• Title/Summary/Keyword: Museum storage

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A Study on the Design Guidelines of a Storage for Conservation of Relics in a Museum (문화재 보존을 위한 박물관 수장고의 공간계획 지침 연구)

  • Jung Sung-Wook
    • Korean Institute of Interior Design Journal
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    • v.15 no.3 s.56
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    • pp.144-154
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    • 2006
  • Except the time when relics of a museum are exhibited or loaned to the public, they are stored in a storage. In addition, it is common view that collections are exhibited a few of total stored collections in a museum. Therefore, the environmental condition of a storage is an important factor. Hereby, the purpose of this study is to suggest the design guidelines of a storage for conservation of relics in a museum. The results from this study are as follows briefly. First, location of storages has to be located and centralized above ground against preservation environment and additional renovation. Second, for storage size, It is reasonable to secure long-term experimental data after planning about 20% of whole section in present domestic situation. Third, in order to prevent environmental deterioration due to short storage floor space, adequate storage height has to be secured against a mezzanine deck and spare storages need to be planned. Where a mezzanine deck is designed, detailed plans have to be supported for equal micro climate in a storage. Fourth, in respect of environmental control of storages, finish materials with adjustment ability on relative humidity have to be used after the system is installed jointly direct and indirect way by air chamber, considering domestic condition for management of intermittent ventilation.

Classification System of Collections and Distribution of Storages in Domestic Museum of Historic Relics (국내 역사계박물관의 소장자료 분류체계와 수장고 분류방안)

  • Jung, Sung-Wook
    • Korean Institute of Interior Design Journal
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    • v.15 no.2 s.55
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    • pp.138-149
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    • 2006
  • A museum's collections is fundamental factors to construct important activity of museum performing a role as cultural facility for learning, education and research. Therefore, conservation of collections through appropriate environments is previously established in step of planing a museum. Hereby, the purpose of this study is to set up the classification of collections and suggest a useful guidance of the storage division in a domestic museum. The results of this study are as follows. First, the main factors of deterioration are temperature and relative humidity in a museum storage, so classification of collections should be set up according to the objective standards of these factors. Second, the classification of collections can be performed as follow: the group for nonorganic materials subdivide metal, chinaware, earthenware, and jade stone, the group for organic materials subdivide leather hair paper fabric, bone horn shell mound and wood herbage and the group for composed materials. Third, for storage division of a domestic museum, basically has to consider that it is reasonable to plan $4{\sim}5$ storages in metal, jade stone, chinaware earthenware, and organic materials of $1{\sim}2$ units in case of a serial of history like archaeological, antique museum. And in case of folk relics of modern and contemporary arts are collected, it is reasonable to plan over 5 storages add composed materials to foregoing classification.

A Study on the Design Guidelines for the Spatial Planing of Conservation Area in Museums (박물관 보존과학계 영역의 공간계획 지표에 관한 연구)

  • Jung, Sung-Wook
    • Korean Institute of Interior Design Journal
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    • v.20 no.5
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    • pp.197-207
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    • 2011
  • In general, collections in museum are kept in storage according to a preservation and administration program in long or short term, after conservators' conservation treatment. Museum activities related to conservation science are common to do before and after exhibitions. That is, the museum collections include a flow mechanism, which circulate a space in where conservation science related activity is carried on centering around its storage. The purpose of this study is to suggest the design guidelines of a conservation area in a museum. The results of this study as follows. First, to program space planning, conservation area of museum is divided into 4 kinds of zone. Second, space for relics unloading in basically includes 'unloading room', 'control room', 'worker room', 'unpacking room', and 'unloading tools storage' and considers to install 'outdoor arrangement space', etc. In case of space for making relics collections, 'arrangement room' and 'temporary storage' are separately planned in order to arrange and temporarily store relics taken in. Conservation analysis space should be divided into 2 kinds of zone, 'conservation analysis lab' for analysis of collection characters and 'restoration lab' for conservation treatment in the bigger museum. In case of large-scale museum, conservation treatment space is basically classified with characters of museum collections. And it considers installing 'waterlogged wood lab', 'painting clothes treatment lab', 'storage of treated relics' etc. Third, for 'the spaces for analysis treatment', must consider activity contents and sizes of the department for scientific conservation every museum, can classify in detail required space, and must review the space for relics settlement in construction.

A Study on the Illuminance Recommendations for a Museum Storage Area (수장공간의 조도기준에 대한 연구)

  • 김홍범
    • Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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    • v.16 no.5
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    • pp.1-6
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    • 2002
  • Museum storage area is one of the most important places because collections are central to museums. However it is often misunderstood and treated as the storage areas of general office buildings md factories. In this paper, lighting design factors for museum storage areas are reviewed, and illuminance values for the various storage areas of the KS and the other countries'are compared and discussed in consideration of collections' management and conservation. And paying our due regard to collections management it is found that the standard illuminance value for museum storage area of the KS is lower than those of the other storage places. Therefore it is raised to 200[㏓]and supplementary lighting which can be controlled separatedly should be provided to increase the illuminance of task lighting.

