• Journal of the Korea Furniture Society
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• v.23 no.2
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• pp.185-194
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• 2012

Contemporary society maintains mass-product system that keeps endless cycle of making and consuming. In this vein, everyday life becomes to be under the control of function and efficiency. On the contrary, the people are getting to have a desire of escaping from this everydayness, that is, the desire for non-everydayness. British architect, Nigel Coates understood the potentiality of contemporary metropolis which produce new experiences through their heterogeneities. During 1980s, Japanese economic bubble provided rich nourishment to the desire for non-everydayness based on consumers' tastes. Nigel Coates snatched this phenomena and designed commercial spaces aligned to the non-everydayness. He shows very eloquent version of escaping sense. We can find the exquisite quality of non-everydayness through design vocabulary of object's form and arrangement. In the viewpoint of object form, Coates adopted classical statues of Greek, that is antique, and modern gadgets such as airplane wings and seats. Also, we can find abundant gestures of curvilineal contours throughout the objects he designed. As for the objects' arrangement, he introduced repetition and curved composition that can stimulate human interaction with interior scape.

• Architectural research
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• v.12 no.2
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• pp.1-7
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• 2010

Science (natural science) is the systematic attempt to understand and interpret the nature phenomenon. For this reason, architects have used science to adapt nature to their design. With the rise of modern science, architecture became more closely related with science. Science available to develop new technology for architecture and it influenced architect's idea and concept. Symbolically, Architects use method or process of science to generate building form. The Rules of compositing particles in the chemistry or DNA (deoxyribonucleic acid) in the biology are used to generate a form of building. Literally, Architects use technology as a tool of science to improve physical performance of architecture. Like mathematical understanding of structure load enabled people to construct enclosure without columns or any of support system inside of architecture. Still natural phenomenon is not fully understood as science and science is still discovering a new phenomenon or changing its theory to adapt new discovery. New discovery or limitation of science influenced architecture throughout the history. This paper is to discuss how architectural theories are rest upon idea set forth by science. In addition, how technology as a tool of science has been utilized in architecture.

• Journal of the Korean housing association
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• v.27 no.6
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• pp.85-93
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• 2016

The spaces have a variety of sizes dependent upon their function and significance as well as their geometric shape. An architect Adolf Loos (1870-1933) had incorporated a correlation between the unconstrained formation of space into design. He had noticeably revealed the features of space that are unconstrained and mutually related with each other, for the space compositions among modern architects. This study is about to analyze the feature of space structure for houses of Adolf Loos through Space syntax which is the quantitative space analyzing method for the subject of his detached houses. These houses were emphasized for functional aspects of space without unnecessary decorations. Le Corbusier's Villa Savoye was analysed along with it to review a comparative point of view of his house's characteristic. Based on this, the features of the spatial structure of Loos' house were examined in conjunction with his views space as essence. A J-Graph and VGA for Adolf Loos' detached house revealed the structure's spatial characteristics in which the interior space is located deeply removed from exterior yet it is integrated as a whole. Also, it revealed that the experiments of the various spatial structures shown in Adolf Loos' detached house and European rationalist architects like Le Corbusier affected each other at the same time.

• Journal of the Korea Furniture Society
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• v.20 no.4
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• pp.374-387
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• 2009

Gerrit Rietveld who is Dutch architect and furniture designer had explored the plastic abstractness based on the universality of De Stijl principle. He had tried to expand the boundary of furniture design bound to traditional form and decorative aesthetics. Beginning of 20th century, he opened the new aesthetic realm of pure and abstract value for furniture design for the first time. Through this research, the results can be summarized as follows. The characteristics of his deign are abstractness, spatial consideration and tectonic construction. The abstractness is attained by simplifying constructional material into geometrical forms such as straight line, rectangle and square. And he adopted unconventional way of construction in order to increase this abstractness. The space included in his furniture can be expressed in the new technology of joint, the visual transparency using linear material, and the destruction of corners. All these aspects harmoniously helped the feeling of architectural space of flow. Through the exposed frame of furniture, Rietveld emphasized on the tectonic construction by methodological treatment such as piling-up or overlapping material. The characteristics of Gerrit Rietveld's design are abstract, spatial and tectonic. These aesthetical tendencies could be understood as a junction between De Stijl's principles and modern architecture's spatial preferences-flow and extension of space-.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.14 no.2
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• pp.919-926
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• 2013

The relation of City and type caused by Neo-Rationalism often posed a subject in the modern urban architectural design and is treated by essential concept and methodology. The purpose of this study was that Neo-Rationalism architecture recognized and treated by metaphysical form and singular image examined on the urban viewpoint. In other words, interpretation concept of city and architecture considered through typological architectural theory and work analysis of Neo-Rationalism architect. Accordingly, the urban contextual characteristics of Neo-Rationalism architecture were aimed to analyze by examining the acceptance mode.

