• 제목/요약/키워드: Museum History

검색결과 589건 처리시간 0.025초

북한산(北韓産) 잎말이나방과(科) (나비목(目))의 2미기록종 및 새로운 채집지 보고 (Two Unrecorded Species of Tortricidae (Lepidoptera) from North Korea, with Notes on Collection Localities of North Korean Tortricids Deposited at the Hungarian Natural History Museum)

  • 변봉규;이봉우;배관호;최준근
    • 한국응용곤충학회지
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    • 제52권1호
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    • pp.53-59
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    • 2013
  • 지난 1970년이래 헝가리자연사박물관의 북한지역 탐사를 통해 채집조사되어 보관된 표본을 대상으로 검경한 결과 북한산 잎말이나방과 12종이 추가로 분류 동정되어 보고한다. 이중 2종(Notocelia rosaecolana Doubleday, Rhopobota ustomaculana Curtis)은 북한지역에서는 처음으로 보고되는 북한미기록종이었다. 이외에 보고되는 10종은 주로 기존문헌에 목록에만 포함되어 있어 정확한 분포정보들이 없어왔던 종들로 금번연구를 통해 새로운 분포지가 기록되는 종들이다. 본 연구에서는 금번에 보고되는 2종의 북한미기록종과 새롭게 채집지가 확인된 10종의 목록을 정리하여 보고하며 각 종별로 채집지기록, 국내외 분포 및 기주식믈정보 등을 제시하였다.

A Study of Visitor Behavior in Informal Learning Setting: A Natural History Museum

  • Kim, Chan-Jong;Lee, Chang-Zin;Shin, Myeong-Kyeong
    • 한국지구과학회지
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    • 제25권3호
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    • pp.142-151
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    • 2004
  • This study was designed to determine whether visitor behavior at science museums differs across various exhibit styles and between Family and Non Family groups. Eight exhibits in the natural history sections of the national science museum located in Daejeon were identified to have distinctive characteristics and styles. At each selected exhibit, visitor behavior was observed for an hour. An average of eighty people stopped by each exhibit. Descriptive analyses of visitors behaviors showed that: 1) families spent more time than non-family visitors; 2) families paid more attention to exhibits, for instance, they talked and commented about the exhibits; 3) exhibit characteristics related to holding power and attention span; 4) families more frequently visited exhibits related to school curriculum rather than ones that looked attractive, fun or novel. Visitors did not play with sensory simulation types of exhibits as much as expected. This implicates that exhibit style does not guarantee long visitors holding time and attracting power. Non-significant results are explained in terms of environmental and exhibit-related factors. Several potential factors including visitor factors, setting factors, and exhibit factors are discussed and explored with topics proposed for future study.

증강현실을 이용한 문화재 학습 콘텐츠 설계 및 구현 (Design and Implementation of Cultural Property Learning Contents Using Augmented Reality)

  • 성민제;이대현
    • 디지털콘텐츠학회 논문지
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    • 제18권5호
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    • pp.831-837
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    • 2017
  • 스마트폰의 대중화로 인해 개인 맞춤형 서비스에 대한 관심이 증대되고 이는 시대 변화에 맞춰 박물관 등 여러 관람시설에 이를 만족시키기 위해 많은 시스템들의 변화가 일어나고 있다. 박물관은 관람이라는 요소를 가지고 있으며, 역사교육이라는 목적이 담겨져 있으며, 재미와 교육을 병행해야 하는 기관으로서의 역할이 있다. 이런 목적을 달성하기 위해서는 문화재에 대한 충분한 흥미를 유발해야 하며, 그와 동시에 문화재에 대한 다양한 콘텐츠의 제공이 필수적이다. 따라서 본 연구에서는 효율적인 문화재 관람 서비스를 제공하기 위해 교육과 함께 평가를 병행할 수 있는 효율적인 방안에 대하여 Unity3D 엔진과 Vuforia라는 증강현실 개발용 SDK를 사용하여 연구하였다.

