• 한국실내디자인학회논문집
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• 제19권4호
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• pp.82-89
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• 2010

The studies published up to now, related to the correlation between spatial structure and visitors' behavior in a museum are rather relatively lacking when it comes to the in-depth consideration for the effect of the actual exhibition environment. So the main purpose of this study is to define the correlation between the light environment and the visitors' behavior. Towards this end, this study uses 'space syntax' to quantify the spatial structure with 'integration', 'connectivity' and 'control value'. Meanwhile, 'tracking score' and 'tracking frequency' were selected as the scope among the indices of behavior's analysis. The results of this study are as follows; First, integration and correlation of tracking score and tracking frequency are lowest when it comes to the extra large historical museums where the difference of intensity of illumination by each convex space. Meanwhile, the most considerable effect is exerted by control value. Compared to tracking score, tracking frequency is closely related to 'syntactic variables'. Second, visitors do not take the short cut the dark exhibition space even when very dark exhibition spaces continue after passing through relatively bright space. Analysis of visitors' behavior by control value in the exhibition space composed of this type of intensity of illumination environment is not valid. Third, visitors move to relatively brighter transitional space compared to the exhibition space with low intensity of illumination when passing through dark exhibition continually. Meanwhile, when visitors pass through the exhibition space there is some difference intensity of illumination they move to relatively dark exhibition center among the subsequent exhibition spaces. Accordingly, when the composition of exhibition space that continues onto the environment of low intensity of illumination is inevitable, differentiating intensity of illumination appropriately would be effective in inducing visit to the subsequent exhibition space.

• 컴퓨터교육학회논문지
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• 제17권5호
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• pp.25-34
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• 2014

본 연구의 목적은 박물관 교육 모바일 어플리케이션의 원활한 사용과 행동유도성을 위해 Norman(1998)이 제시한 물리적, 인지적 어포던스로 나눠 어포던스의 문제점을 개선하고자 하는데 있다. 이를 위해 박물관에 G과학관 교육 모바일 기기 애플리케이션을 선정하여 관찰 및 면담, 생각 소리내어 말하기 프로토콜을 통해 어포던스의 문제점을 분석하고 개선하였다. 본 연구는 박물관 교육 모바일 시스템을 사용하는 학습자의 입장에서 어포던스 문제점을 살펴보고 실질적인 개선을 통해 학습자가 인터페이스가 제공되는 정보를 지각하고 이해할 수 있도록 설계되어 학습자가 낯선 박물관 모바일 환경에서도 학습자가 바로 적절한 행동을 유도하게 될 것이다. 또한 학습자들이 박물관 콘텐츠를 직접 조작하고 상호작용하는 학습 체험을 경험하여 탐구적 활동을 촉발하고 의미 있는 학습과 연결될 수 있을 것이다.

• 한국콘텐츠학회논문지
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• 제10권9호
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• pp.212-219
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• 2010

서울시립대학교박물관 2010년 기획전시에 디지털매체가 어떻게 활용되었는지에 대한 것을 살펴보았다. 분석 결과 전시 내용에 적절하게 다양한 형식으로 영상 음향매체가 활용되고 있었으며, 특히 전시공간 연출에 있어서의 디지털매체 활용의 측면은 앞으로 다양한 전시에 적극적으로 활용되어져야 할 것이다. 하지만 관람객과의 상호작용성면에 있어서의 효과를 확인할 수 없었다. 디지털매체의 표현방법의 다양화를 통해 전시내용의 효과적인 전달과 엔터테인먼트적인 효과로 관람객이 지루해 하지 않고 재방문을 하도록 유도해야 한다. 전시에 음향매체를 활용한 것은 영상매체 보다 더 강렬한 자극을 이끌어 낼 수 있고, 다른 전시매체와의 복합 연출에 따른 효과는 더욱 컸다고 볼 수 있다. 하지만 관람객에게 일방향성 정보제공으로 잘못 활용되어질 수 있으므로 단독 음향의 지향성 스피커나 헤드폰 등의 기술적 제고가 이루어져야 할 것이다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.116-122
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• 2004

Since the 18th century the museums in Europe have accepted the social demand of the publicity and have played a role of social education and it lasted to the present. Recently, the society began to change it's direction. It is from the Universalism to the Pluralism. The Universalism is due to democratic society after 'the Civil Revolution' and standardized social system after 'the Industrial Revolution' The Pluralism that starts with the decrease of the modern society is about the diversity and the activation of identity which has been disregarded since the Modernism. This study is to analyze and to clarify how the museum's educational environment which had begun since the 18th century has been changed since 1990 and how these are related to the social alteration from the Universalism to the Pluralism. As a result of this study, it was confirmed that there had been a simple circulation system and a unified spatial experience in the museum of Europe since 18th century to 1980's(phl) while there had been a complex circulation system and a diverse spatial experience in the museum of Europe after 1990's(ph2). These mean that the museum of phl gave a unified social education to the visitors and they came to have a similar knowledge and emotion after their seeing the exhibition material while the museums of 'ph2' gave a diverse one and the visitor came to have a different knowledge and emotion to the same exhibition material. The museum which gives a unified social education is to produce a unified thoughts of people and it is because the social direction is the Universalism. In addition to this, the museum of diverse social education is to produce people of diversity and it is related to the Pluralism.

