• Smart Structures and Systems
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• 제4권2호
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• pp.233-245
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• 2008

For historical masonry structures existing in the Mediterranean area, structural strengthening is of primary importance due to the continuous earthquake threat that is posed on them. Proper retrofitting of historical structures involves a thorough understanding of their structural pathology, before proceeding with any intervention measures. In this paper, a methodology is presented for the evaluation of the actual state of historical masonry structures, which can provide a useful tool for the seismic response assessment before and after the retrofitting. The methodology is mainly focused on the failure and vulnerability analysis of masonry structures using the finite element method. Using this methodology the retrofitting of historical structures with innovative techniques is investigated. The innovative technique presented here involves the exploitation of Shape Memory Alloy prestressed bars. This type of intervention is proposed because it ensures increased reversibility and minimization of interventions, in comparison with conventional retrofitting methods. In this paper, a case study is investigated for the demonstration of the proposed methodologies and techniques, which comprises a masonry Byzantine church and a masonry Cistern. Prestressed SMA alloy bars are placed into the load-bearing system of the structure. The seismic response of the non-retrofitted and the retrofitted finite element models are compared in terms of seismic energy dissipation and displacements diminution.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.95-102
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• 2005

Guarini's architectural contribution has simply focused on the dome structure that has been known to us; however, his geometric and spatial construction has been overlooked so far Through this study, it has been demonstrated that the dome structure was simply part of geometrical forms that Guarini wanted to express ultimately and it functioned as a geometrical element such as the network combined with the entire spatial structure. The purpose of this study is to reevaluate Guarini's architectural thought by means of investigating the ultimate principles of spatial composition appeared in the late Baroque architecture through the analysis of the principles of spatial composition and organized formal Idioms by Guarini's geometrical concepts. Besides, it has been assumed that such geometrical concepts by Guarini's mathematical proportion and his reiteration and change of diagrams could be clearly distinguished from the Classical geometry in the Renaissance and Guarini. suggested a way to create a new space through more active and amusing application and transformation. In this aspect, Guarini's principles of geometric composition will be one of the role models that need to be seriously reconsidered in chaotic reality of modern architecture.

• 한국콘텐츠학회논문지
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• 제20권3호
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• pp.645-660
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• 2020

본 연구는 제4차 산업혁명의 시대를 맞이하면서 미래사회를 효과적으로 준비하기 위해 현대의 기독교가 교육적 차원에서 감당해야 할 역할이 무엇인지를 조명한다. 인간의 노동력을 포함한 인간의 다양한 영역들이 인공지능 로봇에 의해 대체될 것으로 예상되는 가운데, 급변하는 초(超)불확실성의 세계에서의 효율적 적응을 위한 공감능력과 인성적 자질을 개발을 돕는 창의성 교육이 새로운 대안으로 제시되고 있다. 그런데 현대의 기독교는 건물로서의 교회를 넘어 공공의 영역에서 이 사회공동체의 구성원으로서 이 시대가 당면한 문제를 함께 풀어갈 공적 책임이 있다. 이러한 상황에서 현대의 기독교가 세상에 분명히 제시할 수 있는 공적 담론으로서의 교육은 무엇이고 그 방법은 어떠해야 하겠는지를 살펴보는 것이 본 연구의 목적이다. 본 연구는 제4차 산업혁명 시대를 위해 기독교가 참여할 바른 교육에 대해 다음의 사항들을 제안한다. 첫째, 공동체 의식을 통한 소속감의 강조가 필요하다. 둘째, 창의력을 개발하는 교육에 대한 진지한 고민과 준비가 필요하다. 셋째, 전 세대를 아우르는 교육적 방향 설정이 필요하다. 넷째, 지역사회에 디지털 활용을 통한 실제적 교육을 실천해야 한다. 마지막으로, 4차 산업혁명 시대의 기독교는 보다 더 통합적일 필요가 있다. 그처럼 기독교 공동체가 지역사회의 의제가 자신의 과제임을 인식할 때, 모두가 상생하고 공생하는 사회를 만들어갈 수 있을 것이다.

• 한국산학기술학회논문지
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• 제21권9호
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• pp.259-268
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• 2020

미국 메리놀 외방전교회가 1953년부터 1969년까지 관할한 충북 지역 (청주교구)에 건축한 18개 성당은 다른 카톨릭 외방 전교단체가 건축한 성당과 달리 특정한 건축 양식에 얽매이지 않는다. 청주교구의 최고 위계이자 대표 성당인 청주 내덕동 주교좌성당도 마찬가지이다. 그런데 이 성당은 교구 내 다른 성당과 구별되는 독특한 건축적 특징을 지닌다. 본 연구는 이 특징은 무엇인지, 어떤 방식으로 구현되었는지 살펴보고, 그 기원을 추적하여 미국 메리놀 외방전교회본부(1932)에서 건축 모티브를 가져왔음을 고찰한 후, 일제강점기(1923-1942) 메리놀회 관할 평양교구 주요 성당의 건축적 특징이 그 전례가 되었고 여기에서 파디(James V. Pardy) 주교 및 건축 전문가 박태봉(朴泰鳳)이 가교 역할을 했음을 밝힌다. 이를 바탕으로 내덕동 주교좌성당이 메리놀회의 해방 전후(1922-1969) 성당 건축사 및 한국 근대 성당 건축사에서 가지는 의의를 정리한다. 이를 위해 본 연구는 새로 발굴한 건축도면, 사진, 텍스트 등 1차 사료를 주로 활용하는 문헌 연구방법을 취한다.

