• 대순사상논총
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• 제39집
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• pp.69-97
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• 2021

'해체(解體, déconstruction)'는 현대철학을 특징짓는 속성의 하나인 창발성(創發性, emergent property)을 유도하는 개념이다. 고대 그리스 철학의 전통이 탈피를 거듭하여 개체의 자유와 평등에 대한 열망을 낳고 이로부터 르네상스와 계몽주의에 이르러 근대라는 역사적 방점 하에 철학의 종지부를 찍는 듯했다. 하지만 철학은 근대마저도 그러한 해체를 통해 그 이상의 가능성을 바라보고자 했다. 근대철학이 플라톤 철학의 인문적 완성으로 신과 인간의 묘한 동거를 꿈꾼다면 현대철학은 해체를 통해 그마저도 거부한다. 플라톤류의 고전적 형이상학은 절대자를 중심으로 순치된 안정된 체계이기는 하지만 결과적으로는 신과 종교를 토대로 할 수밖에 없고 인간의 자율성 또한 신 아래의 자율성일 뿐이다. 현대철학은 해체를 통해 인간 본연의 목소리로부터 철학을 시작하고자 한 노력의 결과 가운데 하나이다. 형이상학에 종속된 인식론이 아닌 인간 실존으로부터의 인식론을 구축하고 자유라는 말이 가질 수 있는 최고의 선을 해체를 통해 실현하고자 했다. 그렇듯 해체 또한 인간의 자유라는 근대적 화두의 연장선에 있다고 해도 틀리지 않다. 해체와 인간의 자유는 결국 서로 떼어낼 수 없는 하나의 몸인 것이다. 묘하게도 종교적 신앙성과 전통적 보수성을 주된 색채로 할 것만 같은 대순사상은 현대적 창발성을 가지고 있다. 대순사상을 창시한 증산이 활동하던 한국의 시기는 역사를 해석하는 예리한 시각이 있는 이들에게는 보물과 같이 중요한 의미를 가진다. 외세에 의한 답습이 아닌 주체적 문제의식 가운데 새로운 세상과 인간의 자유의 의미를 발견하려는 강렬한 염원에 의한 사상적 활동이 펼쳐진 시기이기 때문이다. 그러한 한국의 자생적 창발성이 낳은 비권력적 사상이 바로 흔히 말하는 한국 근대의 신종교인 셈이다. 그 가운데서 대순사상은 참동학으로서 증산의 명맥을 잇고 증산이 남긴 해원의 개념 속에서 근대를 넘은 현대의 가치를 현실 가운데 펼치고자 한다. 대순사상의 해원은 근대를 넘은 현대성을 담고 있다는 점에서 현대철학의 해체와 상통한다. 해원은 첫째로 단주로부터 발현된 인간 실존의 원초적 억압에 따른 근본 원(冤)의 해소를 의미한다. 두 번째로 대순사상의 해원은 인존이라는 해원적 실존을 중심으로 천지인 삼계의 해원을 아우른다. 데리다의 해체가 인간과 사회 내부에 잠재된 보이지 않는 구조와 속박의 틀을 드러내고 그것을 파기하는 것으로부터 억압을 풀고 인간의 근본 자유를 실현하고자 한 것은 대순사상의 해원이 천지인 삼계를 휘감고 있던 근본 억압을 풀어 삼계의 대립을 상생으로 개방하고자 한 점과 동일한 맥락이라고 할 수 있겠다.