Air Quality Changes in a Museum Damaged by a Tsunami - Whale and Sea Museum, Iwate, Japan -

  • MATSUI, Toshiya;KAWASAKI, Emi;Huttmann, Imme
    • Journal of Conservation Science
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    • v.35 no.1
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    • pp.51-60
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    • 2019
  • This paper provides quantitative data that describes the evolution of the air quality in the Whale and Sea Museum, located in the Iwate prefecture, collected after the 2011 Great East Japan Earthquake and tsunami. The museum was damaged significantly by the disaster, and restoration works continued for over six years. The air quality in the temporary storage facility and museum was monitored during the rehabilitation process. Evaluation of air quality is carried out by gas chromatography- mass spectrometry, ion chromatography and high-performance liquid chromatography. The results showed that the characteristics of the chemical components differed depending on the measurement locations inside the building. The museum atmosphere tended to be alkaline as the airtightness increased because of the maintenance works at the entrance. It was also determined that it was necessary to study the intake/exhaust routes and to clean them according to the contamination degree. In Japan, there are recommended museum air quality standards for acetic acid, formic acid, alkali, and aldehydes. The results indicated that these standards should not be used as a reference for damaged museums. Furthermore, at the temporary storage facilities for to store the collections during the rehabilitation of the museum, solvents such as ethyl benzene, toluene, and xylene are initially abundant, although they can be reduced by ventilation, while other components such as 2E1H was confirmed in this case are likely to remain.

Environmental Measurements of Gallery and Storage Rooms of The New National Museum of Korea (용산 새 국립중앙박물관 수장고와 전시실 환경 관리 및 측정)

  • Lee, Sungeun;Roh, Hyunsook
    • Conservation Science in Museum
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    • v.7
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    • pp.75-87
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    • 2006
  • The National Museum of Korea has striven for the stable preservation environment for its collection as it reopened in October 2005. The temperature and humidity, harmful gases in the collection storage space and the galleries were regularly measured to confirm whether the environment was stable for the collection; the material that could directly influence the collection such as showcases were tested in advance to select stable material. In addition, to prevent biological damage, whole collection was fumigated; insect monitoring traps have been regularly established to check the status of the collection storage space.

A Study on the Improvement of Storage Environment in Museums -With Research on Actual State of Storage in Domestic Museums- (박물관 수장부문의 환경개선에 관한 연구 -국내 박물관 수장고 실태조사를 중심으로-)

  • 임채진;정성욱
    • Korean Institute of Interior Design Journal
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    • no.25
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    • pp.253-261
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    • 2000
  • Except the time when the relics of the museum are exhibited or loaned to the public, they are stored in a storage. Therefore, the environmental condition of a storage is a important factor. But in Korea, the appearance of the building and exhibition design are emphasized more than any other factors in planing museums, so the preservation technology has not yet reached the appropriate level and leaded to some environmental problem in the museum storage. The purpose of this study is to suggest guideline for an apt storage system by reconsidering practical notes in planning storage and give a efficient long-term plans examinable category. So this study based on the research had been stated from the recognition that the relics should be planned and placed differently in sorts, and developed this by researching the theory related to the matter throughout documents and to cope with the low efficiency in its essential role compared to the massive investment and through on-the-spot surveys emphasizing on the storage of the domestic museums in progress since 1995. Hereafter it compares the actual condition and problems of the domestic museum planning with the ones abroad, and analyzes the characteristic and difference between the two, and then establish an organized storage system.

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Use of Visible Storage for Display and Conservation Treatment of a Large-sized Jar Coffin (대형 옹관의 보존처리 과정과 이를 활용한 개방형 수장고의 운용)

  • Kwak, Eungyung;Lee, Hyejin;Yu, Sohyun
    • Conservation Science in Museum
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    • v.19
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    • pp.41-52
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    • 2018
  • This paper describes the restoration and display of a large jar coffin at the Naju National Museum. Excavated from Tomb No. 3 at Bokam-ri, Naju, the large jar is 194 cm in height and its rim diameter is 108 cm. The jar had been broken into approximately forty fragments prior to its restoration, and a supporting structure was installed to ensure the safety of the relic during the restoration process. The restoration was conducted inside a visible storage for large jar coffins for approximately three weeks from February 5 to February 27, 2018. Over two weeks during this period, the restoration efforts inside the storage were visible to the public in the permanent exhibition space so that visitors could observe the process in person. This was planned to help visitors understand and arouse their interest in large-sized relics such as jar coffins and the restoration process. This study also investigates the practices of overseas institutions in order to suggest plans for raising public awareness of conservation treatment at conservation science centers.

Study of the Real Condition and Improvement Plans of a Fire Protection System Installed at Museum Storage (수장고에 설치된 소방시설의 실태 및 개선방안에 관한 연구)

  • Park, Jong-A;Joo, Seung-Ho;Kang, Eun-Soo;Lee, Dae-Keon
    • Fire Science and Engineering
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    • v.32 no.3
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    • pp.60-66
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    • 2018
  • Museum storage has been a unique area for experts, such as curators and managers etc., is a part that requires attention among the recent changes in museums because of changes to a type that is being opened gradually to visitors. On the other hand, there is an increased the risk of a fire according to negligence etc. of visitors. Hence, appropriate measures for a fire protection system to respond to varying museum storage are required. This study examined the status of fire protection systems applied to museum storage visiting 40 domestic public museums with the support of the Ministry of Culture, Sports and Tourism, and a direction to install a fire protection system was presented by drawing cases of fire protection systems with less adaptability or poor management or excellent fire protection systems, and a direction for improvement was presented.

Variation of Indoor Air Quality in Museum (박물관 실내공기질 변동에 관한 연구)

  • 이정주;김신도;부문자
    • Journal of Environmental Health Sciences
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    • v.22 no.4
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    • pp.43-48
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    • 1996
  • Indoor air quality(IAQ) in museum is very important for protection of cultural properties. In our study, we measured air pollutants($NO_x, NH_3, SO_2, O_3$, CO, $CO_2$, TSP), temperature and humidity to evaluate IAQ of national central museum. Indoor carbon dioxide and TSP concentrations were higher than outdoor concentrations. Temperature, huinidity and TSP had large deviation depending on air conditioning operates or not. Indoor gas phase pollutants except $CO_2$ were lower than outdoor concentrations, but $SO_2$ concentration was high in storage. $CO_2$ and TSP were influenced by the number of spectators.

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