• 박물관보존과학
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• 제3권
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• pp.37-42
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• 2001

고려 현종 10년(1020)에 조성된 현화사지 석등은 풍화가 심해 1986년에 국립 중앙 박물관의 수장고에 해체 보관되어 왔다. 현화사지 석등은 고려시대 문화의 전성기에 나타나는 세련된 조형미와 아름다움을 잘 보여주는 예로, 일반에게 전시 공개하기 위하여 긴급 보존처리를 행하였다. 현화사지 석등은 보존처리는 이전처리에 사용되었던 재료의 제거, 탈락 부분의 접합, 결실 부분의 복원, 세척과 마감 채색의 순서로 처리 완료하였다. 현화사지 석등은 야외에 노출되어 전시되기 때문에 추후의 지속적인 보존과 관리가 필요하다.

• 조명전기설비학회논문지
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• 제24권12호
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• pp.47-56
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• 2010

For a human being's smooth activity, the clean air and comfortable lighting environment are needed. The suitable lighting environment is obtained generally by making it available for being formed the bright situation easy for seeing object and the visually comfortable atmosphere. In this way, even the lighting environment was changed along with economic development. Even a light source was diversified. Thus, several kinds of new light sources such as LED, OLED, PLS, and CNT came to appear. Halogen lamp, which has low efficiency due to high color rendering among lamps of being used now, is being much used yet. However, owing to radiation of UV and IR, there are many limitations to the subject in general exhibition lighting, museum, and art museum. Accordingly, a research was performed on filter that is blocked UV and IR at the same time, by using halogen lamp that is excellent in color rendering and in life.

• Animal cells and systems
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• 제5권4호
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• pp.299-302
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• 2001

A taxonomic study of the family Antedonidae is presented. The specimens were collected in the coastal seas of Korea from 1970 to 1994 and deposited in the Natural History Museum of Ewha Womans University. Four species, Heliometra glacialis maxima, Antedon serrata, Antedon parviflora and Andrometra psyche of the subfamilies Heliometrinae and Antedoninae were identified, of which 3 species, Antedon serrata, Antedon parviflora and Andrometra psyche in the subfamily Antedoninae are new to Korea. The subfamily Antedoninae is reported for the first time in Korea.

• 보존과학회지
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• 제27권2호
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• pp.231-241
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• 2011

박물관에서 질소나 아르곤과 같은 불활성 가스를 사용한 저산소 농도 살충처리법은 메틸브로마이드나 유독성 살충제의 대체법으로써 성공적으로 사용되어 왔다. 저산소 농도 살충법의 살충 효과는 해충의 종, 산소 농도, 온도, 습도, 가스의 종류 등에 따라 영향을 받으며, 박물관에서의 문화재 보존 환경(온도 $15{\sim}25^{\circ}C$, 습도 40~60%)에서 산소 농도를 0.03% 이하로 유지함으로써 1개월 이내에 가장 내성이 강한 문화재 해충의 살충이 가능하다. 그리고 살충 처리 대상 문화재의 수량이나 크기에 따라 소형 중형 백, 대형 텐트, 버블, 챔버 등 다양한 시스템을 적용할 수 있다.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.154-161
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• 2004

When people visit other countries, the first place to go would be either a museum or an art gallery because it might be the most effective way that people could understand culture and history of the place in a short time. It can be alleged that a museum must be an important cultural space because people can experience their life, history and art there. According to these cultural importance, the purpose of this study is to suggest the environmental design of $\boxDr$Design Museum$\boxUl$ through the Transparency of the Cubism. The Transparency means a capability of transmitting light so that objects on the other side can be seen clearly. The Concept of the Transparency could be taken effects in architecture by overlapping facets or space. By understanding formative properties of the Cubism, which especially focused on Transparency, 1 would like to propose the environment as an art and the exhibition-environment as a way of communication. As it were, the study can be valued as a new approach on condition that formative feature is interpreted with modern terms and the ‘Digital technology’ is not used a tool of representation but a tool of thought in terms of design. Moreover, it has a great significance that formative language of the Cubism will be able to be applied to the environmental design through the experimental and creative design process.

• 한국실내디자인학회논문집
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• 제20권1호
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• pp.165-172
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• 2011

Visitors' behaviors within an exhibition space are a substantial means to grant spatial arrangement and validity of exhibits. Therefore, the study analyzed visitors' behaviors in the viewpoint of attraction power and holding power of exhibits on the basis of exhibition layout of real science museums. Through the analysis, the study grasped efficiency of analysis index and exhibition environment elements which might have an effect on planning the exhibition space of a large-scale museum and producing detailed ranges of exhibition. The main indicators used are: 1. Attraction power: it indicates the relative incidence of people who have stopped in front of an object/exhibit during the exhibition tour. It is calculated by dividing the number of people who stop by the total number of people who have visited the museum or gallery. 2. Holding power: it measures the average time spent in front of an information/communication element. It is calculated by dividing the average time of stay by the time "necessary" to read an element. As a result, It was expected that attraction power and holding power of exhibit would be increased when moving line of seeing was inductive. However, when the traffic movements of seeing was inductive, repetitive seeing of exhibit was almost never realized and visitors had a strong tendency which viewed on their way of moving without viewing on their way of stopping. On the other hand, it may mean that density of exhibit is low or size of exhibition space is small that most of exhibits within exhibition space have high attraction power and holding power. As Gwacheon National Science Museum, when a museum is composed of many large-scale exhibit halls, it should be formed by separating the main moving line of seeing from the optional moving line of seeing through visitors' natural choice of exhibit and proper inducement of moving line of seeing. In such structure, exhibition environment of the main moving line has an effect on attraction of exhibit and the use of optional moving line acts as a factor to increase attraction. In addition, it is thought that attribute of exhibit and proper arrangement of rest space within exhibition space will increase holding power of exhibit.