• 한국콘텐츠학회논문지
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• 제15권10호
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• pp.83-91
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• 2015

본 연구는 도시 디자인과 공공예술 이론을 고찰하였다. 그 결과 기존의 벽화예술은 기획력이 부족하고 시대적 요구에 부합하지 않는다는 것을 발견하였다. 본 연구는 벽화를 예술적 영역에만 국한되기 보다는 공공의 공간으로 확장한 실험적 접근을 시도하였다. 그 사례로서 부산에 소재한 주례여자중학교의 벽화를 공공디자인 영역으로 발전시켰다. 그 결과 문화가 포함된 벽화는 도시 공공 환경과 오히려 잘 어울린다는 것을 설문을 통해 발견하였다. 설문조사는 주례여자중학교 학생과 주변사람들 무작위로 선발하여 총 107명 대상으로 하였다. 설문 결과 환경 친화와 문화적 함의가 상대적으로 높게 평정 되었다. 벽화예술은 우리 사회의 발전, 문명의 진보와 더불어 더욱 세밀하게 사람들이 살아가고 있는 공간으로 주목받게 되었다. 어떻게 더욱 뛰어나게 벽화 예술과 현대공공 환경공간의 관계를 조화롭게 만들어야 할지가 앞으로의 과제이자 추세인 것이다. 본 연구는 다양한 벽화내용을 통하여 공공환경에 생기와 활력을 불어 넣고 자신의 독특한 분위기로 대체할 수 없는 사회적 가치를 제시한다.

• 한국결정성장학회지
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• 제22권1호
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• pp.42-50
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• 2012

Mural Art는 빛의 색채 반응과 몰입, 확산 작용을 통하여 다양한 이미지를 나타내게 할 수 있는 디자인 작업이다. 본 논문은 천연 보석의 광학 현상을 Mural Art에 적합한 Digital Pattern으로 형성하고, 보석 및 광물의 광채와 작품 디자인과의 연관성에 대하여 고찰하였다. 작품 디자인의 상호(관련) 작용에 나타난 새로운 가능성을 광채가 아름다운 울트라 마린(Ultramarine)과 스펙트럼(Spectrum)의 색채 예술로서 벽면에 기초하여, 고해상도 Image의 그래픽 디자인으로 표현하고, 지속가능한(3D) Simulation의 Interior(Presentation) Modeling으로 활용하여 보았다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2003년도 봄 학술발표대회논문집
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• pp.144-145
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• 2003

• 한국실내디자인학회논문집
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• 제15권6호
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• pp.229-237
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• 2006

The purpose of this study was to find out the characteristics of murals in the restaurant and its correlation with interior space. A field survey has been done by visiting 9 Western food restaurants and 9 Oriental food restaurants. Detail recording of mural content has been made and photographs of wall painting have been taken. The survey results are as follows; Firstly, majority of murals were painting technique on the wall directly with paint. Secondly, main theme of mural in the Western food restaurant are flower and plant whereas that of Oriental food restaurant are customs of each country and letter characters. Thirdly, the theme of mural has correlation with food served in the restaurant and the theme represents major character of the restaurant. Fourthly, there were analogy among the interior space elements such as finishing materials and colors. Only exception was murals in the Western food restaurant which shows contrast in its form with interior space. Fifthly, the physical and visual weight of mural was significant in most of cases. Even if the painting is not physically large and is not visually noticeable, it plays an important role in image formation.

• 복식
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• 제59권6호
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• pp.72-81
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• 2009

The purpose of this study is to develop geometric patterns which can be reinterpreted in a modern sense and textile designs which can be commercialized in the mural painting of Goguryeo Dynasty's tomb. Of 42 tombs where genres and portraits could be observed, the costume style of Goguryeo dynasty could be mainly observed in the tombs built in the 4th and 5th centuries. Since geometric patterns found in the portrait could be represented in a modern sense, this study was intended to develop the patterns of a necktie which is one of cultural products by applying geometric patterns in the mural painting of Goguryeo Dynasty's tomb in the 5th century with many patterns distributed. The scope of patterns was limited to a square, a triangle, a circle, and a diagonal line which were the basic of geometric patterns found in the mural painting. The methods of study were literature review and empirical study. Adobe Photoshop CS3 was used to edit geometric patterns found in the mural painting of Goguryeo Dynasty's tomb in the 5th century. By extracting a square(${\square}$), a triangle(${\vartriangle}$), a circle(${\bigcirc}$), and a diagonal line(${\diagdown}$) from edited images, predicted images were proposed before products were made. Finally textile designs were made through the simulation of edited design patterns in the necktie and handkerchief. This study will contribute to the positive effects on the development of cultural product designs applying the characteristic of geometric patterns and the construction of Korean image.

• 복식
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• 제64권3호
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• pp.32-46
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• 2014

The purpose of this study is to propose a solution for Goguryeo costume and its materials, colors, patterns, and accessories, which have not been dealt with in precedent studies and were treated as irrelevant subjects. The specific object of reconstruction with identification from the historical viewpoint is noble woman's costume(Yu and Gun) on the mural paintings of Jang-Cheon No.1 tomb in Jip-An province. As above, the reconstruction process of Yu(Jacket) and Gun(Skirt) worn by noble woman as depicted on the mural painting of the Baek-Hee-Gi-Ak-Do(百戱伎樂圖) in Jang-Cheon No.1 ancient tomb is suggested in this study. The most important issue for consideration was how to represent and exhibit it so that it resembles the mural painting as closely as possible. And the problems that arose at the time were the ratio and silhouette, which revealed disparities between the one on the mural painting and the costumes reproduced with identification from a historical viewpoint. The most difficult aspect of this work was due to the fact that the actual mural paintings were not available for verification. Therefore accuracy on details such as structure, materials, colors, patterns and accessory were difficult to obtain. So a further analysis of patterns, silhouettes, materials and colors are required for the precise representation of costume and dress on the mural painting.

