• 헤리티지:역사와 과학
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• 제57권1호
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• pp.198-216
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• 2024

1950년대 국립박물관의 대표적 성과는 6.25전쟁기 소장품의 부산 피난과 1957년 미국순회전시인 '한국국보전'이라고 할 수 있다. 지금까지 연구에서는 이 두 사건을 개별적 사안으로 다루었다. 하지만 최근 새로운 사료들이 발굴되면서, 이 두 사건은 1950년대 국립박물관을 관통하는 하나의 사안이라는 점이 밝혀지고 있다. 이에 본고에서도 두 사건이 어떤 전개 과정을 통해 하나의 사안으로 이어지는지를 고찰하고자 했다. 국립박물관의 피난을 1950년 12월부터 1951년 5월 사이에 단행된 4차례의 소장품 이전으로만 이해하는 경우가 많다. 사실 부산 피난은 국립박물관 전체 피난사의 일부에 지나지 않는다. 부산 피난 이후 전개된 미국 본토로의 반출 계획과 뒤이은 하와이 호놀룰루로 반출 추진이 문화재 피난사의 대부분을 차지한다. 1950년 12월의 부산 피난은 중국군 개입으로 인한 긴급대피이면서 미국으로 이송하기 위한 선행 조치였다. 부산 도착 직후 미국반출 논의가 상당히 진척되었으나, 미국 정부의 반대로 중단되었다. 그렇지만 1951년 3월부터는 미국 본토가 아닌 하와이 호놀룰루로 반출이 본격적으로 추진되면서 피난 문화재의 국외 반출 문제는 종결이 아니라 새로운 양상으로 전개되었다. 정부가 하와이의 사립 기관인 호놀룰루미술관으로 피난 문화재 반출을 도모하면서부터 문화재 피난의 성격은 모호해졌다. 처음에는 피난 문화재 전량을 호놀룰루미술관에 보관 즉 소개(疏開)하려 했다. 그러나 여론의 거센 반대에 부딪히게 되자, 소개 개념을 완전히 제거하고 국가 홍보를 위한 미국 순회전시로 반출목적을 변경해가며 3차례에 걸쳐 국회에 동의를 요청했다. 정부는 호놀룰루미술관으로 반출이 '국보파동'이라는 비난을 들으면서도 중단하지 않았다. 그런데 어렵게 국회의 승인을 받은 이후 문화재 국외 반출 성격이 급변하였다. 그동안은 문화재 국외 반출 문제의 중심에는 늘 호놀룰루미술관장 그리핑이 있었다. 그런데 제 3차 국회동의요청안이 통과된 피난 문화재 국외반출은 그리핑이 아닌 미 국무부가 주도하는 미국의 대한문화정책 차원에서 전개되었다. 이때부터는 국외반출의 목적에서 '소개' 개념이 완전히 지워지고 오로지 전시로서 개념화된 것이다. 그 결과가 바로 1957년 개최된 한국국보전이었다. 지금까지는 호놀룰루로의 반출문제가 거의 연구되지 않아 1950년 부산 피난과 1957년 한국국보전 사이에는 오랜 시간적 공백 혹은 단절이 존재하는 것처럼 보였다. 그래서 두 사건은 마치 별개의 사건으로 인식되어 왔다. 호놀룰루로 반출 문제는 국립박물관의 문화재 피난사 전모를 보여주는 사건이면서, 국립박물관의 부산 피난이 한국국보전으로 전환되는 과정을 보여주는 핵심 내용이다.

• 한국환경교육학회지:환경교육
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• 제22권2호
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• pp.92-106
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• 2009

We assumed that natural history museums have rooms for functioning as institutions for the environmental education, especially in aspects of multi-disciplinary, informal education. So we set goals of this research as finding 1) how much environmental education contents are reflected in exhibits of natural history museums, and 2) what those characteristics in aspects of dimension, range, and topic are. First, we developed a framework for analyzing of environmental education contents. Second, we applied the framework to seven major natural history museums. As the result, environmental education contents are reflected by 69.1% totally. Especially, the 'knowledge' dimension covered mostly, and among them the range of 'elements of Ecosystem' occupied more than other ranges. With inferring our results, we suggested that characteristics of natural history museums in environmental education are followed; spatial-temporal expansion of bio-diversity concept, visualizing impacts of human activity against nature.