• 공연문화연구
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• 제35호
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• pp.125-174
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• 2017

본고의 목적은 일제강점기의 천덕송에 대해 "천도교회월보"를 중심으로 살펴보고, 천덕송의 역할과 위상 및 시대적 의미에 대해 조명하는 것이었다. 그 결과는 다음과 같다. "월보"에는 악보가 수록된 경우와 노랫말이 수록된 경우, 그리고 천덕송 관련 기사들이 있다. 음악양식에서 부분적으로 5음계나 전통장단 풍의 리듬이 쓰였으되, 대부분의 곡에서 서양음악어법이 지배적이며, 1931년 이후로 기독교의 찬송가식 4성체가 보편화되었다. 이는 신문물 수용은 강조된 반면, 전통은 계승보다 극복의 대상으로 인식되었던 당시의 경향을 보여준다. 노랫말에는 종교적 내용뿐 아니라 일본제국주의를 극복하고 민족자존을 회복하며 세계평화에 기여하고자 하는 시대정신을 담고 있으나, 1920년대를 기점으로 일제에 의해 유입된 것으로 의심되는 7.5조의 운율이 번지고 있다. 천덕송은 3대 기념일을 비롯한 각종 기념일과 시일식, 행사, 강연회 등에 항상 수반되었으며, 그 양상과 종류가 다양하고 그 위상이 매우 높다. 특히 부인들을 대상으로 한 포덕과 교화에 적극적으로 천덕송을 활용하였다. 당시 격변하고 있던 국내외의 동향과 시대적 요구를 교리와 연결하여 적극적으로 반영하였으며, 기성 종교의 기복성에서 벗어나, 깨달음을 통한 자아완성과, 이를 바탕으로 한 사회개혁까지 노래할 수 있었다는 점에서 당시의 천덕송은 큰 의미를 갖는다. 다만 우리 전통음악에 대한 연구가 부족했던 시기라는 현실적 한계로 인해 근대적 요소는 적극 반영한 반면, 민족적 양식과 전통적 요소는 온전히 계승하지 못하였다. 이는 천덕송의 향후 과제이기도 하다.

• 디지털융복합연구
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• 제12권8호
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• pp.129-137
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• 2014

인간은 일생 동안에 몇 명의 사람들과 인간관계를 맺고 살다가 일생을 마치는가? 사회학자 솔라 폴의 조사에 따르면 한 사람이 일생 동안 중요하게 알고 지내는 사람의 숫자는 3,500명이라고 한다. 예상보다 많은 사람들과 인간관계를 맺고 살아가고 있다. 이와 같이 한 인간이 일생을 살아가면서 중요하고 꼭 필요한 공부가 바로 인간관계이다. 그래서 본 연구의 목적은 인간이 성공적인 인생을 살아가기 위해서는 인간관계에 대해 관심을 갖고, 공부도하고, 실천도 해야 하고, 본 논문은 성숙한 인간관계 개선을 위한 방안에 관한 연구로서 한 인간이 일생을 살아가면서 가장 많이 만나고, 함께 일하는 사람과의 관계에 관한 것이고, 인간관계의 의미와 필요성, 중요성에 대해서 학자들의 연구 자료나 문헌, 선행연구 자료 등을 근거로 연구하고 교회교사들의 인간관계에 대한 설문의 결과를 통하여 성숙한 인간관계 개선을 위한요소들과 개선 방안(방법)을 제시하였다.

• 복식
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• 제51권4호
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• pp.71-80
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• 2001

Since the beginning of the 90's, Fashion shows appear to be a type of performance form of art combining with other areas to visually entertain the viewers. This can be explained by the modern tendency to escape from society which requires formality and complicated lifestyles. Fashion shows take place in a scene Influenced by the idea of post-modernism which redefines the definition of space. A church, old factory, unoccupied ground, subway stations, or even place like a waste disposal are used as a setting. The stage set is no longer the T shape run way and the procinium arch has disappeared. The gap between audience and stage has diminished and theatrical element is added to the fashion performance by using viewers living and working environments as setting of the show. The human relation with machine based on the cutting edge technology such as the stage automation, robots and mist making sprinkler system introduces new elements with spontaneity and detailed planning in the stage performance. Music also plays an Important role in attracting viewers. The sound track covers house music to techno music. Instead of music being abstract, folks orchestral music, choirs, piano. even live concert performed by pop artist provide the liveliness of the fashion show. And the catwalk itself is a performance. Model needs to be well trained as the capable talent who can handle sensitive gestures, facial expressions, dancing and choreography. The improvisatorial interaction between audience and model lead to audience participation. Models now range from pop star, ordinary people, handicapped people, to elderly and so on. John Galliano introduced the theatrical factors for the fashion show and Alexander Mcqueen approached the fashion show as the visual art of communication. Hussein Chalayan utilized high technology skewing futurism as if in a magic show. Today the Fashion show tends to be a total performance which includes audience participation, impromptu, and that break the limitation that fashion shows previously had. This will lead the fashion industry in opening new horizon of its own.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.103-110
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• 2016