• 디지털융복합연구
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• 제14권5호
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• pp.421-426
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• 2016

본 연구는 벽화의 기법이 적용된 융복합적 성격의 판장형 담장 디자인을 제시한다. 기본적인 구조는 담장 평면에 회화적 요소를 담아 벽화가 그려진 담장이 된다. 여기에 담장 기둥을 중심으로 전력 통신 설비를 내장함으로써 담장의 고유한 기능 외에 가로나 정원조명, 방범설비로 활용될 수 있도록 기능면에서 복합성과 확장성을 갖추었다. 담장을 구성하는 부분들은 공장에서 규격에 맞춰 생산할 수 있도록 고려했다. 이러한 디자인 제안을 통해 담장의 기본적인 역할인 공간 구획을 넘어 개인과 사회적 소통을 유도할 수 있는 담장을 제시하고자 했다. 이 결과 심미적 효용뿐만 아니라 범죄예방 등의 사회적 기능에 까지 도움을 주는 폭넓은 융복합적 기능을 구현하는 담장으로 기능할 수 있다.

• 한국의상디자인학회지
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• 제4권3호
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• pp.1-8
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• 2002

This article is to study the ancient Korean make-up based on ancient men's and women's facial decoration. The adornment is mainly about make-up, but I didn't employ make-up in this article on the ground that it isn't an appropriate concept in men's case. The study on the ancient Korean make-up has been conducted on the basis of Goguryeo mural paintings excavated in the tombs. Contrary to the Baekje and the Silla Kingdoms, Goguryeo women's make-up carne to fashion like China. The Goguryeo mural paintings depicted women's make-up which painted their faces white and lined on the eyebrows to make them raise toward their foreheads after removing their own eyebrows. They outlined their mouths smaller than their own and, in some occasions, applied make-up differently on the upper lip and the lower lip. As the time passed by, women applied the blusher, which attests to the fact that make-up of those days was considerably developed. Unlike women, men didn't put on cosmetics but they grew beard as a symbol of adults. The beard had a diversity in shape such as goat-shaped and fan-shaped beards. It can be understood that women's make-up was applied as a manifestation of adults like men's growing beards.

• 미술이론과 현장
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• 제9호
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• pp.7-31
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• 2010

In this paper, I examine the development of the second stage of Chicano muralism and compare it with the first stage of the Chicano Mural Movement that was born out of the Civil Rights Movement. I then discuss the different aspects of the first stage in relation to the birth of institutionalized public art and question how Chicano murals influenced public art and, conversely, how mainstream public art transformed some of the attitudes and practices of Chicano muralism. Chicano murals initially functioned as a political mouthpiece for Chicano's human rights and as a tool to recover the Chicano people's cultural pride and legacy. However, the murals gradually developed into public art projects supported by the city or federal governments, who regarded them as an economic way to effectively communicate with the community. In this process of institutionalization, muralists became increasingly concerned with aesthetic quality and began to work more systematically. For example, amateur artists or community participants who produced the earlier murals were transformed into mural experts. Chicano essentialism and the politically volatile themes used previously were phased out and the new murals began to incorporate diverse subjects and people, for example, native culture, Blacks, and women. This phenomenon reflected the changing emphasis on multicultural understanding. This kind of institutionalization did not always draw positive results. Inadequate funds were the primary concern over the actual subject and creation of the mural work. Artists reduced the strong political metaphors and aestheticized the mural forms. However, their work was productive as well: thorough research on wall conditions and painting techniques was conducted and new processes and designs were developed. This paper examines the murals created for the 1984 Los Angeles Olympic Games, Judy Baca's works, and the Balmy Alley Mural Environment project in San Francisco's Mission District. Works by Las Mujeres Muralistas in Mission District, in particular, show case colorful patterns and the Latin American indigenous culture, exploring new interpretations of old icons and design. They challenged the stereotypical depictions of females and presented alternative visual languages that revised the male-centered mural aesthetics and elaborated on the aesthetics of Rasquachismo.

• 복식문화연구
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• 제15권3호
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• pp.541-549
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• 2007

Goguryo is the ancient dynasty which established the system of ancient state earlier than Baekje and Sila, and was a strong political and military power. Unlike the rock carving works of prehistoric times, mural paintings composed of line and color tones in tombs are characterized more by its social aspect and symbolism as a serious form of art than other cultural heritage of Goguryo. In response to that, this study analyzed the dress and ornaments of women found in Anak No. 3 ancient tomb, Susan-ri ancient tomb, Ssangyeongchong, which are the ancient tombs in Pyeongyang from 4th century to 5th century, have relatively more ancient tombs than any other places and preserved the mural paintings well, by using the plate, slide, literature and data related to relics in order to figure out the characteristics of women's dress and ornament in Goguryo, and the lifestyle and social aspect of Goguryo.