• 한국염색가공학회지
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• 제13권4호
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• pp.241-248
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• 2001

Natural indigo dyeing has been used mainly on cellulosic fibers and silk during the course of history in Korea. In order to extend the usage of this one of the most important natural dyes, its dyeability on wool fabrics has been studied to find out the optimum dyeing condition for wool fiber which is susceptible to alkaline medium. The dyeing method used was hydrosulphite vat of extracted dye. K/S values of dyed fabrics were investigated to analyze the dyeability of natural indigo on wool fibers and colors were measured through $L^*,\;a^*,\;b^*$ and Munsell Values. Highest K/S values were obtained at the temperature of 60(C and pH 7 to 8. The Munsell Values for hue of wool fabrics dyed with extracted indigo powder using hydrosulphite vat fell mostly in PB range. As the dyebath pH increased, blueness increased. Different dyeing conditions resulted in change of colors of dyed fabrics due to the difference in amounts of indigotin and indirubin contents within the dyed fiber as shown by HPLC.

• 한국토양비료학회지
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• 제35권2호
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• pp.77-86
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• 2002

삼각통을 포함하여 29개 토양통으로 분포되는 연초 경작지 67개 토양에 대하여 토양의 색 특성은 광학적 기기에 의해 측정되는 색차계 방법과 육안관찰에 의해 비색 평가되는 Munsell color chart 방법으로 비교되었고, 또한 토양의 화학성과의 상호관계가 검토되었다. 색차계로 측정한 토양의 색 특성 L, a 및 b 값은 Munsell color chart의 명도(V), 채도(C), 및 색상(H)과 밀접하게 관련되며 정량적 수치로 표현되었다. 토양 색 측정치의 표준편차는 2mm 체 통과시료보다 0.5mm 체 통과시료에서 적었다. 토양 색의 L, 및 b 값은 수분함량이 증가함에 따라 감소되는 경향이었으나 a 값은 수분함량의 변화에 따라 차이가 없이 비슷하였다. 그러나 풍건조건과 습윤조건(-10hPa)에서 측정된 토양의 L, a, b 값 각각의 상관계수는 r=0.90 이상으로 고도로 유의성 있는 정의 상관을 보였다. 따라서 토양 색의 측정은 일정한 수분 조건인 풍건토 0.5mm 체 통과시료에서 측정하는 것이 바람직할 것으로 생각되었다. 토양의 색 특성은 유기물함량, 양이온치환용량, 치환성 석회 및 고토 등과 유의성 있는 상관을 보였으며 특히 L 값은 유기물 함량과 가장 밀접한 관계를 보였다.

• 한국실내디자인학회논문집
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• 제27호
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• pp.3-11
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• 2001

The CMYK is the mathematical color model and the Musell system is an intuitive color model. CMYK color model needs to be proposed in the information age. These two models need to be integrated for convenience of color design. This paper deals with CMRK values, which have appeared in interior design, in association with the Munsell code. Firstly, color samples have been extracted from the cases of interior design. Secondly, the CMRK values of the color sample and the Munsell code have been found. Thirdly, relationship between the CMRK values has been formularized in comparison with the Whelan's color pallette by using the regression method. This paper concludes by proposing the formular which can be used to develope color palette in further research.

• 한국염색가공학회지
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• 제2권2호
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• pp.20-32
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• 1990

In this paper, a new method by Cubic Spline to analyze Munsell Value Function is proposed. The values calculated by this method are compared with ones by Judd's Polynomial and Cube Root Functions, etc. For performing these computation algorithms have been developed.

• 한국염색가공학회지
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• 제15권1호
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• pp.1-7
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• 2003

To study the dyeability(ΔE value) and color depth of silk fabrics dyed with Impatiens balsamina extracts. its flower, leaf and stem was extracted by water. This paper investigated some experiments under the various dyeing conditions such as dyeing temperature, dyeing time, repetition of dyeing, dyeing pH with silk fabrics dyed with Impatiens balsamina extracts. The results obtained were as follows 1. It was found that $\lambda_{max}$ of silk fabrics dyed with Impatiens balsamina extract was 260nm and its flower, leaf , stem and different colored flower(white, pint violet) had same $\lambda_{max}$ at 260nm. 2. $\Delta{E}$ values were increased when dyeing temperature, repetition of dyeing and time was higher, value of munsell of silk fabrics dyed with Impatiens balsamina extract was Yellow-Red. But dyeing temperature, repetition of dyeing and time was higher, shifted to longer wavelenth side. 3. Silk fabric dyed with Impatiens balsamina extracts at acidic pH was colored reddish Yellow-Red, alkali bath colored yellowish Yellow-Red in silk fabrics dyed with Impatiens balsamina extract.

• 한국염색가공학회지
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• 제29권4호
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• pp.268-275
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• 2017

As the substitute of synthetic coloring materials for hair dyeing, we selected some natural ones of three primary colors such as sappan wood, logwood(red), gardenia blue(blue) and amur cork tree(yellow). Mixed colorants and metallic mordanting technique were used to widen the color space of dyed samples. In view of similarity in morphological and chemical structure, wool was adopted as the reference material for human hair to evaluate the color properties of hair dyeing. The color properties of the dyed samples were evaluated by using CIE $L^*a^*b^*$ and Munsell color systems. The addition of an alum or ferrous mordants was effective to expand the color space of hair and to increase the colorfastness to washing and light more than the rating of 1. Displaying the dyed samples by using Munsell color system, better linearity of hue values between the dyed samples of wool and human hair was shown when alum mordant was used.

