• 한국실내디자인학회논문집
• /
• 제26호
• /
• pp.95-103
• /
• 2001

This study was performed to search for the geometrical principles in modern architecture and design based on Frobel's educational idea and Kindergarten system. Especially, it studies on the geometrical principles of Froebel's building gifts and it's types, and then illustrates applied examples in modern architecture and design. As the architectural scope, the architecture and design theory of Frank Lloyd Wright and Bauhaus in early 20th century is analyzed. The conclusions of this study that starts these purpose are as follows. First, Froebel's educational theory is based on principles and rules which are perceived through the observation of nature, and Froebel's Kindergarten system consists of geometrical building gifts and categories of geometrical forms. Second, the characteristics of Froebel's building gifts are mathematical size, proportion, symmetry and the rules of spatial relation. Third, the influence of Froebel's kindergarten system on Bauhaus is that it based on the rational rules of $\bigtriangleup\square\bigcirc$ organized by geometrical basic forms as like Froebel's educational idea. And the influence of Froebel's Kindergarten system on Frank Lloyd Wright is that he used unit system, unity of space and structure and modular system as like the Froebel's building gifts.

• 한국실내디자인학회논문집
• /
• 제15권3호
• /
• pp.14-23
• /
• 2006

As a proto-modernist work the Amsterdam Exchange has been regarded as a specimen of Structural Rationalist's architecture. Because of its ma]or steel structure, use of geometry, and reminiscence of Gothic the designer of the building was labeled by Kenneth Frampton as one of the apostles of Viollet le Duc. The architect was Hendrick Petrus Berlage. Contrary to above Nicolaus Pevsner claimed that Berlage's architectural discourse was 'Anti-Rational' because of its anachronistic formal language, Expressionism. In terms of structure Berlage's idea is rational, whilst formally 'Anti-Rational'. These polarised view points were due to the legacies of Modern Architecture that was controled by hegemonic figures in terms not only of practical field but of historiography. The hegemonic figures wanted to see Berlage as what they wanted to see. With this idea, this paper is one of endeavours to collect fragmented history in the early modern architecture. The Amsterdam Exchange has a long term story until the opening. Without understanding the story we have to withhold an evaluation of Berlage's architecture.

• 한국실내디자인학회논문집
• /
• 제20권6호
• /
• pp.218-227
• /
• 2011

Korean commercial architecture is based on two distinctive characteristics of western modern architecture: grid frame structure and free facade. However, the original facade of the building disappears as numbers of commercial advertisements and signboards representing inner programs cover up the original facade. This is a unique feature of commercial architecture in Korea which I would call the surface phenomena of Korean commercial architecture. Common criticism on this type of building is that too many and too big signboards infringe upon the original pure facade of the architecture. Underlying assumption here is that signboards and commercial ads are inessential and decorative elements simply attached to the original pure facade of modern architecture. However, in this paper, I argue that commercial decorations is an essential aspect of korean commercial architecture rather than an inessential decorative element attached later to the essential facade of architecture and that it reflects the historical specificity of cultural and architectural modernity of Korea And thus, the surface phenomena of Korean commercial architecture should not be judged based upon the aesthetic paradigms of either western modern or postmodern architecture. Rather, it can be argued that surface phenomena of Korean commercial architecture is a reflection of a modernity beyond the paradigm of western modernism and postmodernism. The agenda of Korean commercial architecture is then not simply to restrict or to control signboards on the building facades with the intention to clean up facade of the building but rather to integrate the signs and commercial ads with the structure of architectural surface.

• 한국실내디자인학회논문집
• /
• 제13권3호
• /
• pp.43-51
• /
• 2004

1"his Study is to make research a Image and Symbol in the Gothic Architecture. Firstly, the concept of the symbol and the image effect are essentially based on the meaning that the activity of consciousness take on the constitution of the symbol. Therefore the image represent the deepest content of human nature has been imagination and reality. Secondly, the symbol concept showed in Gothic Architecture was associated with the passion of the order of middle ages. The world, the cosmos and the history had been revealed in Gothic architecture. In Gothic Image, Emile Male maintained the symbol of the Catholic Church as above mentioned. The Catholic Church was mirror of the natural, the institution, the moral and history, then this passion of the order was a christian order. Especially, E. Panofsky said that the scholastic method was shown in Gothic architecture. He assert that it was especially dialectic method used in theology. That is, he explained the transfiguration of Gothic Architecture with the process of thesis, anti-thesis, synthesis. These symbolize light, magnitude, clearness. Finally, symbolic image is important in Post-Modem architecture at present. Post-Modern architecture is associated with the public and the Pluralism. Post-Modern architecture attempt to communicate as symbolic language among the assumption for diverse aspect of culture.