한국산 딱부리반날개속(딱정벌레목, 반날개과, 딱부리반날개아과)의 미기록종 보고 (Eight Stenus Latreille species (Coleoptera, Staphylinidae, Steninae) in Korea)

  • 오광식;조영복
    • 한국응용곤충학회지
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    • 제54권4호
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    • pp.317-326
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    • 2015
  • 한국산 딱부리반날개속(Stenus Latreille)의 8종에 대해 보고한다. 이들 중, 3종(Stenus burjaetus Puthz, S. depressus Puthz and S. gibbicollis J. Sahlberg)은 한반도산 미기록종이고, 나머지 5종은(S. coronatus coronatus L. Benick, S. decoratus L. Benick, S. koreanus Puthz, S. rugipennis Sharp and S. sharpi Bernhauer and Schubert)은 남한에서 처음 보고되는 종들이다. 8종의 성충 사진, 수컷의 생식기 및 9번째 복판에 대한 그림과 한국산 딱부리반날개속의 종 검색표를 제공한다.

구 동양척식주식회사 부산지점(부산근대역사관)의 복합구조 특성 (The Composite Structure Characteristics of the Formerly the Busan Branch of Toyo Takushoku Co.(Busan Modern History Museum))

  • 안재철
    • 대한건축학회논문집:계획계
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    • 제35권10호
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    • pp.63-70
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    • 2019
  • The Busan branch of the former Toyo Takushoku Co. carried out the same business as a bank at the time of construction. This required an open space of long-span, which had no pillars, on the first floor where many customers frequently visited. In addition, an office space is required in the upper part, and a column is arranged so as to place a corridor in the center. It was designed with modern complex structures for space utilization and structural adaptation. As a result, scientific structural calculations of the modern era began and various structural technologies were introduced, the rationalization and value of various spatial characteristics and their structural design were analyzed from a technical historical perspective in the structure requiring long-span space. The Busan branch of the former Toyo Takushoku Co. is a complex structure with three structures. It is highly valuable as a building that tried to design its structure in a variety of spaces through calculation and introduction of new technology based on the principle of force in modern times.

일제하 총독부 박물관 문서와 관리체계 (The Document of Museum of Chosen General Government and its systemic management of document)

  • 김도형
    • 기록학연구
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    • 제3호
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    • pp.115-137
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    • 2001
  • The Museum of Chosen General Government(MCGG) was a supreme organ to take charge of business affairs of historical remains Japanese imperial rule. The MCGG was established in Kyongbok Palace in 1915. The MCGG was changed the reorganization of the Chosen General Government(CGG) setups, the MCGG was to maintain the cultural assets, to excavate the ruins and to put on display the remains. However, the Japanese colonist took advantage of the MCGG for political purposes. They didn't use the MCGG to promote the research of Korea culture. Therefore, the MCGG was an organization to belong to the Department of Education of the CGG. In this reason, the MCGG produced the amount of public document to business affairs. Now, This document left in the Museum of Korea. We have seen the document to study the cultural policies and the cultural assets of the CGG. This document includes the abundant information for the historical remains and ruins at that time. Accordingly, this document will help to survey the archaeological research and historical research. In addition, this document will help to manage the cultural assets. What then is the advantage of this document? The first is to see the cultural policies of the CGG through this document. The Japanese colonist took advantage of Korea history, which was low-grade culture, to justify rule of the colony. Therefore, they needed collect Korean assets to verity their theory. The second is to see the administration system of the MCGG. Indeed, this document includes information of organization of the MCGG, the policies and the process of the MCGG. In substance, we can see the systemic proceedings of the MCGG. The third is to provide historical materials to the historian. This document has the persons to plan the colonial culture policy of the MCGG, and events to rule the Korea culture. Moreover, the document of the MCGG would help to inquire into the truthfulness of history and to get the national identity.