• 철학연구
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• 제126권
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• pp.321-343
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• 2013

종교개혁은 근대철학과는 무관한 듯 보이지만 실상은 근대철학과 밀접한 연관을 갖고 있다. 철학적으로 볼 때, 종교개혁은 두 가지 면에서 근대철학의 형성에 지대한 영향을 미쳤다. 종교개혁의 기본원리인 신적 이성에 대한 신적 의지의 우위를 강조하는 주의주의는 교회의 전승을 무시한 채 '오직 믿음으로'를 강조함으로써 성서와 교리에 대한 자의적 해석을 허용하게 되었다. 이로 인해 극심한 종교적 분쟁이 야기되었고 근대지성인들은 이를 종식시킬 수 있는 방안으로 이른바 보편종교라 할 수 있는 이신론과 자연종교를 추구하게 되었다. 또한 주의주의는 자연에 대한 탐구에 있어 종래의 사변적 탐구를 탈피해 관찰과 실험에 근거한 실험적 탐구에 나서게 함으로써 인간 본성에 대한 실험적 탐구인 실험철학(경험론)의 단초를 제공하였다. 요컨대 종교개혁은 한편에서는 보편종교의 추구를 그리고 다른 한편에서는 실험철학의 출현을 가져왔다고 할 수 있다. 보편종교란 행동과 실천의 근거가 되는 신비적 종교가 아니라 단순히 과학적 탐구를 위한 근거가 되는 세계관에 불과한 것이기에 보편종교를 추구한 철학은 '과학을 위한 철학'이었다. 또한 실험철학은 실험과 관찰을 통해 인간본능을 탐구한 이른바 인간학이란 점에서 '과학에 의한 철학'이었다. 결국 종교개혁은 과거 철학의 안방을 차지하고 있던 종교를 쫓아내고 그 자리에 과학을 앉힌 것이다.

• International Journal of Computer Science & Network Security
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• 제23권2호
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• pp.1-12
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• 2023

The article examines the axiological psycho-philosophical understanding of the phenomenon of money and its value role in modern society. The traditional and virtual context of the representation of the money phenomenon is considered.Following the ideas of G. Simmel, the authors consider money not only as a purely economic, but also a psycho-philosophical, cultural and social phenomenon. Money appears as a result of cultural development of the world and gradually forms a monetary culture as a space of economic and social interaction of people. Under the influence of the monetary culture of one or another historical period, the character of a person's economic activity, values and life orientations are formed. Modern money culture is often called financial civilization. Peculiarities of modern monetary culture are studied, its main features and problems are determined in the article. The problem of the peculiarities of the constructive and destructive attitude of the individual towards money is identified; a psycho-philosophical and cultural-identification typology of people is described, which is based on clinical observations and interpreted through the prism of psychoanalytic theory. The concept of money is highlighted from the standpoint of a social-psychological approach. The theoretical foundations of money's influence on the decision-making process and human behavior are also revealed.

• 한국가구학회지
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• 제18권2호
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• pp.120-128
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• 2007

This study explored the philosophical Modernity with the Enlightenment in relation to cultural and aesthetic modernism rooted in Modern furniture, which directly reflected modern culture and society with rationality, science, individualism, progressive, universal truths, etc, using qualitative analysis about the related literature as the principal methodology. A fundamental philosophy of the modern furniture influenced by Industrial Revolution is that the dictates of function and industrial technology must be decided by form. The theory and practice of the International Style in modern furniture came from the modern aesthetics in the philosophy of Modernity. As a result, as influenced through the Enlightenment project and the relationship of individual to society in relation to cultural and aesthetic modernism, and the three modern movements with furniture, which are Arts and Crafts movement, Art Nouveau, and Art Deco, represented the beginning style of modern furniture design toward functionalism or minimalism.

• 한국수학사학회지
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• 제30권4호
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• pp.247-258
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• 2017

The goal of this essay is to examine metaphors for mathematics and to discuss philosophical problems related to them. Two metaphors for mathematics are well known. One is a tree and the other is a building. The former was proposed by Pasch, and the latter by Hilbert. The difference between these metaphors comes from different philosophies. Pasch's philosophy is a combination of empiricism and deductivism, and Hilbert's is formalism whose final task is to prove the consistency of mathematics. In this essay, I try to combine two metaphors from the standpoint that 'mathematics is a part of the ecosystem of science', because each of them is not good enough to reflect the holistic mathematics. In order to understand mathematics holistically, I suggest the criteria of the desirable philosophy of mathematics. The criteria consists of three categories: philosophy, history, and practice. According to the criteria, I argue that it is necessary to pay attention to Pasch's philosophy of mathematics as having more explanatory power than Hilbert's, though formalism is the dominant paradigm of modern mathematics. The reason why Pasch's philosophy is more explanatory is that it contains empirical nature. Modern philosophy of mathematics also tends to emphasize the empirical nature, and the synthesis of forms with contents agrees with the ecological analogy for mathematics.

