• 한국실내디자인학회논문집
• /
• 제30호
• /
• pp.68-77
• /
• 2002

From ancient to modern architecture, the light in the architecture spaces as the only changing factor, was the most important theme contributing vitality to the space and judging its character and expression. The efforts, to acquire both natural-physical light and internally experienced spiritual-supernatural light, had been revealed in several ways of the architecture from the ancient architecture. It was the main issues on the christian architecture. In this study, 1 have intended to determine how the light, the most important factor on the christian architecture symbolizing the blessing of God and forming the pious and restrained spaces has been expressed in the church spaces. For this purpose, I have compared and analysised the examples of the using the light, to the arts of the modern maestros of architecture and newly constructed churches in Korea on the way of light input pattern by the shape of windows. The results from the examples show that the most outstanding point of the modern christian architecture compare to the past, is that the natures of the inputted light has many diversities by the architects. And I reached the fact that the constructers by their own will to acquire the intended light, they are chose progressive light expressing methods through the shape of windows.

• 한국실내디자인학회논문집
• /
• 제16호
• /
• pp.126-134
• /
• 1998

In Contemporary architecture we could find rough and stiff feeling expression as a special phenomena. This style is combined regionalism to the modern spirit that we could imagine such a phenomena of the modern design toward vernacular culture. it's conception is conformed to the regionalist architecture in that period and the 3rd world experiences, From 1930s resident house Le corbusier introduced vernacular phenomena that considered productional condition of the region and regional environment This tendancy attempted by few young architects. they built building in vernacular phenomena based on the 3rd world experiences and Le Corbusier's architecture. After Le Corbusier's unite d'hbitation in Marseille Ando finishing with diversified material. but Le Corbusier's intention concerned not only to finishing of material but also to practical and human building as he had experienced in vernacular architecture.

• 한국실내디자인학회논문집
• /
• 제27호
• /
• pp.43-50
• /
• 2001

This study examines how various elements characteristic of the traditional Japanese architecture are applied to contemporary architectural designs in japan. The issue of how to incorporate cultural tradition into architectural design has become one of central questions cast on modern architects. In this sense, the Japanese contemporary architecture has often been touted as infusing Japanese traditional elements into modern artifacts both functionally and aesthetically. That is, while Japanese architecture encompasses the essentials of Western modern techniques and styles, it obviously embodies Japanese tradition. Through the examination of various contemporary buildings in Japan, this study specifically explores how the vernacular forms and elements unique to Japan are reinterpreted and reinvigorated in contemporary architectural designs.

• 한국실내디자인학회논문집
• /
• 제16권2호
• /
• pp.87-96
• /
• 2007

This study analyzes the place of modem architecture based on the place theory of C. N, Schultz. For applying Schultz's theory to the modern architecture, It is required to examine the modern cityscape, features of inner space of architecture and features of program. By analyzing the avant-garde architecture of Rem Koolhaas on such basis, the potentiality of placeness of modern architecture could be verified and the alternatives would be searched. It is inferred that the placeness features of Rem Koolhaas' public architecture is under the influence of the interpretation of program based on the humane background rather than the physical aspects of surroundings. The inner space shows the non-linear features, the metaphor of city. The obscurity of physical boundary illustrates the flexible features with ambiguous boundary. Consequently, the inner space expresses the surreal atmosphere that doesn't match the purposes of usage of architecture, the traditional concept. The outer shape is recognized as the by-product from the interpretation of internal program rather than it considered the surrounding context. The outer shape has the relatively simple formative shape and contrasts against the complicated inner space by using the non-physical materials. It is found that Koolhaas' architecture doesn't pursue the features of placeness of traditional concept. However, It is inferred that his architecture has the possibility of placeness by attaching the meaning through the social roles of each architecture. It gives the substantial suggestion to the modern architecture that can't easily acquire the placeness of traditional concept due to the environment of modern city.

• 한국실내디자인학회논문집
• /
• 제16호
• /
• pp.135-141
• /
• 1998

The objective of this study is to examine the specific progress in modern architecture with a premise that structure-oriented paradigm, as a primary factor, exerts a strong impacts on 18th and 19th centuries architecture. For this purpose, the concept and meaning backgrounds of structure-oriented paradigm have been checked also intrinsic thought s and critical aspects of modern architecture with the light of structure-oriented paradigm have been studied, This study summarized as follows: 1) The concept of structure-oriented paradigm in accordance with ideologies and technologies is framework of through which is shared as collective consciousness. 2) The backdrops of this consciousness are scientific methodologies stemmed from Renaissance and Enlightenment spiritual absoluteness claimed by German Idealists developed structural engineering with newly introduced material like iron steel and reinforced concrete. 3) The intrinsic through in architectural theories are rational and technological idelolgies which is derived from the backdrops of structure-oriented paradigm. 4)The critical sapects of modern architecture in structure-oriented paradigm point of view are $\circled1$ material alteration and directive imitation of vocabularies in classical architecture with simply using newly introduced building material and structure systems $\circled2$ morphological substitution with abstractly interpreted materials and structure systems $\circled3$ revolutionary conversion into engineering architecture through maximum consideration in compliance with tectonics capabilities

