• Title/Summary/Keyword: Music

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A Study on the Necessity for the Music Composition in TV Documentaries - Focusing on In-depth Interviews with Music Directors at KBS.

  • Kim, Hyung-Jin
    • International journal of advanced smart convergence
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    • 제9권4호
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    • pp.74-85
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    • 2020
  • In this study, we investigated the necessity and limitations of music composition required in TV documentary by conducting in-depth interviews with 20 music directors currently working at Korean Broadcasting System (KBS). Our research has shown that composition of music is necessary. However, in reality, it is difficult to use the composed music due to problems such as time and cost of composing and trust in the music composer; so music libraries, film music, or other music are used instead of the composed music in many situations. However, at the time when companies like its rival Netflix are aware of the importance of sound, the impact of Netflix could lead to a decline in the quality of terrestrial TV, which could lead to a weakening of competitiveness. Recently, in the case of sound programs, the sales of secondary works are active due to "internet uploading using YouTube" or "exporting programs", but the sales have been hindered by restrictions on the use of copyrighted works. The music source of library is said to be the one whose copyright problem has been resolved. In this study, we show that the composed music is an ultimate alternative to TV documentaries, since the library music is sometimes suspended due to the situations of management companies.

DDC에 있어서의 음악분야 분류상의 제문제 (A Study of the 780 Music of DDC)

  • 한경신
    • 한국문헌정보학회지
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    • 제26권
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    • pp.75-112
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    • 1994
  • The purpose of this study is to investigate the problems concerning 780 music division of DDC. The object is especially arrangement of 780 music in the 20th edition of DDC which is the complete revision. The result is summarized as follows : 1. Although music is an important subject in humanities, especially in arts, it was classified as one division (780) not class. 2. The arrangement of 780 music is severely west-oriented music theory, vocal music and instrumental music. 3. Classification number of 780 music becomes longer because of the limitation of decimal notation. 4. 780 music division of DDC neglects music theory and emphasizes music practicing, especially performance. 5. The assignment of classification number is unbalanced, especially between theory and practice, composition and performance, and among sub-sections of vocal and instrumental music. 6. Many important subject are omitted in DDC music schedule, for example, musicology and branches of musicology, composition and traditional instruments of many countries. 7. Employment of terminology is often improper and inconsistant.

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An Efficient Music Notation by Plain Text for General Music Lovers

  • Yi, Seung-taek;Kim, Inbum;Park, Sanghyun
    • 한국컴퓨터정보학회논문지
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    • 제22권8호
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    • pp.85-91
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    • 2017
  • Although various music composition programs for PCs have become commonplace, the reasons why people think it is hard to make music are the lack of experience with musical instruments, the lack of knowledge of music or composition, and the fear of learning MIDI software. In this paper, we propose an effective method to solve this problem by using plain text based method which makes it easy for the general people who do not know MIDI, have little experience of musical instruments, and cannot even read music to make their own music. As a result, many people who like music but have not been able to produce their own music may produce and distribute music, and collaborate with others to produce better quality music.

Effects of Two Music Therapy Methods on Agitation and Anxiety among Patients Weaning off Mechanical Ventilation: A Pilot Study

  • Park, Jong Yoen;Park, Soohyun
    • 기본간호학회지
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    • 제26권2호
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    • pp.136-143
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    • 2019
  • Purpose: The feasibility and differential effects of two music therapy methods (interventions with preferred music vs. classical relaxation music) were done to examine the effects on agitation and anxiety in patients weaning off mechanical ventilation. Methods: This pilot study was conducted using a crossover design. Six patients listened to preferred music choices and classical relaxation music. Anxiety scores were measured using the Richmond Agitation Sedation Scale (RASS), State-Trait Anxiety Inventory (STAI), and visual analog scale (VAS). Results: Patients showed a significant decrease in agitation and anxiety after both the preferred and classical relaxation music interventions. The difference in the effects of preferred music and that of classical relaxation music was not significant. As for feasibility, patients exhibited a change in agitated behaviors after the music interventions by not trying to take off medical devices and quietly listening to the music, and by smiling and moving lips along with the lyrics while listening. Conclusion: Music interventions which centered on either patients' preferences or classical relaxation music to enhance relaxation, helped reduce agitation and anxiety during the mechanical ventilation weaning process.

