• 한국염색가공학회지
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• 제29권2호
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• pp.62-68
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• 2017

Coffee sludge and onion shells are known typically as waste resources as well as simultaneously being the raw material for dye having a golden brown color. This research studies the dyeability, functionality, and colors of woolen fabric after being dyed by different dyeing method using coffee sludge and onion shells extract. The woolen fabric was refined and pre-mordanted with tannin. The dyeing process conducted was single-dye, using coffee sludge and onion shells extract, sequential multi-dye, consecutively dyeing with coffee sludge and onion shells, and mixed-dye, blending coffee sludge extract and onion shells extract to dye. The dyeing was measured on the surface color, color fastness, and UV-protection ability. As a result, the expression of various hues of tan using coffee sludge and onion shells extract were shown to be possible. Additionally, single-dye, sequential multi-dye, mixed-dye had generally superiority in color fastness to light, all rating 3 and color fastness to washing, rating 3 or 4, showing relatively stable color fastness to washing. The UV protection ability was shown to be better, especially appearing satisfactory in the UV-B protection, all measured to be over 90%.

• 감성과학
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• 제4권1호
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• pp.43-51
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• 2001

When consumer evaluates a product, every aspec of the product affects the evaluation. Human uses at least five sensory organs for the evaluation. Multi-sensory or multi-modal design tries to add auditory and olfactory factors to the traditional visual-centered design. For the multi-modal design, it is essential to understand relationships between combined sensory stimuli and human sensibility. Information between simple sensory stimulus and human sensibility is pre-requisite to combine multi-modal stimuli. This study investigated human sensibility against 8 colors and 30 sounds, presented independently. The combined stimuli of color and sound were made based on the sensibility generated by each stimulus. Human sensibility generated by the combined stimuli of color and sound were made based on the sensibility generated by each stimulus. Human sensibility generated by the combined stimuli was investigated with 20 female subjects. For combined stimuli that generated the same kind of sensibility respectively, generated sensibility was same but strength was diminished. For combined stimuli that generated the different sensibilities respectively, subjects showed neutral sensibility or no special sensibilities. Sensibilities to the same stimuli also showed difference depending on personal background of the subjects.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2008년 추계학술발표대회 논문집
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• pp.403-406
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• 2008

Living in the present, specially in this multi-cultural society, we have to look back our tradition in many aspects. And we try to find out our own identity. Color is very important element to decide what is traditional or not. And it‘s a prominent factor for design subject visually. With the color from traditional residence, we will figure out traditional color and it‘s combination which the people prefer today, so we can applicate and develop it in the present design. Using color palette which has extracted from traditional building and space, a survey has done of university students for finding out which they think of traditional color. The result showed that Y-R type and Y-R type in color palette was the most traditional things by the students. This study is meaningful in the way of clarifying that university students think what is the traditional color and color palette.

• 방송공학회논문지
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• 제25권4호
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• pp.598-608
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• 2020

본 논문에서는 실사 3차원 모델 생성용 다시점 카메라 시스템을 통해 획득된 영상에 대한 조명 보상 기법을 제안하고자 한다. 3차원 체적에 대한 촬영은 실내에서 이루어지고 시간에 따른 조명의 위치와 강도는 일정하다고 가정한다. 다시점 카메라는 총 8대를 사용하고, 공간의 중심을 향해서 수렴하는 형태이므로 조명이 일정하다고 할지라도 각 카메라에 입사되는 빛의 강도 및 각도는 다르다. 따라서 모든 카메라는 색상 보정 차트를 촬영하고, 색상 최적화 함수를 이용하여 획득된 8개의 영상 사이의 관계를 정의하는 색상 변환 매트릭스를 획득한다. 이것을 이용하여 색상 보정 차트를 기준으로 모든 카메라로부터 입력되는 영상을 보정한다. 본 논문은 3차원 객체를 8대의 카메라를 이용해 영상 취득할 시 카메라 간의 색차를 최소화하기 위한 컬러 보정 방법을 제안한 것으로 3차원 영상으로 복원 시 영상 간의 색차가 줄어드는 것을 실험적으로 증명하였다.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2000년도 춘계 학술대회 및 국제 감성공학 심포지움 논문집 Proceeding of the 2000 Spring Conference of KOSES and International Sensibility Ergonomics Symposium
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• pp.330-336
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• 2000