• KIEAE Journal
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• 제16권3호
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• pp.63-70
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• 2016

Purpose: This paper tried to understand the architectural philosophy of Laurant Beaudouin who is one of Neo Corbusian architects. They were in succession to Le Corbusier's principles of modern architecture, and developed his concept of modern architecture with their own creative architecture, and formed a big achievement in the contemporary architecture. As a representative Neo Corbusian architect, the design concepts and principles of Laurant Beaudouin were analyzed in relation of nature, light and space. Method: Three step study was conducted for the paper; Firstly, investigated significant his architectural characteristics as a neo corbusian architect in the point of view of plan libre, architectural promenade and light; Secondly, analyzed his architectural philosophy on light, gravity and color, Finally, deducted relation light and space through analysis 5 works of Beaudouin. Results: According to the results of the study, Laurant Beaudouin has greatly developed of Corbusier's principles and philosophy of modern architecture, and then, created his own originative architectural works by combining nature, light and space and presented architectural promenade with the change of time.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.89-97
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• 2011

An interest in modern space is expanded to search for the relationship among human, space and environment, not limited the fixed or typical material place. For grasping and analyzing the characteristics and aims of modern space, this study is focusing on 'Dionysian outlook on nature' among the Nietzsche's philosophies. Nietzsche's 'Dionysian outlook on nature' based on his 'philosophy of creation and positiveness' has great implications for modern space because it focuses on not only circulation of existence and creation but also dynamic vitality the mostly. The reason is that modern space is required by the tendency changing the goal and aesthetic value by planner or user, not fixed and unchangeable any longer. The concept of space in modern construction is developed by forming various paradigms. Especially, various examples based on Nietzsche's Dionysian outlook on nature, philosophy of creation and positiveness, will be analyzed and possibility of new spatial concept's extension will be researched.

• 복식
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• 제53권6호
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• pp.161-173
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• 2003

The purpose of this paper is to classify fashion and trend, and examine how his fashionable philosophy reflects design. What affects his fashion philosophy is Western culture and Paris Revolution. Taking this opportunity, he outgrew the concept of haute couture and established specific fashion philosophy. His fashion philosophy is classified under consideration for women, respect for free emotions, recognition of tradition, and an active intercourse with many people. The characteristics of design through his philosophy are as following: 1. He wanted to release women from clothing restrained the body and make comfortable clothing which everyone can wear. This implies the consideration for women. It is the characteristics of his design to the harmony of functionality, simplicity, decoration and popularity. 2. He respected the free emotions and induced people to wear each parts of clothing which is dismantled freely within the limits coincided with clothing teleology-'wear', It implies autonomy. He also unfolded experimental design: gives the regular space between the clothing and the body and then distorts the body or maximizes modeling. It implies the beauty of space. 3. He elicited the modern design through recognition of tradition. It implies contemporaneousness. 4, As he thought that all of the concepts is based on human, he derived inspiration firm an active intercourse with many people, He established a new style through an active intercourse with artists because if he works alone, he would rise above the popular trend, It comes to the gest artist serieE and implies popularity, The characteristics of design in his fashion philosophy is classified into experimental design and practical design. But the important factor of his fashion philosophy is popularity so he would like to make popular clothing. He designs clothing which fit the public. It results from his firm fashion philosophy that his clothing is practical and decorative and he establishes his works meeting needs of modern. It is the reason that his clothing has perpetuity.