• 한국실내디자인학회논문집
• /
• 제20권3호
• /
• pp.215-224
• /
• 2011

Throughout the world, interest in issues relevant to energy, resources, environment, etc, is ever soaring. Therefore, the restoration of modern architecture that fulfilled its epochal function is working as a cultural, historic medium. In addition, it also plays its role in the side of environmental approach and so on. Moreover, the museum, which was only used for the possession of art collections and exhibition purposes, is currently expanding its scale and range as the center of culture and education. Also in reality, with the use of various programs, it is globally pursuing urban vitalizations. This study looks at the meaning of modem architecture restoration as well as its relationship with urban area. Furthermore, the purpose of this study is to look for design method's direction by finding the relevance between modem architecture restoration and museum during the restoration. This study is based on transformation and preservation scale during the restoration of modern architecture. It analyzed plane and design direction. Additionally, this study analyzed the architectural and regional effect caused by restoration. As a result, in accordance with the direction of museum and the usage, scale, structure as well as superficial aging condition of previous architecture, it shows difference in design methods in the process of restoration. The exterior of architecture was restored and preserved to its original form in order to show the symbolical form through historical value. This is essential to the modern museum. On the other hand, the interior of architecture put more value on utilization concept that its preservation and thus was restored accordingly. However, in all the cases, previous architecture were commonly used and even when alterations and additions were made due to aging and their change in usage, they were restored in a way that preserved and harmonized previous architecture. If the design method for restoration of modern architecture selects the restoration method by considering problems related to location, building value, structure, if it is studied from various angles and is restored after considering its usage as a museum, then we will be able to generate cultural and historical synergy effect. Furthermore, apart from architecture, it will have great impact on urban vitalizations.

• 한국실내디자인학회논문집
• /
• 제13호
• /
• pp.78-88
• /
• 1997

The objective of this study is to analyze the residential space as designed by Richard Meier thereby grasping its main characteristics and historical development. Richard Meier has developed his own peculiar architecture based on Modernism. He has solved problems of modern architecture by combining the form elements of Le Corbusier with Mies van der Rohe's architecture which pursued the beauty of structure and proportiov. Meier's houses, sculpture-like in forms, are characterized by clear distinction and variations of the interior spaces. The clear separation between a large, two-story high living room and a tiny, cozy bedroom securing the privacy, endows the interions with variation and vitality, while simple white walls reveal the good shape of the space. The houses also unfold the diverse spaces one after another as one steps into inside. His interiors, shaped by simple walls and settled functionally, has inherited the rationality in modern architecture. Richard Meier has established his independent working world by applying his own design method and languages based on the rationality in Modernism.

• 한국농촌건축학회논문집
• /
• 제16권1호
• /
• pp.119-127
• /
• 2014

This study suggests institutional and methodological approaches for preservation of South Korea's registered cultural properties of modern architecture. The suggested approaches are as follows. First, in order to improve the current registration and preservation system for cultural properties, we need to employ both structure-based classification and style-based classification. Registration criteria for modern architecture properties need to include more detailed classification in terms of their structure: brick structure, steel concrete structure and post lintel structure. In terms of construction style, the properties need to be further classified into the western style, the traditional style and the Korean-western eclectic style. In addition, protection of registered cultural properties need to be achieved through legislation of a protection system. Second, while the current system sets out six methods for preservation of registered cultural properties of modern architecture, more specific preservation methods types and plans need to be continuously introduced. In particular, as for the method of partial preservation, the method needs to be further classified based on the usage of the relevant structure so as to allow for more diverse options. First, the 'Preservation by Interior Alteration' needs to be added to the category, where the exterior is preserved as it is and the interior is preserved through alteration. Also needs to be added the preservation method where the interior space is preserved as it is and the exterior space is altered, in case the finishing materials of the exterior has deteriorated. Third, if the records on registered cultural properties of modern architecture are to provide the functions of legal evidences regarding management of architectural cultural properties, sources of knowledge required for policy making and implementation and past management record for the future, each phase needs to be closely connected in an organic manner, and we need to establish a management system and plan that go beyond the relevant organizations. Fourth, in order to preserve South Korea's registered cultural properties of modern architecture in its original state, it is imperative to prepare separate criteria for registration of technicians with expertise on modern architecture, and train experts and technicians on modern architecture, which is distinguished from the traditional architecture.

• 한국실내디자인학회논문집
• /
• 제20호
• /
• pp.26-32
• /
• 1999

The point of this study consists in analysing influences of the postmodern design in the contemporary architecture. Since the modern architecture, new concept of architectural design has been materialized in the Late-Modern and the High-tech style but the revolutionary changes has been tempted by the postmodern architects who introduced the Rhetorical language in the contemporary architecture. In concrete terms postmodern architecture divided architectural elements from existing function (according to U. Eco, it is the primary function of architecture) and gave another function which is the secondary function or the symbolic function or architecture. And the methods of deviation from the conventional code is exactly the rhetorical expression technique which governed the history of art in Europe (but these technique is more intensively applied in the postmodern architecture) So this study is purposed to analyse the different rhetorical "figyres" regarding the syntax and semantic of the architectural langyage, and particularly to approach to the basic mechanism of the New Design Concept in the Contemporary Archiecture.chiecture.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
• /
• pp.116-120
• /
• 2002

The purpose of study is to know how a tendency of organic design have become in mordern architecture-from 20C. architecture to current architecture. In particular, I want to find it out in digital architecture-one of current architecture. To do this, first, I research concept, categories, characteristics of organic design in mordern architecture. Second, I observe theoretical background and analyze design characteristics of digital architecture. Finally, I recognize form of digital architecture have a side of a tendency of organic design.