• Journal of architectural history
• /
• v.27 no.6
• /
• pp.41-48
• /
• 2018

For the proper preservation and utilisation of Regional Modern Heritage Buildings, it is necessary to study the history of local modern architecture based on a broad understanding of the region and also to architectural history. The aim of this study is expand the awareness and multi-faceted interpretation of modern architecture in Kwangju in the 1940's to 1950's, by exploring the origin of regional modern architecture from new perspectives. As a part of the discussions of the perspectives, this study will be therefore explained with the regional correlations between the architect Kim Han-seop's works and activity, influential politicians, strong enthusiasm of education, architectural characteristics of the main building of Chosun University, architecture schools and association in Kwangju. Then, it will be finalised that Kim Han-seop and the main building of Chosun University are directly and indirectly correlated and affected each other strongly.

• Journal of architectural history
• /
• v.32 no.1
• /
• pp.21-34
• /
• 2023

The purpose of this research is to investigate Korean architects' perception of the Modern Movement in architecture in the West during the Japanese colonial period, by analyzing two Korean publications in the 1930s: Park Dongjin's 'Present Architectural Tendency' (Dong-A Ilbo, March 1931) and Hong Yunsick's 'Trend in the Thought of Moderne Baukunst' (Chogwang, September 1937). As a result of the investigation, it is confirmed that the two men welcomely accepted the universal modernity, regarding the rational and functional - rather than subjective expressions of the individual - as the key to modern architecture. Although their perception of the Modern Movement in Western architecture was inevitably superficial due to the limited condition of the Japanese colonial period in Korea, there was an obvious advancement in the latter's perception from the former's, reflecting the progress in knowledge of it over the six and a half years between the two. Therefore, it is argued that their 1930s' writings are meaningful as the first Korean publications that illustrate how Korean architectural circles perceived the contemporary architectural movement in the West.

• Journal of architectural history
• /
• v.12 no.3
• /
• pp.101-116
• /
• 2003

The word 'Neo-Modern' means the revival of modernism, specially the concept of the White Geometry of Le corbusier and Mies van de Rohe, and the Neo-Modern movement in architecture indicates the leading aspects appeared in 1990's. Modern architecture was a formalistic art movement. With its historical roots, in Europe extending back to the avant- garde modern architecture in 1920's, Neo-Modern appeared with the name of New York Five, in 1970's. In Japan, there has been an outstanding movements presenting Modernism architectural charateristics, since 1980's. The characteristics of these works can be discerned from the those of Regionalism of Historicalism in 1980's. This study is to investigate and analyze the characteristics of the works of Japanese Neo-Modern architects and to contribute to defining the word, 'Neo-Modernism'. In chapter one, the background, purpose and methode of study are presented. In chapter two, the concept and historical background of 'Neo-Modernism' are studied. In chapter three, the characteristics of Neo-Modernism are studied on the basis of the main concepts and formal characteristics of modernism and New york Five. In chapter four, the tradition of Modernism inside the history of Japanese architecture were studied, specially focused on Metabolism. In chapter five, The characteristics of Neo-modern expressions used in the 18 exhibition and cultural facilities in Japan, established after 1980, are analyzed in terms of 4 expression categories. In chapter six, a synthetic conclusion is presented.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2006.05a
• /
• pp.107-112
• /
• 2006

Current city that we live in exist many modern architecture have historical meaning and high value. This modern architecture is disappearing because study - definite thesis of concept, division of the time - of preservation wasn't advanced fully and we have the feeling of being victimzed for Japanese imperialism, in addition to lack of recognition for cultural treasure value. These days, a growing number of people tend to focus on preservation and uses of cultural properties including mordern architectures. Therefore, this study aims to figure out constructive uses of mordern architectures by purposing analysis and preservation methods with a selected architectures which deserve to be conserved.