• 철학연구
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• 제126권
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• pp.235-261
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• 2013

이 글은 근대에 의한 현대 체제 일반과 그를 극복하려는 탈근대 담론 안에서 왜 로컬 혹은 로컬리티가 필연적으로 인간 삶의 존재론적 '사이'의 문제로 제기될 수밖에 없는지를 철학적으로 조명하려는 시도를 담고 있다. 따라서 우리는 근대와 탈근대의 논의 과정에서 제기된 수많은 문제들 중 인간존재에 대한 근본적인 물음을 제기하면서 동시에 인간 삶의 질을 점검할 필요가 있다(2). 또한 이 과정에서 로컬 혹은 로컬리티는 인간 삶의 질과 어떤 연관성을 맺고 있는지도 자세히 들여다보아야 할 것이다. 왜냐하면 로컬 안에서만 비로소 인간은 다양한 질감의 흔적과 주름들이 뒤엉켜 시간과 장소를 의미화시켜 나가는 주체가 되기 때문이다. 여기서 주체들은 상호주관적 관계망을 통해 사회를 이루고 함께 살아간다는 것을 확인할 수 있다(3). 이럴 때 로컬 혹은 로컬리티는 참된 인간적 사회적 삶이 가능한 장소, 즉 존재론적 '사이'로서 로컬리티 인문학의 가능성으로 드러나게 될 것이다(4).

• 대순사상논총
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• 제20권
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• pp.169-191
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• 2009

The Four Tenets of Daesoon thought are the Creative conjunction of the virtues of Eum and Yang, the Harmonious union of divine beings and human beings, the Resolution of grievances for the mutual beneficence of all life and the Realization of the Dao in the world. This article compares the concepts of the "Creative conjunction of the virtues of Eum and Yang", the "Harmonious union of divine beings and human beings" and the "Resolution of grievances for the mutual beneficence of all life" with "EumYangDaeDaeRon", "ShinMyonKiDeok", the Theory of Mutual Giving Life / Mutual Destruction (SangSaeng/SangGeukRon) of the Book of Changes and analyzes their common and different points. The conclusion is that Daesoon thought and the philosophy of the Book of Changes share common fundamental standpoints. However, the Daesoon thought defines the world of SeonCheon (the state before the Heaven and Earth have been created) as Mutual Giving Life (SangSaeng), and the world of HuCheon (the state after the Heaven and Earth have been created) as Mutual Destruction (SangGeuk). According to Daesoon thought the Mutual Destruction (SangGeuk) is seen as negative, while according to the philosophy of the Book of Changes the Theory of Mutual Giving Live/Mutual Destruction (SangSaeng/SangGeukRon) is viewed as a positive relationship of EumYangDaeDae. This is a point of difference between the Daesoon thought and the philosophy of the Book of Changes. According to EumYangDaeDae relationship theory the contradictory "other" is viewed not as an enemy, but as a necessary element that assures one's existence. When Buddhism and Christianity first came to existence, they did not belong to a main stream. Later, through continuous theorization and systematization they became generally accepted religions. The case of Confucianism was not much different. During Song dynasty in China Buddhism has contributed to the systematization and establishment of Neo-Confucianism; in the middle of 20th century the Confucian scholars of Hong Kong and Taiwan interpreted and defined Confucianism a new in the light of Western philosophy. Thus the "Modern Neo-Confucianism" came to existence. That's why the history of Confucianism is also called "the history of advancing and developing a concept". From this point of view the critical acceptance of some elements of Confucian, Buddhist, Taoist etc. traditions, as well as modern philosophy, by Daesoon, in order to achieve the systematization of Daesoon thought, is a very important process. As a part of this process, this essay explains the Daesoon thought from the point of view of the Book of Changes, which may be said to present the original East-Asian view of the world. Daesoon's emphasis of human dignity, the equality of sexes, the critics the hierarchical society etc. are rather "modern" and should be examined from the point of view of social science. Besides, leaving the boundaries of "modern philosophy", the concepts of "Harmonious union of divine beings and human beings", viewing the universe as one organism etc. should be approached from the point of view of Post-Modernism.