음악정서인식에 대한 탐색 연구: 음악인지유형 중심으로 (An explorative study on the perceived emotion of music: according to cognitive styles of music listening)

  • 최진희;정현주
    • 한국음향학회지
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    • 제40권4호
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    • pp.290-296
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    • 2021
  • 본 연구에서는 감상자들의 음악인지유형에 따른 음악정서인식 차이를 살펴보고자 하였다. 음악 관련 전공대학원생 91명에게 두 가지 음악(안정적 음악과 자극적 음악)을 제시하고, 각 음악에서 인식된 각성 수준, 정서가 및 해당 반응에 기여한 음악요소를 표기하게 하였다. 연구참여자들의 음악인지유형은 ME-MS척도(Music Empathizing-Music Systemizing Inventory, ME-MS Inventory)를 통해 확인하였으며, 자료분석 시 기술통계, 대응표본 t검정, 분산분석, 다변량분석 및 Pearson 상관분석을 실시하였다. 연구 결과 참여자들은 음악인지유형과 무관하게 공통된 음악정서를 인식하면서도, 해당 반응에 기여한 음악요소는 음악인지유형별로 상이한 것으로 나타났다.

음악요법에 관한 연구 (The Literature Review of Music Therapy in the United States)

  • 이원유
    • 지역사회간호학회지
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    • 제11권1호
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    • pp.245-261
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    • 2000
  • Based on the literature, status and role the music therapist in America was reviewed for this study. The process of developing a music therapy program in America suggests to us many things: In America, music therapists have sustained a mutually beneficial status with their clients for, over fifty years. Excellence in academic education and clinical training enable music therapists to continue to provide quality music therapy. The magnitude of change in to music therapy in the United States, however creates the challenge of providing real access to music therapy continues in the future. Music therapy is the use of music in the accomplishment of therapeutic aims: the restoration, maintenance, and improvement of mental and physical health. Music therapists work with individuals of all ages who require special services due to behavioral. social. learning, or physical disabilities. Employment may be in hospitals, clinics, day care facilities, schools, community mental health centers, substance abuse facilities, nursing homes, hospices, rehabilitation centers, correctional facilities, or private practices. The American Music Therapy Association (AMTA) was founded in 1998 as a result of a union between the American Association for Music Therapy (founded in 1971) and the National Association for Music Therapy(founded in 1950). Music therapists are highly qualified professionals who have completed approved degree programs and had clinical training in order to receive Board Certification(MT-BC), with the designation of Registered, Certified, or Advanced Certified Music Therapist(RMT. CMT - or ACMT). AMTA provides several mechanism for monitoring the quality of music therapy programs: Standards of Practice. a Code of Ethics, a system for Peer Review, a Judical Review Board, and an Ethics Board. According to the results of this study, the suggestions were as follows: 1. It is concluded that music therapy as a nursing intervention can be effective for the clients. 2. It is a great challenge to develope a music therapy program for nursing intervention however, it is also task and responsibility to further the development of nursing.

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코로나19 팬데믹이 변화시킨 음악 수용자의 음악 청취 경험 (The Music Listener's Experience of Listening to Music Changed by the COVID-19 Pandemic)

  • 최희진
    • 한국콘텐츠학회논문지
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    • 제21권11호
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    • pp.281-293
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    • 2021
  • 본 연구는 코로나 일상이 음악 청자의 음악 듣기에 어떠한 변화를 주었는지, 음악 청자는 음악 청취 경험에서 어떠한 의미를 발견하고 있는지를 분석하는 데 목적을 두었다. 본 연구는 이론적 차원에서 음악사회학, 인식과 의식의 매체로서의 음악을 고찰하였다. 그 후 20살에서 24살까지의 음악 관련 수업을 수강한 대학생들을 대상으로 음악 청취 성향 변화, 음악 청취 경험에 관한 주관적 해석의 의미를 추출하고자 하였다. 연구 방법은 서면 인터뷰, 자유 토론 분석이었다. 연구 결과, 서면 인터뷰 대상자의 76%는 코로나 일상에서 음악 선곡 성향이 바뀌었다고 대답하였다. 주요 원인은 주요 원인은 첫째, 음악으로 '집'에서 유토피아 찾기, 둘째, 개인 시간의 증가로 새로운 음악 찾아 듣기, 셋째, 음악으로 '코로나 블루' 벗어나기였다. 대학생들은 음악 청취를 통해 물리적 고립에서 새로운 의미들을 발견하고 있었다. 그들은 음악 청취에서 '자가 치유'적 의미를 발견하고 있었고, 음악을 통해 자신이 원하는 의식, 감정의 방향으로 전환하고 있었다.