• Korean Institute of Interior Design Journal
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• no.19
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• pp.45-52
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• 1999

This study is on Buckminster Fuller, who is generally known as a structure engineering architect, and his influences. Fuller's radical and utopian ideas and designs were regarded as 'paper architecture'. But considering today's high cost of energy and the limited natural resources, Fuller's Dymaxion theory must be re-evaluated. Fuller's influences on the contemporary architecture are summarized as follows. 1) His idea of controlling the environment through the use of technology influenced today's 'High-Tech' architects. Architecture is no-longer designed purely by its formal character, but becomes a tool of investigating environmental significance of modern technology. 2) Through systemizing mechanical equipment, Dymaxion House prototype, and aggregation of high-tech mechanical equipments, influenced Archigram & Metabolist's capsule idea. It is expressed as a plug-in module equipment of 'High-Tech' architecture which has flexible interior with mechanical exterior image. 3) Megastructure. The Manhattan dome project gave an influence to many engineer/architects who tried to achieve an ideal artificial environment. This is in connection to 1960's utopian projects. Today's megastructures show new possibilities in urbanism and architecture. Fuller's comprehensive idea of humans living in harmony in the universe shows possibilities not only in structural engineering, but in solving various problems that confront today's architecture.

• Korean Institute of Interior Design Journal
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• v.13 no.4
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• pp.74-82
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• 2004

Urbanization created by modernization and industrialization has brought tremendous growth of hotel demand with city ' development such as population’s centralization, living environment changes, consumption emphasis, and internationalization. Moreover, the hotel industry has been developed in two ways. First, it has been diversified and popularized by hotel culture. Second, the hotel industry has been upgraded form focusing oh its specific targets. In the view of Hotel design, Hotel was shown as a social and cultural value. Customer can experience the space, not normal big sizes, but being new and reflecting trends regardless of any purposes or locations. The hotels that were resulted in development of American economy and construction since the 1980 had new design concepts. These hotels were one of the examples showing pluralism requiring on modern society. In the case of Korea, Korean Architect Company have built in copying or repacked western hotel without considering Korean local conditions. Korean company just tried to make large scales, high-story buildings, and chain hotels. Nevertheless, it is the current trend to understand the customer's sensitivity and viewpoint by introducing a new style of hotel management that requires variety and different characteristics of hotel design. Therefore, the purpose of this study presents a direction of the future hotel architecture by analyzing design characters of domestic and international hotels, by collecting various consumer's requests.

• Korean Institute of Interior Design Journal
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• v.22 no.3
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• pp.81-90
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• 2013

There has been current trend running through each generation. All the leading areas in the fashion, art, architect industries etc. are absorbing the needs of the mass users and getting popular and high attentions from the society. One of recent trends are the interior design utilizing the aged style of materials such as bricks, antique and vintage objets. It is applied not only for the cafeteria, movie theater, museum but the cultural space. It reflects the brand-new and Utopian interpretation of design longings for the nostalgia and the old ages. This goes back to the picturesque aesthetics in the 1980s. The term "picturesque" means "picture-like". And it originated from the Utopian vision taken from the landscape paintings of English aristocrat's trip to Europe. it mainly reflects people's longing for the nostalgia and their the happy days in the past. In recent days of bad economies, it has been found in various areas from people's desire for the prosperity in the last days. The objective of this study is to examine the up-current trend of picturesque aesthetics and see its characteristics and how it can be applied to the interior design. And the feasibility study for the necessity of the picturesque aesthetics, any spatioperceptual elements and capable space for human beings to be made for an eclectic space in the desolate modern day life.

• Korean Institute of Interior Design Journal
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• v.23 no.3
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• pp.75-82
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• 2014

The aim of this study is to review phenomenological characteristics in Alvaro Siza's works through his design intention, methods and results. As a Portuguese architect, his personal and local background as well as pursuing the essence of architecture made phenomenological characteristics of his works. The emphasis of the placeness of site and the existence of architecture has close relationship with Heidegger's concept of dwelling and the role of architecture. Although Siza has maintained white plat plane of interior space which is one of features of modern architecture, he provides dramatic and dynamic experiences of space using curved and acute angle of plane in his latter part of works. Another his phenomenological nature of buildings is a striking display of space and light which is remarkable especially in his museum designs. He made this character in adopting various shapes of double ceilings, openings and their combination with natural light which he always emphasizes. As a result, Alvaro Siza's phenomenological characteristics comes not from clear architectural or philosophical theory but from continuous practice based on pursuing the essence of architecture.

• Architectural research
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• v.15 no.1
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• pp.17-23
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• 2013

The purpose of this paper is to reconsider and revaluate Ste. Genevieve Library designed by Henri Labrouste as a criticism of Classicism. Considered as the epitome of the early structural Rationalism the modern historian tried to focus only on the iron structure of the library. Arguably, the structural concern was one of the ideas that the architect wanted to manifest in the library. As a rebel against a view of the Acad$\acute{e}$mie des Beaux-Art the notions of H. Labrouste were radical. He criticized an autistic Classicism with an echoing Claude Perrault's doubt about the myth of classical beauty. These radical ideas firstly showed in his report of the Grand Prix de Rome and must have been developed through several discussions for a novel: Notre-Dame de Paris by V. Hugo. 'Ceci tuera cela', one of the chapter of the novel, was generally known as the death of architecture due to the invention of the printing press around Renaissance period. We, however, consider that even though the historical background of the novel is the Gothic period the ideas, which was discussed with Labrouste, related to the death of architecture was not the architecture itself but classical architecture recomposed during Renaissance period. As the first design work the library must be reflected his ideas, which were developed, and manifested his criticism of the Classicism indirectly.