• 복식
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• 제5권
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• pp.237-246
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• 1981

This is a report of author's stay in the U.S. as an exchange scholar. During her stay from Dec. 1979 to Dec. 1980, she participated in costume studies at Pratt Institute, New York City and looked into materials of North Asian historical costumes. The author notes that the curriculum of costume studies in the U.S. place weight upon costume history, e.g., the master's program in costume studies of New York University requires 18 points in history courses out of 54 points required for the degree. The author also notes the leading role of the Costume Institute, the Metropolitan Museum of Arts in performing research works for the studies. As to the study of North Asian costumes, the author's work in the U.S. has been somewhat disappointing. She points out difficulties for a Korean researcher to access to basic materials which are scarce outside of China and Russia. She asserts, however, the comprehension of the history of North Asian costumes as a whole is essential to understand the characteristics of ancient Korean costumes. The author insists the costume history courses in Korean colleges are not appropriate as a apart of costume studies. Noting the costume education in the U.S. clearly aims at the training of costume professions, the author proposes the objective of costume education in Korea be redefined, and the teaching of "History of Korean Costumes" be reconstituted as to be suitable for it.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.136-143
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• 2012

A museum represents a country's history, culture and life. With the development of science and technology, museum is no longer simply a space that concentrates on display and management of the collection but a space for education that visitors can directly experience and feel interest. The purpose of the present study is firstly through theoretical approach and research to grasp the status quo of the exhibition of the National First Level museums located in Beijing, which is the capital city of the People's Republic of China. Secondly, by analyzing the themes of exhibition and the exhibition presentation methods, it is aimed at finding out the problems of the status of museums in China so as to seek the requirements and the direction of improvements. Through this research, it is confirmed that in order to induce more active exhibition participation, the museums should expand the number of direct experience style exhibition presentation methods. Also, the museums in China need technical introduction of new cutting-edge exhibition medium so as to meet emotional demands of spectators and make the most ideal experience environment. Furthermore, it is confirmed that the development of new exhibition themes and the improvement of the museums in aspect of management and operation are necessary.

• 대한한의학원전학회지
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• 제35권4호
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• pp.25-39
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• 2022

Objectives : This paper analyzes the new Majinhwiseong(麻疹彙成) manuscript discovered in Jeonju. The Majinhwiseong is a medical book specializing in measles co-authored in 1798 by Lee, Won-pung and three doctors from a middle class family. Until recently, the Handok (Korean-German) Medicine Museum copy was known to be the only existing version, but a new manuscript was recently discovered. Methods : The author, bibliography, organization, cited literature, and content of the book were studied. The contents of the Handok Museum of Medicine copy and other manuscripts were compared then reviewed. Results : 1. The book shows that middle class workers in the late 19th century were able to collaborate based on the results of their craft and form strong bonds. 2. The book was being prepared for publication in Pyeongan Gamyeong in December 1798, but failed to be published due to the sudden death of the Pyeongan-do governor. 3. For a correct understanding of this book, it is necessary to study the Handok Medicine Museum edition and the newly discovered manuscript (Jeonju edition) together. Conclusions : The two editions are of a different lineage. The Jeonju edition is overall more specific, while some parts are more detailed in the Handok edition. In conclusion, the Majinhwiseong is a book that was written by middle class doctors of late 18th century whose clinical experience was combined with Chinese medical theories. The book was specifically targeted to professional medical audiences.

