/Overlap-Add (ABS/OLA) method, analysis and synthesis of musical tones is processed. But peak detection of frequency domain is processed by proposed method considering the view of acoustics. It is that that harmonics frequency is times of main frequency. Using this fact, peak detection of frequency domain is useful for detection of tonal component identified musical note. It is possible to realize high-quality lour bit rate audio.

• The Journal of the Acoustical Society of Korea
• /
• v.20 no.6
• /
• pp.3-8
• /
• 2001

The pitch of Korean musical scales and intervals were calculated with the method of a One Third More and Less, that described at the AcHacKueBum. In this study, the standardized Peelee have been made and its sound frequencies were measured. The measured sound frequencies uniformly played agree well with the Korean musical scales.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
• /
• 2007.11a
• /
• pp.268-272
• /
• 2007

As Music Room in Art School is mainly for exercise of musical instrument rather than any lecture or music appreciation, it should be designed and constructed in consideration with Acoustic Condition on the preferential basis. However, in case of Music Room in Art School that has been built already or latest newly constructed, since it was designed and constructed without any reflection of Acoustic Characteristics, it appeared as inadequate for them to enjoy music appreciation or performance activity. On such view point, this Study has examined the physical Acoustic Characteristics for the subjects on those Music Rooms of Art Middle School, Art High School, Art College built in Cheonbuk Province, and it is deemed that the material grasped in such way could be utilized as the valuable data enables to improve Acoustic Performance at the time when designing and construction or renovation for Music Room hereafter.

• The Journal of the Acoustical Society of Korea
• /
• v.24 no.7
• /
• pp.365-370
• /
• 2005

The present study is purposed to establish a systematic theory for user-friendly approach to the creation of using a programming language using Csound. Csound is a world-wide computer music programming language and a software synthesizer specialized for prominent sound designers developed by Barry Vercoe at the Media Laboratory in M.I.T. The introduction and the main body of this paper suggested as the starting point of creating electronic music and musical sound the time of combination of music with natural sound or sound from specific media from the viewpoint of traditional Western music. and presents a systematic method composed of the principle of the operation of Csound and basic data samples.

• Journal of Korea Entertainment Industry Association
• /
• v.14 no.7
• /
• pp.299-307
• /
• 2020

Since 1964, research and improvement projects on Gugak instruments have been carried out to modernize, standardize, and scientificize them, but their inherent problems of Gugak instruments have failed to produce significant results. It seems that one of the main reasons for this is that the study of instrumental acoustics on Korean traditional instruments was not preceded. In Gugak orchestra, Sogeum used in concertos and solo music is a musical instrument that plays the similar role in Western orchestras due to its clear tone and high sound range. In this paper, the sound colors of Sogeum and flute, which sound similar, were analyzed through the their harmonics distribution and sound structures of the instruments. This showed that the overall tone was richer and softer than Sogeum, and that the tones of the two instruments sounded similar due to the similar composition of harmonics. In the future, it is hoped that musical instrument acoustical researches on various Gugak instruments will continue to help popularize and globalize Gugak instruments.

• The Journal of the Acoustical Society of Korea
• /
• v.25 no.4
• /
• pp.191-196
• /
• 2006

Human tend to rely their information about the size of a space on vision. However, it might be a common experience to perceive a certain difference in spaces without any visual difference, in such spaces as rooms for music performance, multimedia environments with multiple sound sources, and car cabins, where auditory experiences have a certain importance. In the present work, apparent auditory room size was measured at different positions in a room through a series of listening experiments. Also, measurement of room acoustic parameters was carried out and their relationships with perceived auditory room size were analyzed. The results suggest that apparent auditory room sizes were largely dependent on musical clarity, distance between a source and a receiver, and sound pressure level at the listening position. Also, the results from acoustic preference test suggest that smaller apparent room sizes were preferred for listening to orchestral, cello and flute music. The relationship between apparent auditory room size and vocal music was found to be statistically insignificant.