• 한국실내디자인학회논문집
• /
• 제16권1호
• /
• pp.108-118
• /
• 2007

The tabernacle architecture is the paradigm of the new testaments and the modern church, and has been from the temples to synagogues, the Old Testaments to the New Testaments, and from present to future. Nevertheless, research on the Tabernacles has never been studied architecturally but has only been researched Biblically or partially. This would be because people interested in the tabernacle lack in architectural knowledge, and architects would be limited theologically. Furthermore, the start of church architecture until now was the architecture of the Roman-court style and the Greece Temple as the exterior, such as the Basilica, a non-Christian, strangely styled piece of architecture, which was seen as the basis of the church architectural style, which is a great mistake, due to the effect of modern architectural educational system with the central figure of humanism and western styled architecture. The measurement and the pattern of the Tabernacle architecture were not recorded in the Bible in order to produce the shape of the Tabernacle. The 'Architecture of God' was designed for the very first time on Earth so that He could dwell among His people.

• 한국디지털건축인테리어학회논문집
• /
• 제13권4호
• /
• pp.69-76
• /
• 2013

As the energy consumed in building area has occupied a lot when looking into energy usage weights in area over the world, energy reduction building, eco-friendly architecture comes to the fore in the modern architecture. Discussions on the eco-friendly architecture have various concept definitions and targets to be achieved.The architectural works of Norman Foster are expressed as high-tech buildings using iron, glass, etc. in appearance, but they appear as those buildings with low energy load by analyzing environmental conditions from initial design stage that each building has, utilizing natural energy with design of outer shell and applying proper technical system. Thus, this study aims at providing basic data of outer shell planning through eco-friendly element technologies by considering pattern and outer shell design of buildings, principles of eco-friendly building plan as an eco-friendly building planning technique of Norman Foster as an example of plans to utilize building pattern, outer shell design and natural environments, in order to utilize passive measures as much as possible to increase energy saving methods and increase comfort by analyzing element technologies in the eco-friendly architecture in line with the modern flow.

• 한국실내디자인학회논문집
• /
• 제25호
• /
• pp.272-279
• /
• 2000

It can be characterized that contemporary architects intend to establish architectonics which can make it possible to reinterpret the attribute of movement in space and its programming differed from the traditional perception in moving in and out any space through disjoining and reorganizing human behavior and event. This intends reflect new paradigm for subjugating the compelled fuctioning of modern Architecture. This Study review those intends focused on programming as a pre-disign schema. In those intends, it connotes the effort of establishing more systemic and logical approach through deconstruction and disprogramming the existing from, space, elements and human on the basis of his own schematic conception as substitution of function in modern architecture.

• 한국실내디자인학회논문집
• /
• 제14권5호
• /
• pp.62-70
• /
• 2005

Basically, modern architect's translation of relations between architectural space and human beings is focused upon the space and the way the space is experienced. Thus, the architecture is construed not as the finalized and fixed structure but as something undetermined and In progress. Here, we can identify the similarity between current trend and theory on process. Experience argument in this study is based upon such a similarity. And for your understanding of the spatial concept broached in the following experience argument, I've presented the analysis of Ben van Berkel's and Kazuyo Sejima's works that represent user's experiences in discussing art works. Taking a step further, I'll try to provide the true definition of being in progress and the potential of the architecture, thereby seeking the value and meaning of trends in modern architecture. In this regard, this study is aimed to analyze the attributes of experiences in progress identified in the art works of Ben van Berkel and Kazuyo Sejima and to extract and analyze the architectural concepts therein.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
• /
• pp.69-72
• /
• 2001

We are defined a space as the activities of creating value in harmonic relations between human and environment. After Industrial Revolution, relations between human and space is changing because of speed and visualization's power in contemporary society. We we known information where is far by means of visualization. There is only difference of speed. Movement in space means the line of vision and circulation. But it is tried to think relations between human and space again in result to experience indirectly. This study aims at the analysis of expression of the modem Architecture space in Giedion' Space, Time, Architecture and aesthetic systems applied to it. On the basis of that , this study analyzed the difference of Bergson' consideration from Modern Architecture about movement.

• 한국실내디자인학회논문집
• /
• 제15권5호
• /
• pp.273-280
• /
• 2006

Recently our country highly evaluate cultural value of modern construction. Before and after Japanese imperial period, diplomatic equipment, commerce equipment and brand-new modern construction of Japan and Western came into our country coercively. Especially, modern construction placed in center of the city, as previously stated, was a construction field of historical disgrace. So it leaves alone or transforms to high technology because of well located. Selctive reception of the past makes difficult to know about rightful modem, furthermore it is difficult to expect rightful future. Accordingly, I write this. paper for the purpose of presenting the space application blueprint of 'Jung Myung Jeon' of modern construction designated as the cultural properties in Seoul. According to the project, 'Jung Myung Jeon' will do a role as the keyword which is important connects a past and a present time it presents. Then modern construction 'Jung Myung Jeon' which has a culture value will develop continuous with the city.