• 한국의류학회지
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• 제32권11호
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• pp.1750-1759
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• 2008

The purpose of this study was to comparatively analyze the color characteristics of the Japanese ethnic look advanced by Japanese and western designers in comparison with the actual traditional colors of Japan. The data determining the traditional colors of Japan was collected through a critical apparatus examination of 250 colors and the color data of what determines Japanese ethnic look was collected through an analysis of the clothing appearing in four fashion collections -Paris, Milan, London, and New York- from the 2004 S/S collections to the 2008 F/W collections. For the analysis of these colors, Photoshop was used with an RGB value measuring under 300dpi resolutions. The RGB values were then converted to H V/C values through Munsell Conversion 8.0.3, and they were analyzed using Munsell's 40 Hue and PCCS. The results of this study are as follows: Japanese designers are expressing their own aesthetic theory by designing fashions in traditionally Japanese hues. However, neutral colors and low-chroma tones appear more often than traditional colors. This study illustrates how these designers use color to reflect their inside ideals being oversensitive traditonal ideals. In contrast, western designers reflect more contemporary trends through the use of hues that more clearly reveal their preconception of the colors of the Orient rather than actual traditional Japanese colors. Moreover, these foreign designers tend to approach fashion design by the means of shape rather than color. Japanese designers systematically analyze and apply their own culture to contemporary fashion design. Their efforts serve as a good reference model for research on traditional culture and fashion design.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2003년도 하계종합학술대회 논문집 Ⅳ
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• pp.1767-1770
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• 2003

This paper proposes an algorithm that can reduce the estimation error of surface spectral-reflectance(SR) when using a conventional 3-band RGB camera. In the proposed method, the estimation error is reduced by using adaptive principle components (PCs) for each color region. To build an adaptive set of PCs, n SR populations are organized for n PC sets using the Lloyd quantizer design algorithm. The Macbeth Color Checker is utilized for the initial representative SR values for 1485 Munsell color chips as the total color population, then the Munsell chips arc divided into subsets with a set of corresponding adaptive PCs organized for each subset.

• 한국염색가공학회지
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• 제15권4호
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• pp.32-38
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• 2003

To get the variety of color by natural dyeing, cotton and silk fabrics were dyed with natural indigo and safflower in turn. The two ways of dyeing processes were carried. First, silk and cotton fabrics were dyed repeatedly in safflower dyebath to five times to get the five fabrics dyed in different shades. And then indigo dyeing process was carried on the top of the dyed fabrics with safflower. In second way, the fabrics were dyed in five stages of shade by repetition of dyeing process in indigo dyebath. And then safflower dyeing was carried on the top of the dyed fabrics with indigo. When indigo dyeing process was added on the top of the fabrics dyed in five shades with safflower, the color differences decreased between five shades of fabrics, their color values got similar in hue, shade and chroma. When safflower dyeing process was added on the top of the fabrics dyed in five shades with indigo, the fabrics showed different hue of colors between red and blue of Munsell color circle such as RP, P and PB. Like almost of fabrics dyed with plants materials, the lightfastness and laundering fastness of dyed samples were poet and drycleaning fastness were good.

• 패션비즈니스
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• 제13권6호
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• pp.61-75
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• 2009

The objective of this research is to the enhance the color function of work clothing : to research and analyze the hue and tone of work clothing colors to be used for machinery and heavy industries in national industrial complexes, Through this research, the color using problems which related with safety workers will be revealed. For this project, total 42 sets of work suits were sampled from 12 different companies in the machinery and construction industries in the national industrial complexes of Gyeongsang Namdo Province and 16 sets of work suits currently being sold in the market. The collected work suits samples were classified according to item types and design. Color measurements were taken thus: After calibration according to ASTM D1729 specifications of standardized configuration settings to match standardized luminous source D65(Daylight 6500K) in color cabinet BOTECK SuperLight-VI, the RGB values of the work suits were calculated using PANTONE Color Cue TX. The RGB values of the colors thus derived were converted into V/C values using the Munsell Conversion 9.0.6 and analyzed with Munsell's 10-color system and PCCS. The results were presented according to Munsell's color wheel and color and brightness distributions were expressed in table form, as well as presented as a tone map. Following analysis, color hue distribution was found to be concentrated around PB, and brightness distribution toward the low end and mid range of the scale. Saturation values were distributed mostly around the low end of the scale. Following color tone analysis according to PCCS, it became apparent that colors were mainly distributed around dkg, ltg, and g, at low- and mid-brightness and low-saturation. Therefore, it may be concluded that colors used in work suits in the machinery and heavy industries are mainly cool colors, at low- and mid-brightness and low saturation. It is conjectured that such colors were applied uniformly in the workplace in order to serve certain functions, such as concealment of stains and contamination. Therefore, it follows that the utilization of colors, among other functions served by working clothings, must be taken into consideration in order to enhance safety and efficiency.