A color is the most important of all factors that have influence on interior spaces, and plays an visually and psychologically important role in making interior environment. Thus, the aim of this study is to propose predictable color models by image types specially for color design in living room.This study was composed of three steps, and was carried out as follows.1) The evaluation experiment was carried out by color simulation using Color Image Processor. 2) Image types were extracted by factor analysis. 3) The characteristics of colors by image types were analysed by the multi regression and as a result the predictable color models by image types was determined.

• 한국인쇄학회지
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• 제16권3호
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• pp.97-108
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• 1998

Spectral reflectance of the object should be measured to predict the color of object under various illuminants. The spectral reflectance can be represented in a multi-dimension space. Generally the information of inputed image by digital camera and color scanner is represented with 3-dimension color signals such as RGB. In other to predict the color of inputed image under any illuminant, we should be estimated spectral reflectance of the object. In this paper, we described the method to predict spectral reflectance by einenvector using the skin color of printed image, confirmed availability and propriety through experiment. we estimated spectral reflectance of skin color taken by RGB color signals and than reproduced skin color according to various illuminants on CRT.

• 한국항행학회논문지
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• 제23권5호
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• pp.400-407
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• 2019

본 논문에서는 다양한 조도의 영향에도 본질적인 특성이 변하지 않는 고유영상을 이용한 그림자 검출과 멀티 스케일 감마 보정 기반의 그림자 복원 방법을 제안하였다. 그림자 검출은 컬러 영상의 그레이스케일 영상과 고유영상 간의 화소 변화 정보를 이용하여 추정하였으며, 그림자 복원 과정에서는 감마 보정을 통해 영상의 밝기를 조절하는 방법을 적용하였다. 감마 보정은 개별적 화소값에 대한 비선형 조정으로 채도가 변경될 수 있으므로 컬러 영상의 채널별로 수행되는 멀티 스케일 감마 보정을 수행한다. 멀티 스케일 감마 값은 컬러 영상에서 그림자와 그림자가 아닌 영역의 교차 윤곽을 획득한 후 이 정보를 기반으로 추정되며, 결과적으로 서로 다른 유형의 영역 특징을 멀티 스케일 감마 값으로 보정하여 그림자를 복원하였다. 실험 결과, 제안하는 방법이 그림자가 포함된 단일 자연 영상에서 그림자를 효과적으로 복원함을 보였다.

• 한국인쇄학회지
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• 제12권1호
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• pp.57-68
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• 1994

In the last decade, digital image processing technics have been rapidly developed according to the advancement of electronic technique, and total scanner and DTP system were developed. Specially, there is need to retouch the color and image on the CRT. In this paper, we described a method to display surface color of printing on the CRT, and an algorithm to simulate the color reproduction by offset printing. The experimental results show that the described method and algorithm are useful and valid on the computer simulation of the multi-color printing adapted process ink characteristics.

• 한국인쇄학회지
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• 제15권1호
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• pp.85-96
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• 1997

The color difference between original and printed copy is affected mainly by ink trapping and optical properties of overprinted ink layer. Since the general expression itself about ink trapping is affected also by the optical properties, the analysis of color difference using the ink trapping only cannot be certain. This study will show a new approaching method for optical analysis of spectral reflectance and the effect of printing sequence on color difference in multi-color overprints under the condition of excluding completely the ink trapping problems by means of using transparent film as a substrate.

• 한국인쇄학회지
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• 제16권1호
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• pp.13-24
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• 1998

The color difference caused by the overprinting sequence of ink in multicolor printing is due to both trapping and optical properties of ink layers. Hence the effect of optical properties only cannot be analyzed without removing the effect of ink trapping This study was carrier out for the purpose of analyzing optically the color difference caused by only the optical properties of ink under the various printing sequence. The present optical analysis for overprints showed a good agreement with the experimental result. It is expected that this study may contribute to decreasing the color difference between the original and the printed reproduction in multi-color printing.