포스트모던 미술관 건축의 확장된 건축개념에 관한비교연구 -독일 스튜트가르트 국립미술관 신관과 묀헨글라드바하 시립미술관을 중심으로- (A Comparative Study of the Expantionist Architectural Concept in Post-Modern Museums -focused on Neue Staatsgalerie Stuttgart and Stadtisches Museum Abteiberg Monchengladback in Germany-)

  • 김명옥
    • 한국실내디자인학회논문집
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    • 제14호
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    • pp.82-89
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    • 1998
  • During the boom of museum building in the 1970s-80s two museum wee erected in Germany. They are James Stirling's Neue Stattsgalerie Stuttgart and hans Hollein's Stadtisches Museum Abteiberg Monchengladbach, These two museums share the folowing point of similarity : Stirling's Neue Stattsgalerie Stuttgart and Hollein's Staditisches Museum Abetiberg Monchenbladbach both manifest the conditions of the times in light of their respective cities' local characters and historical contexts without being bound to traditional formality. Stirling and Hollein attempted to grasp the meaning of the 기nuseum as a city in miniature." Taking into account the t two museums’s territorial characteristics of being situated on a slope, both Stirling and Hollein made the walker to pass t through their building complex and introduced the concept of a public square within them. As a result, the museums are not j just two large buildings but are architecture composed of a collage of various structures. S Stirling’s architecture employs the method of attaching additional elements on top of basic constituents, which is suggestive '||'&'||'#61551; of the historical fragment from Shinkel's Altes Museum. On the other hand, Hollein applies a collage-style method as if he w were doing urban planning, maintaining the distinctiveness of each of the various forms and materials of buildings. T The object style buildings of the two museums actively demonstrate the contrast of double meaning to represent the a ambiguous and multifarious characteristics of the modern times. Stirling explores the theme of opposition and coexistence in h his Neue Stattsgalerie Stuttgart by placing a series of opposing concepts, such as the past and present and histor${\gamma}$ and t technology, in one space. Thereby, the contradiction and its appeal are manifested. Hollein made use of the visual illusion and c contradiction in alluding to the irony of the modern reality induced by nature and culture and history and technology. F For the above reasons and methods, James Stirling ’ s Neue Stattsgalerie Stuttgart allowed the penetration of art into daily l life and became the general public’s favored museum for its free and unrestrained environment. Likewise, Hans Hollein’s S Stadtisches Museum Abteiberg Moncbengladbach contribute to the development of museum function as it an expression of art i in the form of a complex piece of scupture on its own.ts own.

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'연구 업무 전담제'를 통해 살펴보는 국립현대미술관 전시 기획의 새로운 패러다임 (New Paradigm in exhibition organization at the National Museum of Contemporary Art)

  • 최은주
    • 미술이론과 현장
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    • 제3호
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    • pp.67-84
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    • 2005
  • Since the evaluation of its intellectual activities and abilities is done by curator's capabilities, planning exhibition is very important as the final result achieved by their own knowledge, information, and research. ARPA(Advanced Research Project on Arts) is suggested as the system which enables curators responding simultaneously to the society in the times, based on its special characteristics. If this system settles well, which means that the curators at NMCA(National Museum of Contemporary Art, Korea) play their roles as the professionals in each of their fields, the goal of consolidating the status of museum as the representative national museum, and building up competent department of curators, will be achieved at the same time. To clarify above, the curators set up the various assignments of research about the types of arts such as painting, Korean painting, sculpture, installation, new-media, design, craft, photogarphy, architecture, etc. And they establish the art objects classified by the regions, such as the Northern American, Southern American, European, Asian, and other Third World countries. They elaborate art objects more on the history, the work, the artist, and the issue of contemporary art. Furthermore, when the curators devote deeper study to those research subjects, they can have the opportunities to design an exhibition upon the research. Today, the museum of art is 'The Place for Communication and Encounter', it is regarded important to share the aesthetical, creative values with current artists, and to understand mutually with the spectators. It is needed to improve the curator's work, in order to meet the demands of the times and even to advance. Because the form of 'exhibition' is the tool that reveals the identity NMCA aiming at, the motivation, the development, and the realization should be leaded by the curators, who are the mainstream of the museum. ARPA is a system for identifying the exhibition like mentioned above. The main purpose of this system is to produce synergy effect, having the researching, collecting work in liaison with planning exhibition. ARPA will be able to improve the quality of exhibition through the way of developing the exhibition, passing through the stable process in the long run. So far, I have referred to a new paradigm of the exhibition design at NMCA via ARPA. Yet, there still remain missions in reality, such as analyzing the previous exhibition and reshuffling personnel and system, which should be done. When these matters settled, these plans would be suggested practically. At this point, it is the most significant that NMCA is attempting to let others aware of the importance of exhibition planning based on research. when the ARPA and exhibition planning is conjoined together successfully, the competent exhibition will be achieved, which can offer a meaningful exhibition to the art world, strengthen infra structure thru exchanging with public museum in the region, and eventually, establish a network with museum in foreign countries.