• Journal of the Korean Institute of Rural Architecture
• /
• v.17 no.1
• /
• pp.45-54
• /
• 2015

This study is about the Type classification of architectural assets in Seosungro (one of the 4 Roads of Rampart in Junggu, Daegu), the main stronghold of Urban Regeneration projects according to the recent Urban Regeneration law. The purpose of this study is to suggest the basic data about Operation management method of Original Downtown modern buildings and valuable hanok, and Conservational Regeneration of Architectural property of Urban Environmental Improvement and Architectural assets. By researching, analysing the feature and classifying the type of the buildings in Seosungro, The type classified Conservation plan can be suggested. The Types of the Architectural assets will be the basic data of the application plan of modern buildings which is for the urban regeneration, and this can predict the quantity and the demand of the building for effective urban regeneration, and also can be an effective Urban regeneration policy data.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 1999.04a
• /
• pp.102-105
• /
• 1999

The purpose of this study is to analyze the meanings and expressional characteristics of space-time concept in modern architecture. As the architecture spaces reflect and represent the characteristics of times, the meaning and modern expression of space-time concept was studied in the developmental process of space concept on the base of the background of philosophy, science and psychology. At the late 19th century, space concept was changed with relative time-space in philosophy and science and the theory of visual perception. In the beginning of 20th century, space-time concept that combined space with time in the process of image open space expanded movement was developed. In modern architecture, it was expressed as the freedom of movement by open space expanded infinitely and/or abstract space without spacial measure, multiple view point by superimposed and/or polyhedric space and kinetic vision by dynamic and/or continuous space.

• Journal of the Korea Institute of Military Science and Technology
• /
• v.14 no.4
• /
• pp.598-606
• /
• 2011

The importance of avionics systems has increased to a significant level in modern aircraft development. Modern avionics system is a complex integrated system of state-of-art hardware and software technology. Specifying the avionics system architecture is the most important task throughout the avionics system design process. This paper reviews modern avionics system architectures and proposes an effective avionics architecture suitable for modern attack helicopters.

• Korean Institute of Interior Design Journal
• /
• no.30
• /
• pp.9-16
• /
• 2002

As a short lived group, ABC had an important effect on the design of Modern architecture. Because it played an important role in the foundation of CIAM, and affected the style of Internationalism and Neue Sachlichkeit in Modern architecture. ABC group was the result of Elementarism and Constructivist International. And El Lissitzky was a central figure in the birth of ABC group as a Constructivist. ABC's design resembled the design of ASNOVA, but it modified it as a more real and functional design. This study amins at the analysis of the effects of ABC group on the design of Modern architecture.

• Journal of architectural history
• /
• v.26 no.1
• /
• pp.45-59
• /
• 2017

The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de $si{\grave{e}}cle$. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner's works from the construction of 'Linke Wien Zeile housing block' in 1898, his works completely broke from the typical historicism styles to open the period of inventive 'Secession styles.' At that time, Wagner concentrated on so called 'flat decorations.' Thereafter, his residential architecture completed to modern styles with 'Neustiftgasse housing block' as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.

• Journal of the Korean Institute of Landscape Architecture
• /
• v.49 no.5
• /
• pp.12-26
• /
• 2021

The purpose of this research is to analyze the influence and legacy of Le Corbusier, who has been neglected in the past discourse of landscape architecture, on the formation of modernism in landscape architecture. The research examined the relationship between Le Corbusier's ideas and practices and modern landscape architecture in three parts. The first part analyzed chronologically the relationship between architecture and landscape in Le Corbusier's theories and practices. The evaluations and criticisms of Le Corbusier's landscape practices were also examined. The second part analyzed the relationship between Le Corbusier and European Modernism in landscape architecture and his influence on European modern landscape architects focusing on Vera, Lurcat, and Canneel-Claes. The third part looked into Le Corbusier's influence on American and British modern landscape architects including Tunnard, Chruch, Rose, Eckbo, and Kiley. The result of the research showed Le Corbusier's works and theories heavily influenced important landscape architects in Europe and America, who played key roles in forming Modernism in landscape architecture. Rather than introducing Le Corbusier's Modernism theory into the discourse of landscape architecture without questioning, modern landscape architects accepted his theory and practice of Modernism selectively with praise as well as criticism. Canneel-Claes, Turnnad, and Eckbo were the pioneers who tried to establish the basis of Modernism in landscape architecture by positively accepting Le Corubiser's thoughts on Modernism; whereas, Steel and Rose criticized Le Corubiser's attitude on landscape architecture. Church and Kiely were indirectly influenced by Le Corbusier in forming their Modernism style.