• Acta Via Serica
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• 제8권2호
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• pp.1-24
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• 2023

The art of carpet weaving is the most habitual form of traditional art in Azerbaijan, it reflects a rich inner world and occupies a special place in the history of a national culture's development. The Azerbaijani carpet has always stood out for its plots, ornaments, compositions, and high quality and the Azerbaijani people, faithful to their spiritual values, have protected and developed it throughout the centuries. In this article, several Ganja-Gazakh-type carpets from the Azerbaijan National Carpet Museum collection and their artistic and technical characteristics are discussed. Specimens of material, sacred language, and ornamentation are considered. The deepest meaning is embodied in tamga in particular. Tamga is a unique phenomenon serving as an amulet, lineage sign, and self-identification of Turkic peoples. The Gazakh carpets of the Ganja-Gazakh type cover the Gazakh region of Azerbaijan, the Borchali region of Georgia, and the Goycha Lake region of Armenia. Karapapakh Azerbaijani Turks have inhabited these areas since ancient times. Tarakama (nomads) are often equated with the name Karapapakh (black hat). One of the densely populated regions of Tarakama is Gazakh. Gazakh, Garagoyunlu, Salahli, Shikhli, Kamarli, Damirchilar, Gaymagli, Goycali, Daghkasaman, Oysuzlu, Gachagan, and pile carpets with different compositions are woven in the Gazakh carpet weaving center. Large, simple in form, step-shaped or hook-like medallions, horn-shaped patterns, animal images, and stamps with symbols of ancient Turkic tribes characterize the Gazakh carpet weaving group.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2005년도 제21회 발표논문집
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• pp.1-11
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• 2005

No one can tell when, exactly, the conservation of potteries & ceramics began, however, according to the documents, it has a long history. Among the materials discovered up to the present, organic adhesives extracted from animals and plants such as bitumen were mainly used and resin, in 19th century, as well. As for inorganic adhesives, clay, lime and plaster were used as well as rivet, as one of mechanical methods. According to the conservation case studies in Korea, lacquer and gilding powdered gold were applied as treatment methods in some ceramics, but, in general, plaster and resins were used widely.

• Proceedings of the National Institute of Ecology of the Republic of Korea
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• 제3권1호
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• pp.41-46
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• 2022

Psalidoremus is one of the subgenus which consists of five species and eleven subspecies through Taiwan, Japan, Korea and north eastern part of China which present strong endemism to their distribution. While most of advance studies focus on the new species or subspecies from this taxon, this paper suggests paleogeographical assumption and hypothesis of how they diverged from common ancestors. Phylogeographical patterns illustrated by the distribution of five species, which including Prosopocoilus inclinatus, Prosopocoilus hachijoensis, Prosopocoilus dissimilis, Prospocoilus pseudodissimilis, Prosopocoilus motschulskii respectively, has been assessed in this research. Speciation history is suggested by morphological tendencies especially in male mandibles with assumption from geographical patterns of under sea level.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.139-143
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• 2003

When the past architecture is renovated, the important point is to approach from social and historical point of view. In Europe, there are many cultural and architectural hereditaments by backed-up ancient history and are usually happened modernistic applications of these architectures. Specially, when the past architecture is renovated, this study is focused on cases of museum and gallery which the people are approachable by me. I studied how to expressed the durability and to distinguish the design characteristics that is connected with the past from the European cases at modernistic point of time. The design characteristics are discovered two kinds. The first is 'consideration of the past architecture' and the second is 'consideration of the present age'. The results of this study are as follows； 1. The component reanalysis 2. The use of material 3. The introduction of symbolic elements 4. The Change of function

• 가정과삶의질연구
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• 제21권5호
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• pp.155-170
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• 2003

This paper will provide a basic analysis of traditional wedding artifacts as they appear on museum websites and their value for scientific research. The results of this study are as follows: 1. There were a total of 115 wedding artifacts(72 written documents related to weddings, 43 marital items) on the website of a museum. Most of them were related to the latter half of Cho-sun Dynasty. From these artifacts, we may understand the culture surrounding wedding during the transitional period from the Cho-sun Dynasty to modem time. 2. By analyzing such wedding artifacts, we can supplement existing methods of study such as literature research and case histories. In this way, we may better understand the history and culture of weddings. 3. In order to gain a deeper understanding of the culture of weddings we need to adopt a more interdisciplinary approach of wedding artifacts.