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미술관 아카이브 기술요소 제안에 관한 연구 (A Study on the Proposal for the Description Elements of Art Museum Archives)

  • 이지은;김지현
    • 기록학연구
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    • 제46호
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    • pp.45-93
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    • 2015
  • 미술관 아카이브는 미술활동의 과정에서 생산된 개인 및 기관과 관련한 영구보존할 만한 가치가 있는 기록물로 물리적 내용적 측면에서 다양성과 특수성을 가진다. 더 나아가 정보적 증거적 가치를 지니는 미술관 아카이브는 미술관 및 미술사 연구를 지원하고 정립하는 역할을 한다. 이러한 미술관 아카이브의 체계적 보존과 관리를 위하여 선행해야할 것은 기술(記述)이다. 기술은 자료에 대한 개별 정보뿐만 아니라 그 자료의 생산맥락을 제공하고 검색의 유용한 도구를 마련하여 이용자들에게 보다 쉽게 자료에 접근할 수 있게 하기 때문이다. 하지만 국내 미술관, 미술관련 기관에서는 자료의 보존과 관리보다는 활용에 중점을 두고 있거나 건 단위를 기본으로 하는 단편적인 정보적 가치에 초점을 맞추어 관리하는 경향이 있다. 따라서 기록이 가진 속성 가운데 구조와 맥락의 요소가 유지되지 못한 채 관리되고 있는 실정이다. 본 연구는 아카이브 구축 과정 중 필수적인 단계인 기술을 중심으로 미술관 아카이브의 기술요소를 제안하며 계층적 집합적 기술을 통해 기록의 생산 맥락을 유지하고 효과적인 검색을 지원하고자 하는데 목적이 있다. 동시에 미술관 아카이브가 기관이나 조직의 기록보다 개인의 기록이 많은 비중을 차지하고 매체와 형식이 다양하다는 것을 감안하여 이를 반영한 미술관 독자적인 기술요소를 제안하고자 한다.

런던 호니만 박물관 소장 한복 유물에 관한 연구 (Korean Dress Collection of the Horniman Museum in London)

  • 김순영
    • 한국의류학회지
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    • 제36권1호
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    • pp.99-111
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    • 2012
  • This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Horniman Museum in London. The Museum holds eighteen items of Korean dresses donated by Mrs. C. de J. Luxmore in 1948 and by Mrs. Bowra in 1953. Male dresses consist of white silk outer robe (durumagi), a pale violet silk waistcoat (jokki), a jade green silk jacket (jeogori), pale yellow silk trousers (baji), a pair of ankle bands (daenim), a cotton waistband (dae), a silk purse (jumeoni), a rattan under-vest (deungbaeja), a pair of rattan wristlets (deungtosi), a top hat (gat) and a skullcap (tanggeon). Female dresses comprise a jade green silk jacket (jeogori), an ivory silk skirt (chima), a light blue silk petticoat (sokchima), two kinds of white cotton trousers (sokbaji and soksokgot), a pair of silk wristlets (tosi) and a pair of padded socks (beoseon). A Korean dress collection of the Horniman Museum shows a set of ordinary dress items worn by a married couple in the 1930s and the 1940s. Of these items, a silk petticoat (sokchima) and a rattan under-vest (deungbaeja) can be highly evaluated as object resources in the history of Korean dress. The petticoat is a rare and valuable example that represents an early type of modern petticoat that has replaced a traditional petticoat (dansokgot). The rattan under-vest has square neckline and two tiny sleeves similar to a Western cap sleeve. This kind of under-vest is a transitional form shown between under-vest similar to the Korean waistcoat (baeja) and one similar to the Western waistcoat (jokki).