How Query by humming, a Music Information Retrieval System, is Being Used in the Music Education Classroom

  • Bradshaw, Brian
    • Journal of Multimedia Information System
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    • 제4권3호
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    • pp.99-106
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    • 2017
  • This study does a qualitative and quantitative analysis of how music by humming is being used by music educators in the classroom. Music by humming is part division of music information retrieval. In order to define what a music information retrieval system is first I need to define what it is. Berger and Lafferty (1999) define information retrieval as "someone doing a query to a retrieval system, a user begins with an information need. This need is an ideal document- perfect fit for the user, but almost certainly not present in the retrieval system's collection of documents. From this ideal document, the user selects a group of identifying terms. In the context of traditional IR, one could view this group of terms as akin to expanded query." Music Information Retrieval has its background in information systems, data mining, intelligent systems, library science, music history and music theory. Three rounds of surveys using question pro where completed. The study found that there were variances in knowledge, training and level of awareness of query by humming, music information retrieval systems. Those variance relationships where based on music specialty, level that they teach, and age of the respondents.

Listeners' Perception of Intended Emotions in Music

  • Chong, Hyun Ju;Jeong, Eunju;Kim, Soo Ji
    • International Journal of Contents
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    • 제9권4호
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    • pp.78-85
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    • 2013
  • Music functions as a catalyst for various emotional experiences. Among the numerous genres of music, film music has been reported to induce strong emotional responses. However, the effectiveness of film music in evoking different types of emotions and its relationship in terms of which musical elements contribute to listeners' perception of intended emotion have been rarely investigated. The purpose of this study was to examine the congruence between the intended emotion and the perceived emotion of listeners in film music listening and to identify musical characteristics of film music that correspond with specific types of emotion. Additionally, the study aimed to investigate possible relationships between participants' identification responses and personal musical experience. A total of 147 college students listened to twelve 15-second music excerpts and identified the perceived emotion during music listening. The results showed a high degree of congruence between the intended emotion in film music and the participants' perceived emotion. Existence of tonality and modality were found to play an important role in listeners' perception of intended emotion. The findings suggest that identification of perceived emotion in film music excerpts was congruent regardless of individual differences. Specific music components that led to high congruence are further discussed.

국악공연장(國樂公演場)의 음향성능(音響性能) 평가(評價)를 위한 어휘(語彙)의 유형화(類型化) (Typicality of Vocabulary for Evaluation on Acoustic Performance at Korean classical music performing place)

  • 최둘;주덕훈;김재수
    • 한국주거학회:학술대회논문집
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    • 한국주거학회 2008년도 춘계학술발표대회 논문집
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    • pp.276-280
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    • 2008
  • Korean Classical Music, as the abbreviated wording for 'Korean Music', is being used as the indicating phraseology for our traditional music that distinguishing from Western Music, the foreign music or foreign-styled popular music. Since such Korean Classical Music has the different acoustic characteristics from Western Music, it needs its own performance space for the special exclusive-use of Korean Classical Music. Likewise, even though the demand for the performance space of special exclusive-use for Korean Classical Music where Korean Classical Music is rendering, is on increasing tendency due to the increase of national concern about traditional culture art, since it is being planned without any concrete standard or method that gratifies the supreme listening condition, it is the real situation that a securement of the satisfying acoustic condition is very difficult, after the completion of construction. On such viewpoint, in order to evaluate the acoustic characteristics of the performance space of special exclusive-use for Korean Classical Music, based on the subjective response which reflects human being's psychological attribute at first, this Study has attempted to extract the proper evaluation vocabulary for appraisement on Korean Classical Music. The abstracted vocabulary in such way would be used significantly for Subjective Response Evaluation in order for the evaluation on the Acoustic Characteristics of the performance space of special exclusive-use for Korean Classical Music.

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