In recent years, as selling books on the internet becomes popular, the number of off-line bookstores are rapidly dwindling away. This change on the book market requires, the function and space of the bookstores should be defined again. Now bookstores are the places of experiences on cultures, world-views, and lifestyles around books. The study examines six large bookstores and finds three strategies of space expression as follow. First, Dominicanen bookstore in Maastricht which was built as a church has an expression which contrasts the old and the new as well as the sacred and the profane. Fangsuo bookstore in Chengdu creates a modern underground Sutra Depository. Here, people experience history and religion. Second, Cook & Book in Brussels has nine theme areas, each with a different selection of books, different interior decoration and special food and beverage like a theme park. Zhongshu bookshop in Shanghai has a lattice of nine reading rooms in which each unique design theme is characterized based on each book subject. Third, Cultura Bookstore in Sao Paulo is created to support social interchange. It leads people to the enormous plaza of books where people read books freely and participate in workshops, movies and all kinds of events. Daikanyama Tsutaya Books in Tokyo is composed of three white box-form pavilions which are connected by a 55-meter long aisle, called a magazine street. People walk along the street and choose concierge services as they browse magazines and books. The study finds out three strategies of design in current large bookstores to promote place-experience, which are the story-telling of history and culture, the design of theme parks, and openness for public mingling like plazas and streets. Thus, the study suggests a new paradigm in the design of bookstores in this internet age.

• 건축역사연구
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• 제14권4호
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• pp.59-72
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• 2005

Architectural embodiment of a national identity has long been a significant topic in Korean architectural circles. For this reason, it must be helpful to examine the so-called, 'National Romanticism' of Finnish architecture around 1900 in that Finnish architects of the time struggled to embody their national identity through their projects. Considering the historical and linguistic affinities between Finland and Korea, the Finnish architectural situation draws . our additional attention. This paper aims at showing its historical background, the meaning of each type of buildings in the stream, and limitations it implies. The atmosphere of Finnish nationalist movement, which was provoked by [Kalevala] publications (1835; 1845) and shown in Karelianism, was heightened by Tsarist Empire's Russification programme of Finland in the late 19th century Architecture was one of the most important genres expressing her national identity. Finnish national romantic architecture could be divided into three. The first is a log house style for artists' studio house, motivated by the Finnish vernacular farmstead - especially by Karelian farmhouse. This type of building signifies the Finns' will to return to their motherly soil. The second is a stone architecture style for public buildings, inspired by Finnish church or castle of an early medieval time. By using roughly-cut granite as the main exterior material, buildings of this type symbolise the toughness of legendary heroes and Finns' desire for national Independence. The third type of building was based on both of the former or more dependent on architects' Imagination and creativity. However, Finnish national romantic architecture has been criticised by some critics owing to its decorative, eclectic and self-indulgent characteristics. Probably, it was not really national but rather inter-national because of the Influences of English Arts and Crafts Movement, the American Richardsonian architecture and the continental Art Nouveau. And the negative images of 'national' and 'romantic' made some historians coin other terms like 'national realism' or 'material realism'. As another limitation, one raises the low degree of its contribution to the entire architectural history. Despite these criticisms, however, this paper argues that Finnish national romantic architecture is meaningful in itself, particularly because it illustrates vividly Finns' struggle to search for their national identity and, after all, their craving for national independence.

• 영어영문학
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• 제60권2호
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• pp.315-338
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• 2014

In The Great Hunger (1942) Patrick Kavanagh opens an Irish postnationalist discourse. Taking advantage of historical revisionism and postcolonialism, he not only demystifies a romantic nationalist ideology rooted in rural Ireland but also searches for an autonomous literary tradition free of the Irish Literary Revival, supposedly an outcome of a colonial influence. As a farmer-poet, Kavanagh deconstructs in two ways myths of rural areas, to which the Revivalists aspire. Contrary to Revivalism, he reveals that rural Ireland is not an idealized place where national identity arises and individual spirits are restored. It is instead a cruel place where farmer Maguire, deprived of health, wealth, and love, is tortured by hard labor in the field, moral regulations imposed by the Church, and his mother's domestic authority, all of which leave him unmarried until age sixty-five. Kavanagh also challenges the Revivalist tradition, led by W. B. Yeats commonly referred to as the poet of the nation, by indicting its reliance on former colonial authority and its lack of a sense of communal autonomy, both of which are diagnosed as "provincialism" by Kavanagh. Given that modern Irish literature has been strongly colored as nationalistic during the course of anticolonial resistance, Kavanagh's critique of the Revival in The Great Hunger, whose proponents blindly beautify the lives of farmers, runs directly against the grain of the founding ideology of the Irish nation-state. His voice, like that of a whistle-blower, disclosing the harsh realities of rural Ireland, ushers in a "post"-nationalist perspective on nation and national myths in Irish poetics.